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Book Review
Ribera: Ténèbres et lumière
05/2025 | 1466 | 167
Pages: 502–505
related names
Reviewer:
Cappelletti, Francesca (Cappelletti, Francesca)
Subjects
dates:
museums and institutions:
Reviewed Items
museums and institutions:
Ribera: Ténèbres et lumière Edited by Annick Lemoine and Maïté Metz. 304 pp. incl. 180 col. ills. (Paris Musées, 2024), €60. ISBN 978–2–7596–0594–1. | :
Illustrations
Attributed works:
1. Judgment of Solomon, by Jusepe de Ribera. c.1609. Oil on canvas, 153 by 201 cm. (Galleria Borghese, Rome).
Attributed works:
2. Lamentation over the dead Christ, by Jusepe de Ribera. 1633. Oil on canvas, 157 by 210 cm. (Museo Nacional Thyssen- Bornemisza, Madrid).
Attributed works:
3. Man tied to a tree, by Jusepe de Ribera. 1626. Red chalk on paper, 23.2 by 17 cm. (British Museum, London).
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Advertisements (front)
03/2025 | 1464 | 167
Pages: i-xl
Subjects
Illustrations
Attributed works:
A young man, by Claude Hoin (1750–1817). 1802. Pastel on paper mounted on canvas, 39 by 31 cm. [DIDIER AARON & CIE, PARIS AND NEW YORK/Tefaf]
Attributed works:
Adoration of the shepherds, attributed to Girolamo Ticciati (1676–1744). c.1700. Modelled terracotta, 41 by 97 cm. [Alessandro Cesati, Milan. Stand 171/ Tefaf]
Attributed works:
Albrecht Duerer. Virgin and child with the pear. 1511. Engraving. Meder 33 a. Est. 15,000 € [Venator and Hansen]
Attributed works:
Allegorical portrait of a young man, by Mirabello Cavalori (1520–72). 1565–70. Oil on canvas, 182 by 105 cm. [Trinity Fine Art, London. Stand 361/ Tefaf]
Attributed works:
Allegory on iron forge, by David Vinckboons (1576–c.1632). c.1613. Pen and brown ink, brush and brown ink, brown wash, heightened with white, gold ink framing lines on green prepared paper, 13.8 by 13.1 cm. [ONNO VAN SEGGELEN, ROTTERDAM/Salon du Dessin]
Attributed works:
AUGUSTE RODIN (1840-1917) Despair, Conceived 1886-1887, this example modelled c.1900 Signed A. Rodin, Plaster with shellac, 7 1/4 x 3 1/4 x 5 in, 18.6 x 8.6 x 13 cm Provenance Charles Delanglade, Marseille, a gift from the artist, c. 1900 [Willoughby Gerrish]
Attributed works:
Black nude, by Georges Dorignac (1879– 1925). Black chalk and black watercolour on paper, 56 by 43 cm. [GALERIE DE BAYSER, PARIS/Tefaf]
Attributed works:
Charity, by Lorenzo Bartolini (1777– 1850). 1846. Marble, height 184 cm. [Walter Padovani, Milan. Stand 126/Tefaf]
Attributed works:
Charles CORDIER (Cambrai 1827-1905 Alger) Mauresque d’Alger chantant Before 1870 Life size bust H. 74 cm [Univers du Bronze]
Attributed works:
Console table, attributed to Giuseppe Maria Bonzanigo (1745–1820). c.1790. Painted and microcarved parcel gilt walnut with grey Valdieri marble top, 95 by 151 by 66 cm. [Burzio, London. Stand 157/ Tefaf]
Attributed works:
Honoré Daumier (French, 1808–1879) THE BEER DRINKERS (LES BUVEURS DE BIÈRE), circa 1860 Signed: h. Daumier (lower left) Oil on panel, 10¼ by 12⅛ in. (26 by 30.7 cm.) [Gallery 19c]
Attributed works:
Imperial vase fuseau, painted with a portrait miniature of Caroline Murat (1782–1839), by Antoine-Charles Le Guay (1762–1846) and Antoine Beranger (1785–1867) for Sèvres Porcelain Manufactory. 1810–12. Hard-paste porcelain, enamels, gold, height 54.5 cm. [Camille Leprince, Paris. Stand 182/Tefaf]
Attributed works:
Interior of a harem, by Francesco Hayez (1791–1882). 1840. Oil on canvas, 84 by 108 cm. [Antonacci Lapiccirella Fine Art, Rome. Stand 318/Tefaf]
Attributed works:
JACQUES-ÉMILE BLANCHE (1861–1942) Portrait of Georges de Porto-Riche (1849–1930), 1889 Recently acquired by the Musée d’Orsay, Paris [Robilant and Voena]
Attributed works:
JAMES BARRY (1741 Cork – 1806 London), Self-portrait, c.1802. Inscribed in pen and ink “Barry Fecit / James Barry Esq. late P.P.+ R.A. of / the Royal Academy and member of Clementine Academy at Bologna”. Mezzotint. Size of sheet: c.46 x 34.8 cm. [Emanuel von Baeyer/Tefaf]
Attributed works:
JEAN-BAPTISTE GREUZE (1725-1805) The Triumph of Silenus Pen and brown and black ink and grey wash, over an underdrawing in black chalk. Inscribed J. B. Greuze at the lower right. 538 x 378 mm. (21¹⁄₈ x 14⁷⁄₈ in.) [Stephen Ongpin]
Attributed works:
JOHN CHEERE (1709–1787) Samson Slaying a Philistine Bronzed lead 48 cm (19 in.) high 54 cm (21¼ in.) high, overall [Tomasso]
Attributed works:
JUSEPE DE RIBERA (c.1630) An Apostle Oil on canvas, 76 x 62 cm [Giammarco Cappuzzo Fine Art]
Attributed works:
JUSEPE DE RIBERA Xàtiva 1591 – Naples 1652 SAINT ANDREW THE APOSTLE Naples 1630 Oil on canvas. 71.8 x 63.5 cm [Galeria Bernat]
Attributed works:
Kankamkankami, by Rover Thomas Joolama (1926–98). 1990. Natural earth pigment and brush gum on linen, 90 by 180 cm. [D’Lan Contemporary, Melbourne. Stand 431/Tefaf]
Attributed works:
Lady Mary Sadleir, née Lorymer, by Mary Beale (1633–99). 1685. Oil on canvas, 76.2 by 63.5 cm. [The Weiss Gallery, London. Stand 346/Tefaf]
Attributed works:
Laurent Delvaux (Ghent 1696 – Nivelles 1778) BOZZETTO OF HERCULES MODEL FOR THE STATUE IN THE PALACE OF CHARLES-ALEXANDRE DE LORRAINE IN BRUSSELS Terracotta and traces of gilding Brussels, 1768 [Desmet]
Attributed works:
LOMBARD SCHOOL Circa 1500 God the Father Pen and brown ink on green-washed paper, 14 x 21 cm. [Charles Ratton and Guy Ladrière]
Attributed works:
London night scene, by Émile Claus (1849–1924). 1915. Conté crayon on paper, 12.3 by 18.3 cm. AMBROISE DUCHEMIN, PARIS/Salon du Dessin]
Attributed works:
Lucas CRANACH le Jeune (att. à), Maurice, duc de Saxe - vers 1545/50 © Reims, Musée des Beaux-Arts. Photo : Corentin Le Goff. Design : Olivier Andreotti (Toluca Studio) [Salon du dessin]
Attributed works:
MICHEL ANGUIER (1612–1686) Farnese Hercules 57 cm (22½ in.) high Terracotta [Tomasso]
Attributed works:
Mick Namarari Tjapaltjarri, Wallaby Sign for Men and Women, 11972 [D'Lan Contemporary/Tefaf]
Attributed works:
no speaking is left in me, by Edmund de Waal (b.1964). 2013. Fourteen porcelain vessels on aluminium shelf, 31 by 100 by 24.3 cm. [Piano Nobile, London. Stand 463/Tefaf]
Attributed works:
On the edge of Fontainebleau forest, by Alfred Sisley (1839–99). 1868. Oil on canvas, 96.8 by 86.4 cm. [C19 Gallery, Westlake TX. Stand 328/Tefaf]
Attributed works:
Portrait of a Capuchin Friar, by Giacomo Ceruti, called Il Pitocchetto (1698–1767). c.1730. Oil on canvas, 93 by 78 cm. [Galerie Canesso, Paris and Milan. Stand 360/Tefaf]
Attributed works:
Portrait of a woman, facing left, by Monogrammist I.S. (active 1651–58). c.1630s. Oil on canvas laid onto panel, 34 by 27 cm. [Nicholas Hall Fine Art, New York. Stand 363/Tefaf]
Attributed works:
Project for a painted mural n°2, by Luigi Spazzapan (1889–1958). 1923. Tempera on paper applied to Masonite, 24 by 35 cm. [BOTTEGANTICA, MILAN/Salon du Dessin]
Attributed works:
Punchinello and his family spinning fl ax, by Giovanni Domenico Tiepolo (1727–1804). c.1790–1800. Pen and brown ink and wash, over an underdrawing in black chalk, 34.5 by 46.4 cm. [Stephen Ongpin Fine Art, London. Stand 603/Tefaf] Nicholas Hall Fine Art, New York. Stand 363/Tefaf]
Attributed works:
SÈVRES (France)- Manufacture Impériale de Porcelaine Déjeuner “TêTes De Madones D’après Raphaël” à fond d’or et Motifs De rosaces Peinture par Marie-Victoire jaquotot (1772-1855), circa 1813 Porcelaine dure, émaux, or, métal doré Au dos des pièces, références d’inventaires du Musée du Louvre (alors renommé musée Napoléon) [Camille Leprince]
Attributed works:
Still life with terracotta Púcaros, by Josepha Ayalla (1630–84) and Baltazar de Óbidos (1604–74). c.1670. Oil on canvas, 24.6 by 30.4 cm. [Rafael Valls, London. Stand 333/Tefaf]
Attributed works:
Study of a seated shepherd, by Parmigianino (1503–40). c.1524–27. Pen and brown ink on paper, 15.8 by 11.8 cm. [GALERIE TERRADES, PARIS/Tefaf]
Attributed works:
The Calling of Saints Peter and Andrew by Robert Edge Pine (1730–1788) [Darnley Fine Art]
Attributed works:
The virgin, by Adolfo Wildt (1868–1931). 1925. Marble, 33.8 by 29 cm. [Stuart Lochhead Sculpture, London. Stand 108/Tefaf]
Attributed works:
Three hamlets, two villages, by Boris Kosarev (1897–1994). 1921. Watercolour on paper, 24 by 19 cm. [JAMES BUTTERWICK, LONDON/Salon du Dessin]
Attributed works:
Tiger, by Eugène Delacroix (1798–1863) and Frédéric Chopin (1810–49). Pen and brown ink on a music stave, 5.5 by 22 cm. [GALERIE ÉRIC COATALEM, PARIS/Tefaf]
Attributed works:
TIZIANO VECELLIO, CALLED TITIAN Madonna and Child with St. Mary Magdalene oil on canvas 104.7 × 93 cm; 411/4 × 365/8 inches [Trinity Fine Art/Tefaf]
Attributed works:
Triumph of David, from a Book of Hours, by the Master of Mary of Burgundy. Ghent, c.1480. Tempera on parchment, 15.3 by 11 cm. [Les Enluminures, New York, Chicago and Paris. Stand 216/Tefaf]
Attributed works:
Two people, by Wifredo Lam (1902–82). 1978. Watercolour and pastel on paper, 30.5 by 47.5 cm. [GALERIE TRAITS NOIRS, PARIS/Salon du Dessin]
Attributed works:
View of Antibes, by Henri Edmond Cross (1856–1910). 1908. Watercolour on paper, 17.4 by 24.6 cm. [GALERIE DE LA PRÉSIDENCE, PARIS/Tefaf]
Attributed works:
Woman on a balcony, by Maurice Denis (1870–1943). 1893. Watercolour and Indian ink on paper, 17.5 by 13 cm. [GALERIE BERÈS, PARIS/Salon du Dessin]
Attributed works:
Woman with a blue bow (Isabelle Lemonnier), by Édouard Manet (1832–83). c.1876–79. Pastel (and oil?) on canvas, 55 by 46 cm. [David Tunick Inc., New York. Stand 371/Tefaf]
Attributed works:
Yakov Chernikhov (1889–1951) From the series Aristografiya (1920s) Gouache on paper, 28 x 23.8 cm [James Butterwick]
Non-western art unattributed:
A Gujarati chest, India, 2nd half of the 16th century. Teak, black mastic, mother-of-pearl and shellac with gilt copper fi ttings, 39 by 64 by 38 cm. [São Roque, Lisbon. Stand 179/Tefaf]
Non-western art unattributed:
A Safavid blue and white charger. Iran, 17th century. Fritware decorated in underglaze cobalt blue, diameter 48.2 cm. [Amir Mohtashemi, London. Stand 251/Tefaf]
Non-western art unattributed:
A Sino-Portuguese Ming Saint Peter  Southern China, Ming Dynasty,  17th century Gilt wood Height.: 62  cm Provenance: Private collection, France [São Roque]
Non-western art unattributed:
Large futabana (two-flower) vase with butterfly handles. Edo period. Bronze, height 33.5 cm. [Joost van den Burgh, London. Stand 156/Tefaf]
Non-western art unattributed:
LIMESTONE RELIEF FROM THE TOMB OF MENTUEMHAT Late Dynastic Period 25th–26th Dynasty, c. 650 BC Length 25 cm [Rupert Wace]
Western art unattributed:
A medallion of Aphrodite. Hellentistic, c.2nd–1st century BCE. Gold, diameter 4.9 cm. [Kallos Gallery, London. Stand 504/Tefaf]
Western art unattributed:
After a model by Michelangelo (1475-1564), Crucified Christ, bronze, c. 1560-1570, height: 25.5 cm [Stuart Lochhead Sculpture]
Western art unattributed:
FONTANA workshop, URBINO A trilobed basin, bacile bronzo a tre angoli, decorated with four scenes of Joseph’s history in Egypt from the Figure del Vecchio testamento by bernard salomon Circa 1565-1575 Tin-glazed earthenware Measurements: 47 x 45 x 5 cm [Camille Leprince]
Western art unattributed:
Renaissance cup in the form of a Gothic pointed shoe. South Germany, 1567. Leather, copper, fi re-gilt and engraved, 10 by 18 cm. [Georg Laue Kunstkammer, Munich. Stand 204/Tefaf]
Western art unattributed:
Salver from King D. Fernando II collection         Iberian colonial,  17th century Silver Dim.:  37.8 × 38 × 4cm Weight: 114g [São Roque]
Western art unattributed:
Tric-trac tableman : Battle scene Cologne, circa 1150 Walrus ivory, traces of red paint Diameter : 5.5 cm; Depth : 1.2 cm. [Brimo de la Roussilhe]
Exhibition Review
Hand in Hand: Sculpture and Colour in the Spanish Golden Age
02/2025 | 1463 | 167
Pages: 166–168
related names
Reviewer:
Hellwig, Karin (Hellwig, Karin)
Subjects
dates:
museums and institutions:
Reviewed Items
subjects:
Hand in Hand: Sculpture and Colour in the Spanish Golden Age Museo Nacional del Prado, Madrid 19th November 2024–2nd March 2025 | :
Illustrations
Attributed works:
4. Christ of forgiveness, by Luis Salvador Carmona. 1756. Polychrome wood enhanced by other media, 163 by 91.5 by 90 cm. (Clarisas Capuchinas, Nava del Rey; exh. Museo Nacional del Prado, Madrid).
Attributed works:
5. St Dominic of Guzmán, by Juan Martínez Montañés (sculptor) and Francisco Pacheco (polychrome artist). 1605–09. Polychrome wood, 147 by 126 by 68 cm. (Museo de Bellas Artes, Seville; exh. Museo Nacional del Prado, Madrid).
Attributed works:
6. Christ on the Cross, by Sánchez Cotán. Oil on canvas, 220 by 120 cm. (Museo de Bellas Artes, Granada; exh. Museo Nacional del Prado, Madrid).
Article
Ter Brugghen in Italy
03/2024 | 1452 | 166
Pages: 286–293
related names
Author:
Gash, John (Gash, John)
Subjects
museums and institutions:
Reviewed Items
subjects:
Ter Brugghen, dall’Olanda all’Italia sulle orme di Caravaggio. Edited by Federico Fischetti and Gianni Papi. 216 pp. incl. 140 col. + 28 b. & w. ills. (Gallerie Estensi and Sagep Editori, Genoa, 2023), €28. ISBN 979–12–5590–039–9. | :
subjects:
Ter Brugghen, dall’Olanda all’Italia sulle orme di CaravaggioGalleria Estense, Modena, 13 October 2023–14 January 2024. Galleria Estense, Modena. | :
Illustrations
Attributed works:
1. Denial and penitence of St Peter, by Hendrick ter Brugghen. c.1610–11. Oil on canvas, 288 by 190 cm. (Spier Collection, London; exh. Galleria Estense, Modena).
Attributed works:
2. A saint writing, by Hendrick ter Brugghen. c.1614. Oil on canvas, 82 by 142 cm. (Galleria Estense, Modena; exh. Galleria Estense, Modena).
Attributed works:
3. Adoration of the shepherds, by Hendrick ter Brugghen. c.1610–14. Oil on canvas, 160.4 by 208 cm. (Spier Collection, London; exh. Galleria Estense, Modena).
Attributed works:
4. Christ crowned with thorns and Mocking of Christ, here attributed to Jan Janssens. 1620s or later. Oil on canvas, 173.8 by 135.5 cm. (Palais des Beaux-Arts, Lille; exh. Galleria Estense, Modena).
Attributed works:
5. Supper at Emmaus, attributed to Hendrick ter Brugghen and Giulio Cesare Procaccini. 1614?. Oil on canvas, 154 by 198.5 cm. (Kunsthistorisches Museum, Vienna; exh. Galleria Estense, Modena).
Attributed works:
6. Beheading of St John the Baptist, here attributed to Hendrick ter Brugghen and assistant(s). c.1611/17. Oil on canvas, 167.6 by 217.8 cm. (National Gallery of Scotland, Edinburgh).
Attributed works:
7. St John the Baptist in a landscape, attributed to Hendrick ter Brugghen and Giulio Cesare Procaccini. 1614?. Oil on canvas, 155 by 190 cm. (Certosa di Pavia, Lombardy; exh. Galleria Estense, Modena).
Article
New perspectives on Gérard Douffet in Italy and Malta
02/2023 | 1439 | 165
Pages: 128-139
related names
Author:
Gash, John (Gash, John)
Subjects
dates:
places:
Illustrations
Attributed works:
1. Pope Nicholas V visiting the tomb of St Francis, by Gérard Douffet. c.1627. Oil on canvas, 404 by 347 cm. (Staatsgalerie, Neuburg an der Donau).
Attributed works:
10. St John the Baptist with a ram, by Caravaggio. 1602. Oil on canvas, 129 by 95 cm. (Pinacoteca Capitolina, Rome).
Attributed works:
11. Death of Hyacinth, copy (?) after Gérard Douffet. 1620s. Oil on canvas, 131 by 96.5 cm. (Private collection).
Attributed works:
12. St Roch and St Carlo Borromeo interceding with the Virgin on behalf of the plague-stricken, by Gérard Douffet (or/and Bertholet Flémal?). c.1620. Oil on canvas, 240 by 172 cm. (Sainte-Véronique, Liège; © KIKIRPA, Brussels).
Attributed works:
13. Detail of Fig.12, showing a dead mother and her child.
Attributed works:
14. Penitent Mary Magdalene, here attributed to Gérard Douffet, c.1627. Oil on canvas, 144 by 102 cm. (Schaezlerpalais, Augsburg).
Attributed works:
2. St Helena discovering the True Cross, by Gérard Douffet. 1624. Oil on canvas, 309 by 367 cm. (Staatsgalerie, Neuburg an der Donau).
Attributed works:
3. Detail of Fig.1, showing a man with ringlets looking up.
Attributed works:
4. Christ appearing to St James the Great, by Gérard Douffet. 1633–34. Oil on canvas, 227 by 169 cm. (Schloss Schleissheim, Munich).
Attributed works:
5. Detail of Fig.4, showing the free-floating strands of hair on Christ’s head.
Attributed works:
6. Taking of Christ, here attributed to Gérard Douffet (and Valentin de Boulogne?). c.1618–20. Oil on canvas, 147 by 194 cm. (Museum of Fine Arts, Boston).
Attributed works:
7. St Paul killing the serpent on Malta, here attributed to Gérard Douffet (and assistants?). c.1621–23. Oil on canvas, 163.5 by 220.5 cm. (Private collection).
Attributed works:
8. Death of Hyacinth, here attributed to Gérard Douffet. c.1618–24. Oil on canvas, 132 by 91.2 cm. (Musée Thomas Henry, Cherbourg).
Attributed works:
9. The choice of Hercules, by Bartolomeo Manfredi or his circle (Gérard Douffet?). c.1616–22. Oil on canvas, 104.1 by 146.7 cm. (Fondation Albert Vandervelden, Ferrières).
Obituary
Obituary: Jonathan Brown (1939–2022)
04/2022 | 1429 | 164
Pages: 427-428
related names
Author:
Cherry, Peter (Cherry, Peter)
Subjects
art literature:
Illustrations
Attributed works:
Jonathan Brown, photographed in c.2010. (Photograph N.L. Roberts).
Article
Carlo Dolci’s Inscriptions 1 – Dolci’s signatures and prices in context
01/2022 | 1426 | 164
Pages: 4-15
related names
Author:
Spear, Richard E. (Spear, Richard E.)
Subjects
Illustrations
Attributed works:
1. Detail of Fig.10, showing Carlo Dolci’s self-portrait within a self-portrait, inscribed 1674.
Attributed works:
10. Self-portrait, by Carlo Dolci. 1674. Oil on canvas, 74.5 by 60.5 cm. (Galleria degli Uffizi, Florence).
Attributed works:
11. Inscription on the strainer of the painting illustrated in Fig.13.
Attributed works:
12. Christ Child with a garland of flowers, by Carlo Dolci. 1674. Canvas, 96.5 by 76.5 cm. (Kunsthistorisches Museum, Vienna).
Attributed works:
13. David with the head of Goliath, by Carlo Dolci. 1680. Canvas, 131.5 by 106 cm. (Museum of Fine Arts, Boston).
Attributed works:
2. Ecce Homo, by Carlo Dolci. 1681. Oil on canvas, 49 by 39 cm. (Galleria Corsini, Florence).
Attributed works:
3. Inscription on the strainer of the painting illustrated in Fig.5.
Attributed works:
4. St Agatha, by Carlo Dolci. 1664–65. Oil on canvas, 73 by 41 cm. (Private collection).
Attributed works:
5. St Philip Neri, by Carlo Dolci. 1645. Oil on canvas, 44.5 by 36.2 cm. (Metropolitan Museum of Art, New York).
Attributed works:
6 and 7. Inscriptions on the strainer of the painting illustrated in Fig.4.
Attributed works:
8. Inscription on a wooden frame behind St John the Evangelist on Patmos, by Carlo Dolci. 1656. Oil on copper, 38 by 49 cm. (Palazzo Pitti, Florence).
Attributed works:
9. Luigi Gualtieri at the age of three, by Carlo Dolci. 1674. Black, red and blue chalk with blue watercolour on white paper, 20.8 by 14.2 cm. (Galleria degli Uffizi, Florence).
Exhibition Review
Luca Giordano: From Nature to Painting. Museo e Real Bosco di Capodimonte, Naples
05/2020 | 1406 | 162
Pages: 440-443
related names
Reviewer:
Volpi, Caterina (Volpi, Caterina)
Subjects
dates:
places:
styles:
subjects:
Reviewed Items
subjects:
Luca Giordano: From Nature to Painting Museo e Real Bosco di Capodimonte, Naples 6th April–12th July | :
Illustrations
Attributed works:
10. Good Samaritan, by Luca Giordano. 1660. Oil on canvas, 136.5 by 167.5 cm (Musée des Beaux- Arts, Rouen; exh. Museo e Real Bosco di Capodimonte Naples).
Attributed works:
11. Tavern scene, by Luca Giordano. c.1654. Oil on canvas, 163 by 139 cm. (Fondazione Giuseppe e Margaret de Vito, Vaglia; exh. Museo e Real Bosco di Capodimonte Naples).
Attributed works:
12. Tarquin and Lucretia, by Luca Giordano. 1663. Oil on canvas, 138 by 187 cm. (Museo e Real Bosco di Capodimonte, Naples).
Exhibition Review
Velázquez, Rembrandt, Vermeer: Parallel Visions. Museo Nacional del Prado, Madrid; and Rembrandt–Velázquez: Dutch and Spanish Masters. Rijksmuseum, Amsterdam
01/2020 | 1402 | 162
Pages: 61-64
related names
Reviewer:
Kent, Isabelle (Kent, Isabelle )
Subjects
dates:
Reviewed Items
subjects:
Velázquez, Rembrandt, Vermeer: Parallel Visions Museo Nacional del Prado, Madrid 25th June–29th September 2019 Rembrandt–Velázquez: Dutch and Spanish Masters Rijksmuseum, Amsterdam 11th October 2019–19th January | :
Illustrations
Attributed works:
12. View of the gardens of the Villa Medici in Rome, by Diego Velázquez. c.1630. Oil on canvas, 48.5 by 43 cm. (Museo Nacional del Prado, Madrid; exh. Rijksmuseum, Amsterdam).
Attributed works:
13. View of houses in Delft (the little street), by Johannes Vermeer. c.1658. Oil on canvas, 54.3 by 44 cm. (Rijksmuseum, Amsterdam).
Attributed works:
14. Agnus Dei, by Francisco de Zurbarán. 1635– 40. Oil on canvas, 37.3 by 62 cm. (Museo Nacional del Prado, Madrid, exh. Rijksmuseum, Amsterdam).
Attributed works:
15. Interior of the Sint- Odulphuskerk in Assendelft, by Pieter Jansz Saenredam. 1649. Oil on panel, 49.6 by 75 cm. (Rijksmuseum, Amsterdam).
Book Review
Senza più attendere a studio e insegnamenti. Scritti su Caravaggio e l’ambiente caravaggesco. By Gianni Papi
08/2019 | 1397 | 161
Pages: 692-693
related names
Reviewer:
Gash, John (Gash, John)
Subjects
Reviewed Items
subjects:
Senza più attendere a studio e insegnamenti. Scritti su Caravaggio e l’ambiente caravaggesco By Gianni Papi. 256 pp. incl. 217 col. + 48 b. & w. ills. (artstudiopaparo, Naples, 2018). | :
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