museums and institutions:
Attributed works:
1. 11. Seated Bather, with Left Arm Raised. c.1858-60. Red Chalk. 26.6 by 23 cm. (The Art Institute of Chicago). Fig. 36.
Attributed works:
1. Le vieux musicien, by Édouard Manet. 1862. 187.4 by 248.3 cm. (National Gallery of Art, Washington, D. C.)
Attributed works:
10. 35. Sketch for The Execution of Maximilian. 1868-69/1879? Signed and Dated Manet 1867. (Ny Carlsberg Glyptotek, Copenhagen). Fig. 69.
Attributed works:
10. La leçon de lecture, by Auguste Toulmouche. 1865. 36.5 by 27.5 cm. (Museum of Fine Arts, Boston.)
Attributed works:
100. 58. Folies-Bergère. Représentations des Frères Hanlon-Lees et de Little Bob, Gymnastes Americains, by Beaurepaire after Truchon. November 1872. Wood-Engraving. 33.5 by 23.5 cm. (Bibliothèque Nationale, Cabinet des Estampes, Paris.)
Attributed works:
101. 59. Sketch for Un bar aux Folies-Bergère. Positive Print from a Composite X-Radiograph of No. 60 (Fig. 102).
Attributed works:
102. 60. Sketch for Un bar aux Folies-Bergère. 1881. 47 by 56 cm. (Stedelijk Museum, Amsterdam. On Loan from Dr. F. F. R. Koenigs.) Col. ill. 8.
Attributed works:
103. 61. Un bar aux Folies-Bergère. Positive Print from a Composite X-Radiograph of No. 62 (Fig. 104).
Attributed works:
104. 62. Un bar aux Folies-Bergère. Signed and Dated 1882. 96 by 130 cm. (Courtauld Institute Galleries, London.) Col. ill. 9.
Attributed works:
11. Le chemin de fer, by Édouard Manet. 1873. 93.3 by 114.5 cm. (National Gallery of Art, Washington, D. C.)
Attributed works:
12. La petite paresseuse, by Gustave de Jonghe. 1867. (Dimensions and Present Whereabouts Unknown.)
Attributed works:
13. Chez le père Lathuille, by Édouard Manet. 1879. 92 by 112 cm. (Musée des Beaux-Arts, Tournai.)
Attributed works:
14. Meeting in a Riverside Café (Original title Unknown), by James Tissot. c.1869. 40.6 by 53.3 cm. (Private Collection.)
Attributed works:
15. Dans la serre, by Édouard Manet. 1879. 115 by 150 cm. (Nationalgalerie, Berlin.)
Attributed works:
16. Flirtation, by Auguste Toulmouche (Reproduced from an Engraving). 1876. (Dimensions and Present Whereabouts Unknown.)
Attributed works:
18. I. Le jambon. Positive Print from a Composite X-Radiograph of No. II (Fig. 19). [19. II. Le jambon. c.1875-78. 32.4 by 41.2 cm. (The Burrell Collection, Glasgow.)]
Attributed works:
19. II. Le jambon. c.1875-78. 32.4 by 41.2 cm. (The Burrell Collection, Glasgow.)
Attributed works:
2. 25. Reclining Nude. c.1857-59. Red Chalk. 24.7 by 45.7 cm. (Musée du Louvre, Cabinet des Dessins, Paris). Fig. 51.
Attributed works:
2. À l'ombre des bosquets chante un jeune poète, by Ernest Meissonier. 1853. 18 by 21 cm. (Wallace Collection, London.)
Attributed works:
20. 1. Sketch for La nymphe surprise (See Fig.40). c.1858-60. Panel. 35.5 by 46 cm. (Nasjonalgalleriet, Oslo.) Col. ill. 3.
Attributed works:
21. 2. Reclining Nude. Positive Print from a Composite X-Radiograph of No.1 (Fig.20). [Sketch for La nymphe surprise (See Fig.40). c.1858-60. Panel. 35.5 by 46 cm. (Nasjonalgalleriet, Oslo.) Col. ill. 3.]
Attributed works:
22. Moïse sauvé, by Edmé Jeaurat after Paolo Veronese. Engraving from the Recueil Crozat. (Bibliothèque Nationale, Cabinet des Estampes, Paris.)
Attributed works:
23. Moyse trouvé sur le Nil, by Simon Vallée after Giovanni Francesco Romanelli. Engraving from the Recueil Crozat. (Bibliothèque Nationale, Cabinet des Estampes, Paris.)
Attributed works:
24. 3. The Finding of Moses. c.1858-60. Pen and Sepia Ink with Wash, over Pencil, Squared in Red Chalk, on Joined Sheets of Smooth Laid Paper. 33.3 by 28 cm. (Museum Boymans-van Beuningen, Rotterdam.)
Attributed works:
25. 4. Bathsheba, by Manet after J. Corneille le Jeune and Giulio Romano (See Fig.26). c.1858-60. Pencil on Smooth Laid Paper, Watermark Joynson. 17.8 by 13.2 cm. (Musée du Louvre, Cabinet des Dessins, Paris.)
Attributed works:
26. 5. David Spying upon Bathsheba, by J. Corneille le Jeune after Giulio Romano. Engraving (Composition Reversed) after the Fresco in the Palazzo del Tè, Mantua. 26 by 26 cm. (Bibliothèque Nationale, Cabinet des Estampes, Paris.)
Attributed works:
27. 6. The Toilet of Bathsheba, by J. Corneille le Jeune after Giulio Romano. Engraving. 26 by 26 cm. (Bibliothèque Nationale, Cabinet des Estampes, Paris.)
Attributed works:
28. Head of a Young Woman (Suzanne Leenhoff). Red Chalk on Laid Paper, Watermark NF. 29.7 by 25.4 cm. (Bibliothèque Nationale, Cabinet des Estampes, Paris.)
Attributed works:
29. La pêche. c.1858-60. 76.8 by 123.2 cm. (The Metropolitan Museum of Art, New York.)
Attributed works:
3. 1. Sketch for La nymphe Surprise. c.1858-60. Panel. 35.5 by 46 cm. Inscribed E. Manet. (Nasjonalgalleriet, Oslo). Fig. 20.
Attributed works:
3. Le fifre, by Édouard Manet. 1866. 160 by 98 cm. (Musée d'Orsay — Galeries du Jeu de Paume, Paris.)
Attributed works:
30. 7. Susannah and the Elders, by Lucas Vorstermann after Rubens. Engraving. 39 by 27.8 cm. (British Museum, London.) Reproduced in Reverse.
Attributed works:
31. Seated Nude. c.1858-60. Positive Print from a Composite X-Radiograph of Mlle Victorine en costume d'espada (Fig.32).
Attributed works:
32. Mlle Victorine en costume d'espada. Signed and Dated 1862. 165.1 by 127.6 cm. (The Metropolitan Museum of Art, New York.)
Attributed works:
33. 8. Seated Bather, Facing Right (I). c.1858-60. Pen and Sepia Ink with Wash over Red Chalk, on Thin Wove Paper (Laid Down). 26.7 by 19.9 cm. (Museum Boymans-van Beuningen, Rotterdam.)
Attributed works:
34. 9. Seated Bather, Facing Right (II). c.1858-60. Pen and Sepia Ink with Wash over Red Chalk, with Black Chalk Corrections, on Thin Wove Paper. 26.5 by 20.4 cm. (Private Collection, London.)
Attributed works:
35. 10. Seated Bather, with Both Arms Raised. c.1858-60. Red Chalk with Pencil Corrections, Squared in Pencil, on Laid Paper, Watermark NF. 30.9 by 25.5 cm. (Bibliothèque Nationale, Cabinet des Estampes, Paris.)
Attributed works:
36. 11. Seated Bather, with Left Arm Raised. c.1858-60. Red Chalk on Laid Paper, Watermark NF. 26.6 by 23 cm. (The Art Institute of Chicago.) Col. ill.1.
Attributed works:
37. 12. Seated Bather, with Left Arm Raised. c.1858-60. Incised Mica Sheet with Black Chalk Touches on the Face. 23.7 by 15.9 cm. (Musée du Louvre, Cabinet des Dessins, Paris.)
Attributed works:
38. 13. La toilette. c.1860-61. Red Chalk on Laid Paper, Watermark NF, Incised for Transfer. 29.1 by 21 cm. (Courtauld Institute Galleries, London.)
Attributed works:
39. 14. La toilette. c.1860-61. Etching. 28.7 by 22.5 cm. (British Museum, London.)
Attributed works:
4. 45. Au café. Signed and Dated 1878. 77 by 83cm. (Sammlung Oskar Reinhart 'Am Römerholz', Winterthur). Fig.81.
Attributed works:
4. Le joueur de flûte, by Ernest Meissonier. 1858. 33 by 22 cm. (Present Whereabouts Unknown.)
Attributed works:
40. 15. La nymphe Surprise. Signed and Dated 1861. Photograph by Godet, Showing the Satyr's Head among the Trees. 1872. 32 by 26 cm. (Bibliothèque Nationale, Cabinet des Estampes, Paris.)
Attributed works:
41. 16. La nymphe Surprise. Positive Print from a Composite X-Radiograph of No.15 (Fig.40), Showing the over-Painted, Cut Figure on the Left (See No.1, Fig.20), and the Maid behind the Seated Nude. (Museo Nacional de Bellas Artes, Buenos Aires.)
Attributed works:
42. 17. Venus del Pardo (Formerly Called Jupiter and Antiope), by Titian. 196 by 385 cm. (Musée du Louvre, Paris. INV 752.) Photograph by Alinari c.1890-1900. (Musée du Louvre, Documentation du Département des Peintures.)
Attributed works:
43. Venus del Pardo (Formerly Called Jupiter and Antiope), by Manet after Titian. c.1857-60. 47 by 85 cm. (Formerly Rouart Collection, Paris.)
Attributed works:
44. 18. Le déjeuner sur l'herbe. Positive Print from a Composite X-Radiograph of No.19 (Fig.45), Showing the Wide, Open Landscape to the Left, the Slender Trees, and the Plants in Place of Victorine's Clothes.
Attributed works:
45. 19. Le déjeuner sur l'herbe. Signed and Dated 1863. 208 by 264 cm., Originally 214 by 270 cm. (Musée d'Orsay - Galeries du Jeu de Paume, Paris.)
Attributed works:
46. 20. Jupiter amoureux d'Antiope se transforme en Satire, by Bernard Baron after Titian's Venus del Pardo (No.17, Fig.42). Engraving (Reversed Composition) from the Recueil Crozat. 38.7 by 66.3 cm. (British Museum, London.)
Attributed works:
47. 21. The Judgment of Paris, by Marcantonio Raimondi after Raphael. Engraving. 29.5 by 44.3 cm. (British Museum, London.)
Attributed works:
48. 22. Pastorale, by Nicolas Dupuy after Giorgione (Now Known as Le concert champêtre, Attributed to Titian). Engraving (Reversed Composition, See No.17, Fig.42) from the Recueil Crozat. 33 by 38.5 cm. (British Museum, London.)
Attributed works:
49. 23. Le déjeuner sur l'herbe. c.1863-65. Pen and Ink and Watercolour over Pencil, on Laid Paper, Watermark J Whatman. 40.8 by 48 cm. (The Ashmolean Museum, Oxford.)
Attributed works:
5. 46. Coin de café-concert. 1877-79. Signed and Dated 1878 (Or 1879). 98 by 79cm. (The National Gallery, London). Fig.82.
Attributed works:
5. Le balcon, by Édouard Manet. 1868-69. 169 by 125 cm. (Musée d'Orsay — Galeries du Jeu de Paume, Paris.)
Attributed works:
50. 24. Le déjeuner sur l'herbe. c.1864-68? 89.5 by 116 cm. (Courtauld Institute Galleries, London.)
Attributed works:
51. 25. Reclining Nude. c.1857-59. Red Chalk on Laid Paper. 24.7 by 45.7 cm. (Musée du Louvre, Cabinet des Dessins, Paris.) Col. ill.2.
Attributed works:
52. 26. Reclining Nude. c.1857-59. Red Chalk, Squared, on Laid Paper, Watermark NF. 22.5 by 30 cm. (Bibliothèque Nationale, Cabinet des Estampes, Paris.)
Attributed works:
52a. Danaë, by Gauchard from a Drawing by Cabasson after Titian (Museo di Capodimonte, Naples). Wood-Engraving, 9.6 by 13.7 cm. In Charles Blanc, Histoire des peintres, 'Titian', p.11. (Bibliothèque Nationale, Cabinet des Estampes, Paris.)
Attributed works:
53. 27. Danaë, by Louis Desplaces after Titian. Engraving (Composition Reversed) from the Recueil Crozat. 25.5 by 33 cm. (British Museum, London.) Reproduced in the Same Sense as the Painting.
Attributed works:
54. 28. Venus of Urbino, by Manet after Titian. 1857? Panel. 24 by 37 cm. (Private Collection.)
Attributed works:
55. 29. Olympia. Positive Print from a Partial Composite X-Radiograph of No. 30 (Fig. 56).
Attributed works:
56. 30. Olympia. Signed and Dated 1863. 130.5 by 190 cm. (Musée d'Orsay - Galeries du Jeu de Paume, Paris.)
Attributed works:
57. 31. The Execution of Maximilian. First Version. 1867. 196 by 259.8 cm. (Museum of Fine Arts, Boston.)
Attributed works:
58. 31a. The Execution of Maximilian. Positive Print from a Composite X-Radiograph of No. 31 (Fig. 57).
Attributed works:
59. Le Deux Mai (sic), by Dumont from a Drawing by Bocourt after Goya. Wood-Engraving. 11.4 by 16.3 cm. Published in Charles Yriarte, Goya, Paris [1867].
Attributed works:
6. 54. Café-concert. c.1878-80. Signed Manet. 47.5 by 39.2cm. (The Walters Art Gallery, Baltimore). Fig. 94.
Attributed works:
6. La visite, by Alfred Stevens. Exhibited at the Paris Exposition Universelle, 1867. (Dimensions and Present Whereabouts Unknown.)
Attributed works:
60. 32. The Execution of Maximilian. Second Version. 1867-68. Photograph by Lochard, No. 309, c.1883, Showing the Canvas Still Largely Intact (See Fig. 61). (Bibliothèque Nationale, Cabinet des Estampes, Paris.)
Attributed works:
61. The Execution of Maximilian. Second Version (Four Fragments). 1867-68. 190 by 216 cm. (Combined). (The National Gallery, London.)
Attributed works:
62. Soldier Loading His Gun. 1867-68. Pen and Sepia Ink on Tracing Paper (Laid on Card). 26.6 by 9.8 cm. (Michel de Geofroy, Geneva.)
Attributed works:
67. 33. The Execution of Maximilian. Intermediate Design. 1868. Positive Print from a Composite X-Radiograph of No. 35 (Fig. 69).
Attributed works:
68. 34. The Execution of Maximilian. 1868. Lithograph. 33.3 by 43.3 cm. Edition of 1884. (The British Museum, London.)
Attributed works:
69. 35. Sketch for The Execution of Maximilian. 1868-69/1879? 50 by 60 cm. (Ny Carlsberg Glyptotek, Copenhagen.) Col. ill.10.
Attributed works:
7. 49 La serveuse de bocks. c.1878-80. Inscribed E. Manet. 77.5 by 65cm. (Musée d'Orsay — Galeries du Jeu de Paume, Paris). Fig. 85.
Attributed works:
7. Le déjeuner, by Édouard Manet. 1868. 118 by 153.9 cm. (Bayerische Staatsgemäldesammlungen, Munich.)
Attributed works:
70. 36. The Execution of Maximilian. Third Version. Positive Print from a Composite X-Radiograph of No. 37 (Fig. 71).
Attributed works:
71. 37 The Execution of Maximilian. Third Version. 1868-69/1879? Signed and Dated 19 Juin 1867. 252 by 305 cm. (Städtische Kunsthalle, Mannheim). Fig. 71.
Attributed works:
71. 37. The Execution of Maximilian. Third Version. 1868-69/1879? Signed and Dated 19 Juin 1867. 252 by 305 cm. (Städtische Kunsthalle, Mannheim.) Col. ill.11.
Attributed works:
73. 39 (Recto). La barricade. 1867-68?/1871. Brush and Indian Ink, Watercolour and Gouache over Pencil, on Two Joined Sheets of Paper (Wove Lower Half, Laid Upper Half). 46.4 by 32.6 cm. (Szépmüvészeti Múzeum, Budapest.)
Attributed works:
74. 39 (Verso). The Execution of Maximilian (Reversed Composition). 1867-68/1871? Indented Lines, Partially Redrawn with Black Chalk, on Strong Wove Paper. 30.5 by 32.6 cm. (Before the Addition of the Upper Sheet). See No. 39 Recto (Fig. 73).
Attributed works:
75. 40. La barricade. c.1871. Lithograph. 46.5 by 33.4 cm. First State. Possibly a Contemporary Impression, before the Edition of 1884. (Szépmüvészeti Múzeum, Budapest.)
Attributed works:
76. 41. Guerre civile. 1871-73. Signed and Dated 1871. Lithograph. 39.9 by 58 cm. Edition of 1874. (British Museum, London.)
Attributed works:
77. 42. Reichshoffen. 1877-78. Diagrammatic Reconstruction of the Large Painting, Showing the Three Cutting Points (1, 2, 3) and the Possible Extent of the Original Design Based on a Combination of the Two Existing Canvases (a - 3) and (3 - c) and a Drawing (b - d). See Nos. 43, 45 and 46 (Figs. 79, 81 and 82).
Attributed works:
78. Le Café. Interior of the Café Guerbois? 1874. Transfer Pen Lithograph. 26.3 by 33.4 cm. (Private Collection.)
Attributed works:
79. 43. Café Scene. c.1877. Pencil on a Double Page of a Squared Notebook, with Manuscript Annotations Blanc and Rouge. 14.2 by 18.7 cm. (Musée du Louvre, Cabinet des Dessins, Paris.)
Attributed works:
8. 60. Sketch for Un bar aux Folies-Bergère. 1881. 47 by 56cm. (Stedelijk Museum, Amsterdam; On Loan from Dr. F. F. R. Koenigs). Fig. 102.
Attributed works:
8. Le vin du curé, by Ernest Meissonier. 1860. 11.5 by 15.3 cm. (Musée Saint-Denis, Reims).
Attributed works:
80. 44. 'La servante de bocks' (See No. 46, Fig. 82). Photograph by Lochard, No. 8, Mounted on Card, with Annotations by Léon Leenhoff. 1883. 9.1 by 5.9 cm. (Photograph), 29 by 20 cm. (card). (Bibliothèque Nationale, Cabinet des Estampes, Paris.)
Attributed works:
81. 45. Au café. Signed and Dated 1878. 77 by 83 cm. (Sammlung Oskar Reinhart 'Am Römerholz', Winterthur.) Col. ill.4.
Attributed works:
82. 46. Coin de café-concert (The Waitress). 1877-79. Signed and Dated 1878 (Or 1879). 98 by 79 cm. (The National Gallery, London.) Col. ill.5.
Attributed works:
83. 47. Coin de café-concert. Positive Print from a Composite X-Radiograph of No. 46 (Fig. 82), Showing Part of the Original Reichshoffen Composition with the Right Side of the Window Seen in No. 45 (Fig. 81).
Attributed works:
84. 48. La serveuse de bocks. Positive Print from a Composite X-Radiograph of No. 49 (Fig. 85), Showing the Same Area of Window as in No. 47 (Fig. 83).
Attributed works:
85. 49. La serveuse de bocks. c.1878-80. 77.5 by 65 cm. (Musée d'Orsay - Galeries du Jeu de Paume, Paris.) Col. ill.7.
Attributed works:
86. 50. At the Café-Concert. c. 1878-80. Pencil with Black Chalk Corrections on a Double Page from a Squared Notebook. 13.1 by 16.6 cm. (Musée du Louvre, Cabinet des Dessins, Paris.)
Attributed works:
87. At the Café-Concert. c. 1878-80. Brush and Ink Wash over Pencil, on Transparent Paper (Laid down). 21.7 by 28 cm. (Musée du Louvre, Cabinet des Dessins, Paris.)
Attributed works:
88. 51. Café Singer and Musicians. c. 1878-80. Pencil on a Double Page from a Notebook of Smooth Laid Paper. 18.5 by 29.4 cm. (Musée du Louvre, Cabinet des Dessins, Paris.)
Attributed works:
89. Scene at a café-concert. c. 1878-80. Pencil on a Double Page from a Notebook of Smooth Laid Paper. 16.4 by 23.5 cm. (Trimmed). (Musée du Louvre, Cabinet des Dessins, Paris.)
Attributed works:
9. 62. Un bar aux Folies-Bergère. Signed and Dated 1882. 96 by 130cm. (Courtauld Institute Galleries, London). Fig. 104.
Attributed works:
9. La leçon de musique, by Édouard Manet. 1870. 140 by 173 cm. (Museum of Fine Arts, Boston.)
Attributed works:
90 and 91. Chanteuse de café-concert aux Champs-Elysées (profil droite) and (profil gauche). c. 1878-80. Photographs by Lochard, Nos. 187 and 188, Mounted on Card and Annotated (Details). (Bernheim-Jeune archives, Paris.)
Attributed works:
92. 52. La belle Polonaise. c. 1879-80. Transfer Lithograph. 28.5 by 26.5 cm. (Bibliothèque Nationale, Cabinet des Estampes, Paris.)
Attributed works:
93. 53. Café-concert. Positive Print from a Composite X-Radiograph of No. 54 (Fig. 94).
Attributed works:
94. 54. Café-concert. c. 1878-80. 47.5 by 39.2 cm. (The Walters Art Gallery, Baltimore.) Col. ill. 6.
Attributed works:
95. 55. 'La servante de bocks' (Café-concert). 1880. Brush and Ink with Gouache. 25.5 by 21.5 cm. (The Burrell Collection, Glasgow.)
Attributed works:
96. 56. Au paradis. (In the Gods.) 1877. Transfer Lithograph. 20.5 by 25.7 cm. (Subject), 29 by 43.7 cm. (Printed Letters). Published in the Revue de la Semaine [April 1877]. (The British Museum, London.)
Attributed works:
97. Aux Folies-Bergère. c. 1878-80. Photograph by Lochard, No. 247, Mounted on Card and Annotated (Detail). 1883. (Bernheim-Jeune archives, Paris.)
Attributed works:
98. Portrait de Méry Laurent, pastel fait d'après une photographie. 1881. Photograph by Lochard, No. 138, Mounted on Card and Annotated (Detail). c. 1883. (Bernheim-Jeune archives, Paris.)
Attributed works:
99. 57. Théâtre des Folies-Bergère, by Barclay. 1875. Seating Plan, Printed by Lefman and Hand-Coloured. 15.5 by 38.5 cm. (Bibliothèque Nationale, Cabinet des Estampes, Paris.)
Attributed works:
Fig. 17a. Le gamin. 1861-62. Etching. 20.9 by 14.8 cm. Signed u. l. éd. Manet. (Bibliothèque Nationale, Cabinet des Estampes, Paris.)
Attributed works:
Fig. 17b. Le gamin. c.1872. Lithograph. 28.9 by 22.8 cm. Signed u. l. Manet. (Bibliothèque Nationale, Cabinet des Estampes, Paris.)
Attributed works:
Photograph of Édouard Manet by Nadar.
Attributed works:
See Fig.21. [21. 2. Reclining Nude. Positive Print from a Composite X-Radiograph of No.1 (Fig.20). [Sketch for La nymphe surprise (See Fig.40). c.1858-60. Panel. 35.5 by 46 cm. (Nasjonalgalleriet, Oslo.) Col. ill. 3.]]
Western art unattributed:
63. Photograph of Maximilian's Firing Squad. 19th June 1867. See Brown University exh. cat. [1981], No. 28.
Western art unattributed:
64. Photograph of General Tomás Mejía. c.1864-67. See Brown University exh. cat. [1981], No. 20.
Western art unattributed:
65. Photograph of the Emperor Maximilian. 1867. See Brown University exh. cat. [1981], No. 19.
Western art unattributed:
66. Photograph of General Miguel Miramón. c.1864-67. See Brown University exh. cat. [1981], No. 21.
Western art unattributed:
72. Handbill Announcing the Exhibition of the Execution of Maximilian (Third Version, See No. 37, Fig. 71) at 757 Broadway, New York, in the Winter of 1879-1880. (Private Collection.)
