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29 articles
Article
The ‘Balbi’ children identified: a proposal
07/2024 | 1456 | 166
Pages: 670–674
related names
Author:
Martin, Gregory (Martin, Gregory)
Author:
Orlando, Anna (Orlando, Anna )
Subjects
artists:
collectors and dealers:
dates:
museums and institutions:
Illustrations
Attributed works:
1. The Balbi children, here identified as Alessandro, Vincenzo and Francesco Maria Giustiniani Longo, by Anthony van Dyck. c.1627. Oil on canvas, 219 by 151 cm. (National Gallery, London).
Attributed works:
2. Detail of Fig.1, showing two choughs on the portico steps.
Attributed works:
3. Portrait of Alessandro Giustiniani Longo, by Anthony van Dyck. 1626–27. Oil on canvas, 203 by 117.3 cm. (Gemäldegalerie, Berlin).
Attributed works:
4. Portrait of a noble Genoese lady, here identified as Lelia De Franchi Toso Giustiniani Longo, by Anthony van Dyck. 1626–27. Oil on canvas, 203 by 118.3 cm. (Gemäldegalerie, Berlin).
Attributed works:
5. Detail of Fig.1, showing the bird held by Francesco Maria Giustiniani Longo.
Attributed works:
6. Portrait of Archduchess Isabella Clara Eugenia 1556–1633, Governess of the Netherlands 1621–1633. Southern Netherlandish School. Early 17th century. Oil on canvas, 123 by 100 cm. (Musées Royaux des Beaux-Arts de Belgique, Brussels; Atelier de l’imagier).
Book Review
Don Binney: Flight Path
03/2024 | 1452 | 166
Pages: 335–336
related names
Reviewer:
Stocker, Mark (Stocker, Mark)
Subjects
artists:
subjects:
Reviewed Items
subjects:
Don Binney: Flight Path By Gregory O’Brien. 400 pp. incl. numerous col. ills. (Auckland University Press, 2023). £79. ISBN 978–1–86940–966–1. | :
Illustrations
Attributed works:
9. Pacific Frigate Bird I, by Don Binney. 1968. Acrylic and oil on canvas, 183 by 162 cm. (Museum of New Zealand Te Papa Tongarewa, Wellington).
Article
The development of the still lifes of Frans Snijders up to 1615
06/2022 | 1431 | 164
Pages: 568-577
related names
Author:
Meijer, Fred G. (Meijer, Fred G.)
Subjects
artists:
dates:
places:
Illustrations
Attributed works:
1. Still life with a hare, lobster and fruit, by Frans Snijders. Here dated to c.1613–14. Oil on panel, 106.4 by 75 cm. (Photographed in 2012 after restoration; private collection, on long-term loan to the Frans Snijders Museum, Antwerp).
Attributed works:
10. Still life with fowl and game, by Frans Snijders. 1614. Oil on canvas, 156 by 218 cm. (Walraff-Richartz-Museum, Cologne).
Attributed works:
11. Dishes with oysters, fruit and wine, by Osias Beert. c.1620–25. Oil on panel, 52.9 by 73.4 cm. (National Gallery of Art, Washington).
Attributed works:
13. Still life with dead game, fruits, and vegetables in a market by Frans Snijders. 1614. Oil on canvas, 212.1 by 308.6 cm. (Art Institute, Chicago).
Attributed works:
14. Still life on a kitchen table, by Frans Snijders. c.1610–12(?). Oil on panel, 58.5 by 106.9 cm. (Location unknown).
Attributed works:
15. A game and fruit seller’s stall, by or after Frans Snijders. c.1610–12(?). Pen and wash and black chalk on paper, 27.8 by 40.5 cm. (Ashmolean Museum, Oxford).
Attributed works:
16. A game seller in his stall, by Frans Snijders. c.1610–12(?). Oil on panel, 127 by 89 cm. (Location unknown).
Attributed works:
17. Detail of Fig.1; 18. Detail of Still life of game with a tazza of grapes, by Frans Snijders. c.1614. Oil on panel. (Hessische Museumslandschaft, Schloss Wilhelmshöhe, Kassel); 19. Detail of Still life of game, vegetables, fruit and a lobster, by Frans Snijders. c.1613. Oil on canvas. (Museum Boijmans Van Beuningen, Rotterdam); 19. Detail of Fig.1, showing the lobster; 20. Detail of Fig.14, showing the lobster; 21. Detail of Still life of fruit with a squirrel, by Frans Snijders. 1616. Oil on copper. (Museum of Fine Arts, Boston), showing the grapes; and 22. Detail of Fig.4, showing the grapes.
Attributed works:
2. The recognition of Philopoemen, by Peter Paul Rubens and Frans Snijders. c.1609. Oil on canvas, 201 by 313.5 cm. (Museo Nacional del Prado, Madrid).
Attributed works:
22. Table in a larder with a page, by Frans Snijders. c.1615. Oil on canvas, 125.7 by 198.1 cm. (Wallace Collection, London).
Attributed works:
23. Still life with a dead hare and plucked fowl, after Frans Snijders. 17th century. Oil on panel, 105 by 73 cm. (Location unknown).
Attributed works:
24. Larder scene with a young page, by Frans Snijders. c.1611. Oil on canvas, 123 by 186 cm. (Location unknown).
Attributed works:
25–27. Details of the hare in Figs.1, 15 and 24.
Attributed works:
28. Detail of Still life of fruit with a dead hare, by Frans Snijders. c.1617. Oil on canvas, 124.5 by 127 cm. (Location unknown).
Attributed works:
3. Kitchen scene, by Frans Snijders. c.1608(?) Oil on canvas, 138 by 245 cm. (Location unknown).
Attributed works:
4. Still life with a tazza of grapes in a niche, by Frans Snijders (signed). Here dated to c.1610. Oil on panel, 89 by 62.1 cm. (Nationalmuseum, Stockholm).
Attributed works:
5. Cook preparing food, by Frans Snijders. c.1610. Oil on canvas, 88.5 by 120 cm. (Wallraf-Richartz-Museum, Cologne).
Attributed works:
6. Still life with game and a hare, by Frans Snijders. 1612. Oil on panel, 95.5 by 125.6 cm. (Location unknown).
Attributed works:
7. Still life of game and a tazza of grapes, by Frans Snijders. 1613. Oil on canvas, 59 by 87 cm. (Location unknown).
Attributed works:
8. Still life of game and a tazza of grapes, by Frans Snijders. 1613. Oil on panel, 55 by 106 cm. (Location unknown).
Attributed works:
9. Larder scene with a page, by Frans Snijders. 1613. Oil on panel, 125.1 by 203.8 cm. (Location unknown).
Article
The Empress Dowager Cixi’s Japanese screen and late Qing imperial cosmopolitanism
10/2021 | 1423 | 163
Pages: 886-897
related names
Author:
Rado, Mei Mei (Rado, Mei Mei)
Subjects
dates:
Illustrations
Attributed works:
1. Her Imperial Majesty, the Empress Dowager of China, by Yu Xunling. 1903. Photograph, hand-coloured gelatin silver print, 23.1 by 17.2 cm. (Museum of Fine Arts, Boston).
Attributed works:
10. Folding screen depicting peacocks among azalea bushes, by Iida & Co. (Takashimaya). Japan, c.1903. Silk embroidery, 152.4 by 304.8 cm. (From The Principal Exhibits to the Louisiana Purchase Exposition, St Louis, U.S.A., 1904 by S. Iida, “Takashimaya” Kyoto Japan; Takashimaya Historical Museum, Osaka).
Attributed works:
12. Folding screen depicting a white phoenix, pine tree and chrysanthemums. Japan, c.1895–1905. Embroidered silk, 230 by 552 cm., each panel 230 by 69 cm. (Palace Museum, Beijing).
Attributed works:
16. Woman’s coat, made by Iida & Co. (Takashimaya). Japan, c.1900–09. Silk embroidery on silk crêpe (Metropolitan Museum of Art).
Attributed works:
18. The Meiji Empress, Haruko, by Suziki Shin’ichi I and Maruki Riyō. 1889. Photograph, gelatin silver print signed by Empress Haruko, 27.5 by 20.5 cm. (Freer Gallery of Art and Arthur M. Sackler Gallery Archives, Washington)
Attributed works:
2. The Empress Dowager Cixi, by Yu Xunling. c.1903. Photograph, hand-coloured gelatin silver print. (Palace Museum, Beijing).
Attributed works:
3. The Empress Dowager Cixi, by Yu Xunling. c.1903. Photograph from a glass plate negative, 24.1 by 17.8 cm. (Freer Gallery of Art and Arthur M. Sackler Gallery Archives, Washington).
Attributed works:
4. The Kangxi Emperor in informal dress at his writing table. Late seventeenth century. Hanging scroll, ink and colour on silk, image 50.7 by 32 cm. (Palace Museum, Beijing).
Attributed works:
5. The Empress Dowager Tze His [Cixi], of China, by Katharine Carl. 1903. Oil on canvas with original camphor wood frame, canvas 297.2 by 173.4 cm. (Arthur M. Sackler Gallery, Smithsonian National Museum of Asian Art, Washington).
Attributed works:
6. Folding screen depicting peacocks among peonies, made by Iida & Co. (Takashimaya). Japan, c.1903. Silk embroidery and later ink and colour on paper, 268 by 456 cm. (Palace Museum, Beijing).
Attributed works:
7. Detail of Fig.6, showing the padded embroidery of the peonies’ petals. (Photograph the author).
Attributed works:
8. Detail of Fig.6, showing the subtle colour gradations and sheen of the peacock’s feathers. (Photograph the author).
Attributed works:
9. Detail of Fig.6, showing the Japanese inscription on the back of the frame. (Photograph the author).
Non-western art unattributed:
11. Wall hanging depicting a landscape. Japan, c.1895–1905. Yūzen-dyed velvet, image 176 by 116 cm. (Palace Museum, Beijing).
Non-western art unattributed:
13 and 14. Front and back of a woman’s informal court robe (chenyi). China, c.1905. Silk tapestry (kesi) with embroidery highlights. (Metropolitan Museum of Art, New York).
Non-western art unattributed:
15. Back of woman’s informal court robe (chenyi). China, c.1905. Silk tapestry (kesi), lined with squirrel and silver rat fur. (Palace Museum, Beijing).
Non-western art unattributed:
17. Vase (one of a pair). Japan, c.1895–1905. Cloisonné enamel (shippō), height 150 cm. (Palace Museum, Beijing).
Article
A pair of Qianlong imperial enamel painted glass vases in the Corning Museum of Glass
10/2020 | 1411 | 162
Pages: 832-839
related names
Author:
Maxwell, Christopher L. (Maxwell, Christopher L.)
Author:
Xue, Shelly (Xue, Shelly)
Subjects
media:
Illustrations
Attributed works:
5. Details of the left-hand vase in Fig.1, showing the golden pheasants (left) and peonies (right).
Attributed works:
7. A golden pheasant, by Yu Sheng and Zhang Weibang. c.1750−61. Ink on paper, 41.9 by 43.9 cm. (Repr. The Birds of the Qing Court, Beijing 2014).
Non-western art unattributed:
1. Pair of vases decorated with golden pheasants and peonies. China, Qianlong mark and period (1736−96). Enamel-painted glass, height 16.2 cm. (The Corning Museum of Glass, NY).
Non-western art unattributed:
3. Box. China, Kangxi mark and period (1696−1722). Enamel-painted glass, 3.2 by 4.5 cm. (Kunstmuseum Den Haag).
Non-western art unattributed:
4. Detail of a Yu Huchan vase decorated with golden pheasants and peonies, Qianlong period (1736−96). Enamel-painted porcelain, height 16.3 cm. (Tian Jin Museum, Tianjin).
Non-western art unattributed:
6. Details of the right-hand vase in Fig. 1, showing the golden pheasants (left) and peonies (right)
Non-western art unattributed:
8. Detail of the right-hand vase in Fig.1, showing the calligraphy and seals.
Western art unattributed:
2. Bottle. Probably Saxony, c.1710−20. Engraved opaque white glass, height 10.8 cm. (The Corning Museum of Glass, NY).
Article
Intertwined birds: Islamic artistic presence in Korean ceramics in the Goryeo period
10/2019 | 1399 | 161
Pages: 811-819
related names
Author:
Han, In-Sung Kim (Han, In-Sung Kim)
Subjects
media:
places:
Illustrations
Attributed works:
6. Ivory casket, by Muhammad ibn Zayyan. Cuenca, 1026. Elephant ivory, height 19cm. (Museo de Burgos, Burgos).
Non-western art unattributed:
1. Pillow. Korea (Goryeo), thirteenth century. Stoneware with celadon glaze, 9.1 by 21.5cm. (Museum of Oriental Ceramics, Osaka).
Non-western art unattributed:
10. Dish. Egypt, Fatimid, 10th century, with modern restorations. Earthenware. diameter 13.6cm. (Benaki Museum, Athens).
Non-western art unattributed:
12. Court lady’s pouch. Korea (Joseon), nineteenth century. Silk with gold thread, 11 by 12 cm. (National Palace Museum of Korea, Seoul).
Non-western art unattributed:
2. Lidded container (‘hap’). Korea (Goryeo), thirteenth century. Stoneware with celadon glaze, 3.1.cm. by 6.8 cm. (Horim Museum, Seoul).
Non-western art unattributed:
5. Sword hilt. Korea (Silla), fifth or sixth century AD. Gold and iron, length 13.8cm. (Leeum, Samsung Museum of Art, Seoul).
Non-western art unattributed:
7. Phial. East Iran, late twelfth century. Brass, inlaid with silver, height 12.8 cm. (Idemitsu Museum of Art, Tokyo).
Non-western art unattributed:
8. Mural decoration depicting a pair of peafowl with intertwined necks in the eastern Kharraqan tomb tower, near Qazvin, Iran. Seljuk period, 1067–68. From D. Stronach and T.C. Young Jr.: ‘Three octagonal Seljoq tomb towers from Iran’, Iran 4 (1966), pp.1–20, plate XVe.
Non-western art unattributed:
9. Detail of an oliphant, showing intertwined birds. Sicily or Italy, eleventh–twelfth century. Elephant ivory, length 69 cm. (National Museums Scotland, Edinburgh).
Non-western art unattributed:
Opposite 11. Cup. Ilkhanate, early fourteenth century. Silver with inlaid gilding, 3.3 by 15.2 cm. (David Collection, Copenhagen).
Non-western art unattributed:
Opposite 3. Bowl decorated with cranes and clouds. Korea (Goryeo), thirteenth century. Stoneware, inlaid in brown and white slip and celadon glazed, 6.5 cm by 19.5 cm. (Fitzwilliam Museum, Cambridge; Bridgeman Images).
Non-western art unattributed:
Opposite 4. Bowl or saucer. Korea (Goryeo), 1250–1300. Stoneware with celadon glaze and gilding, 5.6 by 22.3 cm. (Victoria and Albert Museum, London).
Exhibition Review
Sir Richard Wallace: The Collector. The Wallace Collection, London
10/2018 | 1387 | 160
Pages: 858-860
related names
Reviewer:
Hall, Michael (Hall, Michael)
Subjects
dates:
museums and institutions:
places:
Illustrations
Attributed works:
13. Objects of ancient art in the collection of Sir Richard Wallace, by Blaise Alexandre Desgoffe. Canvas, 99.5 by 150 cm. (Staatliche Kunsthalle, Karlsruhe; exh. the Wallace Collection, London).
Attributed works:
14. An ostrich, by Elias Zorer. Augsburg, c.1600. Silver, with gilding, height 42 cm. (The Wallace Collection, London).
Non-western art unattributed:
15. Trophy head. Asante Kingdom, eighteenth or nineteenth century. Gold, height 20 cm. (The Wallace Collection, London).
Exhibition Review
Chaim Soutine at the Jewish Museum, New York
08/2018 | 1385 | 160
Pages: 660-665
related names
Reviewer:
James, Merlin (James, Merlin; James, Merlin Ingli; Ingli James, Merlin; J., M.)
Subjects
dates:
media:
museums and institutions:
Illustrations
Attributed works:
1. Still life with herrings, by Chaim Soutine. c.1916. Canvas, 64.5 by 48.5 cm. (Larock-Granoff Collection, Paris; exh. Jewish Museum, New York).
Attributed works:
2. Still life with rayfish, by Chaim Soutine. c.1924. Canvas, 81 by 100 cm. (Metropolitan Museum of Art, New York; exh. Jewish Museum, New York).
Attributed works:
3. Fish, peppers, onions, by Chaim Soutine. c.1919. Canvas, 64.8 by 49.2 cm. (Barnes Foundation, Philadelphia; exh. Jewish Museum, New York).
Attributed works:
4. Hanging turkey, by Chaim Soutine. c.1925. Board, 96 by 72 cm. (The Henry and Rose Pearlman Foundation, on long term loan to the Princeton University Art Museum; exh. Jewish Museum, New York).
Attributed works:
5. Carcass of beef, by Chaim Soutine. c.1925. Canvas, 140.3 by 107.5 cm. (Albright-Knox Gallery, Buffalo; exh. Jewish Museum, New York).
Exhibition Review
Tacita Dean: LANDSCAPE, PORTRAIT, STILL LIFE. London
08/2018 | 1385 | 160
Pages: 666-669
related names
Reviewer:
Paterson, Dominic (Paterson, Dominic)
Subjects
dates:
places:
Illustrations
Attributed works:
1. Still from Mario Merz, by Tacita Dean. 2002. 16mm. colour film. (Courtesy the artist; exh. National Portrait Gallery, London).
Attributed works:
2. Detail of GAETA (fifty photographs plus one), by Tacita Dean. 2015. Photographs and cibachromes. Dimensions variable. (Courtesy the artist; exh. National Portrait Gallery, London).
Attributed works:
3. Still from His Picture in Little, by Tacita Dean. 2017. 35mm. colour anamorphic film, reduced to spherical 16mm. for exhibition as miniature. (Courtesy the artist; exh. National Portrait Gallery, London).
Attributed works:
4. Still from Antigone, by Tacita Dean. 2018. Two synchronised 35mm. colour anamorphic films. (Courtesy the artist; exh. Royal Academy of Arts, London).
Book Review
Obras emblemáticas del taller de orfebrería medieval de Silos: ‘el Maestro de las Aves’ y su círculo. By Lourdes de Sanjosé Llongueras
08/2018 | 1385 | 160
Pages: 697-698
related names
Reviewer:
Kennedy, Kirstin (Kennedy, Kirstin)
Subjects
dates:
places:
Illustrations
Western art unattributed:
2. Plaque from the panel associated with the tomb of St Dominic of Silos, Spain. 1150– 60. Copper, gilded and enamelled. (Museo de Burgos).
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