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Article

A portrait of an unknown woman by Titian

03/2025 | 1464 | 167

Pages: 212–17

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Author:

Humfrey, Peter (Humfrey, Peter)

Author:

Joannides, Paul (Joannides, Paul; J., P.; Joannides, P. E. A.)

Subjects

artists:

Titian / Veronese, Paolo

dates:

1550-1559

museums and institutions:

Hamilton Kerr Institute, Fitzwilliam Museum, Cambridge, Great Britain

subjects:

Attributions / Attributions, former / Portraits / Dating / Costume / Conservation / Pentimenti / Venetian art

Illustrations

Attributed works:

1. Portrait of a woman in a green dress, by Titian. c.1550–55(?). Oil on canvas, 86 by 70.4 cm. (Private collection).

Attributed works:

2. Detail of the back of the canvas of Fig.1.

Attributed works:

3. X-radiograph of Fig.1.

Attributed works:

4. Portrait of a woman, by Paolo Veronese. c.1555. Oil on canvas, 106 by 87 cm. (Musée de la Chartreuse, Douai; photograph Hugo Maertens).

Attributed works:

5. Portrait of a woman. Venice. c.1555(?). Oil on canvas, 101 by 77 cm. (Musée des Beaux-Arts, Béziers).

Letter

Jacopo Bassano’s Wormley ‘Last Supper’ revisited

04/2023 | 1441 | 165

Pages: 356-7

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Author:

Joannides, Paul (Joannides, Paul; J., P.; Joannides, P. E. A.)

Subjects

artists:

Bassano, Jacopo, il vecchio, 1510-1592

dates:

1520-1539

subjects:

Venetian art / Jesus Christ: Last Supper / Conservation

Illustrations

Attributed works:

1. The Last Supper, by Jacopo Bassano. Oil on canvas, 119 by 311 cm. (St Laurence, Wormley, Hertfordshire).

Attributed works:

2 and 3. Details of Fig.1, showing tableware and two apostles.

Attributed works:

4. Detail of Fig.1, showing St Peter and St John the Evangelist.

Article

A drawing by Michelangelo for the ‘Worship of the Brazen Serpent’

03/2023 | 1440 | 165

Pages: 220-25

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Author:

Joannides, Paul (Joannides, Paul; J., P.; Joannides, P. E. A.)

Subjects

artists:

Michelangelo

buildings:

Cappella Sistina, Palazzo del Vaticano, Rome, Italy

collectors and dealers:

Robinson, J.C. (John Charles), Sir, 1824-1913 / Hall, Chambers (1786–1855) / Mond, Robert (1867–1938)

dates:

1500-1519

subjects:

Drawings / Nudes / Anatomy / Provenance

subjects:

Italian drawing

Illustrations

Attributed works:

1. The backing sheet of Fig.2, showing the collector’s stamps of Chambers Hall (bottom left) and Robert Mond (centre), and the inscription by J.C. Robinson.

Attributed works:

10. Study for an ignudo on the ceiling of the Sistine Chapel, by Michelangelo. c.1511. Red chalk with white highlights and lead pen on paper, 27.9 by 21.4 cm. (Teylers Museum, Haarlem).

Attributed works:

2. Study for a figure in the Worship of the Brazen Serpent, by Michelangelo. Probably 1512. Red chalk on paper, 15.7 by 19.3 cm. (Private collection).

Attributed works:

3. Detail of Fig.2, showing the partial watermark.

Attributed works:

4. Detail of the backing sheet of Fig.2, showing the watermark.

Attributed works:

5. Detail of Fig.2, rotated 90 degrees clockwise and showing folds in the sheet caused by excessive paste.

Attributed works:

6. Worship of the Brazen Serpent, by Michelangelo. Fresco. 1508–12. (Sistine Chapel, Vatican; The Picture Art Collection; Alamy Stock Photo).

Attributed works:

7. Study for Adam in the Creation of Adam, by Michelangelo. 1511. Red chalk over stylus on paper, 19.3 by 25.9 cm. (British Museum, London).

Attributed works:

8. Detail of Fig.2, showing the irregular shapes on the figure’s left thigh.

Attributed works:

9. Detail of Fig.2, showing the orientation lines at the bottom right of the sheet.

Letter

Titian's 'Tityus'

10/2016 | 1363 | 158

Pages: 827

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Author:

Joannides, Paul (Joannides, Paul; J., P.; Joannides, P. E. A.)

Subjects

art literature:

Joannides, Paul, Cambridge, Great Britain

artists:

Titian

subjects:

Correspondence

Article

Titian’s ‘Danaë’: the debate continues

06/2016 | 1359 | 158

Pages: 415-419

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Author:

Falomir, Miguel (Falomir, Miguel)

Author:

Joannides, Paul (Joannides, Paul; J., P.; Joannides, P. E. A.)

Subjects

artists:

Titian

dates:

1550-1599

museums and institutions:

Museo Nacional del Prado, Madrid, Spain / Apsley House, London, Great Britain

patrons:

Philip II, King of Spain, 1527-1598

subjects:

Italian painting / Danaë / Collections, Public / Provenance / Technical analysis / Attribution / Restoration (process)

Illustrations

Attributed works:

1. Detail of Venus and Adonis, by Titian (Museo del Prado, Madrid)

Attributed works:

2. Detail of Danaë, by Titian (Museo del Prado, Madrid)

Attributed works:

3. Tarquin and Lucretia, by Cornelis Cort after Titian. 1571 (British Museum, London)

Attributed works:

4. X-radiograph of Danaë, by Titian (Wellington Collection, Apsley House, London)

Attributed works:

7. The fable of Cupid and Psyche, plate 21, by the Master of the Die after Michiel Coxie. 1520-35 (British Museum, London)

Attributed works:

8. The fable of Cupid and Psyche, plate 1, by the Master of the Die after Michiel Coxie. c.1535 (British Museum, London)

Attributed works:

9. Venus and Adonis, from the studio of Paolo Veronese. c.1580 (Museo del Prado, Madrid)

Western art unattributed:

5. Danaë, by an unidentified painter, after Titian. 1560-70 (Whereabouts unknown)

Western art unattributed:

6. Danaë, by an unidentified engraver, perhaps after Gilles Coignet. c.1580? (British Museum, London)

Letter

04/2014 | 1333 | 156

Pages: 243

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related names

Author:

Joannides, Paul (Joannides, Paul; J., P.; Joannides, P. E. A.)

Subjects

artists:

Titian

subjects:

Correspondence / Attributions / Attribution

Article

A portrait of ‘Girolamo Fracastoro’ by Titian in the National Gallery

01/2013 | 1318 | 150

Pages: 4-15

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Author:

Dunkerton, Jill (Dunkerton, Jill)

Author:

Fletcher, Jennifer (Fletcher, Jennifer; Fletcher, J. M.; Fletcher, Jennifer M.)

Author:

Joannides, Paul (Joannides, Paul; J., P.; Joannides, P. E. A.)

Subjects

artists:

Titian

dates:

1520-1539

museums and institutions:

National Gallery, London, Great Britain

patrons:

Fracastoro, Girolamo, 1478-1553

subjects:

Italian painting / Portraits / Half-length portraits / Sitters / Collections, Public / Provenance / Technical analysis / Scientific analysis / Underdrawings / Restoration (process)

Illustrations

Attributed works:

1. Portrait of Girolamo Fracastoro, by Titian (National Gallery, London)

Attributed works:

10. Detail of lynx fur in Fig. 1

Attributed works:

11. Lynx showing in winter fur

Attributed works:

12. Portrait of Andrea Navagero and Agostino Beazzano, by Raphael (Galleria Doria Pamphilij, Rome)

Attributed works:

14. Portrait of Girolamo Fracastoro, by Tobias Stimmer after Francesco Torbido. Woodcut. From N. Reusner: Icones sive imagines, Basel 1589, p.2 (Wellcome Library, London)

Attributed works:

15. Portrait of Girolamo Fracastoro, by Giovanni da Cavino. Bronze (Museo Bottacin, Civici Musei, Padua)

Attributed works:

16. Portrait of Girolamo Fracastoro by Giulio della Torre. Bronze (Museo Correr, Venice)

Attributed works:

17. Portrait of Girolamo Fracastoro, by Danese Cattaneo. Marble (Piazza dei Signori, Verona)

Attributed works:

18. Reproduction of the Portrait of Tommaso Mosti, by Titian. Plate LXI from W. Suida: Tiziano, Rome [1933]

Attributed works:

19. Reproductions of the Portrait of Gian Paolo da Ponte and Portrait of Girolamo Fracastoro, by Titian. Plate LX, from W. Suida: Tiziano, Rome [1933]

Attributed works:

2. Fig. 1 before treatment

Attributed works:

20. Portrait of Gian Paolo da Ponte, by Titian (Scarpa collection, Venice)

Attributed works:

3. X-radiograph of Fig. 1

Attributed works:

4. Portrait of Gerolamo(?) Barbarigo, by Titian (National Gallery, London)

Attributed works:

5. X-radiograph of Fig. 4

Attributed works:

6. Fig. 1 after cleaning and relining, before retouching

Attributed works:

7. Detail of fur in seam and pentimento in Fig. 1

Attributed works:

8. Digital infra-red reflectogram of the sleeve in Fig. 1, after cleaning and before restoration

Attributed works:

9. Digital infra-red reflectogram of the sleeve in Fig. 4

Western art unattributed:

13. Portrait of Girolamo Fracastoro. Woodcut. Frontispiece to G. Fracastoro: Homocentricorum sive de stellis, Venice 1535.

Short Notice

Raphael: a sorority of Madonnas

11/2004 | 1220 | 146

Pages: 749-752

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Author:

Joannides, Paul (Joannides, Paul; J., P.; Joannides, P. E. A.)

Subjects

artists:

Raphael

dates:

1450-1499

places:

Italy

print:

Raphael

subjects:

Italian painting / Mary, Virgin / Iconography

Illustrations

Attributed works:

50. Madonna of the pinks, by Raphael. 1507-08. Panel, 29 by 23 cm. (National Gallery, London).

Attributed works:

51. Madonna of the pinks (the 'Pembroke Madonna'), by an unidentified artist after Raphael. After 1508. Panel, 31.7 by 22.6 cm. (Collection of the Earl of Pembroke, Wilton House, Salisbury).

Attributed works:

52. Copy after the 'Pembroke Madonna', by an unidentified artist after Raphael. After 1508. Panel, dimensions unknown. (Present whereabouts unknown).

Attributed works:

53. Copy after the 'Pembroke Madonna', by Jacques Stella. c.1630?. Panel, 35 by 27 cm. (On the art market in Paris in 1996).

Attributed works:

54. Copy after the 'Pembroke Madonna', by Jean Morin. c.1640. Etching, 35 by 22.7 cm. (plate size), 30.7 by 22.2 cm. (image size). (British Museum, London).

Attributed works:

55. Study for the 'Pembroke Madonna', by an unidentified artist after a lost drawing by Raphael. After 1507-08. Silver-point and white heightening on a dark grey prepared ground, 15.2 by 13.2 cm. (Gabinetto Disegni e Stampe, Galleria degli Uffizi, Florence).

Attributed works:

56. Madonna del latte, by Marco Dente da Ravenna after a lost painting by Raphael of c.1508. c.1515. Engraving, 16.7 by 11.8 cm. (British Museum, London).

Attributed works:

57. Madonna del latte, by Pietro Torrigiano, c.1508-09. Pigmented terracotta, 12 cm. high. (Formerly with Daniel Katz, London).

Attributed works:

58. Virgin and Child, by Andrea del Sarto, c.1510. Panel, 82.5 by 65.4 cm. (Museum of Fine Arts, Boston).

Short Notice

Michelangelo's 'Cupid': a correction

08/2003 | 1205 | 145

Pages: 579-580

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related names

Author:

Joannides, Paul (Joannides, Paul; J., P.; Joannides, P. E. A.)

Subjects

artists:

Ango, Jean-Robert

artists:

Michelangelo

artists:

Pupini, Biagio

dates:

1500-1599

museums and institutions:

Musée du Louvre, Paris, France

places:

Italy

subjects:

Italian sculpture / Drawings

Illustrations

Attributed works:

Copies after Michelangelo's Cupid, here attributed to an associate of Michelangelo. c.1510-20. Pen and ink on paper, 19.1 by 13 cm. (Courtesy Christie's, Paris).

Attributed works:

Copy after a lost drawing by Michelangelo for The Flood, by Biagio Pupini. c.1520? Pen and ink with white heightening on yellow-washed paper, 21.3 by 16.8 cm. (Départment des Arts Graphiques, Musée du Louvre, Paris).

Attributed works:

Copy after a lost drawing by Michelangelo for the ignudo above the Erythraean Sibyl and for a figure in the Sacrifice of Noah, by Biagio Pupini. C.1520? Pen and ink on paper, 21,3 by 16.8 cm. (Départment des Arts Graphiques, Musée du Louvre, Paris).

Attributed works:

Copy after a lost drawing by Michelangelo for the ignudo above the Erythraean Sibyl, here attributed to an associate of Michelangelo. c.1510-20. Pen and ink on paper, 19.1 by 13 cm. (Courtesy Christie's, Paris).

Attributed works:

Copy after Michelangelo's Cupid and after an unidentified figure by Jean-Robert Ango. c.1770. Black chalk on paper, 22.2 by 17 cm. (Départment des Arts Graphiques, Musée du Louvre, Paris).

Attributed works:

Cupid, by Michelangelo. Marble, 100 cm. high (excluding base). (Payne Witney House, New York).

Article

Giulio Romano's Madonna at Apsley House

11/1995 | 1112 | 137

Pages: 728-736

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related names

Author:

Joannides, Paul (Joannides, Paul; J., P.; Joannides, P. E. A.)

Author:

Young, Peter (Young, Peter)

Subjects

artists:

Giulio Romano

dates:

1500-1549

museums and institutions:

Apsley House, London, Great Britain

places:

Italy / Florence

subjects:

Italian painting / Attributions / Technical analysis

subjects:

Mary, Virgin

Illustrations

Attributed works:

10. Virgin and Child, by Giulio Romano. Panel, 58 by 37 cm. (Wellington Museum, Apsley House, London).

Attributed works:

11. Infra-Red Reflectograph of Fig.10. [Virgin and Child, by Giulio Romano. Panel, 58 by 37 cm. (Wellington Museum, Apsley House, London).]

Attributed works:

12. Virgin and Child with Infant St John the Baptist (Madonnina), by Giulio Romano. Panel, 29 by 25.4 cm. (Louvre, Paris).

Attributed works:

13. Virgin and Child, by Giulio Romano. Black Chalk with Some White Heightening Over Stylus Indentation, 27.4 by 21 cm. (Private Collection).

Attributed works:

14. Holy Family with the Infant St John the Baptist, by Giulio Romano. Panel, 76 by 63.5 cm. (J. Paul Getty Museum, Malibu).

Attributed works:

15. Fig. 10 before Cleaning. [Virgin and Child, by Giulio Romano. Panel, 58 by 37 cm. (Wellington Museum, Apsley House, London).]

Attributed works:

16. Madonna della sedia, after Raphael. Panel, 72.2 by 72.3 cm. (Victoria and Albert Museum, London).

Attributed works:

17. X-Radiograph of Fig.10. [Virgin and Child, by Giulio Romano. Panel, 58 by 37 cm. (Wellington Museum, Apsley House, London).]

Attributed works:

18. The Back of the Panel of Fig.10, Taken in Raking Light (During Conservation). [Virgin and Child, by Giulio Romano. Panel, 58 by 37 cm. (Wellington Museum, Apsley House, London).]

Attributed works:

19. Cross-Section from the Left Edge of Fig.10, Showing Two Layers of Ground, a Thin Layer of Lead White, Three Layers of Verdigris, Brownish-Black Overpaint and Varnish. [Virgin and Child, by Giulio Romano. Panel, 58 by 37 cm. (Wellington Museum, Apsley House, London).]

Attributed works:

20. Cross-Section from the Virgin's Head-Band in Fig.10, Showing a Pale Pink Layer of Lead-White and Red Lake Followed by Two Layers of Lead-White and Azurite. [Virgin and Child, by Giulio Romano. Panel, 58 by 37 cm. (Wellington Museum, Apsley House, London).]

Attributed works:

21. Cross-Section from the Child's Gown in Fig.10, Showing Lead-Tin Yellow (Some Particles of Gold Ochre) under a Layer of Azurite with a Little Lead-Tin Yellow. [Virgin and Child, by Giulio Romano. Panel, 58 by 37 cm. (Wellington Museum, Apsley House, London).]

Attributed works:

22. Cross-Section from the Virgin's Robe in Fig.10, Showing a Thin Layer of Gesso Ground, Brownish Imprimatura, a Layer of Azurite and a Final Coating of Ultramarine. [Virgin and Child, by Giulio Romano. Panel, 58 by 37 cm. (Wellington Museum, Apsley House, London).]

Attributed works:

23. Cross-Section from the Purple-Glazed Fold-Line on the Virgin's Pink Shawl in Fig.10, Showing the Imprimatura, a Layer of Lead-White and Vermilion with a Trace of Azurite, and a Purplish Layer of Lead-White, Ultramarine, Red Lake, Vermilion and Azurite. [Virgin and Child, by Giulio Romano. Panel, 58 by 37 cm. (Wellington Museum, Apsley House, London).]

Attributed works:

24. Surface Paint Sample from Fold-Line on the Virgin's Pink Shawl in Fig.10, Showing the Presence of Ultramarine and Red Lake. [Virgin and Child, by Giulio Romano. Panel, 58 by 37 cm. (Wellington Museum, Apsley House, London).]

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