10. Napoleon III
visiting the Louvre,
by Nicolas Gosse.
1854. Canvas, 23
by 34 cm. (Musée
du Louvre, Paris;
exh. Cité de
l’architecture et du
patrimoine, Paris).
Attributed works:
11. El Escorial under
construction. 1576.
Pencil and wash
on paper, 50.5 by
77.3 cm. (Hatfield
House, Marquess
of Salisbury,
Hertfordshire;
exh. Cité de
l’architecture et du
patrimoine, Paris).
Attributed works:
12. Plug-in
city (2000) –
monumental
experience, by
Alain Bublex. 2003.
Chromogenic
print, 180 by
180 cm. (Centre
Pompidou, Paris;
exh. Cité de
l’architecture
et du patrimoine,
Paris).
Book Review
Italian Maiolica and Europe: Medieval, Renaissance and Later Italian Pottery in the Ashmolean Museum. By Timothy Wilson
2. Dish with a composite head of penises, by Francesco Urbini. c.1536. Tin-glazed earthenware, possibly Gubbio. Diameter 23.2 cm. (Ashmolean Museum, Oxford).
Book Review
The Painted Book in Renaissance Italy, 1450–1600. By Jonathan J.G. Alexander
47. Three fragments of a decorated border with a roundel of Laocoön and his sons, attributed to the 'Pallavicini Master'. After 1506 (Private collection)
Book Review
Architecture, Art and Identity in Venice and its Territories, 1450–1750, edited by Nebahat Avcioǧlu and Emma Jones; Artistic Practices and Culture Transfer in Early Modern Italy, edited by Nebahat Avcioǧlu and Allison Sherman; and Venetian Painting Matters (1450–1750), edited by Jodi Cranston
Die Sammlungen der Hamburger Kunsthalle Kupferstichkabinett, Band 3: Niederländische Zeichnungen 1450–1850 |
author: Stefes, Annemarie
Illustrations
Attributed works:
41. Youthful self-portrait of Rembrandt, here attributed to Jacob de Wit. Black chalk, pen and brown ink, brown and grey wash, 29 by 18.8 cm. (Kunsthalle, Hamburg).