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40 articles
Article
Annibale Carracci and the forgotten Magdalene
10/2024 | 1459 | 166
Pages: 1028–35
related names
Author:
Willer, Jacob (Willer, Jacob)
Subjects
dates:
Illustrations
Attributed works:
1. Penitent Mary Magdalene in a landscape, here attributed to Annibale Carracci. c.1601-03. Oil on copper, 37.4 by 29.2 cm. (National Trust; Kedleston Hall, Derbyshire).
Attributed works:
10. Detail of Fig.9.
Attributed works:
11. Detail of Fig.1.
Attributed works:
12. Detail of Fig.1, showing the face of the Magdalen.
Attributed works:
13. Detail of Fig.14, showing the face of the Virgin.
Attributed works:
14. Pietà with two angels, by Annibale Carracci. c.1603. Oil on copper, 41.3 by 60.7 cm. (Kunsthistorisches Museum, Vienna).
Attributed works:
2. Penitent Mary Magdalene, by Carlo Faucci. c.1758. Engraving, 39 by 30 cm. (Wellcome Collection, London).
Attributed works:
3. Penitent Mary Magdalene, here attributed to the studio of Annibale Carracci. c.1603. Oil on copper, 32.4 by 43 cm. (Fitzwilliam Museum, Cambridge).
Attributed works:
4. Penitent Mary Magdalene, here attributed to the studio of Annibale Carracci. c.1603. Oil on canvas, 51.5 by 67 cm. (Palazzo Doria Pamphilj, Rome).
Attributed works:
5. Penitent Mary Magdalene, copy after Annibale Carracci. 18th century? Oil on canvas, 41.9 by 32 cm. (Thorvaldsens Museum, Copenhagen).
Attributed works:
6. Detail of Fig.3, showing the pentimento around the Magdalene’s toes.
Attributed works:
7. Sleeping Ariadne. Roman, 1st century CE. Marble. (Vatican Museums, Vatican City; Photo Scala, Florence).
Attributed works:
8. The sleep of Venus, here attributed to the studio of Annibale (and Agostino?) Carracci. c.1600–02. Oil on canvas, 190 by 328 cm. (Musée Condé, Chantilly; Bridgeman Images).
Attributed works:
9. Christ appearing to St Peter on the Appian Way, by Annibale Carracci. 1601–02. oil on wood, 77.4 by 56.3 cm. (National Gallery, London; Bridgeman Images).
Article
The many faces of Mary Magdalene
01/2023 | 1438 | 165
Pages: 50-56
related names
Author:
Haskins, Susan (Haskins, Susan)
Subjects
media:
museums and institutions:
Illustrations
Attributed works:
1. Crucifixion, by Masaccio. c.1426. Tempera on panel, 83 by 63 cm. (Museo di Capodimonte, Naples; Bridgeman Images).
Attributed works:
2. St Mary Magdalene with eight scenes from her life, by the Magdalene Master. 14th century. Tempera on panel, 164 by 76 cm. (Galleria dell’Accademia & Museo degli Strumenti Musicali, Florence; Bridgeman Images).
Attributed works:
3. Mary Magdalene from the sculptural group Lamentation, by Guido Mazzoni. c.1483–85. Polychrome terracotta. (Chiesa del Gesù, Ferrara; photograph Nicholas Pickwoad).
Attributed works:
4. Noli me tangere, attributed to Jacopo Pontormo. c.1532. Oil on canvas, 175 by 133 cm. (Casa Buonarroti, Florence; Bridgeman Images).
Attributed works:
5. Supper in the house of the pharisee, by Moretto da Brescia. 1550–54. Oil on canvas, 207 by 140 cm. (S. Maria in Calchera, Brescia; Bridgeman Images).
Attributed works:
6. Penitent Mary Magdalene, by Antonio Canova. 1808–09. Marble, height 95 cm. (State Hermitage Museum, St Petersburg).
Attributed works:
7. Penitent Mary Magdalene, by Guido Cagnacci. 1625–27. Oil on canvas, 86 by 72 cm. (Galleria Nazionale d’Arte Antica, Rome; Bridgeman Images).
Attributed works:
8. Mary Magdalene crouching, by Venanzo Crocetti. 1956. Bronze, height 63 cm. (Fondazione Venanzo Crocetti, Rome).
Attributed works:
9. Christ appearing to Mary Magdalene (Noli me tangere), by Graham Sutherland. 1961. Oil on canvas, 64 by 55.3 cm. (Pallant House Gallery, Chichester; © Pallant House Gallery / Hussey Bequest, Chichester District Council, 1985; Bridgeman Images).
Article
Correggio’s reclining ‘Magdalen’ rediscovered
07/2019 | 1396 | 161
Pages: 556-561
related names
Author:
Ekserdjian, David (Ekserdjian, David; E., D.)
Subjects
dates:
media:
places:
Illustrations
Attributed works:
1. St Mary Magdalen, here attributed to Correggio. c.1519. Panel, 22.5 by 28 cm. (Private collection).
Attributed works:
2. St Mary Magdalen, here identified as a painting after Correggio. Before 1609. Copper, 29 by 39.5 cm. (Formerly Gemäldegalerie, Dresden).
Attributed works:
3. Infra-red reflectogram of Fig.1.
Attributed works:
4. St Mary Magdalen, by Cristofano Allori after Correggio. c.1600. Copper, 29.6 by 43 cm. (Palazzo Pitti, Florence; Bridgeman Images).
Attributed works:
5. Detail of Fig.1, showing a seascape and a monastic building.
Attributed works:
6. St Mary Magdalen, by Raffaello Morghen (1758–1833), after Correggio. Engraving, 15.6 by 20.4 cm. (British Museum, London).
Attributed works:
7. St Mary Magdalen, by Correggio. c.1518–19. Canvas, 38.1 by 30.5 cm. (National Gallery, London).
Book Review
Artemisia Gentileschi in a Changing Light. Edited by Sheila Barker.
09/2018 | 1386 | 160
Pages: 796-797
Exhibition Review
St Mary Magdalene. Bourg-en-Bresse, Carcassonne and Douai
07/2017 | 1372 | 159
Pages: 577-579
related names
Reviewer:
Mulherron, Jamie (Mulherron, Jamie)
Subjects
dates:
Illustrations
Attributed works:
63. St Mary Magdalene in the house of the Pharisee, by Jean Béraud. 1891 (Private collection; exh. Musée des beaux-arts, Carcassonne)
Attributed works:
64. Penitent St Mary Magdalene, by Laurent Péchaux. 1768 (Galerie Michel Descours, Lyon; exh. Musée des beaux-arts, Carcassonne)
Attributed works:
65. Noli me tangere, by Abraham Janssens. After 1620 (Musée des beaux-arts, Dunkirk; exh. Musée des beaux-arts, Carcassonne)
Attributed works:
66. Noli me tangere, by Pierre Puvis de Chavannes. 1857 (Musée des beaux-arts, Angers; exh. Musée des beaux-arts, Carcassonne)
Article
Veronese’s Magdalene and Pietro Aretino
06/2011 | 1299 | 153
Pages: 392-394
related names
Author:
Rosand, David (Rosand, David)
Subjects
artists:
dates:
museums and institutions:
sources:
Illustrations
Attributed works:
30. The conversion of Mary Magdalene, by Paolo Veronese. c.1548. Canvas, 117.5 by 163.5 cm. (National Gallery, London).
Article
Claus Sluter’s ‘Well of Moses’ for the Chartreuse de Champmol reconsidered: part III
11/2008 | 1268 | 150
Pages: 724-741
related names
Author:
Nash, Susie (Nash, Susie)
Subjects
artists:
dates:
places:
print:
Illustrations
Attributed works:
1. Reconstruction drawing of the Great Cross, by the author.
Attributed works:
10. Angel between Daniel and Isaiah, from the ‘Well of Moses’ shown in Fig.1.
Attributed works:
11. Angel between Zachariah and Daniel, from the ‘Well of Moses’ shown in Fig.1.
Attributed works:
12. St Dominic in prayer to the Crucifix, frescos from four of the novice’s cells (nos. 17, 18, 19 and 21), by an assistant of Fra Angelico. c.1450. (S. Marco, Florence).
Attributed works:
13. Zachariah, from the ‘Well of Moses’ shown in Fig.1.
Attributed works:
14. Daniel and Isaiah, from the ‘Well of Moses’ shown in Fig.1.
Attributed works:
15. Moses holding the tablets of the Law, from the ‘Well of Moses’ shown in Fig.1.
Attributed works:
16. Detail of book of Jeremiah, photographed from above, from the ‘Well of Moses’ shown in Fig.1.
Attributed works:
17. Jeremiah, detail of surface of face showing underdrawing, from the ‘Well of Moses’ shown in Fig.1.
Attributed works:
18. Philip the Bold, profile, by Claus Sluter and workshop, c.1392–93. Detail of portal of the Chartreuse de Champmol, Dijon.
Attributed works:
19. Jeremiah, detail from the ‘Well of Moses’ shown in Fig.1.
Attributed works:
2. The ‘Well of Moses’ (base of the Great Cross), by Claus Sluter and workshop. 1395–1404. Asnières stone, with traces of gilding and polychromy. (Chartreuse de Champmol, Dijon). View with David and Jeremiah.
Attributed works:
21. Philip the Bold, detail (rotated 90 degrees) from a drawing of the tomb of Philip the Bold, by Jacques-Philippe Gilquin. 1736. Pen and watercolour, 74.5 by 52.5 cm. (Bibliothèque Nationale, Paris).
Attributed works:
22. Angels behind Philip the Bold, detail of tomb of Philip the Bold, by Claus Sluter and Claus de Werve. c.1404–10. Alabaster. (Musée des Beaux-Arts, Dijon).
Attributed works:
24. Jeremiah, by Barthélemy d’Eyck(?). Panel, 152 by 86 cm. (Musées royaux des Beaux-Arts, Brussels).
Attributed works:
25. The Magdalene, detail of the left-hand panel of a Noli me tangere, by Barthélemy d’Eyck(?). Panel, 101 by 68 cm. (Museum Boijmans Van Beuningen, Rotterdam).
Attributed works:
3. Crucifixion, by Simone Martini. c.1336–40?. Tempera on panel, 29 by 20 cm. (Musée royaux des Beaux-Arts, Antwerp).
Attributed works:
5. (Above). Detail from Descent from the Cross, by the Limbourg brothers, from the Très Riches Heures. 1414–16. (Musée Condé, Chantilly).
Attributed works:
6. Arms of the Magdalene, surviving fragment of the figure on the terrace of the ‘Well of Moses’ shown in Fig.1, by Claus Sluter and Jan van Prindale. 1398–99. Asnières stone, 17 by 36 cm. (Musée archéologique, Dijon).
Attributed works:
7. Calvary with a Carthusian monk, by Jean de Beaumetz and workshop. c.1389–95. Panel, 56.5 by 45.5 cm. (Cleveland Museum of Art).
Attributed works:
8. Angel with crossed arms between David and Jeremiah, from the ‘Well of Moses’ shown in Fig.1.
Attributed works:
9. Angel between Moses and David, from the ‘Well of Moses’ shown in Fig.1.
Western art unattributed:
20. Philip the Bold, anonymous sixteenth-century copy after original of c.1400. Panel, 42 by 28 ?cm. (Musée des Beaux-Arts, Dijon).
Western art unattributed:
23. Jeremiah, detail from the Belle Croix, Dijon. 1508. Asnières stone. (Hôpital Saint-Espirit, Dijon).
Western art unattributed:
4. (Left). Holy water stoup. Late fifteenth century. Stone, c.400 cm. high. (Church of St Martin, Cluses).
Article
Claus Sluter’s ‘Well of Moses’ for the Chartreuse de Champmol reconsidered: part II
07/2006 | 1240 | 148
Pages: 456-467
related names
Author:
Nash, Susie (Nash, Susie)
Subjects
artists:
dates:
places:
print:
subjects:
Illustrations
Attributed works:
1. The ‘Belle Croix’, by François Calmelet. c.1760. Pen and wash. (Archives Départementales de la Côte-d’Or, Dijon; I J 2476/3).
Attributed works:
13. Christ on the Cross, by Claus de Werve. c.1410. Asnières stone, 80 by 115 cm. (figure of Christ) (Musée archéologique, Dijon).
Attributed works:
14. Detail of Fig.13.
Attributed works:
15. Detail of face of David on the ‘Well of Moses’ shown in Fig.20.
Attributed works:
16. The terrace on top of the ‘Well of Moses’ shown in Fig.20. View over Isaiah and Daniel.
Attributed works:
17. Diagram showing the placement of the square step and the orientation of the cross on the terrace shown in Fig.16.
Attributed works:
20. ‘Well of Moses’, by Claus Sluter and workshop. 1395–1404. Asnières stone, with traces of gilding and polychromy (Chartreuse de Champmol, Dijon). View with David and Jeremiah.
Attributed works:
21. The ‘Well of Moses’ shown in Fig.20. View with Daniel and Isaiah.
Attributed works:
22. The ‘Well of Moses’ shown in Fig.20. View with Moses.
Attributed works:
23. The ‘Well of Moses’ shown in Fig.20. View with Zachariah.
Attributed works:
24. The ‘Well of Moses’ shown in Fig.20. Detail of angel between David and Jeremiah.
Attributed works:
25. The ‘Well of Moses’ shown in Fig.20. Detail of angel between Daniel and Isaiah.
Attributed works:
26. Reconstruction of the Great Cross formerly on the ‘Well of Moses’ shown in Fig.20 (drawing by Tom Bilson).
Attributed works:
3. Reconstruction of the Great Cross (from G. Troescher: Claus Sluter und die burgundische Plastik um die Wende des XIV. Jahrhunderts, Freiburg im Breisgau 1932, p.89).
Attributed works:
4. Legs of Christ, surviving fragment of the Great Cross, by Claus Sluter and Claus de Werve. 1397–99. Tonnerre stone, 59 cm. high. (Musée archéologique, Dijon). View of back of legs showing integral fragment of the cross.
Attributed works:
5. Detail of top section, showing the titulus and halo, of the model of the ‘Well of Moses’ shown in Fig.20, by Joseph Moreau under the direction of Charles Balthazar Julian Févret de Saint-Mémin. c.1840. Plaster, 340 by 140 cm. (Musée des Beaux-Arts, Dijon).
Attributed works:
6. Detail of the sunburst motif in tin relief moulding behind the angel between David and Moses on the ‘Well of Moses’ shown in Fig.20.
Attributed works:
7. Detail of mouldings on the base of the cross in the model shown in Fig.5.
Western art unattributed:
10. Detail of hair at back of the bust shown in Fig.8.
Western art unattributed:
11. The bust of Christ shown in Fig.8 seen from the side.
Western art unattributed:
12. Cast of the bust of Christ in Fig.8, set in a niche in rue Saint-Philibert, Dijon, now rue Condorcet.
Western art unattributed:
18. Plan of the Chartreuse de Champmol in c.1760 (Archives Municipales, Dijon; D 47 bis).
Western art unattributed:
19. The Belle Croix. Dijon, 1508. Asnières stone. (Hôpital Général, Dijon).
Western art unattributed:
2. Cemetery cross. Fifteenth century. Volvic stone. (Saint-Nectaire, Puy-de-Dome), dimensions unknown. (Print; cutting in the Conway Library, Courtauld Institute of Art, London).
Western art unattributed:
8. Bust of Christ, previously supposed to come from the Great Cross. Asnières stone, 61 by 38 cm. (Musée archéologique, Dijon).
Western art unattributed:
9. Detail of crown of thorns of the bust shown in Fig.8.
Article
Claus Sluter's 'Well of Moses' for the Chartreuse de Champmol reconsidered: part I
12/2005 | 1233 | 147
Pages: 798-809
related names
Author:
Nash, Susie (Nash, Susie)
Subjects
artists:
dates:
places:
print:
Illustrations
Attributed works:
11. Scale drawing showing the 'Well of Moses', by Bernard Collette. 1990. The walkway shown here at the height of the figures has now been repositioned to ground level.
Attributed works:
12. Detail of angel's wings on the 'Well of Moses' shown in Fig.9.
Attributed works:
13. The terrace on top of the 'Well of Moses' shown in Fig.9. 1398-99. Is-sur-Tille stone. View over Isaiah, Daniel and Zacariah.
Attributed works:
14. The terrace on top of the 'Well of Moses' shown in Fig.9. 1398-99. Is-sur-Tille stone. View over Moses, David and Jeremiah.
Attributed works:
15. Model of the 'Well of Moses' shown in Fig.9, by Joseph Moreau under the direction of Charles Balthazar Julian Févret de Saint-Mémin. c.1840. Plaster, 340 by 140 cm. (Musée des Beaux-Arts, Dijon). Photograph showing the figures around the cross as they were originally arranged.
Attributed works:
16. Model shown in Fig.15 as displayed in 2004-2005 in the exhibition Art from the Court of Burgundy 1364-1419 at the Musée des Beaux-Arts, Dijon, and the Cleveland Museum of Art.
Attributed works:
17. 'Well of Moses', by Julien Vallou de Villeneuve. Lithograph in C.H. Maillard de Chambure and C. Peignot et al.: Voyage pittoresque en Bourgogne, Dijon 1833, showing its state prior to the 1842 restoration by François Jouffroy.
Attributed works:
18. Detail of the angel between Moses and David on the 'Well of Moses' shown in Fig.9, by Claus Sluter, Claus de Werve and Rogier de Westerhan. 1300-1401. Asnières stone, with traces of polychromy. Hands restored in 1842.
Attributed works:
19. Arms of the Magdalene, surviving fragment of the figure on the terrace of the 'Well of Moses' shown in Fig.9, by Claus Sluter and Jan van Prindale. 1398-99. Asnières stone, 17 by 36 cm. (Musée archéologique, Dijon).
Attributed works:
21. View of inner side of the arms of the Magdalene shown in Fig.19.
Attributed works:
22. Detail of inner side of the arms of the Magdalene shown in Fig.19, showing section that has been worked to fit the arms to the curve of the cross.
Attributed works:
23. Correct angle of view for the arms of the Magdalene shown in Fig.19.
Attributed works:
24. Altarpiece of the Crucufixion (detail of the robe of the Magdalene), by Jacques de Baerze and Melchior Broederlam. 1393-99. Wood, gilded and polychromed, 167 by 252 cm. (Musée des Beaux-Arts, Dijon).
Attributed works:
26. The Belle Croix, by Maurice Bauthélier. c.1760. Pen and wash. (Archives Départementales de la Côte-d'Or, Dijon; I J 2476/3).
Attributed works:
27. Detail of Fig.26 showing kneeling figure of the Magdalene at the foot of the cross.
Attributed works:
9. 'Well of Moses', by Claus Sluter and workshop. 1395-1404. Asnières stone, with traces of gilding and polychromy. (Chartreuse de Champmol, Dijon).
Western art unattributed:
10. View of the seventeenth-century building surrounding the 'Well of Moses' in the courtyard of the Chartreuse de Champmol, Dijon.
Western art unattributed:
20. The Virgin Burgundian, c.1430. Stone. (Abbey of Baumeles Messieurs, Jura).
Western art unattributed:
25. The Belle Croix. Dijon, 1508. Asnières stone. (Hôpital Général, Dijon).
Article
Pollaiuolo's 'Elevation of the Magdalen' Altar-Piece and an Early Patron
07/1997 | 1132 | 139
Pages: 444-451
related names
Author:
Wright, Alison (Wright, Alison)
Subjects
dates:
places:
Illustrations
Attributed works:
1. Elevation of the Magdalen, by Antonio del Pollaiuolo. Panel, 201 by 165 cm. (Museo Pollaiolo, Staggia).
Attributed works:
2. Detail of St John the Baptist, from the Reliquary Cross for the Florentine Baptistery, by Antonio del Pollaiuolo. Silver. (Museo dell'Opera del Duomo, Florence).
Attributed works:
4. Elevation of the Magdalen, by Bicci di Lorenzo. Tempera on Panel, Dimensions Unknown (Present Whereabouts Unknown).
Western art unattributed:
3. View of the Chapel of the Magdalen Looking South, with Grazzini Arms over the Entrance Arch (S. Maria Assunta, Staggia).
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