1. Charles I in the hunting field, by Anthony van Dyck. c.1636. Canvas, 266 by 207 cm. (Musée du Louvre, Paris).
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3. The miraculous draft of fi shes, Mortlake tapestry after Raphael, with borders designed by Francis Cleyn. c.1639–40. Wool, silk and gilt thread, 530 by 580 cm. (Mobilier national, Paris).
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4. Detail of Fig.3.
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5. The conversion of St Paul, by Palma Giovane. c.1590–95. Canvas, 207 by 337 cm. (Museo Nacional del Prado, Madrid).
7. The toilet of Venus, by Guido Reni. c.1620–25. Canvas, 281.9 by 205.7 cm. (National Gallery, London).
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9. Installation view of Charles I: King and Collector at the Royal Academy of Arts, London, showing Charles I, by François Dieussart (1636; Arundel Castle) and Charles I in three positions, by Anthony van Dyck (1635–36; The Royal Collection; photograph Royal Academy of Arts, London).
16. The Arming (or Disarming) of Mars. Vulcan and Venus set. Mortlake, Probably Fifth Weaving, 1630-40. (Mobilier National, Paris.)
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17. Detail of the Borders of the Hero and Leander set, on Red Ground. With Mortlake mark and Monograms of Sir Francis Crane and Philip de Maecht. (H. M. The King of Sweden.)
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18. Detail from the Miraculous Draught of Fishes. Acts of Apostles set. Mortlake; from the Set with the Royal English Arms. (Mobilier National, Paris.)
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19. Detail of the Borders of the Sacrifice at Lystra. Acts of the Apostles Set, on Silver Ground. With Mortlake Mark and Master-Weaver's Initials 'P. S.' (Louvre.)
A-The Evening Entertainment. Mortlake Tapestry, English. 3.60 by 6.60 m. (Château de Cosnac, Brive, Corrèze, France). The Hunters' Chase
Attributed works:
B-The Wolf Hunt, 3.60 by 2.60 m.; C-The Hunt Breakfast. 3.60 by 3.60 m. Mortlake Tapestries, English (Château de Cosnac, Brive, Corrèze, France). The Hunters' Chase