• MENU
logo logo white logo sticky

Burlington Contemporary is the Burlington Magazine’s free online platform for reviews and research on international contemporary art.

By using this website you agree to our Cookie policy
  • MENU
logo logo white logo sticky

Search

content
A TO Z
clear all
7 articles
Article
Veronese’s Magdalene and Pietro Aretino
06/2011 | 1299 | 153
Pages: 392-394
Subscribe to read
related names
Author:
Rosand, David (Rosand, David)
Subjects
artists:
Veronese, Paolo
dates:
1520-1549
museums and institutions:
National Gallery, London, Great Britain
print:
Veronese, Paolo
sources:
Aretino, Pietro
subjects:
Italian painting / Identification / Christian iconography / Mary Magdalene, Saint / Collections, Private
Illustrations
Attributed works:
30. The conversion of Mary Magdalene, by Paolo Veronese. c.1548. Canvas, 117.5 by 163.5 cm. (National Gallery, London).
Obituary
Michelangelo Muraro (1913-1991)
08/1991 | 1061 | 133
Pages: 517-518
Subscribe to read
related names
Author:
Rosand, David (Rosand, David)
Subjects
art literature:
Muraro, Michelangelo
dates:
1990-1999
subjects:
Art historians / Obituaries
Short Notice
Titian and the 'Bed of Polyclitus'
04/1975 | 865 | 117
Pages: 242-245
Subscribe to read
related names
Author:
Rosand, David (Rosand, David)
Subjects
artists:
Titian
artists:
Rosso Fiorentino
artists:
Michelangelo
dates:
1500-1599
patrons:
Philip II, King of Spain, 1527-1598
places:
Spain / Italy / Venice
subjects:
Classical mythology / Correspondence
subjects:
Italian painting / Danaë
subjects:
Venus / Adonis
subjects:
Iconography / Visual sources
Illustrations
Attributed works:
71. Venus and Adonis, by Titian. (Museo del Prado, Madrid).
Attributed works:
73. The Story of Adonis. Roman Sarcophagus. (Museo Laterano, Rome).
Attributed works:
74. Study of Legs, by Titian. Black Chalk, Heightened with White, on Blue Paper, 40.9 by 25.3 cm. (Gabinetto disegni e stampe Degli Uffizi, Florence, No. 12907F).
Attributed works:
75. Figure Studies, by Titian, Verso of Fig.74.
Attributed works:
76. Pietà, by Lorenzo Lotto. (Pinacoteca di Brera, Milan).
Western art unattributed:
72. 'Bed of Polyclitus', Renaissance Relief after the Antique. (Palazzo Mattei, Rome). Photo: Deutsches Archaeologisches Institut, Rome.
Short Notice
Titian's 'Presentation of the Virgin': The Second Door
09/1973 | 846 | 115
Pages: 602-603
Subscribe to read
related names
Author:
Rosand, David (Rosand, David)
Subjects
artists:
Titian
dates:
1500-1549
museums and institutions:
Gallerie dell'Accademia, Venice, Italy
places:
Italy / Venice
subjects:
Italian painting / Mary, Virgin: Presentation in the Temple
subjects:
Documents / Doors
Illustrations
Attributed works:
59. Presentation of the Virgin in the Temple, by Titian. (Accademia, Venice.)
Letter
Hans and Erica Tietze
08/1973 | 845 | 115
Pages: 538
Subscribe to read
related names
Author:
Rosand, David (Rosand, David)
Subjects
art literature:
Tietze-Conrat, Erika
art literature:
Tietze, Hans
dates:
1900-1949
subjects:
Art historians
Short Notice
Veronese in San Sebastiano: A Forgotten Fresco
05/1972 | 830 | 114
Pages: 325-326+331-332
Subscribe to read
related names
Author:
Rosand, David (Rosand, David)
Subjects
artists:
Veronese, Paolo
buildings:
San Sebastiano, Venice, Italy
dates:
1500-1599
places:
Italy / Venice
subjects:
Italian painting / Frescoes
Illustrations
Attributed works:
77. Two Monks, by Paolo Veronese. Fresco. (S. Sebastiano, Venice.)
Attributed works:
78. St Sebastian before Diocletian, by Paolo Veronese. Fresco. (S. Sebastiano, Venice.)
Attributed works:
79. Martyrdom of St Sebastian, by Paolo Veronese. Fresco. (S. Sebastiano, Venice.)
Short Notice
An Early Chiaroscuro Drawing by Paolo Veronese
08/1966 | 761 | 108
Pages: 421-423
Subscribe to read
related names
Author:
Rosand, David (Rosand, David)
Subjects
artists:
Veronese, Paolo
artists:
Farinati, Paolo
dates:
1550-1559
places:
Italy / Venice
subjects:
Italian painting / Drawings / Chiaroscuro
subjects:
Attributions
Illustrations
Attributed works:
55. Temptations of St Anthony, Here Attributed to Paolo Veronese. Pen, Brown Ink, Wash, on Grey Prepared Paper, Heightened with White, 41.4 by 35.6 cm. (Cabinet des Dessins, Musée du Louvre.)