Life Magazine and the Power
of Photography
Edited by Katherine A. Bussard and
Kristen Gresh. 336 pp. incl. 250 col. + b. & w.
ills. (Princeton University Art Museum,
Princeton NJ, and Yale University Press,
New Haven and London, 2020), $60.
ISBN 978–0–300–25088–6. |
:
10. Design for the tomb monument of a military officer, here attributed to the workshop of Gian Lorenzo Bernini. c. 1669 (Princeton University Art Museum, Princeton, New Jersey, acc. 216-85, Museum Purchase, gift of Charles Scribner III, in honour of Professor Irving Lavin).
Attributed works:
11. Sepulchral monument to Cardial Domenico Pimentel, by Ercole Ferrata, after a design by Gian Lorenzo Bernini. 1655-56 (S. Maria sopra Minerva, Rome; photograph Scala, Florence).
Attributed works:
12. Preliminary design for the tomb of Cardinal Domenico Pimentel, for S. Maria sopra Minerva, Rome, by Gian Lorenzo Bernini. 1655-5 (Morgan Library and Museum, New York).
Attributed works:
13. Tomb of Pope Alexander VII, designed by Gian Lorenzo Bernini. 1672-78 (St Peter's Basilica, Rome; photograph Scala/Art Resource).
Attributed works:
14. Design for a tomb to Doge Giovanni Cornaro, by Gian Lorenzo Bernini. 1653-56 (Courtauld Galler, London).
Attributed works:
16. Catafalque for the duc de Beaufort, by Gian Lorenzo Bernini. 1669 (Photograph Conway Library, Courtauld Institute of Art, London).
Attributed works:
17. Daniel, by Gian Lorenzo Bernini. c. 1655 (Musei Vaticani, Rome).
Attributed works:
18. Tommaso Rospigliosi, by Ercole Ferrata. 1669-70 (Musei Capitolini, Rome; photograph William Skinner).
80. Detail of a Satyr, Hermes and fawn, from the 'name vase' of the Berlin Painter. c.500-490 BC (Antikensammlung, Staatliche Museen, Berlin, Preussischer Kulturbesitz, F 2160; exh. Toledo Museum of Art)
Attributed works:
81. Gods and goddesses assembled to watch Zeus' departure, by the Berlin Painter. c.485-475 BC (The Antikenmuseum Basel und Sammlung Ludwig, Lu 39; exh. Toledo Museum of Art)
Attributed works:
82. Apollo and Artemis at an altar, by the Berlin Painter. c.490 BC (Antikensammlung, Kunsthistorisches Museum, Vienna, IV 3739; exh. Toledo Museum of Art)
Attributed works:
83. Detail of Ganymede, from Zeus and Ganymede, by the Berlin Painter. c.500-490 BC (Musée du Louvre, Paris, G 175; exh. Toledo Museum of Art)
Book Review
Pastures Green and Dark Satanic Mills: The British Passion for Landscape, by Tim Barringer and Oliver Fairclough
114. Merzbild Einunddreissig (Merz picture thirty-one), by Kurt Schwitters. 1920. Assemblage of oil, paper, wood, metal, fabric and cotton balls on paper mounted on wood frame, 98 by 66 cm. (Sprengel Museum, Hannover; exh. Menil Collection, Houston).
Attributed works:
115. Untitled (Mz. 9 NDARD), by Kurt Schwitters. 1947. Collage of paper on paper mounted on marbleised cardboard, 15.4 by 11.1 cm. (Menil Collection, Houston).
Attributed works:
116. Full-scale reconstruction of Kurt Schwitters’s Hannover Merzbau, by Peter Bissegger. 1981–83. Built from photographs taken in 1933 of the original construction (c.1923–36; destroyed 1943), 393 by 580 by 460 cm. (Sprengel Museum, Hannover; exh. Menil Collection, Houston).
28. Tomb of Marc Schoelcher, by Alexis-Hippolyte Fromanger. 1840. Bronze, approx. 250 cm. high. (Père-Lachaise cemetery, Paris)
Attributed works:
29. Project for the tomb of Marc Schoelcher, by August Prèault. Late 1830s. Terracotta, 29.2 by 18.8 cm. (Princeton University Art Museum).
Attributed works:
30. Detail of Fig.28.
Attributed works:
31. Portrait of Marc Schoelcher, by Henri Valton. 1822. Porcelain medallion. 25 cm. diam. (Location unknown).
Attributed works:
32. 'C'était vraiment bien la piene de nous faire tuer!', by Honoré Daumier. Published in La Caricature (27th August 1835). Lithograph, 21 by 29 cm. (Private collection).
Attributed works:
33. Une scène à Paris, by Philippe-August Jeanron. 1833. 97.8 by 130 cm. (Musée des Beaux-Arts, Chartres).
Attributed works:
34. Tomb of Armand Carrel, by David d'Angers. 1838-39. Bronze, 215 cm. high. (Saint-Mandé cemetery).
Attributed works:
35. Tomb of Aristide Ollivier (detail), by Auguste Préault. 1853-54. Bronze, approx. 200 by 50 by 50 cm. (Saint-Lazare cemetery, Montpellier).