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61 articles
Exhibition Review
Identidades Partilhadas: Pintura Espanhola em Portugal
03/2024 | 1452 | 166
Pages: 300–303
related names
Reviewer:
Kientz, Guillaume (Kientz, Guillaume)
Subjects
dates:
Reviewed Items
subjects:
Identidades Partilhadas: Pintura Espanhola em Portugal Museu Nacional de Arte Antiga, Lisbon 1st December 2023–30th March 2024 | :
Illustrations
Attributed works:
7. St Helen and Emperor Constantine, by Pedro de Aponte. c.1506–13. Oil and tempera on panel, 176.5 by 96.5 cm. (Fundação Gaudium Magnum, Lisbon; exh. Museu Nacional de Arte Antiga, Lisbon).
Attributed works:
8. Death of St Francis, by Bartolomé Carducho. 1593. Oil on linen, 115 by 154 cm. (Museu Nacional de Arte Antiga, Lisbon).
Attributed works:
9. St Sebastian. c.1634–36. Oil on linen, 235 by 103 cm. (Museu Nacional de Arte Antiga, Lisbon).
Article
Alonso Cano’s rediscovered ‘Immaculate Conception’ for San Alberto, Seville
12/2023 | 1449 | 165
Pages: 1290–1299
related names
Author:
Prieto Navarrete, Benito (Prieto Navarrete, Benito)
Subjects
dates:
places:
Illustrations
Attributed works:
1. Immaculate Conception, here attributed to Alonso Cano. c.1628–29. Oil on canvas, 148.7 by 96 cm. (Private collection).
Attributed works:
10. Detail of Fig.6, showing the Immaculate Conception.
Attributed works:
11. Immaculate Conception with Miguel Cid, by Francisco Pacheco. 1619. Oil on canvas, 160 by 110 cm. (Cathedral of St Mary, Seville).
Attributed works:
12 and 13. Details of Fig.1 showing cherubs painted over angels in the top corners.
Attributed works:
14. Mary Magdalene de’ Pazzi, by Alonso Cano. c.1628–29. Oil on canvas, 116 by 55 cm. (Museum of Fine Arts, Seville).
Attributed works:
15. The drawing shown in Fig.6 with the surviving paintings from the altarpiece superimposed.
Attributed works:
2. St Francis of Borja, by Alonso Cano. 1624. Oil on canvas, 186 by 120 cm. (Museum of Fine Arts, Seville).
Attributed works:
3. The Crucified Christ appears to St Teresa, by Alonso Cano. c.1628–29. Oil on canvas, 99 by 43.5 cm. (Museo Nacional del Prado, Madrid).
Attributed works:
4. Christ the Saviour appears to St Teresa, by Alonso Cano. c.1628–29. Oil on canvas, 99 by 43.5 cm. (Museo Nacional del Prado, Madrid).
Attributed works:
5. Christ bearing the Cross (Via Dolorosa), by Alonso Cano. c.1628–29. Oil on canvas, 166.5 by 101 cm. (Worcester Art Museum, Worcester MA).
Attributed works:
6. Preparatory drawing for an altarpiece with Christ bearing the Cross (Via Dolorosa) and the Immaculate Conception, by Alonso Cano. c.1628– 29. Pencil, pen and brown ink on paper, 38.9 by 27.9 cm. (Félix Palacios Remondo collection, Zaragoza).
Attributed works:
7. Detail of Fig.9, showing the upper part of the body and head.
Attributed works:
8. Detail of Fig.1, showing the upper part of the body and head.
Attributed works:
9. Immaculate Conception, by Diego Velázquez. c.1622. Oil on canvas, 142 by 98.2 cm. (Fundación Focus, Seville).
Obituary
Obituary: Jonathan Brown (1939–2022)
04/2022 | 1429 | 164
Pages: 427-428
related names
Author:
Cherry, Peter (Cherry, Peter)
Subjects
art literature:
Illustrations
Attributed works:
Jonathan Brown, photographed in c.2010. (Photograph N.L. Roberts).
Article
The Spanish Gallery, Bishop Auckland
03/2022 | 1428 | 164
Pages: 276-283
related names
Author:
Kent, Isabelle (Kent, Isabelle )
Subjects
patrons:
Illustrations
Attributed works:
1. The Copatronazgo, by Juan Bautista Maíno. c.1627. Oil on canvas, 145 by 103 cm. (Courtesy Jonathan Ruffer).
Attributed works:
10. The Cardinal Tavera Room, The Spanish Gallery, Bishop Auckland. (Photograph © James Morris for Factum Foundation).
Attributed works:
2. The Long Dining Room at Auckland Castle, Bishop Auckland, with Jacob and his twelve sons, by Francisco de Zurbarán. (Photograph House of Hues).
Attributed works:
3. The ‘Cabbages and Kings’ Room, The Spanish Gallery, Bishop Auckland. (Photograph House of Hues).
Attributed works:
4. Benjamin, by Francisco de Zurbarán. Oil on canvas, 199.2 by 103 cm. (The Grimsthorpe and Drummond Castle Trust; © Grimsthorpe and Drummond Castle Trust; photograph Robert LaPrelle).
Attributed works:
5. The ‘Eternal Devotion’ Room, The Spanish Gallery, Bishop Auckland. (Photograph House of Hues).
Attributed works:
6. Cardinal Astalli Pamphili, by Diego Velázquez. 1650–51. Oil on canvas, 61 by 48.5 cm. (Hispanic Society of America, New York).
Attributed works:
7. St Ferdinand, by Bartolomé Esteban Murillo. c.1671. Oil on canvas, 170 by 114 cm. (The Zurbarán Trust).
Attributed works:
8. Christ on the Cross, by Doménikos Theotokópoulos, known as El Greco. c.1600–10. Oil on canvas, 179.4 by 103.5 cm. (The Zurbarán Trust).
Attributed works:
9. The Casa de Pilatos Room, The Spanish Gallery, Bishop Auckland. (Photograph © James Morris for Factum Foundation).
Exhibition Review
Velázquez, Rembrandt, Vermeer: Parallel Visions. Museo Nacional del Prado, Madrid; and Rembrandt–Velázquez: Dutch and Spanish Masters. Rijksmuseum, Amsterdam
01/2020 | 1402 | 162
Pages: 61-64
related names
Reviewer:
Kent, Isabelle (Kent, Isabelle )
Subjects
dates:
Reviewed Items
subjects:
Velázquez, Rembrandt, Vermeer: Parallel Visions Museo Nacional del Prado, Madrid 25th June–29th September 2019 Rembrandt–Velázquez: Dutch and Spanish Masters Rijksmuseum, Amsterdam 11th October 2019–19th January | :
Illustrations
Attributed works:
12. View of the gardens of the Villa Medici in Rome, by Diego Velázquez. c.1630. Oil on canvas, 48.5 by 43 cm. (Museo Nacional del Prado, Madrid; exh. Rijksmuseum, Amsterdam).
Attributed works:
13. View of houses in Delft (the little street), by Johannes Vermeer. c.1658. Oil on canvas, 54.3 by 44 cm. (Rijksmuseum, Amsterdam).
Attributed works:
14. Agnus Dei, by Francisco de Zurbarán. 1635– 40. Oil on canvas, 37.3 by 62 cm. (Museo Nacional del Prado, Madrid, exh. Rijksmuseum, Amsterdam).
Attributed works:
15. Interior of the Sint- Odulphuskerk in Assendelft, by Pieter Jansz Saenredam. 1649. Oil on panel, 49.6 by 75 cm. (Rijksmuseum, Amsterdam).
Exhibition Review
Zurbarán
09/2015 | 1350 | 157
Pages: 658-659
related names
Reviewer:
Cruz de Carlos, María (Cruz de Carlos, María)
Subjects
dates:
museums and institutions:
museums and institutions:
subjects:
Illustrations
Attributed works:
78. Plate with quinces, grapes, figs and plums, by Juan de Zurbarán. c.1645 (Private collection; exh. Museo Thyssen-Bornemisza, Madrid)
Attributed works:
79. The house at Nazareth, by Francisco de Zurbarán. c.1644-45 (Fondo Cultural Villar Mir, Madrid; exh. Museo Thyssen-Bornemisza, Madrid)
Attributed works:
80. Agnus Dei, by Francisco de Zurbarán. 1639 (Museo de la Real Academia de Bellas Artes de San Fernando, Madrid; exh. Museo Thyssen-Bornemisza, Madrid)
Exhibition Review
Zurbarán
01/2014 | 1330 | 156
Pages: 58-60
related names
Reviewer:
Cherry, Peter (Cherry, Peter)
Subjects
dates:
places:
subjects:
Illustrations
Attributed works:
77. The martyrdom of Beatus Serapion, by Francisco de Zurbarán. 1628. Canvas, 120.2 by 104 cm. (Wadsworth Atheneum Museum of Art, Hartford CT; exh. Palazzo dei Diamanti, Ferrara).
Attributed works:
78. A painter before the crucified Christ, by Francisco de Zurbáran. c.1655. Canvas, 105 by 84 cm. (Museo Nacional del Prado, Madrid; exh. Palazzo dei Diamanti, Ferrara).
Attributed works:
79. Hercules and the Nemean lion, by Francesco de Zurbáran. 1634. Canvas, 151 by 166 cm. (Museo Nacional del Prado, Madrid; exh. Palazzo dei Diamanti, Ferrara).
Exhibition Review
Caravaggio and the Caravaggisti. Montpellier, Toulouse, Los Angeles and Hartford
11/2012 | 1316 | 154
Pages: 814-815
related names
Reviewer:
Brejon de Lavergnée, Arnauld (Brejon de Lavergnée, Arnauld; Lavergnée, Arnauld Brejon de; Brejon, Arnauld; Lavergnee, Arnaud Brejon de)
Subjects
dates:
subjects:
subjects:
Illustrations
Attributed works:
91. Lamentation of the dead Christ, by Lionello Spada. c.1610-11. Canvas, 120 by 158 cm. (Musée Fabre, Montpellier).
Attributed works:
92. Adoration of the magi, by Matthias Stom. Before 1630. Canvas, 235 by 181 cm. (Musée des Augustins, Toulouse).
Attributed works:
93. The singing lute player, by Hendrick ter Brugghen. 1624. Canvas, 105 by 85 cms. (Musée des Beaux-Arts, Bordeaux; exh. Musée des Augustins, Toulouse).
Advertisements
Advertisements May 2012 (front)
05/2012 | 1310 | 154
Pages: s.p.
Subjects
advertisements:
advertisements:
advertisements:
museums and institutions:
subjects:
Illustrations
Attributed works:
[Bassenge. Erdener str. 5A. 14193 Berlin. Germany. Jan Lievens (1607 Leiden - 1674 Amsterdam). Landscape with Bathing Nymphs. Oil on canvas. 56.5 x 58 cm. 1655/1660]
Attributed works:
[Charly Bailly. 10 rue de l’Hotel-de-Ville. Geneva. Francisco de Zurbaran (Fuente de Cantos 1598 - 1664 Madrid). The Mystic Marriage of Saint Catherine of Alexandria, 1660-62. Oil on canvas, 121 by 102.7 cm]
Attributed works:
[Christie’s, 8 King Street, St. James’s Place, London, W.1. Francis Cotes, R.A. (London 1726-1770). Portrait of Sir William Earle Welby, 1st Bt., and his first wife Penelope, playing chess (detail). Oil on canvas, 53 1/4 x 60 in. (135. x 152.5 cm)]
Attributed works:
[Christie’s, 8 King Street, St. James’s Place, London, W.1. John Constable, R.A. (1776-1837). Storm clouds over Hampstead (detail). Oil on milboard. 16 x 27 1/4 in. (40.6 x 69.2 cm)]
Attributed works:
[Galerie Canesso. 26 rue Laffitte, Paris. Girolamo Mazzola Bedoli. Viadana, near Mantua, c.1500 - Parma, 1569. Portrait of a Man. Oil on canvas, 82 x 65.5 cm (32 1/4 x 25 3/4 in)]
Attributed works:
[Guy Peppiatt Fine Art. River wide House. 6 Manson’s Yard. Duke St., St. James’s. London David Roberts, R.A. (1790-1864). The Giralda, Seville. Watercolour over pencil, 35 by 24.5 cm. (13 3/4 by 9 3/4in)]
Attributed works:
[Hazlitt Holland-Hibbert. 38 Bury Street. St. James’s, London SW1Y 6BB. Barbara Hepworth 1903-1975. Two Forms Pierced. 1961-2. White alabaster. Height: 11 inches; 29.2 cm. Unique]
Attributed works:
[Lowell Libson. 3 Clifford Street, New Bond Street, London, W1S 2LF. Edward Dayes 1763-1804. The Triumph of Beauty. Oil on canvas. 50 x 36 inches. 1270 x 915 mm. Painted in 1799-1800. Exhibited: London, Royal Academy, 1800, no. 93]
Attributed works:
[Martyn Gregory. 34 Bury Street, St. James’s. London. Henry Fuseli, R.A. (1741-1825). A male nude figure, seated. Pen and brown ink, 8 1/2 x 7 ins. Verso: Studies of lovers, a kneeling female figure, and a chequerboard, pen and brown ink]
Attributed works:
[Martyn Gregory. 34 Bury Street, St. James’s. London. Jacques-Laurent Agasse (1767-1849). A wooded landscape. Pencil and watercolour, 20 1/2 x 24 1/2 ins. Verso: Studies of horses, pencil, pen and ink.]
Attributed works:
[Richard L. Feigen & Company. 34 East 69th Street. New York, NY 10021. Samuel Palmer - The Shearers ca. 1827-29. (Shoreham). Oil and tempera on panel, 20 3/8 by 28 inches.]
Attributed works:
[Rogallery. 47-15 36th Street. Lic NY. Lot 512. Alex Katz. Maine Cow. Sculpture, 2007]
Attributed works:
[Sphinx Fine Art. 125 Kensington Church Street. London. J.M.W. Turner. The Bridge at Vernon, from Vernonnet]
Attributed works:
[Yale Center for British Art. 1080 Chapel Street, New Heaven. Connecticut. Nikolaus von Heideloff, "Afternoon Dresses" from Gallery of Fashion (detail), October 1798, hand-colored aquatint. Yale Center for British Art, Paul Mellon Collection]
Book Review
Francisco de Zurbarán, 1598–1664. Catálogo Razonado y Crítico. Volumen I
10/2010 | 1291 | 152
Pages: 682
related names
Reviewer:
Mallory, Nina Ayala (Mallory, Nina Ayala; Ayala Mallory, Nina)
Subjects
dates:
Reviewed Items
subjects:
Francisco de Zurbarán, 1598–1664. Catálogo Razonado y Crítico. Volumen I | author: Delenda, Odile
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