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8 articles
Exhibition Review
Rosalba Carriera: Perfection in Pastel
09/2023 | 1446 | 165
Pages: 1007-1010
related names
Reviewer:
Vogtherr, Christoph Martin (Vogtherr, Christoph Martin)
Subjects
dates:
museums and institutions:
Reviewed Items
subjects:
Rosalba Carriera: Perfection in Pastel Gemäldegalerie Alte Meister, Dresden 9th June–24th September | :
Illustrations
Attributed works:
10. Allegory of Africa, by Rosalba Carriera. Pastel on paper, 33 by 27 cm. (Gemäldegalerie Alte Meister, Staatliche Kunstsammlungen, Dresden).
Attributed works:
8. A black-haired lady with a thin gold necklace, by Rosalba Carriera. Pastel on paper, 29.5 by 26 cm. (Gemäldegalerie Alte Meister, Staatliche Kunstsammlungen Dresden).
Attributed works:
9. Self-portrait as winter, by Rosalba Carriera. 1730–31. Pastel on paper, 46.5 by 34 cm. (Gemäldegalerie Alte Meister, Staatliche Kunstsammlungen Dresden).
Book Review
Bernini, der Papst und der Tod
07/2023 | 1444 | 165
Pages: 810–811
related names
Reviewer:
Avery, Charles (Avery, Charles)
Subjects
art literature:
museums and institutions:
Reviewed Items
subjects:
Bernini, der Papst und der Tod Edited by Stephan Koja and Claudia Kryza-Gersch. 144 pp. incl. 134 col. + b. & w. ills. (Staatliche Kunstsammlungen and Sandstein Verlag, Dresden, 2021). €19.80. ISBN 978–3–95498–615–6. | :
Illustrations
Attributed works:
6. Death’s Head, by Gian Lorenzo Bernini. 1655. Carrara marble, height 17.5 cm. (Staatliche Kunstsammlungen Dresden; photograph Jürgen Lange).
Article
The man who never was – almost
01/2023 | 1438 | 165
Pages: 57-65
related names
Author:
Nesselrath, Arnold (Nesselrath, Arnold)
Subjects
artists:
Illustrations
Attributed works:
1. The Trinity with Sts Sebastian and Roch and The creation of Eve, by Raphael, photographed after its recent restoration. c.1499. Oil on canvas, each 266 by 94 cm. (Pinacoteca Comunale, Città di Castello).
Attributed works:
10. Portrait of a woman (‘La donna velata’), by Raphael. c.1513–14. Oil on canvas, 82 by 60.5 cm. (Palazzo Pitti, Florence).
Attributed works:
11. St Cecilia, attributed to Giovanfrancesco Penni. c.1514. Graphite, pen and ink and wash with white lead on paper, 26.8 by 16.3 cm. (Petit Palais, Musée des Beaux-Arts de la Ville de Paris).
Attributed works:
2. View of the Logge in the Vatican, by Ludwig Gruner. 1844. Chromolithograph, 54.8 by 37.3 cm. (page). (From Fresco Decorations and Stuccoes of Churches and Palaces in Italy during the Fifteenth and Sixteenth Centuries, with Descriptions by Lewis Gruner, London 1844; Royal Collection Trust; © HM King Charles III 2023).
Attributed works:
3. St Paul preaching in Athens, by the Mortlake Tapestry Manufactory after a cartoon by Raphael. After 1625. Wool, silk and linen tapestry, 433 by 538 cm. (Gemäldegalerie Alte Meister, Dresden).
Attributed works:
4. Virgin and Child (‘The Tempi Madonna’), by Raphael. 1507–08. Oil on panel, 75 by 51 cm. (Alte Pinakothek, Munich).
Attributed works:
5. Dead boy on a dolphin, attributed to Lorenzetto, after a design by Raphael. Marble, 39 by 106 cm (State Hermitage Museum, St Petersburg).
Attributed works:
6. Detail of Procession to Calvary, by an unknown collaborator of Rapahel. c.1504–05. Oil on panel, 24.4 by 85.5 cm. (National Gallery, London).
Attributed works:
7. St George, by Raphael. c.1505. Oil on panel, 30.7 by 26.8 cm. (Musée du Louvre, Paris).
Attributed works:
8. Holy Family with a pomegranate, by Raphael. c.1507–08. Pen and ink and black and red chalk on paper, 35.3 by 23.4 cm. (Palais de Beaux-Arts, Lille).
Attributed works:
9. Vault of the Chapel of St Helena, S. Croce in Gerusalemme, Rome, designed by Baldassare Peruzzi. 1496–1509. Mosaic. (Alamy).
Exhibition Review
Johannes Vermeer: On Reflection
01/2022 | 1426 | 164
Pages: 62-64
related names
Reviewer:
Waiboer, Adriaan E. (Waiboer, Adriaan E.)
Subjects
dates:
museums and institutions:
Reviewed Items
subjects:
Johannes Vermeer: On Reflection Gemäldegalerie Alte Meister, Dresden 10th September 2021– 2nd January 2022 | :
Illustrations
Attributed works:
10. Temptation, by Jan Verkolje. 1678. Oil on canvas, 70 by 66 cm. (Gemäldegalerie Alte Meister, Dresden).
Attributed works:
8. Young woman reading a letter at an open window, by Johannes Vermeer. c.1657– 59. Oil on canvas, 97.8 by 104.6 cm. (Gemäldegalerie Alte Meister, Dresden).
Attributed works:
9. Woman holding a balance, by Johannes Vermeer. c.1664. Oil on canvas, 39.7 by 35.5 cm. (National Gallery of Art, Washington; exh. Gemäldegalerie Alte Meister, Dresden).
Article
The restoration of ‘Young woman reading a letter at an open window’ by Johannes Vermeer: final report
10/2021 | 1423 | 163
Pages: 916-925
related names
Author:
Neidhardt, Uta (Neidhardt, Uta)
Author:
Schölzel, Christoph (Schölzel, Christoph)
Subjects
museums and institutions:
Illustrations
Attributed works:
1. Young woman reading a letter at an open window, by Johannes Vermeer. c.1657–59. Oil on canvas, 83 by 64.5 cm. Photographed after restoration, 2021. (Staatliche Kunstsammlungen, Gemäldegalerie Alte Meister, Dresden; photograph Wolfgang Kreische).
Attributed works:
10. Interior of the Oude Kerk in Delft, by Gerard Houckgeest. 1654. Oil on panel, 49 by 41 cm. (Rijksmuseum, Amsterdam; photograph Frans Pegt).
Attributed works:
12. A mother’s duty, by Pieter de Hooch. c.1660–61. Oil on canvas, 52.5 by 61 cm. (Rijksmuseum, Amsterdam).
Attributed works:
13. An officer and a standing woman, by Hendrick van der Burch. c.1665. Oil on canvas, 57.8 by 64.1 cm. (Philadelphia Museum of Art).
Attributed works:
2. Young woman standing at a virginal, by Johannes Vermeer. c.1670–72. Oil on canvas, 51.7 by 45.2 cm. (National Gallery, London).
Attributed works:
3. Fig.1, photographed after the removal of overpaint in 2021, showing the edges of the painting (Staatliche Kunstsammlungen, Gemäldegalerie Alte Meister, Dresden; photograph Wolfgang Kreische).
Attributed works:
4. Detail of Fig.3, showing the upper-left corner of the painting.
Attributed works:
5. Detail of Fig.3, showing the lower-right corner of the painting, with the foot of a wine glass.
Attributed works:
6. Detail of Fig.1, showing the painting of Cupid in the background.
Attributed works:
7. A lady writing a letter, with her maid, by Johannes Vermeer. c.1670/72. Oil on canvas, 71.1 by 60.5 cm. (National Gallery of Ireland, Dublin; Bridgeman Images).
Attributed works:
8. Inconcussa fide (Oprecht), by Otto van Veen. 1608. Engraving, 20.2 by 15.1 cm. (From Amorum emblemata, Antwerp 1608, p.28; © Dresden, SLUB/Deutsche Fotothek).
Attributed works:
9. Officer and laughing girl, by Johannes Vermeer. c.1657–60. Oil on canvas, 50.5 by 46 cm. (The Frick Collection, New York; photograph Michael Bodycomb).
Western art unattributed:
11. The terrace. Delft, c.1660. Oil on canvas, 106.9 by 87.4 cm. (Art Institute of Chicago; Bridgeman Images).
Article
The reopening of the Dresden Gemäldegalerie Alte Meister
11/2020 | 1412 | 162
Pages: 992-977
related names
Author:
Gajewski, Alexandra (Gajewski, Alexandra)
Subjects
museums and institutions:
Illustrations
Attributed works:
1. Hall of antiquities, Gemäldegalerie Alte Meister und Skulpturensammlung bis 1800 (Staatliche Kunstsammlungen Dresden; photograph H.C. Krass).
Attributed works:
2. Christ flagellated, by Balthasar Permoser. 1728. Coloured marble, 81 by 27 by 25 cm. (Skulpturensammlung bis 1800, Staatliche Kunstsammlungen Dresden; photograph David Brandt).
Attributed works:
3. Plan of the first storey of the Gemäldegalerie, with the south-side at the top. c.1845. Lithograph, 23 by 41.5 cm. (Kupferstich-Kabinett, Staatliche Kunstsammlungen Dresden).
Attributed works:
4. Installation view of the Italian galleries, looking towards Raphael’s Sistine Madonna, Gemäldegalerie Alte Meister (Staatliche Kunstsammlungen, Dresden; photograph H.C. Krass).
Attributed works:
5. Frederick III of Saxony, called the Wise, by Adriano Fiorentino. 1498. Bronze, 62.8 by 51 by 30.6 cm. (Skulpturensammlung bis 1800, Staatliche Kunstsammlungen Dresden).
Attributed works:
6. Madonna of the Cuccina family, by Paolo Veronese. c.1571. Oil on canvas, 167 by 416 cm. (Gemäldegalerie Alte Meister, Staatliche Kunstsammlungen Dresden).
Attributed works:
8. Installation view of the ‘Rubens and Van Dyck’ gallery, Gemäldegalerie Alte Meister und Skulpturensammlung bis 1800 (Staatliche Kunstsammlungen, Dresden; photograph Alexandra Gajewski).
Article
Correggio’s reclining ‘Magdalen’ rediscovered
07/2019 | 1396 | 161
Pages: 556-561
related names
Author:
Ekserdjian, David (Ekserdjian, David; E., D.)
Subjects
dates:
media:
places:
Illustrations
Attributed works:
1. St Mary Magdalen, here attributed to Correggio. c.1519. Panel, 22.5 by 28 cm. (Private collection).
Attributed works:
2. St Mary Magdalen, here identified as a painting after Correggio. Before 1609. Copper, 29 by 39.5 cm. (Formerly Gemäldegalerie, Dresden).
Attributed works:
3. Infra-red reflectogram of Fig.1.
Attributed works:
4. St Mary Magdalen, by Cristofano Allori after Correggio. c.1600. Copper, 29.6 by 43 cm. (Palazzo Pitti, Florence; Bridgeman Images).
Attributed works:
5. Detail of Fig.1, showing a seascape and a monastic building.
Attributed works:
6. St Mary Magdalen, by Raffaello Morghen (1758–1833), after Correggio. Engraving, 15.6 by 20.4 cm. (British Museum, London).
Attributed works:
7. St Mary Magdalen, by Correggio. c.1518–19. Canvas, 38.1 by 30.5 cm. (National Gallery, London).
Article
The restoration of ‘Young woman reading a letter at an open window’, by Johannes Vermeer: an interim report
06/2019 | 1395 | 161
Pages: 452-463
related names
Author:
Neidhardt, Uta (Neidhardt, Uta)
Author:
Schölzel, Christoph (Schölzel, Christoph)
Subjects
dates:
museums and institutions:
Illustrations
Attributed works:
1. Young woman reading a letter at an open window, by Johannes Vermeer, showing the painting before the start of the current conservation work. c.1657–59. Canvas, 83 by 64.5 cm. (Gemäldegalerie Alte Meister, Staatliche Kunstsammlungen Dresden; H.-P. Klut).
Attributed works:
10. Detail of Fig.13, showing Cupid
Attributed works:
11. Above Young woman interrupted at music, by Johannes Vermeer. c.1658–59. Canvas, 39.3 by 44.4 cm. (The Frick Collection, New York).
Attributed works:
12. The music lesson, by Johannes Vermeer. c.1662–63. Canvas, 74 by 64.5 cm. (Royal Collection, © Her Majesty Queen Elizabeth II, 2019).
Attributed works:
13. Fig.1, photographed in March 2019 during removal of the overpainting layer. (Gemäldegalerie Alte Meister, Staatliche Kunstsammlungen Dresden; W. Kreische).
Attributed works:
14. A maid asleep, by Johannes Vermeer. c.1656–57. Canvas, 87.6 by 76.5 cm. (Metropolitan Museum of Art, New York).
Attributed works:
15. Portrait of a dead child with three putti, by Jacob van Loo. c.1650– 60. Canvas on panel, 96 by 91.5 cm. (Rijksgebouwendienst, Johan de Witthuis, The Hague).
Attributed works:
2. Cross section in visible light of a sample from the overpainted background of Fig.1: (0) ground layer; (1) imprimitura; (2) original reddish paint layer; (3a and 3b) transparent binder layers; (4a and 4b) overpaint. (Hochschule für Bildende Künste, Dresden; C. Herm).
Attributed works:
3. Cross section under UV-fluorescence of a sample from the overpainted background of Fig.1: (0) ground layer; (1) imprimitura; (2) original reddish paint layer; (3a, 3b) transparent binder layers; (4a) overpaint. (Hochschule für Bildende Künste, Dresden; C. Herm).
Attributed works:
4. X-radiograph image of Fig.1. (Gemäldegalerie Alte Meister, Staatliche Kunstsammlungen Dresden; Fine Arts Museum of San Francisco; W. Kreische).
Attributed works:
5. Fig.1 as it appeared during removal of its varnish. (Gemäldegalerie Alte Meister, Staatliche Kunstsammlungen Dresden; W. Kreische).
Attributed works:
6. Macrophotograph detail of Fig.1, showing Cupid’s eye after removal of the overpainting layer, with craquelure. (Gemäldegalerie Alte Meister, Staatliche Kunstsammlungen Dresden; W. Kreische and C. Schölzel).
Attributed works:
7. Detail of Fig.1, showing Cupid after the partial removal of the overpainting layer. (Gemäldegalerie Alte Meister, Staatliche Kunstsammlungen Dresden; W. Kreische).
Attributed works:
8. Left Young woman standing at a virginal, by Johannes Vermeer. c.1670–72. Canvas, 51.8 by 45.2 cm. (National Gallery, London).
Attributed works:
9. Detail of Fig.8, showing Cupid