13. The Meeting of David and Abigail, by Guido Reni. c.1615–20, Canvas, 155.5 by 163.8 cm. (Chrysler Museum of Art, Norfolk VA; exh. New Orleans Museum of Art).
Attributed works:
14. Allegory of Philippe II, duc d’Orléans, Regent of the Realm, by Antoine Dieu. 1718. Canvas, 106 by 77 cm. (Musée National du Château de Versailles; exh. New Orleans Museum of Art).
Attributed works:
15. Preciosa recognised, by Godfried Schalcken. Late 1660s. Panel, 44.2 by 31.2 cm. (National Gallery of Ireland, Dublin; exh. New Orleans Museum of Art).
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Benjamin Altman’s loans to the 1909 Hudson–Fulton exhibition at the Metropolitan Museum of Art
1. Charles I in the hunting field, by Anthony van Dyck. c.1636. Canvas, 266 by 207 cm. (Musée du Louvre, Paris).
Attributed works:
3. The miraculous draft of fi shes, Mortlake tapestry after Raphael, with borders designed by Francis Cleyn. c.1639–40. Wool, silk and gilt thread, 530 by 580 cm. (Mobilier national, Paris).
Attributed works:
4. Detail of Fig.3.
Attributed works:
5. The conversion of St Paul, by Palma Giovane. c.1590–95. Canvas, 207 by 337 cm. (Museo Nacional del Prado, Madrid).
7. The toilet of Venus, by Guido Reni. c.1620–25. Canvas, 281.9 by 205.7 cm. (National Gallery, London).
Attributed works:
9. Installation view of Charles I: King and Collector at the Royal Academy of Arts, London, showing Charles I, by François Dieussart (1636; Arundel Castle) and Charles I in three positions, by Anthony van Dyck (1635–36; The Royal Collection; photograph Royal Academy of Arts, London).
Art History Reviewed X: Francis Haskell’s ‘Patrons and Painters. A Study in the Relations between Italian Art and Society in the Age of the Baroque’, 1963