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20 articles
Exhibition Review
Creating a National Collection: The Partnership between Southampton City Art Gallery and the National Gallery
09/2021 | 1422 | 163
Pages: 845-848
related names
Reviewer:
Conlin, Jonathan (Conlin, Jonathan)
Subjects
dates:
places:
Reviewed Items
subjects:
Creating a National Collection: The Partnership between Southampton City Art Gallery and the National Gallery Southampton City Art Gallery 28th May–4th September | :
Illustrations
Attributed works:
11. Coronation of the Virgin, by Allegretto Nuzi. 1360. Tempera on panel, 245.7 by 102.5 cm. (Southampton City Art Gallery).
Attributed works:
12. Edie McNeill, by Henry Lamb. 1911. Oil on canvas, 127.5 by 76.2 cm. (Southampton City Art Gallery).
Attributed works:
13. The green jug, by Paul Cézanne. 1885–87. Pencil and watercolour on paper, 22 by 24.7 cm. (Musée du Louvre, Paris; exh. Museum of Modern Art, New York).
Exhibition Review
Land Art in Britain 1966–79. Southampton; Cardiff; Warwick; Wakefield
08/2013 | 1325 | 155
Pages: 570-572
related names
Reviewer:
Wilson, Andrew (Wilson, Andrew)
Subjects
dates:
Illustrations
Attributed works:
44. A line made by walking, by Richard Long (Courtauld Gallery, London; exh. Southampton City Art Gallery)
Attributed works:
45. Landscape for fire II, by Anthony McCall (Arts Council Collection, Southbank Centre, London; exh. Southampton City Art Gallery)
Attributed works:
46. New stones - Newton's tones, by Tony Cragg (Arts Council Collection, Southbank Centre, London; exh. Southampton City Art Gallery)
Supplement
Sculpture acquisitions (2000–10) by regional museums in Britain
11/2010 | 1292 | 152
Pages: 770-771
Subjects
dates:
print:
Illustrations
Attributed works:
I. Flenite relief, by Jacob Epstein. 1913. Serpentine stone, 30.5 by 28 by 9 cm. Leeds Art Gallery. Purchased with the aid of grants from the Heritage Lottery Fund, the Art Fund, the MLA/V. & A. Purchase Grant Fund and the Leeds Art Collections Fund, 2006.
Attributed works:
II. Birdman, by Elisabeth Frink. c.1956/59. Plaster, 190.5 by 58 by 83 cm. Leeds Art Gallery. Presented by Beaux Arts and the Frink Estate through the Art Fund, 2010.
Attributed works:
III. Kiss, by Marc Quinn. 2001. Macedonian marble, 178 by 64.5 by 62.5 cm. Graves Art Gallery, Sheffield. Purchased through the Art Fund, the MLA/V. & A. Purchase Grant Fund, the JG Graves Charitable Trust, and a donation in memory of Harold and Doris Turner, 2004.
Attributed works:
IV. Filter, by Antony Gormley. 2002. Flat mild steel rings, 193 by 50 by 38 cm. Manchester City Art Gallery. Purchased with assistance from the Art Fund and the Livingstone and Bloom Charitable Trusts, 2008.
Attributed works:
IX. Eclipse, by Langlands & Bell. 1999. Wood, steel and lacquer, 76 by 520 by 250 cm. Middlesbrough Institute of Modern Art. Gift of the artists, 2007.
Attributed works:
V. Sandstone, by Andy Goldsworthy. 1987. Red sandstone, 5 pieces, dimensions variable. Middlesbrough Institute of Modern Art. Gift of Dr Terry Friedman, 2007.
Attributed works:
VI. ‘I Like to get my loving when I get it on my mind’, by Mat Collishaw. 2003. Loop video projection, wood and ground glass screen, 182 by 168 by 26 cm. Hunterian Art Gallery, Glasgow. Purchased from Galerie Cosmic, Paris, with funds from the National Collecting Scheme for Scotland with additional grants from the Art Fund and the National Fund for Acquisitions, 2003.
Attributed works:
VII. Flailing trees, by Gustav Metzger. 2009. Willow trees, concrete, 338 by 440 by 520 cm. Whitworth Art Gallery, Manchester. Commissioned by Manchester International Festival, Whitworth Art Gallery and Cube for the Manchester International Festival in 2009. Purchased from the artist by the Whitworth Art Gallery, 2009.
Attributed works:
VIII. Blackout, by Eva Rothschild. 2007. Lacquered beech wood and acrylic (Perspex), 107 by 48 by 48 cm. Southampton City Art Gallery. Purchased from Stuart Shave/Modern Art through the David and Liza Brown Bequest Fund with grants from the Art Fund and the MLA/V. & A. Purchase Grant Fund, 2008.
Attributed works:
X. Habitat, by Gavin Turk. 2004. Painted bronze, 7 by 170 by 70 cm. Aberdeen Art Gallery. Purchased with aid from the National Fund for Acquisitions, the Art Fund and with funds from the National Collecting Scheme for Scotland, which is operated by the Contemporary Art Society and supported by the National Lottery through the Scottish Arts Council, 2004.
Editorial
That sinking feeling in Southampton
09/2009 | 1278 | 151
Pages: 583
Exhibition Review
Robert Bevan
01/2009 | 1270 | 151
Pages: 53-55
related names
Reviewer:
Shone, Richard (Shone, Richard; S., R.; Shone, Richard)
Subjects
dates:
places:
subjects:
subjects:
Reviewed Items
subjects:
A countryman in town, Robert Bevan and the Cumberland Market Group | institution: Abbot Hall Art Gallery , institution: Southampton City Art Gallery
Illustrations
Attributed works:
63. Cumberland Market, North Side, by Robert Bevan. 1915. Canvas, 51.1 by 60 cm. (Southampton City Art Gallery; exh. Abbot Hall Gallery, Kendal).
Attributed works:
65. Sunflowers, by Edward McKnight Kauffer. 1917. Canvas, 90 by 71 cm. (Government Art Collection; exh. Abbot Hall Gallery, Kendal).
Western art unattributed:
64. North side of Cumberland Market. 1929. Photograph. (London Metropolitan Archive, A5837).
Exhibition Review
Marie-Louise von Motesiczky. Liverpool
08/2006 | 1241 | 148
Pages: 560-562
related names
Reviewer:
Behr, Shulamith (Behr, Shulamith)
Subjects
dates:
subjects:
Reviewed Items
subjects:
Marie-Louise von Motesiczky 1906–1996: The Painter/Die Malerin | institution: Museum Giersch der Goethe-Universität , institution: Southampton City Art Gallery , institution: Tate Liverpool , institution: Wien Museum
Illustrations
Attributed works:
47. View from the window, Vienna, by Marie-Louise von Motesiczky. 1925. Canvas, 62.5 by 31 cm. (Tate, London; exh. Tate Liverpool).
Attributed works:
48. Self-portrait with red hat, by Marie-Louise von Motesiczky. 1938. Oil and charcoal on canvas, 50.7 by 35.5 cm. (Marie-Louise von Motesiczky Charitable Trust, London; exh. Tate Liverpool).
Attributed works:
49. Henriette M, by Marie-Louise von Motesiczky. 1961. Canvas, 80 by 75 cm. (Manchester Art Gallery; exh. Tate Liverpool).
Book Review
Harold Gilman and William Ratcliffe: Southampton
07/2002 | 1192 | 144
Pages: 442-443
related names
Reviewer:
Shone, Richard (Shone, Richard; S., R.; Shone, Richard)
Subjects
artists:
dates:
places:
subjects:
Illustrations
Attributed works:
56. Portrait of Sylvia Gosse, by Harold Gilman. 1913. 69.5 by 51.3 cm. (Southampton City Art Gallery).
Attributed works:
57. Edwardian Interior, by Harold Gilman. c.1907. 53.3 by 54 cm. (Tate, London; Exh. Southampton City Art Gallery).
Attributed works:
58. Girl with a Teacup, by Harold Gilman. c.1914. 62.2 by 52.1 cm. (Private Collection; Exh. Southampton City Art Gallery).
Attributed works:
59. Clarence Gardens, by William Ratcliffe. 1912. 50.8 by 76.2 cm. (Tate, London, © The Artist's Estate, 2000; Exh. Southampton City Art Gallery).
Attributed works:
60. Mrs Mounter at the Breakfast Table, by Harold Gilman. c.1917. 61 by 41 cm. (Tate, London; Exh. Southampton City Art Gallery).
Exhibition Review
Recent Painting. London and Manchester
09/1998 | 1146 | 140
Pages: 633-635
related names
Reviewer:
Godfrey, Tony (Godfrey, Tony)
Subjects
artists:
artists:
artists:
artists:
artists:
artists:
museums and institutions:
private galleries:
Illustrations
Attributed works:
42. Reflection (What Does Your Soul Look Like), by Peter Doig. 1996. 295 by 200 cm. (Private Collection, Puerto Rico; Exh. Whitechapel, London).
Attributed works:
43. Expanding Grey, by Alan Green. 1995. 120 by 380 cm. (Annely Juda, London).
Attributed works:
44. The Holy Virgin Mary, by Chris Ofili. 1996. Acrylic, Oil, Resin, Paper Collage, Glitter, Map Pins and Elephant Dung on Canvas, 243.8 by 182.8 cm. (Saatchi Collection, London; Exh. Southampton City Art Gallery).
Attributed works:
45. Girl with Sunglasses, by Lisa Milroy. 1998. 106.7 by 116.8 cm. (Waddington Galleries, London).
Attributed works:
46. Sea Inventory Drawings - Open Swell, by Tacita Dean. 1998. Chalk on Blackboard, 220 by 220 cm. (Lothbury Gallery, London).
Attributed works:
47. Like You, Hoping and Wanting But Not Liking, by Lari Pittman. 1995-96. Alkyd, Metallic Oil on Mahogany Panel, 152.4 by 121.9 cm. (Exh. Cornerhouse, Manchester).
Exhibition Review
Pre-Raphaelite Women Artists. Birmingham & Southampton
03/1998 | 1140 | 140
Pages: 217-218
related names
Reviewer:
Spalding, Frances (Spalding, Frances)
Subjects
dates:
subjects:
Illustrations
Attributed works:
69. The Enchanted Garden of Messer Ansaldo, by Marie Spartali Stillman. 1889. Water-Colour and Bodycolour, 72.3 by 102.8 cm. (Pre-Raphaelite Inc.; Exh. Birmingham Museum and Art Gallery).
Attributed works:
70. View near the Lizard: Polpeor Beach, by Anna Blunden. 1862. 32.9 by 56.6 cm. (Whitworth Art Gallery, Manchester; Exh. Birmingham Museum and Art Gallery).
Attributed works:
71. Foxgloves and Brambles, by Christiana Herringham. c.1900-10. Water-Colour, 100.5 by 64.5 cm. (Newnham College, Cambridge; Exh. Birmingham Museum and Art Gallery).
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