Great Irish Households: Inventories
from the Long Eighteenth Century
Edited by Tessa Murdoch. 436 pp. incl. 18 col.
+ 41 b. & w. ills. (John Adamson, Cambridge,
2022), £75. ISBN 978–1–898565–17–8. |
:
subjects:
House and Home in Georgian Ireland:
Spaces and Cultures of Domestic Life
Edited by Conor Lucey. 216 pp. incl. 95 col. ills.
(Four Courts Press, Dublin, 2022), £45.
ISBN 978–1–80151–026–4. |
:
Illustrations
Attributed works:
5. Sir Neil O’Neill, by John Michael Wright.
1680. Oil on canvas, 232.7 by 163.2 cm. (Tate).
26. Installation
view of A front
room in 1976,
curated by the
playwright Michael
McMillan, at the
Museum of the
Home, London,
2021 (photograph
Em Fitzgerald).
Attributed works:
24. All I want
is a room
somewhere,
by Jonathan
Donovan. 2016.
Digital print,
118.9 by 84.1
cm. (Museum
of the Home,
London).
Attributed works:
25. Installation
view of Museum
of the Home,
London, showing
a parlour in 1745
with evidence
of cleaning
(photograph Em
Fitzgerald).
Book Review
Art and Masculinity in Post-War Britain: Reconstructing Home
Art and Masculinity in Post-War
Britain: Reconstructing Home
By Gregory Salter. 224 pp. incl. 29 b. & w. ills.
(Routledge, Abingdon-on-Thames, 2019),
£90. ISBN 978–1–350–05272–7. |
:
1. Story of Virginia, by Sandro Botticelli. c.1500. Oil and tempera on
panel, 86 by 165 cm. (Accademia Carrara, Bergamo).
Attributed works:
10. Fight between the Lapiths and centaurs, by Piero di Cosimo.
c.1500–15. Oil on panel, 71 by 260 cm. (National Gallery, London).
Attributed works:
2. Story of Lucretia, by Sandro Botticelli. c.1500. Oil and tempera on
panel, 83.8 cm by 176.8 cm. (Isabella Stewart Gardner Museum, Boston).
Attributed works:
3. Episodes from the life of Alexander the Great, by the workshop
of Ghirlandaio. 1493–94. Tempera on panel, 76 by 229.5 cm. (Victoria
and Albert Museum, London).
Attributed works:
4. Julius Caesar and the crossing of the Rubicon, by the workshop
of Ghirlandaio. 1493–94. Tempera and gold on panel, 73.5 by 170 cm.
(Victoria and Albert Museum, London).
Attributed works:
5. The story of Griselda: Part one, marriage, by the Master of the
Story of Griselda. c.1494. Oil and tempera on panel, 61.6 by 154.3 cm.
(National Gallery, London).
Attributed works:
6. The back of the panel illustrated in Fig.5, showing vertical battens
used to stabilise the panel and/or attach it to its setting. (National
Gallery, London).
Attributed works:
7. Alexander the Great, by the Master of the Story of Griselda. c.1500.
Tempera on panel, 105.4 by 50.8 cm. (The Barber Institute of Fine Arts,
University of Birmingham).
Attributed works:
8. Claudia Quinta, by Neroccio de’ Landi and the Master of the Story of
Griselda. c.1493–94. Tempera on panel, 104 by 46 cm. (National Gallery
of Art, Washington).
Attributed works:
9. Detail of Fig.10, showing Hylonome and Cylarus.
Book Review
The Sacred Home in Renaissance Italy. By Abigail Brundin, Deborah Howard and Mary Laven
The Sacred Home in Renaissance Italy
By Abigail Brundin, Deborah Howard and Mary
Laven. 400 pp. incl. over 200 b. & w. ills. (Oxford
University Press, Oxford, 2018), |
:
Illustrations
Attributed works:
3. Woman at her devotions, by Leandro
Bassano. c.1590–1600. Canvas, 105 by 88.5 cm.
(Private collection).
52. Annunciation to the shepherds and the adoration of the magi, attributed to Giovanni di Nicola di Manzoni dal Colle. c.1509-15 (Fitzwilliam Museum, Cambridge)
Western art unattributed:
53. Knife inscribed with musical notation. France (possibly) for use in Italy. Sixteenth century (Musée National de la Renaissance, Château d'Ecouen; exh. Fitzwilliam Museum, Cambridge)
18. Wine cooler. Britannia standard, one of a pair, marked for the London goldsmith William Lukin (Metropolitan Museum of Art, New York)
Attributed works:
19. Candelabra. One of a pair supplied by Paul de Lamerie (The Rosalinde and Arthur Gilbert Collection, Victoria and Albert Museum, London)
Attributed works:
20. Soup tureen. Supplied as a matching pair to that made by Paul Crespin by George Wickes (Norwich Castle Museum and Art Gallery)
Attributed works:
21. Bread basket. Supplied by Paul de Lamerie (The Rosalinde and Arthur Gilbert Collection, Victoria and Albert Museum, London)
Attributed works:
22. Exchequer seal salver. Britannia standard, marked by Paul de Lamerie (Victoria and Albert Museum, London)
Attributed works:
23. The Stature of a Great Man, or the English Colossus, by George Bickham the Younger (British Museum, London)
Attributed works:
24. Scale drawing for a silver chandelier, possibly from the workshop of Paul de Lamerie (The Marquess of Cholmondeley, Houghton Hall)
Attributed works:
25. Two alternate designs for a silver chandelier crowned with an Earl's coronet and incorporating the Walpole family crest, a Saracen's head, ducally crowned, supplied by George Wickes
Attributed works:
26. A pull of the engraving of the circular Exchequer seal salver, supplied by William Lukin, engraved by Joseph Sympson (British Museum, London)
Attributed works:
27. 'Treasury' inkstand. Britannia standard, supplied by Paul de Lamerie
Book Review
Citizen Portrait: Portrait Painting and the Urban Elite of Tudor and Jacobean England and Wales