The Lombard Haggadah
Edited by Milvia Bollati, Flora Cassen and Marc
Michael Epstein. 240 pp. incl. 200 col. ills. (Paul
Holberton Publishing, London, 2019), £45.
ISBN 978–1–911300–66–3. |
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Exhibition Review
Roman Vishniac Rediscovered. Jewish Museum, London, and The Photographers’ Gallery, London
1. Still life with herrings, by Chaim Soutine. c.1916. Canvas, 64.5 by 48.5 cm. (Larock-Granoff Collection, Paris; exh. Jewish Museum, New York).
Attributed works:
2. Still life with rayfish, by Chaim Soutine. c.1924. Canvas, 81 by 100 cm. (Metropolitan Museum of Art, New York; exh. Jewish Museum, New York).
Attributed works:
3. Fish, peppers, onions, by Chaim Soutine. c.1919. Canvas, 64.8 by 49.2 cm. (Barnes Foundation, Philadelphia; exh. Jewish Museum, New York).
Attributed works:
4. Hanging turkey, by Chaim Soutine. c.1925. Board, 96 by 72 cm. (The Henry and Rose Pearlman Foundation, on long term loan to the Princeton University Art Museum; exh. Jewish Museum, New York).
Attributed works:
5. Carcass of beef, by Chaim Soutine. c.1925. Canvas, 140.3 by 107.5 cm. (Albright-Knox Gallery, Buffalo; exh. Jewish Museum, New York).
Book Review
The Medieval Haggadah: Art, Narrative, and Religious Imagination
47. Set design for The Golem, by Ignaty Nivinsky. 1925. Pencil, gouache, ink and bronze paint on paper mounted on cardboard. (A.A. Bakhrushin State Central Theatre Museum, Moscow).