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Advertisements (front)
01/2019 | 1390 | 161
Pages: i–xx
Subjects
subjects:
Illustrations
Attributed works:
[Bernard Quaritch Ltd, London. Master of the Brussels Initials, St John the Evangelist, very large initial ‘V’ cut from a gradual, Italy (Bologna), c. 1410–20.]
Attributed works:
[BRAFA, Brussels. Angel, circle of Guillaume Kerricx the Elder (1652–1719), c.1700. Painted wood, height 173 cm. Galerie Sismann, Paris]
Attributed works:
[BRAFA, Brussels. Floor lamp, by Poul Henningsen (1894–1967). 1927–28. Brass and lacquered metal, height 150 cm. Galerie Le Beau-Goklaere, Brussels]
Attributed works:
[BRAFA, Brussels. Forze Spazial, (Project for a lampshade), by Giacomo Balla (1871–1958). c.1925. Tempera on cardboard, 11.5 by 36.8 cm. Rosenberg & Co., New York]
Attributed works:
[BRAFA, Brussels. Pair of encoignures with Chinese export and European lacquer panels, attributed to Jacques Dubois (1694–1763). c.1750. Marble, bronze, oak, ormolu and lacquer with cherry and ebony veneer, height 94 cm. Röbigg, Munich]
Attributed works:
[BRAFA, Brussels. Psyche abandoned, by Piero Tenerani (1789–1867). 1845. Marble, height 120 cm. Brun Fine Art, London]
Attributed works:
[BRAFA, Brussels. Scenes from St Blas’s life, by The Riglos Master, (c.1434–60). c.1450–60. Panel, 188 by 52 cm. Galeria Bernat, Barcelona]
Attributed works:
[BRAFA, Brussels. The four elements, by Artus Wolffort (1581–1641). Canvas, 200 by 158 cm. Jan Muller Fine Art, Ghent]
Attributed works:
[Christopher Bishop Fine Art, New York. Bartholomeus Spranger (Antwerp 1546–Prague 1611). Saint Ursula 197 x 162 mm. Pen and brown ink over traces of black chalk with red and green washes. Squared for transfer. ca. 1583]
Attributed works:
[Découvert Fine Art, Rockport, MA. Compositional Study or Ricordo of Bottom Half of the Altar of St. George in Braida. Workshop of Paolo Veronese, with question of his hand. Verona, 1528 – 1588. Venice Pen, brown ink and brown wash, heightened with white on blue paper, 28.1 by 35.5 cm. From The Skippe Collection, Christie’s, 11/20 & 21/1958, lot 91, as Paolo Farinati]
Attributed works:
[Freeman's Auction, Philadelphia. Master of the Embroidered Foliage (Netherlandish, active Brussels, late 15th century). Nursing Madonna. Oil and tempera on cradled oak panel. 33 3/4 x 28 in. (85.7 x 71.1 cm). $150,000–250,000.]
Attributed works:
[Galerie J. Kugel, Paris. Léonard Limosin. Henri II, King of France, circa 1553. Polychrome enamel on copper, H. 7 in; L. 5.1 in. Ex. collection: Rosebery, Mentmore Towers]
Attributed works:
[Kunstkammer Georg Laue, Munich. Christ in the Garden of Gethsemane. Master of the St Sebastian's Martyrdoms. Vienna ca 1660. Wood. Height 20 cm, width 40.5 cm]
Attributed works:
[Master Drawings New York. A page from a sketchbook, belonging to Arshile Gorky (1904–48). 1931. Ink on paper, 31.5 by 23.8 cm. Pavel Zoubok Fine Art]
Attributed works:
[Master Drawings New York. Cupid dictating a letter to a young woman, by Jean-Baptiste Greuze (1725–1805). Pen and ink and grey wash heightened with white gouache on blue paper, 41 by 30.6 cm. Didier Aaron, Inc.]
Attributed works:
[Master Drawings New York. Girl leaning on her elbow, by Egon Schiele (1890–1918). 1915. Charcoal on paper, 50 by 33.3 cm. W&K – Wienerroither & Kohlbacher]
Attributed works:
[Master Drawings New York. In the courtroom (avant l’audience), by Honoré Daumier (1808–79). Pen and black ink and charcoal, 21.2 by 22.5 cm. Stephen Ongpin Fine Art]
Attributed works:
[Master Drawings New York. On the blue swamp, by Alexander Calder (1898–1976). 1966. Watercolour on paper, 78 by 58 cm. David Tunich, Inc.]
Attributed works:
[Master Drawings New York. Portrait of Nicolas, seigneur de Beurville et de Fresne, by Étienne Dumonstier (1540–1603). c.1581–83. Canvas, 187.3 by 107.3 cm. Galerie J. Kugel]
Attributed works:
[Master Drawings New York. Ruins of the Mithraic Mysteries, by Anthony Baus (b.1981). 2018. Pen and sepia ink and wash on toned paper, 30.5 by 38.1 cm. Robert Simon Fine Art]
Attributed works:
[Master Drawings New York. St John the Baptist, by Carlo Bononi (1569–1632). Pen, brown ink and wash, 15.2 by 6.9 cm. Découvert Fine Art]
Attributed works:
[Master Drawings New York. Study for the head of St John the Baptist, by Auguste Rodin (1840–1917). c.1885–90. Plaster, height 14 cm. Stuart Lochhead Sculpture]
Attributed works:
[Master Drawings New York. Venus at the forge of Vulcan, asking for arms for Cupid, by Biagio Pupini, called Biagio dalle Lame (active 1511–51). Pen and brown ink, heightened with a white, red and brown wash on paper, 29.3 by 20.5 cm. Hazlitt, Gooden & Fox (US) Ltd.]
Attributed works:
[Robert Simon Fine Art, New York. Anthony Baus (b.1981), Ruins of the Mithraic Mysteries. Pen and sepia ink and wash on toned paper, 30.4 x 38.1 cm]
Attributed works:
[Robert Simon Fine Art, New York. Giovanni Battista Tiepolo (Venice 1696–1770 Madrid), Allegory of Peace and Fortitude. One of five “secondo strappo” detached frescoes from the Palazzo Canossa, Verona, 185 x 138 cm]
Attributed works:
[Robert Simon Fine Art, New York. Jacob Jordaens (Antwerp, 1593–1678), Democritus. Colored chalk on paper, 14.3 x 11.3 cm]
Non-western art unattributed:
[BRAFA, Brussels. Moonflask. Chinese, Kangxi period (1662–1722). Porcelain, height 19.4 cm. Galerie Bertrand de Lavergne, Paris]
Non-western art unattributed:
[BRAFA, Brussels. Nimba shoulder mask. Republic of Guinea, Baga people, late 19th–early 20th century. Wood, height 120 cm. Charles-Wesley Hourdé, Paris]
Non-western art unattributed:
[Eurasian Arts Gallery, Brussels. Urartian Wingded Bull Cauldron Applique. Bronze, 17.5 cm wide; weight 900 grams. Provenance: UK private collection, purchased on the German art market before 1980.]
Non-western art unattributed:
[Peter Finer, London. A Fine Ottoman Dagger, Hancer and Scabbard, 19th century Turkey. Steel, rubies, emeralds, sapphire, silver, gold, jade shagreen and wood. Overall length: 46.5 cm / 18.3 in. Provenance: Private collection, United Kingdom]
Western art unattributed:
[BRAFA, Brussels. Anna Selbdritt. Southern Germany, Ulm, or Switzerland, Lucerne, c.1520. Limewood, with original polychrome and gilding, height 104 cm. Mullany Haute Epoque Fine Art, London]
Western art unattributed:
[BRAFA, Brussels. Hercules with the horn of the river-god Achelous, Roman, 4th century BC. Marble, height 56.2 cm. Phoenix Ancient Art, Geneva]
Western art unattributed:
[BRAFA, Brussels. The Virgin surrounded by saints, (The Königschlager Epitaph), Nuremberg, Germany. c.1450–60. Tempera on linen on wood, 138 by 206 cm. De Backker Medieval Art, Hoogstraten]
Western art unattributed:
[De Backker Medieval Art, Hoogstraten. Virgin and Child (detail) Paris, 3rd quarter of the 13th century, h: 27 cm]
Western art unattributed:
[Joanna Booth, London. English, circa 1450. Three figures probably from a choir stall. Oak with traces of colour. Height: 12½ ins (32 cm).]
Western art unattributed:
[Marc du Ry Limited, Marlborough. 'The Gothic Smile'. Northwest France, late thirteenth century. Fine-grained limestone, 25 cm high. Wooden stand by Kichizo Inagaki, Paris, c.1920–30, with his monogram]
Western art unattributed:
[Master Drawings New York. Laocoön and his sons. Italian, late 17th–early 18th century. Bronze, height 52 cm. Tomasso Brothers Fine Art]
Western art unattributed:
[Mullany Haute Epoque Fine Art, London. Anna Selbdritt. Oak, with traces of original polychrome and gilding. Flemish, Brabant, c. 1500 – 1520 H. 36 x W. 29 x D. 18 cm]
Western art unattributed:
[Robert Simon Fine Art, New York. Spanish Colonial, Cuzco School (Eighteenth Century), Baptism Dish. Silver, 22.9 cm high x 43.2 cm wide]
Exhibition Review
Arshile Gorky. Philadelphia, London and Los Angeles
03/2010 | 1284 | 152
Pages: 193-194
related names
Reviewer:
Lawrence, James (Lawrence, James)
Subjects
artists:
dates:
subjects:
Reviewed Items
subjects:
Arshile Gorky: A Retrospective | institution: Los Angeles County Museum of Art , institution: Philadelphia Museum of Art , institution: Tate Modern
Illustrations
Attributed works:
50. Woman with a palette, by Arshile Gorky. 1927. Canvas, 135.9 by 95.3 cm. (Philadelphia Museum of Art; exh. Tate Modern, London).
Attributed works:
51. The betrothal, by Arshile Gorky. 1947. Canvas, 128.6 by 99.7 cm. (Yale University Art Gallery, New Haven; exh. Tate Modern, London).
Attributed works:
52. Organisation, by Arshile Gorky. c.1933–36. Canvas, 127 by 152 cm. (National Gallery of Art, Washington; exh. Tate Modern, London).
Book Review
Arshile Gorky. His Life and Work.
03/2004 | 1212 | 146
Pages: 182-183
related names
Reviewer:
Lawrence, James (Lawrence, James)
Subjects
artists:
Reviewed Items
print:
Arshile Gorky. His Life and Work. | author: Herrera, Hayden
Exhibition Review
Arshile Gorky. New York and Houston
03/2004 | 1212 | 146
Pages: 205-206
related names
Reviewer:
Anfam, David (Anfam, David)
Subjects
artists:
dates:
museums and institutions:
subjects:
Reviewed Items
subjects:
Arshile Gorky: A Retrospective of Drawings | institution: Menil Collection , institution: Whitney Museum of American Art
Illustrations
Attributed works:
78. Study for Nighttime, enigma and nostalgia, by Arshile Gorky. c.1931-32. Graphite and india ink on paper, 29.2 by 49.5 cm. (Private collection; exh. Menil Collection, Houston).
Attributed works:
79. Summation, by Arshile Gorky. 1947. Graphite, charcoal and pastel on paper on board. 202.2 by 258.4 cm. (Museum of Modern Art, New York; exh. Menil Collection, Houston).
Attributed works:
80. Virginia landscape (untitled, study for pastoral series), by Arshile Gorky. 1943. Graphite, pastel and crayon on paper, 50.8 by 68.6 cm. (Private collection; exh. Menil Collection, Houston).
Attributed works:
81. The artist's mother, by Arshile Gorky. 1926 or 1936. Charcoal, 63 by 46 cm. (Art Institute of Chicago; exh. Menil Collection, Houston).
Exhibition Review
Arshile Gorky. Baltimore and Buffalo
10/1995 | 1111 | 137
Pages: 709-711
related names
Reviewer:
Polcari, Stephen (Polcari, Stephen)
Subjects
artists:
dates:
places:
subjects:
Illustrations
Attributed works:
67. The Liver is the Cock's Comb, by Arshile Gorky. 1944. 182.8 by 249 cm. (Albright-Knox Art Gallery, Buffalo).
Attributed works:
68. Waterfall, by Arshile Gorky. 1942-43. 111.8 by 152.4 cm. (Tate Gallery, London; Exh. Albright-Knox Art Gallery, Buffalo).
Attributed works:
69. The Betrothal I, by Arshile Gorky. Paper on Composition Board, 101.6 by 129.5 cm. (Museum of Contemporary Art, Los Angeles; Exh. Albright-Knox Art Gallery, Buffalo).
Exhibition Review
Spring Exhibitions. New York
08/1995 | 1109 | 137
Pages: 572-574
related names
Reviewer:
Carrier, David (Carrier, David)
Subjects
artists:
artists:
artists:
artists:
dates:
subjects:
Illustrations
Attributed works:
120. Untitled (Hermaphrodite with Elephants), by Alberto Savinio. 1927. 81 by 100 cm. (Exh. Paolo Baldacci Gallery, New York).
Attributed works:
121. Sleeping Woman, by Pablo Picasso. 1932. Oil with Charcoal on Paper, 130.2 by 161.9 cm. (Exh. PaceWildenstein, New York).
Attributed works:
122. Nighttime, Enigma and Nostalgia, by Arshile Gorky. c. 1931-33. Graphite on Paper, 54.6 by 75.9 cm. (Artist's Estate; Exh. Stephen Mazoh, New York).
Attributed works:
123. Garden Hose in Melting Snow, by Catherine Murphy. Oil on Paper, 1988. 30.5 by 40 cm. (Exh. Lennon Weinberg, New York).
Attributed works:
124. The Elm Tree (Detail, Horizontal), by Sylvia Plimack Mangold. Oil on Linen, 1993. 76.2 by 101.6 cm. (Exh. Brooke Alexander, New York).
Attributed works:
125. Nature morte avec tête de mort, by Pablo Picasso. 1945. 76.2 by 116.9 cm. (Exh. Matthew Marks, New York).
Attributed works:
126. Untitled, by Philip Guston. 1958. 162.6 by 190.5 cm. (Exh. McKee Gallery, New York).
Book Review
Arshile Gorky 1904-1948. London, Whitechapel Art Gallery
05/1990 | 1046 | 132
Pages: 370-371
related names
Reviewer:
Twohig, Sarah O'Brien (Twohig, Sarah O'Brien; O'Brien-Twohig, Sarah)
Subjects
artists:
dates:
places:
subjects:
Illustrations
Attributed works:
95. Standing figure, by Arshile Gorky. c. 1936. Pen and ink wash on paper, 27.9 by 21.6 cm. (Private collection; exh. Whitechapel Art Gallery, London).
Attributed works:
96. Hugging, Arshile Gorky. 1945. 64.7 by 82.7 cm. (Thyssen-Bornemisza collection, Lugano; exh. Whitechapel Art Gallery, London).
Advertisements
Advertisements September 1989 (front)
09/1989 | 1038 | 131
Pages: i-xlviii
Subjects
advertisements:
artists:
artists:
artists:
subjects:
Illustrations
Attributed works:
[Alex Wengraf Limited, The Old Knoll Elliot Hill, London] Amour se Plaignant à Venus d'une piqûre d'abeille by Jacques-Edme Dumont (1761-1844) Terracotta Height 17 cm.
Attributed works:
[Anthony d'Offray Gallery, 9 Dering Street New Bond Street, London] Jackson Pollock Black Pouring Over Colour c. 1952 Oil on Specially Prepared Canvas on Panel 20 × 24 Inches
Attributed works:
[Brooke Alexander, 59 Wooster Street, New York] Ulrich Ruckriem, Installation, Palacio de Cristal, Madrid, April-June 1989. Photograph: Ulrich Gambke, München
Attributed works:
[Bruno Scardeoni, 54 Via Nasa, Lugano] Jusepe de Ribera ( Játiva, 1591 - Napoli, 1652) Philosopher (?)Signed and Dated
Attributed works:
[Bruton Gallery, Somerset], "Penelope" Intermediate Height: 47¼ in (120 cm)
Attributed works:
[C.G. Boerner, Kasernenstrasse 13, Dusseldorf and 61 East 77th St, New York] Wilhelm Lehmbruck. Etching. (1912). Petermann 27 II (ofIII).
Attributed works:
[Chapman Gallery, 14-18 Neal Street Covent Garden, London] Bernard Meadows, Head of Wounded Bird, 1959. 34″ High, Bronze
Attributed works:
[Christie's, 8 King Street, St James, London] A Monumental Mid-19th Century English Marble Statue of the Eagle Slayer by John Bell, 245cm (96½ in) High. Estimate: £40,000-60,000
Attributed works:
[Colnaghi, 14 Old Bond Street, London and 21 East 67th Street, New York] Justus Sustermans, Antwerp 1597-Florence 1681. Portrait of a Dignitary. Canvas: 201.3 × 115.6 cms.
Attributed works:
[David Koetser Gallery, 37 Talstrasse, Zurich] Cornelis de Heem (Leiden 1631-1695 Antwerp). Canvas, 64 × 51 cm. Signed
Attributed works:
[Edward R. Lubin, 3 East 75 Street, New York] Painted Terracotta Deposition Figure, Joseph of Arimathaea, by Ubaldo Gandolfi, Bologna, Circa 1775-80, H. 62 cm.
Attributed works:
[Front cover] Construction in Space: Soaring, by Naum Gabo. 1929-30. Painted Brass and Wood, and Plexiglass, 112 cm. High. (Leeds City Art Gallery).
Attributed works:
[Frost & Reed Ltd, 16 Old Bond Street, London] Camille Pissarro. 'La Cuisinière'. 16 × 9 Inches From an Exhibition of Fine Impressionist Pictures to be Held in November
Attributed works:
[Galerie d'Arenberg, 14 Rue aux Laines, Brussels] Bust of Monseigneur Antoine Triest, Bishop of Ghent, Marble, H: 73 cm, Signed: "H. ME. DV. Qvesnoy Brux. Fec." Probably Conceived in Rome in 1642 by François Duquesnoy (1594-1643) and Executed by His Brother Jérôme (1602-1654).
Attributed works:
[Galerie Lingenauber, Schwerinstrasse 38, Dusseldorf] Giovanni Battista Moroni (Albino before 1524 - 1578 Bergamo) Portrait of a man 47 × 39.5 cm.
Attributed works:
[Galerie Patrice Bellanger, 198 boulevard Saint Germain, Paris] Paul Heermann (c 1663-1732). German (Active Dresden, Leipzig and Prague). Two Putti Fighting, Circa 1720. Marble, Inscribed on Base: P. Hermann / inv e fec / Base: 30 × 25 cm - Height: 72 cm
Attributed works:
[Galerie Siegfried Billesberger, Billesberger Hof, Moosinning/Munich] Pierre Alexandre Wille (Paris 1748-1821 Paris). A Lively Market Scene. Watercolour, Pen and Brown Ink over Pencil. 195 × 271 mm. Signed and Dated Lower Right. 'P. A. Wille del. 1814'.
Attributed works:
[Gallery Charles & Andre Bailly, 25 Quai Voltaire, Paris]Tableau de Famille 224 × 175 cm. Salon of 1767 n° 76 Diderot of Salon 1767. Itself Reproduced in the Watercolour by Gabriel de Saint-Aubin Showing the Salon of 1767. Guillaume Voiriot
Attributed works:
[Gallery Lingard, 50 Pall Mall, London] Design for Five Decorative Roundels Art, Education, Health, Building, Architecture, Pencil & Wash, $6frac{3}{4}$ × 10 Inches
Attributed works:
[Heim Gallery,59 Jermyn Street, London] William Dobson 1610-1646. John, 1st Lord Byron
Attributed works:
[Hodsoll Mckenzie, 50&91 Pimlico Road, London] A Mahogany Sideboard with Inlaid Ebony Decoration. George Bullock. English. c. 1825.
Attributed works:
[Jason McCoy inc, 41East 57 Street, New York] Arshile Gorky. Untitled, 1946-47. Pencil and Crayon on Paper, 14½ × 21½
Attributed works:
[Leslie Hindman Auctioneers, 215 Qest Ohio Street, Chicago] A Highly Important Silver-Gilt Empire Table Service, Reputedly a Gift from Napoleon to his Sister, Pauline Bonaparte Borghese, Will be among the Highlights of the William J. Stoecker Collection to be Offered October 14. The Service, Retailed by Martin Guillaume Biennais and Supplied by the Workshops of Biennais, Pierre Benoit Lorillon and Francois Dominique Naudin and Augmented by Pietro Paolo Spagna, Contains 168 Pieces. The Stoecker Sale Features a Collection of English and Continental Stirrup Cups. Notable among Those Photographed Is a Paul Storr Stirrup Cup in the Form of an Eland's Head, London, 1835, a James Barelay Hennell Stirrup Cup in the Form of a Fox Head, London, 1877. and a Pair of George III Sheffield Plate Stirrup Cups, Sheffield, Circa 1790, Chased in the Form of Fox Masks.
Attributed works:
[Leslie Hindman Auctioneers, 215 West Ohio Street, Chicago] Included in the William J. Stoecker Collection is a selection of British watercolors, paintings, drawings and prints. Featured among them is this Dante Gabriel Rossetti "The Gate of Memory," watercolor, gouache and crayon, signed with the monogram lower right, dated 1864 and titled lower left, on verso is a pencil study for Dantis Amor, $13frac{3}{4}$ × 10½ inches. "A Scene from Comus," a watercolor by Samuel Palmer, signed lower right, 21¼ × 29½ inches, will be among the highlights of the Stoecker sale. Other British watercolors include works by George Henry Andrews. Samuel Atkins, Henry Edridge, Thomas Gainsborough, Basil Nightengale, William Richardson, John Warwick Smith, and others. This John Sell Cotman Watercolor Entitled "Entrance to the Valley of Lauterbrunnen from Interlaken" Signed Lower Center and Dated 1831, 12½ × 18½ Inches, will be among the Large Selection of British Watercolors on October 14. Other British Artists of Note Whose Works Are Featured in the Sale Include This William Alexander "The Pagoda at Lin-Tsin Fon," Watercolor and Ink, Signed Lower Centerm, 11 × $16frac{3}{4}$ Inches
Attributed works:
[Marlborough, 6 Albemarle Street, London] Christopher Couch, Man Standing and Woman on Bed, 1989. Oil on Canvas 90 × 95 in./228.6 × 241.3 cm
Attributed works:
[Newhouse Galleries Inc, 19 East 66th Street, New York] Frans Hals, (1581/5-1666). Portrait of Adrianus Tegularius. Oil on Panel, $11frac{3}{8}$ × 9¼ Inches (28.8 × 23.5 cm)
Attributed works:
[Perrin, 98 Faubourg Saint Honore, Paris] Sébastien LECLERC (1637-1714). French School, Astronomy Instruments. Pen and Brown Ink, with Wash over Black Chalk. H. 12,5 cm; L. 27,5 cm. Signed: 'Leclerc Fecit'
Attributed works:
[Richard L. Feigen & Company, 6 Ryder Street St James, London and 113 East 79th Street, New York] Sir Thomas Lawrence, P. R. A., Portrait of Dr. John Willis, 1829-1830 Oil on Canvas, 96 by 62 Inches (236 by 145 cm)
Attributed works:
[Sotheby's 34-35 New Bond Street, London] A Mannerist Bronze Faun by Adrien de Vries, Circa 1610-15, 77 cm (31in.) High.
Attributed works:
[Stair Sainty Matthiesen 42 East 74 Street, New York]Thomas Couture (Senlis 1815-1879 Villiers-le-Bel). Romains de la Decadence. Charcoal and Pencil on Paper: 13¼ × 23 inches (33.5 × 58.5 cms).
Attributed works:
[The 16th International Antiques Fair, Florence (Gallery Lingenauber, Schweringstrasse 38, Dusseldorf] Jacob Isaak van Ruisdael, Landscape with Farm Buildings. Oil on Canvas, 85 × 105 cms.
Attributed works:
[The 16th International Antiques Fair, Florence (Thos. Agnew & Sons 43 Old Bond Street, London)] Federico Barocci (Urbino 1526-1612). The Annunciation. Etching, Engraving and Drypoint, c. 1584-88.
Attributed works:
[The 16th International Art Fair, Florence ( Bernheimer Fine Arts, 32 St George Street, London] A North Italian Walnut and Marquetry Commode. Workshop of Maggiolini. Late 18th Century. Height: 92.5 cm. Width: 131 cm. Depth: 60 cm.
Attributed works:
[The 16th International Art Fair, Florence (Bruno Scardeoni, Via Nassa 54, Lugano] Piero Faccini (Bologna c. 1562-1602). The Annunciation. Oil on Canvas, 36 × 24.5 cms.
Attributed works:
[The 20th Century British Art Fair, London ( The Scottish Gallery, 28 Cork Street, London)] S. J. Peploe Tulips c. 1922 Oil on canvas 21½×18 ins. Signed.
Attributed works:
[The 20th century British Art Fair, London (Gillian Jason Gallery 42 Inverness Street, London)]Frank Dobson R. A. Sleeping Nude c. 1940 Black Chalk on Pink Paper 12½×19 ins.
Attributed works:
[The 20th century British Art Fair, London (Peter Nahum, 5 Ryder street, London)] Reginald Brill 1902-74. The Philosopher. Signed, Ink Drawing on White Paper 48×20 ins. (122×51 cms.).
Attributed works:
[The Park Lane Antiques Fair, London ( Donohoe, 1-7 Davies Mews, London)] Ale Jug, by David King; Dublin 1706. Silver 28 ozs Troy (ex. Collection Viscount Kemsley).
Attributed works:
[The Park Lane Antiques Fair, London (Crawley & Asquith, 16 Savile Row, London)] Lago d'Averno. By Jacob-Philipp Hackert (1737-1807) Oil on Canvas. 127 × 198 cms.
Attributed works:
[The Sladmore Gallery, 32 Bruton Place, Berkeley Square, London]Theseus Slaying the Centaur by Antoine Louis Barye (1796-1875). Height: 20″ incl. Base
Attributed works:
[Thomas Le Claire kunsthandel, Elbchaussee 156, Hamburg] Francesco Vecellio (Ca.1475 Pieve di Cadore 1560). Madonna and Child, Pen and Brown Ink, Brown Washes, and White Heightening on Grey-Blue Paper. 168 × 77mm.
Attributed works:
[Thos. Agnew and sons Ltd, 43 Old Bond Street, London] Alessandro Algardi (1598-1654). Virgin and Child, Bronze, 48.3 cm high
Attributed works:
[Venator & Hanstein KG, Cacilienstrasse 48, Koln] From a Sketchbook by van Bloemen with 255 Views of the City of Rome, Circa 1700
Attributed works:
[Veronique Maxe - Albert Benamou, 33 avenue Matignon, Paris] Auguste Rodin (1840-1917) ·L'Âge d'airain (1877) fonte Thiebaud à patine brune, 1895. 66 × 18 cm.
Attributed works:
[Wartski, 14 Grafton Street, London] Variations on a Theme. Three diamond head-ornaments by Fabergé. Each is contained within its original fitted case. The cyclamen tiara converts to a necklace and is accompanied by a matching brooch. The central ornament of the tiara mounted on a blue enamel band is detachable to form a brooch. Photographed under life size.
Western art unattributed:
[Bader Ancient Medieval and Renaissance Art, Via Cesare Cantu 3, Lugano] Blessing Christ, Alabaster with Original Polychromy Picardy, Amiens, 14th Cent. Height 59 cm
Western art unattributed:
[Charles Ratton & Guy Ladriere, 14 rue de Marignan and 11 quai Voltaire, Paris]"Le miracle de San Galgano". Tablette de la Gabelle générale de la commune de Sienne, janvier à juillet 1325. Bois peint, 39 × 26 cm
Western art unattributed:
[Galerie Neuse, Contrescarpe 14, Bremen] St. Christopher. A Late Gothic Limewood Goldsmith's Model South German, ca. 1480, 38.5 cm High
Western art unattributed:
[Nella Longari, Via Bigli 15, Milan]"Italian Master" (Valle Padana XIII cent) Initial "S" San Silvestro Tempera Illuminated on vellum 90 × 75 mm. Cut to Shape in Excellent Conditions
Western art unattributed:
[Seago, 22 Pimlico Road, London]A Large and Impressive 19th-Century English Terra-Cotta Garden Vase, Complete with Original Pedestal, Circa 1850.
Western art unattributed:
[The Park Lane Antiques Fair ( Maria Andipa 162 Walton Street, London)] Prophet Ezekial, an Iconstasis Panel. Moscow c. 1600.
Western art unattributed:
[The Park Lane Antiques Fair, London ( W.R. Harvey 5 Old Bond Street, London)] A Fine Regency Period Carved Gilt and Decorated Console Table, Circa 1810.
Supplement
Twentieth-Century Works of Art Recently Acquired by Three New York Museums: Supplement [The Whitney Museum of American Art; The Museum of Modern Art; The Solomon R. Guggenheim Museum]
07/1986 | 1000 | 128
Pages: 537-542
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dates:
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Illustrations
Attributed works:
100. Red Sea, by Anselm Kiefer. (The Museum of Modern Art).
Attributed works:
101. Number One, by Brice Marden. (Whitney Museum).
Attributed works:
102. Large Trademark with Eight Spotlights, by Ed Ruscha. (Whitney Museum).
Attributed works:
103. Ethell Scull 36 Times, by Andy Warhol. (Whitney Museum).
Attributed works:
104. Fête Champêtre, by Guy Pene de Bois. (Whitney Museum).
Attributed works:
105. Ten Cents a Dance, by Reginald Marsh. (Whitney Museum).
Attributed works:
106. Poker Night — from A Streetcar Named Desire, by Thomas Hart Benton. (Whitney Museum).
Attributed works:
107. Sixth Avenue El, by Francis Criss. (Whitney Museum).
Attributed works:
108. Plastic Polygon, by Charles G. Shaw. (Whitney Museum).
Attributed works:
109. Racing Thoughts, by Jasper Johns. (Whitney Museum).
Attributed works:
91. Head of a Sleeping Woman, by Pablo Picasso. (The Museum of Modern Art).
Attributed works:
92. Two Acrobats with a Dog, by Pablo Picasso. (The Museum of Modern Art).
Attributed works:
93. Trafalgar Square, by Piet Mondrian. (The Museum of Modern Art).
Attributed works:
94. Endless Column, by Constantin Brancusi. (The Museum of Modern Art).
Attributed works:
95. Diary of a Seducer, by Arshile Gorky. (The Museum of Modern Art).
Attributed works:
96. The Days Must Be Laid on the Earth, by Enzo Cucchi. (The Museum of Modern Art).
Attributed works:
97. Animal Woman, by Joseph Beuys. (Guggenheim Museum).
Attributed works:
98. Seraphim, by Anselm Kiefer. (Guggenheim Museum).
Attributed works:
99. Oceania I, by John Walker. (The Museum of Modern Art).
Supplement
Acquisitions of American Art (1776-1980) by British and American Museums: Supplement
11/1981 | 944 | 123
Pages: 713-714
Subjects
artists:
artists:
artists:
artists:
artists:
artists:
artists:
artists:
artists:
dates:
dates:
museums and institutions:
places:
subjects:
Illustrations
Attributed works:
Fig. 124. Mrs James Smith and Grandson, by Charles Willson Peale (1741-1827). 92 by 74.2 cm, 1776. (Purchase/Gift 1981).
Attributed works:
Fig. 125 Tourists, by Duane Hanson (b. 1925). Fibre Glass and Polyester Resin, Fully Clothed, Height: (Man) 152 cm, (Woman) 160 cm, 1970. (Gallery Purchase 1979).
Attributed works:
Fig. 126. Boy with Bagpipe, by Joseph Stella (1877-1946). Charcoal and Pencil, 55.3 by 40.7 cm, c. 191012. (Gift 1980).
Attributed works:
Fig. 127. Meetinghouse Hill, Roxbury, Massachusetts, by John Ritto Penniman (1781-1841). 73.6 by 94 cm, 1799. (Museum Purchase 1979).
Attributed works:
Fig. 128. Market Day or Going to Market, by George Caleb Bingham (1811-79). 37.2 by 58.8 cm, c. 1842. (Museum Purchase 1979).
Attributed works:
Fig. 129. Bowery Nocturne, by Raphael Soyer (b. 1899). Lithograph, 32.4 by 45.8 cm, 1933. (Gift of Raphael and Rebecca Soyer, 1981).
Attributed works:
Fig. 130. Dancers on a Plane: Merce Cunningham, by Jasper Johns (b. 1930). Encaustic and Collage, 199.7 by 161.5 cm, 1980. (Gallery Purchase 1981).
Attributed works:
Fig. 131. Down 18th Street (Corner Apartments), by Wayne Thiebaud (b. 1920). Oil and Charcoal, 122 by 91.5 cm, 1980. (Museum Purchase 1981).
Attributed works:
Fig. 132. Number, 1950, by Jackson Pollock (1912-56). 136.5 by 99 cm, 1950. (Museum Purchase 1981).
Attributed works:
Fig. 133. Untitled, by Robert Morris (b. 1931). Wood and Lead, 91.5 by 91.5 by 94 cm, 1964. (Gift of the Society for Contemporary Art, 1980).
Attributed works:
Fig. 134, Il Penseroso, by Thomas Cole (1801-48). 82 by 122 cm, 1845. (Museum Purchase 1981).
Attributed works:
Fig. 135. Long Neck Point from Contentment Island, by John Frederick Kensett (1816-72). 38 by 61 cm, c. 1872. (Gift of the Museum's Women's Committee 1981).
Attributed works:
Fig. 136. Drawing, by Arshile Gorky (1904-48). Ink, 61 by 78.7 cm, 1931-32. (Gift 1980).
Attributed works:
Fig. 137. Plain, by Philip Guston (1913-80). 175.2 by 236.2 cm, 1979. (Fellows of the Museum of Art Fund, 1980).
Attributed works:
Fig. 138. Marilyn Monroe (Diptych), by Andy Warhol (b. 1928). Polymer and Silkscreen on Two Canvas Panels, Each 205.7 by 144.8 cm, 1962. (Gallery Purchase 1980).
Attributed works:
Fig. 139. Three Flags, by Jasper Johns (b. 1930). Encaustic, 78.4 by 115.6 cm, 1958. (Museum Purchase 1980).
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