4. Nautilus cup, attributed to Nicolaes de Grebber. 1592. Nautilus shell, silver gilt, glass and enamel, height 26.5 cm. (Museum Het Prinsenhof, Delft; exh. Norwich Castle Museum & Art Gallery).
Western art unattributed:
1. Pair of flagons. London, 1598. Silver gilt, height 31.1 cm. (Metropolitan Museum of Art, New York; exh. Norwich Castle Museum & Art Gallery).
Western art unattributed:
2. The Paston treasure. c.1663. Canvas, 166.8 by 247.5 cm. (Norwich Castle Museum & Art Gallery).
Western art unattributed:
3. Panel with the arms of the Paston family. Florence, c.1638. Pietre dure, 49 by 37 cm. (Sir Henry PastonBedingfeld, Oxburgh Hall, Norfolk; exh. Norwich Castle Museum & Art Gallery).
Exhibition Review
Things of Beauty Growing: British Studio Pottery. Fitzwilliam Museum, Cambridge
20. Leaning blue and white pot, by Alison Britton. 1987. Handbuilt, high-fired earthenware, painted with slip and underglaze pigment under a clear matt glaze. 48 by 35.7 cm. (Victoria and Albert Museum, London; exh. Fitzwilliam Museum, Cambridge).
Attributed works:
21. Moon jar, by Akiko Hirai. 2016. Stoneware, porcelain slip, paper fibre, wood ash, and white glaze, 52 by 46 cm. (Collection of Akiko Hirai, London; exh. Fitzwilliam Museum, Cambridge).
Attributed works:
22. In praise of shadows, by Grayson Perry. 2005. Coiled stoneware, stencilled and inlaid slip, transparent glaze, handdrawn and photographic transfers, gold lustre, 80 by 50 cm. (Private collection; exh. Fitzwilliam Museum, Cambridge).
70. Tampoco, plate 36 from Los Desastres de la Guerra, by Francisco de Goya. c.1810-20, published 1863 (Yale University Art Gallery, New Haven)
Attributed works:
71. A lion attacking a horse, by George Stubbs. 1770 (Yale Center for British Art, New Haven)
Attributed works:
72. Femmes d'Alger, by Eugène Delacroix. 1833 (Yale University Art Gallery, New Haven)
Attributed works:
73. Hadleigh Castle, The Mouth of the Thames - Morning after a Stormy Night, by John Constable. 1829 (Yale Center for British Art, New Haven; exh. Yale University Art Gallery, New Haven)
100. A celing design in the Antique style, by Vincenzo Brenna. c.1777. Watercolour and gouache over graphite on paper, 72 by 50.8 cm. (Real Academia de Bellas Artes de San Fernando, Madrid; exh. Yale Center for British Art, New Haven).
Attributed works:
98. Portrait of a man, by Christopher Hewetson. 1777. Terracotta, 49 by 36 by 22 cm. (Real Academia de Bellas Artes de San Fernando, Madrid; exh. Yale Center for British Art, New Haven).
Attributed works:
99. Ariccia, by John Robert Cozens. 1777-78. Watercolour over graphite on paper, 43.5 by 60.5 cm. (Real Academia de Bellas Artes de San Fernando, Madrid; exh. Yale Center for British Art, New Haven).
32. John Cuff and his assistant, by Johan Zoffany. 1772. Canvas, 89.5 by 69.2 cm. (Royal Collection; exh. Royal Academy of Arts, London).
Attributed works:
33. David with the head of Goliath, by Johan Zoffany. 1756. Canvas, 92.2 by 74.7 cm. (National Gallery of Victoria, Melbourne; exh. Royal Academy of Arts, London).
Attributed works:
34. Thomas King as Touchstone in ‘As You Like It’, by Johan Zoffany. 1780. Canvas, 91 by 55.5 cm. (Garrick Club, London; exh. Royal Academy of Arts, London).
42. Elizabeth Farren, later Countess of Derby, by Thomas Lawrence. 1790. Canvas, 238.8 by 146.1 cm. (Metropolitan Museum of Art, New York; exh. Yale Center for British Art, New Haven).
Attributed works:
43. George Canning, by Thomas Lawrence. 1822. Canvas, 90.2 by 69.9 cm. (Private collection; exh. Yale Center for British Art, New Haven).
Attributed works:
44. Robert Banks Jenkinson, later 2nd Earl of Liverpool, by Thomas Lawrence. 1793–96. Canvas, 127 by 101.6 cm. (National Portrait Gallery, London; exh. Yale Center for British Art, New Haven).