museums and institutions:
Attributed works:
1. Calvary, by Nikolaus Elscheidt. c.1868. Boxwood, height 62.8 cm. (Victoria
and Albert Museum, London).
Attributed works:
10. Detail of Fig.2, showing the base and acanthus scroll. (Photograph Frits
Scholten).
Attributed works:
11. The portal of the Chartreuse de Champmol, by Claus (‘Claes’) Sluter and
workshop. 1391–93. Limestone (pierre d’Asnières), height of figures 129 to 170 cm.
(Photograph Azoor Photo/Alamy Stock Photo).
Attributed works:
12. Weepers from the tomb of Philip the Bold, by Claus (‘Claes’) Sluter, Claus
(‘Claes’) de Werve and workshop. c.1391–1410. Grenoble alabaster, white Carrara
marble and black Dinant marble (limestone). (Musée des Beaux-Arts, Dijon;
photograph Azoor Photo/Alamy Stock Photo).
Attributed works:
13. The Great Cross (‘Well of Moses’), by Claus (‘Claes’) Sluter and workshop,
1395–1404. Limestone (pierre d’Asnières and pierre d’Ys), height 520 cm.
(Chartreuse de Champmol, Dijon; photograph Azoor Photo/Alamy Stock Photo).
Attributed works:
14. Detail of Fig.2 showing the Virgin Mary. (Photograph Renate Neder).
Attributed works:
15. Weeper from the Tomb of Philip the Bold, by Claus (‘Claes’) Sluter. Claus
(‘Claes’) de Werve and workshop, c.1391–1410. Grenoble alabaster, height 42 cm.
(Cleveland Museum of Art).
Attributed works:
16. Detail of Fig.2, showing the Virgin Mary. (Photograph Renate Neder).
Attributed works:
17. Detail of Fig.11, showing the figure of St Catherine. (Photograph Azoor
Photo/Alamy Stock Photo).
Attributed works:
18. Detail of Fig.13, showing the faces of the Virgin and Child. (Photograph
Frits Scholten).
Attributed works:
19. Detail of Fig.1, showing the face of the Virgin. (Photograph Renate Neder).
Attributed works:
2. Calvary, here attributed to Claus (‘Claes’) Sluter. c.1400. Boxwood,
height 56 cm. (Rijksmuseum, Amsterdam; photograph Renate Neder).
Attributed works:
20. Detail of Fig.2, showing a side view of the arm of St John. (Photograph
Renate Neder).
Attributed works:
21. Detail of Fig.2, showing St John. (Photograph Renate Neder).
Attributed works:
22. Detail of the face of the choir boy (Weeper no.1) from the tomb of Philip the
Bold, by Claus (‘Claes’) Sluter, Claus (‘Claes’) de Werve and workshop. c.1391–1410.
Carrara marble and gilding, figure height 38.5 cm. (Musée des Beaux-Arts de Dijon;
photograph Frits Scholten).
Attributed works:
23. Detail of the figure of Jeremiah, from the base of the Great Cross (‘Well of
Moses’) by Claus (‘Claes’) Sluter and workshop, 1395–1404. Limestone (pierre
d’Asnières and pierre d’Ys), figure height 520 cm. (Chartreuse de Champmol, Dijon;
photograph © Manuel Cohen).
Attributed works:
24. Yvain and the lion, detail of a capital of the fireplace in the Salle des gardes at
Château de Germolles, by Claus (‘Claes’) Sluter and workshop, after c.1386–93.
Limestone (pierre d’Asnières), height c.25 cm. (Photograph M. Pinette).
Attributed works:
25. Detail of the Annunciation to the Virgin from the left wing of the Crucifixion
Retable, by Melchior Broederlam. c.1394–99. Oil on panel, length of wing 125 cm.
(Musée des Beaux-Arts, Dijon; photo © Musée des Beaux-Arts de Dijon/Français Jay).
Attributed works:
26. Fragments of the legs of Christ, from the Great Cross (‘Well of Moses’), by
Claus (‘Claes’) Sluter and workshop. 1395–1404. Limestone (pierre d’Asnières),
height 59 cm. (Musée Archéologique, Dijon; photograph © Musée Archéologique de
Dijon/François Perrodin).
Attributed works:
27. Detail of Fig 2, showing the underside of the base. (Photograph Frits Scholten).
Attributed works:
28. Detail of St Jerome in his study, from a Bible moralisée attributed to the
Rohan Masters. c.1415. Pen and ink on vellum, 41.5 by 29 cm. (Bibliothèque
nationale, Paris, inv. Ms.fr. 166, fol.A).
Attributed works:
29. The Burgundian lion preventing the Orléans wolf from seizing the French
crown, from a manuscript of Justification by Jean Petit, attributed to the
workshop of the Bedford Master. c.1409. Miniature on vellum, 19.3 by 14 cm.
(Österreichische Nationalbibliothek, Vienna, inv. Cod. 2657, fol.1v).
Attributed works:
3. Detail of Fig.2, showing the figure of Christ. (Photograph Renate Neder).
Attributed works:
4. Side view of the sculpture illustrated in Fig.2. (Photograph Renate Neder).
Attributed works:
5. Christ as Man of Sorrows, by Frans Crabbe. c.1525. Engraving, hand-coloured
and heightened with gold, 15.5 by 10.7 cm. (Rijksmuseum, Amsterdam).
Attributed works:
6. Calvary, by the Master of the Colmar Crucifixion (Hermann Schadeberg?).
c.1410. Tempera on panel, 126 by 87 cm. (Unterlinden Museum, Colmar;
photograph © Musée d’Unterlinden, Dist. RMN-Grand Palais / image Musée
d’Unterlinden de Colmar).
Attributed works:
7. Detail of Fig.2, showing the lioness and cubs. (Photograph Renate Neder).
Attributed works:
8. Detail of Fig.2, showing the angel. (Photograph Renate Neder).
Attributed works:
9. An angel with a branch of acanthus, from the Hours of René d’Anjou, by the
Master of the Parement of Narbonne. c.1405–10. Miniature on vellum, 22 by 16.5
cm. (British Library, London, MS Egerton 1070, fol.94v).
Western art unattributed:
30. Crucifixion. Second half of the nineteenth century. Photograph by Ludwig
Bosten. (From Sammlung mittelalterlicher Bildwerke [. . .] von Dr Franz Bock,
1894; Suermondt-Ludwig-Museum, Aachen, inv.SK-14).
