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75 articles
Article
Turner’s ‘Staffa, Fingal’s Cave’: exporting ‘indistinctness’
04/2025 | 1465 | 167
Pages: 330-341
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Author:
Warrell, Ian (Warrell, Ian)
Subjects
dates:
1830-1849
museums and institutions:
New York Public Library, New York, United States / Yale Center for British Art, New Haven, United States
subjects:
Turner, Joseph Mallord William / Lenox, James / Leslie, Charles Robert / Cultural tourism / Mendelssohn-Bartholdy, Felix / Travel / Critical Reception / Lenox, James / Stanfield, Clarkson
Illustrations
Attributed works:
1. James Lenox, by Francis Grant. 1848. Oil on canvas. (New York Public Library)
Attributed works:
10. Cotopaxi, by Frederic Edwin Church. 1862. Oil on canvas, 121.9 by 215.9 cm. (Detroit Museum of Arts; Bridgeman Images).
Attributed works:
11. Bally-burgh Ness, by J.M.W Turner. c.1835. Watercolour and gouache, with scratching-out, on cream wove paper, 8.3 by 13.5 cm. (© President and Fellows of Harvard College; Fogg Museum, Harvard Art Museums).
Attributed works:
2. Staffa, Fingals' Cave, by J.M.W. Turner. 1832. Oil on canvas, 90.8 x 121.3 cm. (Yale Center for British Art, New Haven).
Attributed works:
3. Van Tromp's Shallop, at the Entrance of the Scheldt (previously mistitled Van Tromp Returning after the Battle off the Dogger Bank) by J.M.W. Turner. 1832 (previously misdated 1833). Oil on canvas, 90.5 x 120.8 cm. (Tate).
Attributed works:
4. Fingal's Cave, by J.M.W. Turner, c.1832. Pencil and watercolour, heightened with white, 29.2 x 21.6 cm. (Private collection).
Attributed works:
5. North wall of the Lenox Library Picture Gallery, Showing Turner's Staffa, Fingal's Cave in its original frame/ c.1882. Photograph. (New York Public Library Archives).
Attributed works:
6. Turner's Watteau Study by Fresnoy's rules (1831) in its original frame. Photograph. (Tate).
Attributed works:
7. The New York and London packet ship 'Victoria'. 1000 tons (entering New York Harbour), by Thomas Goldsworth Dutton. 1843. Hand-coloured lithograph, 26.2 by 40.1 cm. (National Maritime Museum, Greenwich).
Attributed works:
8. Lenox Library, from the west, designed by Richard Morris Hunt, by H.N. Tuimann & Co. 1909. Gelatin silver print. 35.5 x 27.8 cm. (Museum of the City of New York).
Attributed works:
9. Detail of the Lenox Library Picture Gallery Digital Recreation, showing the north and west walls. (From S. Webster and D. Schwittek, eds: ‘A digital recreation of the Lenox Library Picture Gallery: a contribution to the early history of public art museums in the United States’, Nineteenth-Century Art Worldwide 17, no.2 (2018)).
Article
The portraits of Alice Spencer, Countess of Derby, and her family by Paul van Somer
04/2025 | 1465 | 167
Pages: 376-385
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related names
Author:
David, Jessica (David, Jessica)
Author:
Town, Edward (Town, Edward)
Subjects
artists:
Somer, Paulus van, I, 1576-1621
buildings:
Deene Park, Northants / Assheton Collection, Downham Hall, Clitheroe, Lancashire / Yale Center for British Art, New Haven, United States
dates:
1600-1649
subjects:
Spencer, Alice (1559-1637)
subjects:
Stanley family / Egerton Family
subjects:
Family portraits / Portraits
Illustrations
Attributed works:
1. Portraits from the group at Deene Park, all here attributed to Paul van Somer (top row, left to right, 1a–1d; centre row, left to right, 1e–1h; bottom row, left to right, 1i–1l). 1617. Oil on panel, dimensions variable. (Deene Park, Northamptonshire; the Brudenell Estate).
Attributed works:
10. Portrait 1b from the group at Deene Park, here attributed to Paul van Somer. 1617. Oil on panel. (Deene Park, Northamptonshire; the Brudenell Estate).
Attributed works:
11. Elizabeth Hastings (née Stanley), Countess of Huntingdon, by John Payne after Paul van Somer. 1635. Engraving, 18.4 by 13.7 cm. (British Museum, London).
Attributed works:
12. John Egerton. 1625. Oil on canvas, 119.4 by 90.2 cm. (Private collection; photograph the authors).
Attributed works:
13. Called Thomas Egerton, possibly Charles Egerton. 1625. Oil on canvas, 109.2 by 78.7 cm. (Private collection; photograph the authors).
Attributed works:
14. Alice Egerton. 1625. Oil on canvas, 109.2 by 78.7 cm. (Private collection; photograph the authors).
Attributed works:
15. Anne Egerton. 1625. Oil on canvas, 119.4 by 90.2 cm. (Private collection; photograph the authors).
Attributed works:
16. Called Vere Egerton but here called an unknown woman, by Paul van Somer. c.1617. Oil on canvas, 216.5 by 129.5 cm. (National Trust, Dunham Massey).
Attributed works:
17. Unknown child, possibly Thomas Egerton. 1625. Oil on canvas, 103.5 by 82.6 cm. (Buccleuch Collection at Boughton House, Northamptonshire).
Attributed works:
2. Portrait of a countess repainted with the head of Cecilia Egerton. c.1610 with later intervention. Oil on canvas, 194.3 by 128.3 cm. (Buccleuch Collection at Boughton House, Northamptonshire; Bridgeman Images).
Attributed works:
3. Portrait 1d from the group at Deene Park, here attributed to Paul van Somer. 1617. Oil on panel. (Deene Park, Northamptonshire; the Brudenell Estate).
Attributed works:
4. Portrait of a girl here identified as Cecilia Egerton, by Paul van Somer. 1617. Oil on panel, 65.4 by 50.8 cm. (Yale Center for British Art, New Haven).
Attributed works:
5. Diana Cecil, Countess of Oxford and Elgin, after Paul van Somer. c.1632. Oil on panel. (Buccleuch Collection at Boughton House, Northamptonshire; Bridgeman Images).
Attributed works:
6. Lady Diana Cecil, Countess of Oxford, by Paul van Somer. 1618. Oil on panel, 66 by 54.5 cm. (Present location unknown).
Attributed works:
7. Alice Spencer, Countess of Derby (1559–1637), after Paul van Somer. c.1635. Engraving, 19.3 by 12.3 cm. (British Museum, London).
Attributed works:
8. Alice Spencer, Countess of Derby, by Paul van Somer. 1617. Oil on panel, 67.5 by 59 cm. (Deene Park, Northamptonshire).
Attributed works:
9. Portrait of a woman, possibly Vere Egerton, by Paul van Somer. 1617. Oil on panel, 88.9 by 66 cm. (Paine Art Center and Gardens, Oshkosh).
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Advertisements (front)
04/2025 | 1465 | 167
Pages: i-xii
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Subjects
advertisements:
Stephen Ongpin Fine Art, London, Great Britain / Journal des Arts (chronicle of the Hotel Drouot) / Toledo Museum of Art, Toledo, United States / Princeton University Art Museum, Princeton, United States / The Burlington Magazine / David Zwirner, London, Great Britain / Guy Peppiatt Fine Art, London, Great Britain / The Art Newspaper, London, Great Britain / Master Drawings New York / Nonesuch Gallery, London, Great Britain / Granta Magazine, London, Great Britain / Dorotheum (auction house), Vienna, Austria / Burlington International Fine Art Fair, London / Getty Trust Publications , Great Britain / Peter Finer (antique arms), London, Great Britain / Cesati, Alessandro / Darnley Fine Art, London, Great Britain / Hallett Independent Art and Heritage Insurance, London, Great Britain / Hamilton Kerr Institute, Fitzwilliam Museum, Cambridge, Great Britain / Day and Faber, London, Great Britain / Rafael Valls, London, Great Britain / Trinity Fine Art Ltd, London, Great Britain / Daniel Katz Ltd (dealers), London, Great Britain / French and Company Art, New York, United States / The-saleroom.com / Yale Center for British Art, New Haven, United States / The Hotel Drouot, Paris, France
Illustrations
Attributed works:
Anna Tonelli (c.1763-1846) Portrait of Honor Edgeworth, nee Sneyd (Guy Peppiatt Fine Art and the Limner Company)
Attributed works:
Henry Parsons Riviere, The Girandola at the Castel Sant'Angelo, Rome (Nonesuch Gallery)
Attributed works:
JMW Turner, Inverary Pier, Loch Fyne, Morning, c. 1845 (detail). Oil on canvas, (Yale Center for British Art, Paul Mellon Collection)
Attributed works:
JMW Turner, The Lauerzersee with the Ruins of Schwanau and the Mythens. watercolour over an underdrawing in pencil 227 x 287 mm. (Stephen Ongpin)
Attributed works:
John Smart (1741-1811) Portrait miniature of a lady. (Guy Peppiatt Fine Art & the Limner Company)
Attributed works:
Luca Cambiaso, Diana and Callisto, oil on canvas, 230 x 185.5 cm (Dorotheum)
Obituary
Duncan Robinson (1943–2022)
05/2023 | 1442 | 165
Pages: 578-580
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Author:
Pergam, Elizabeth (Pergam, Elizabeth)
Subjects
art literature:
The Burlington Magazine
museums and institutions:
Yale Center for British Art, New Haven, United States / Fitzwilliam Museum, Cambridge, Great Britain
museums and institutions:
Magdalene College, Cambridge, Great Britain
subjects:
Robinson, Duncan, Cambridge, Great Britain / Art historians / Museum directors / scholars / British art
Illustrations
Attributed works:
1. Duncan Robinson, by Peter Mennim. 2011. Oil on canvas, 81.3 by 61 cm. (Magdalene College, Cambridge).
Attributed works:
2. Nude in an interior, by Harold Gilman. c.1911. Oil on canvas, 50.5 by 35.4 cm. (Yale Center for British Art, New Haven; Bridgeman Images).
Attributed works:
3. A folio from the Macclesfield Psalter, showing a historiated initial containing the Annunciation to the Shepherds. England, c.1330–40. Tempera and gold on vellum, 17 by 6.2 cm. (Fitzwilliam Museum, Cambridge, MS 1-2005, fol.139v; Bridgeman Images).
Obituary
Angus Trumble (1964–2022)
01/2023 | 1438 | 165
Pages: 103-104
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related names
Reviewer:
Hopkins, Andrew (Hopkins, Andrew)
Subjects
museums and institutions:
National Portrait Gallery, Canberra, Australia / Yale Center for British Art, New Haven, United States
subjects:
Trumble, Angus / Art historians / Curators / Cultural history
Illustrations
Attributed works:
1. Angus Trumble in 2015. (Photograph courtesy of the National Portrait Gallery, Canberra).
Attributed works:
2. Graham Sutherland, photographed in 1977 with his 1957 portrait of Helena Rubinstein, now in the National Portrait Gallery, Canberra. (Photograph Keystone Press Agency Ltd).
Article
George Gower: portraitist, Mercer, Serjeant Painter
09/2020 | 1410 | 162
Pages: 730-747
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Author:
Town, Edward (Town, Edward)
Subjects
artists:
Gower, George / Bettes, John, I, act. 1545-1559, d. ca. 1570 / Hilliard, Nicholas
artists:
Derickson, Arnold
dates:
1550-1599
media:
Full-length portraits / Portraits / Self-portraits
museums and institutions:
Yale Center for British Art, New Haven, United States / Hamilton Kerr Institute, Fitzwilliam Museum, Cambridge, Great Britain / Tate Britain, London, Great Britain
patrons:
Elizabeth I, Queen of England, 1533-1603
places:
London / York
subjects:
British art / Elizabethan School / Serjeant Painters / Courts (social groups) / Technical analysis / Scientific analysis / Infrared photography / Inscriptions / Sitters
Illustrations
Attributed works:
1. Self-portrait, by George Gower. 1579. Panel, 56.4 by 49.6 cm. (Private collection).
Attributed works:
10. Richard Drake, by George Gower. 1577. Oil on panel, 91.1 by 71.1 cm. (National Maritime Museum, Greenwich).
Attributed works:
11. Infra-red detail of Fig.12, showing the sitter’s eye with pentimento of the iris.
Attributed works:
12. Called Henry Wriothesley, 2nd Earl of Southampton, by George Gower. 1572. Oil on panel, 54 by 34.5 cm. (The Bute Collection, Mount Stuart, Isle of Bute).
Attributed works:
13. Sir Henry Sidney, here attributed to George Gower. 1573. Oil on panel, 202 by 122 cm. (Petworth House, Sussex).
Attributed works:
14. Sir Henry Sidney, here attributed here to George Gower. c.1573. Oil on panel, 67.6 by 52.5 cm. (National Portrait Gallery, London).
Attributed works:
15. Details of Figs.16 and 13, showing the sitters’s right eye and nose.
Attributed works:
16. Sir Henry Sidney, here attributed here to George Gower. c.1573. Oil on paper, 30.5 by 27.9 cm. (National Portrait Gallery, London).
Attributed works:
17. Frances Sidney, Countess of Sussex, here attributed to George Gower. c.1572. Oil on panel, 193.2 by 110 cm. (Sidney Sussex College, Cambridge).
Attributed works:
18. Elizabeth I (The Hampden Portrait), here attributed to George Gower. c.1567. Oil on panel, 196 by 140 cm. (Private collection; Philip Mould & Co., London).
Attributed works:
19. Detail of an infra-red photograph of Fig.17 (left); and a tracing of the features evident in the underlying portrait (right).
Attributed works:
2. Sir Thomas Kytson, by George Gower. 1573. Panel, 53 by 36.9 cm. (Tate, London).
Attributed works:
20. Detail of an infra-red photograph of Fig.18.
Attributed works:
21. Elizabeth I (The Fonthill Portrait), here attributed to George Gower. c.1567. Oil on panel, 45.7 by 33 cm. (Private collection).
Attributed works:
22. Elizabeth I (The Berger/Northwick Park portrait), here attributed to George Gower. c.1567. Panel, 54 by 43.2 cm. (The Berger Collection, Denver Art Museum).
Attributed works:
23. Elizabeth I, here attributed to George Gower. c.1580. Pencil and watercolour on paper, 15.2 by 18.4 cm. (National Portrait Gallery London).
Attributed works:
24. Elizabeth I (The Ermine portrait), here attributed to George Gower. 1585. [Oil on?] panel, 105.4 by 86.4 cm. (Hatfield House, Hertfordshire).
Attributed works:
3. Inscriptions attributed to Gower’s hand from the following portraits, from top to bottom: called Henry Wriothesley, 2nd Earl of Southampton, 1572 (Fig.12); Elizabeth Cornwalllis, Lady Kytson, 1573 (fig.4); Francis Hart of Lullingstone Castle, 1573 (private collection); Elizabeth Knollys, Lady Leighton, 1577 (Fig.8); and Frances, Lady Brydges, 1579 (Fig.5).
Attributed works:
4. Elizabeth Cornwallis, Lady Kytson, by George Gower. 1573. Panel, 68.3 by 52.1 cm. (Tate, London).
Attributed works:
5. Frances, Lady Brydges, by George Gower. 1579. Panel, 91.1 by 68.6 cm. (Yale Center for British Art, New Haven).
Attributed works:
6. Details of Figs.4, 5, 8 and 9 showing the sitters’ right eyes.
Attributed works:
7. Details of Figs.8 and 5, showing gold-mounted jewels.
Attributed works:
8. Elizabeth Knollys, Lady Leighton, by George Gower. 1577. Panel, 61 by 45 cm. (Montacute House, Somerset, National Trust).
Attributed works:
9. Lady Philippa Coningsby, by George Gower. 1578. Panel, 93 by 70.1 cm. (Indianapolis Museum of Art).
Exhibition Review
Bill Brandt / Henry Moore
06/2020 | 1407 | 162
Pages: 520-524
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related names
Reviewer:
Harrison, Martin (Harrison, Martin)
Subjects
artists:
Moore, Henry Spencer, 1898-1986 / Brandt, Bill
dates:
2010-2019 / 2020-2030
museums and institutions:
The Hepworth, Wakefield, Great Britain / Yale Center for British Art, New Haven, United States / Sainsbury Centre for Visual Arts, Norwich, Great Britain
subjects:
Photography / Sculpture
Reviewed Items
subjects:
Bill Brandt / Henry Moore The Hepworth Wakefield 7th February–1st November | :
Illustrations
Attributed works:
1. Liverpool Street extension, by Bill Brandt. 1940, printed c.1948. Gelatin silver print, 24.4 by 19.3 cm. (Edwynn Houk Gallery, New York; exh. The Hepworth Wakefield).
Attributed works:
2. Tube shelter perspective: the Liverpool Street extension, by Henry Moore. 1941. Pencil, wax crayon, coloured crayon, watercolour, wash, pen and ink on paper, 48 by 43.5 cm. (Tate, London; exh. The Hepworth Wakefield).
Attributed works:
3. Contact sheet for details of Auguste Rodin’s Walking man (1877–78), by Henry Moore. 1967. 25.2 by 20.3 cm. (Henry Moore Foundation; exh. The Hepworth Wakefield).
Attributed works:
4. Nude, Baie des Anges, by Bill Brandt. 1959. Gelatin silver print, 61.6 by 52.1 cm. (  Bill Brandt Archive Ltd, London; exh. The Hepworth Wakefield).
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02/2020 | 1403 | 162
Pages: i-xvi
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Subjects
advertisements:
Frits Lugt Collection, Fondation Custodia, Paris, France / Robilant and Voena, London, Great Britain / TEFAF (Maastricht) / Rijksmuseum, Amsterdam, Netherlands / Musée des Beaux-Arts, Orléans, France / Freeman's, Philadelphia, United States / Peter Finer (antique arms), London, Great Britain / Blackwall Green, Art Insurance Brokers, London. / Tate Britain, London, Great Britain / Burlington Contemporary Art Writing Prize / Burlington Magazine / Salon du dessin, Paris, France / Simon Dickinson, London, Great Britain / Alessandro Cesati, Milan, Italy / Didier Aaron, Inc, New York, United States / Daniel Katz Ltd (dealers), London, Great Britain / Trinity Fine Art Ltd, London, Great Britain / Day and Faber, London, Great Britain / Rafael Valls, London, Great Britain / The-saleroom.com / Master Drawings London / Sam Fogg (dealer), London, Great Britain / Museum Mayer Van Den Bergh, Antwerp, Belgium / Yale Center for British Art, New Haven, United States / Simiolus, Art Journal, The Netherlands / Andrew Clayton-Payne, London, Great Britain / Hazlitt Holland-Hibbert, London, Great Britain
Illustrations
Attributed works:
Berthe Morisot (French, 1841 - 1895), Apollon Révélant sa Divinité à la Bergère Issé, after Francois Boucher. oil on canvas, 251/4 x 31 1/8 in. $150,000-250,000. [European and Old Master Auction February 18, 2020. Freeman's].
Attributed works:
A mountainous landscape with a herdsman and cattle, by Thomas Gainsborough (1727–88). Black and white chalk on paper, 28 by 36.8 cm. [TEFAF. LOWELL LIBSON & JOHNNY YARKER LTD, LONDON]
Attributed works:
A pair of Delftware vases, by Adrianus Kocx. 1687–1801. Tinglazed earthenware, height 47 cm. [TEFAF. ARONSON, AMSTERDAM]
Attributed works:
A still life of flowers on a table with a landscape in the background, by Ambrosius Bosschaert the Elder (1573–1621). Oil on panel, 29.2 by 19.4 cm. [TEFAF. DE JONCKHEERE, GENEVA AND PARIS]
Attributed works:
A study of three heads, by Adolph Menzel (1815–1905). 1898. Pencil with stumping, 31 by 23 cm. [TEFAF. STEPHEN ONGPIN FINE ART, LONDON]
Attributed works:
Antonio Verrio The Sea Triumph of Charles II c.1674 (detail) Royal Collection Trust / © Her Majesty Queen Elizabeth II 2019. [Tate Britain: Baroque Power and Illusion exhibition]
Attributed works:
Federico Barocci (1528–1612) Tête d’un homme barbu, le regard tourné vers le bas, et étude de main Pierre noire, sanguine et craie blanche sur papier beige. – 407 x 269 mm [Fondation Custodia, Collection Frits Lugt, Paris]
Attributed works:
Joseph Colla, Étude d’arbre. Marseille, musée des Beaux-Arts © Ville de Marseille, Dist. RMN-Grand Palais / image des musées de Marseille. [Salon du Dessin]
Attributed works:
Kate Elizabeth Bunce, Musica (detail) c. 1895-7. Oil on canvas. Birmingham Museums Trust. [Yale Center for British Art, Victorian Radicals exhibition]
Attributed works:
PIETER BRUEGEL THE ELDER, MAD MEG (DETAIL), 1563, MUSEUM MAYER VAN DEN BERGH, PHOTO KIK IRPA BRUSSEL I 16489638. [Museum van den Bergh, Antwerp. Madonna meets Mad Meg exhibition]
Attributed works:
Rythme couleur no. F1248, by Sonia Delaunay (1855–1979). Gouache on paper, 58 by 78 cm. [TEFAF. GALERIE DE LA PRÉSIDENCE, PARIS]
Attributed works:
The Cornelis Wittert Cup, by Johannes du Vignon III (1660–1746). 1707. Silver, height 34 cm. [TEFAF, A. AARDEWERK, THE HAGUE]
Attributed works:
The makeup, by Louis-Léopold Boilly (1761–1845). Oil on canvas, 57 by 46 cm. [TEFAF. GALERIE ERIC COATALEM, PARIS]
Attributed works:
The mocking of Christ, by Matthias Stom (1600–50). Oil on canvas, 42, 72 cm. [TEFAF. ALTOMANI & SONS, MILAN]
Attributed works:
The school boy, by François Bonvin (1817–87). 1874. Oil on panel, 35.5 by 26.3 cm. [TEFAF. WILDENSTEIN, NEW YORK]
Attributed works:
The two majesties, by Jean-Léon Gérôme (1824–1904). Oil on canvas, 25 by 44 cm. [TEFAF. TRINITY FINE ART, LONDON]
Attributed works:
The wave, by Gustave Courbet (1819–1877). Oil on canvas, 64.5 by 81.5 cm. [TEFAF. GALLERY 19C, BEVERLY HILLS]
Attributed works:
Vanvitelli, Rome, View of the Tiber at Ripa Grande, c. 1690, oil on canvas, 97 x 171 cm. [Robilant and Voena]
Non-western art unattributed:
A Blue Laced Samurai Armour (Kiritsuke-Kozane Nimai-Do Gusoku) with a Fine and Rare 120 Plate Helmet (Suji-Bachi Kabuto) Edo period, 1615-1868. [Peter Finer]
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09/2019 | 1398 | 161
Pages: i-xiv
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Subjects
collectors and dealers:
Biennale Internazionale d'Antiquariato (Italy: Florence) / Robilant and Voena, London, Great Britain / Venator & Hanstein KG (auction house), Cologne, Germany / Simiolus, Art Journal, The Netherlands / Sam Fogg (dealer), London, Great Britain / Walter Padovani (dealer), Milan, Italy / Prunier's Auction House, Louviers, France / British Art Fair (London) / British Museum, London, Great Britain / Reaktion Books, London, Great Britain / Charles Ratton & Guy Ladrière, Paris, France / Peter Finer (antique arms), London, Great Britain / Blackwall Green, Art Insurance Brokers, London. / Francis Haskell Memorial Fund, London, Great Britain / Galerie Leegenhoek, Paris, France / The Burlington Magazine / TEFAF New York / Yale Center for British Art, New Haven, United States / Minerva Magazine / Irish Art Review / Getty Trust Publications , Great Britain / Frieze Masters (London) / Westland & Company, London, Great Britain / Simon Dickinson, London, Great Britain / Alessandro Cesati, Milan, Italy / Didier Aaron & Cie, Paris, France / Daniel Katz Ltd (dealers), London, Great Britain / Trinity Fine Art Ltd, London, Great Britain / Rafael Valls, London, Great Britain / Master Drawings New York / The-saleroom.com / The British Art Journal, London, Great Britain / Hazlitt Gallery, London, Great Britain
collectors and dealers:
Day and Faber, London, Great Britain
Illustrations
Attributed works:
THE ARMOUR OF [COUNT GALEAZZO DA ARCO c. 1445-50 made in the workshop of the distinguished Milanese armourer Tommaso Negroni, called Missaglia. Peter Finer]
Attributed works:
Top down, bottom up, by [Michelangelo Pistoletto. 1977. Mixed media, 350 cm high. GALLERIA CONTINUA, SAN GIMIGNANO]
Attributed works:
[A river scene on the Clyde, by L.S. Lowry (1887–1976). 1965. Oil on canvas, 25.4 by 35.6 cm. CLARENDON FINE ART, LONDON]
Attributed works:
[Blue movement and green, by Victor Pasmore (1908–98). 1980. Screenprint, 53.2 by 45.5 cm. DOMINIC KEMP MODERN BRITISH PRINTS, LONDON]
Attributed works:
[Bust of Pope Urban VIII, by Gian Lorenzo Bernini (1598–1680). 1658. Bronze, 101.5 by 78 cm. CARLO ORSI, MILAN]
Attributed works:
[CHARLES LE BRUN (Paris 1619–1690) The Chariot of Apollo Oil on canvas, 58 x 66 cm Preparatory sketch for a ceiling, probably one of Fouquet’s residences before his move to Vaux le Vicomte, since the figure of Diana at the bottom appears life size in the Chambre des Muses. Photo © Agencephar. JACQUES LEEGENHOEK]
Attributed works:
[Christopher Wood, On the Quay (Catania), 1927, 37.5 x 45.7 cm. Osborne Samuel]
Attributed works:
[Coastal report VI, Ballyconnell, Co. Sligo, by Donald Teskey (b.1956). Acrylic on paper, 77 by 100 cm. ART FIRST, LONDON]
Attributed works:
[Divided: Red and Orange, by Adrian Heath (1920–92). 1963. Oil on canvas, 173 by 183 cm. THE REDFERN GALLERY, LONDON]
Attributed works:
[Dorelia in a rockpool, by Augustus John (1878–1961). 1907. Oil on canvas, 181 by 83.8 cm. JONATHAN CLARK FINE ART, LONDON]
Attributed works:
[Flintlock gun with the monograms of ferdinando iii de’Medici (1663–1713), by Michele Lorenzoni. c.1700. Wood and steel, length 150.5 cm. PETER FINER, LONDON]
Attributed works:
[FRANCESCO CONTI (1682 – Florence – 1760) Pieta oil on canvas, 72 x 87 cm. Charles Ratton & Guy Ladriere]
Attributed works:
[Group of figures and head (burnt umber), by Barbara Hepworth (1903–75). 1951. Oil on canvas and pencil on Masonite, 50 by 60 cm. CONNAUGHT BROWN, LONDON]
Attributed works:
[Henry Moore, Reclining Nude, 1983. Clarendon Fine Art]
Attributed works:
[Johann Heinrich Schönfeld, The Painting Lesson, oil on canvas, 132.2 x 98.7 cm. Robilant + Voena]
Attributed works:
[Madonna and Child with saints, by Venturo di Moro (1399–1486). Tempera and gold on panel, 87.5 by 54.4 cm. SALAMON& C, MILAN]
Attributed works:
[Madonna and Child with St. John, by Benedetto da Maiano (1442–97). Marble, diameter 105 cm. GALLERIA LONGARI, MILAN]
Attributed works:
[Pair of sitting figures, by Lynn Chadwick (1914– 2003). 1973. Cast in 1983. Edition of six. Bronze, 63.5 by 73 by 56 cm. OSBORNE SAMUEL, LONDON]
Attributed works:
[Portrait of a woman, by Monogrammist I.S. (active 1632–58). Oil on canvas, 34 by 27 cm. NICHOLAS HALL FINE ART, NEW YORK]
Attributed works:
[Predella with child and flowers, by Liberale da Verona (c.1445–1527/29). Oil on panel, 17 by 35.5 cm. MEHRINGER BENAPPI, MUNICH, LONDON AND TURIN]
Attributed works:
[Reclining female figure or Venus, by Giovanni Bonazza (1654–1736). c.1700. Marble and bronze, 23.5 by 47 by 20 cm. WALTER PADOVANI, MILAN]
Attributed works:
[Self-portrait holding a mask, by Umberto Brunelleschi (1879– 1949). 1920. Oil on panel, 60 by 49 cm. LULLO PAMPOULIDES, LONDON]
Attributed works:
[Silbury by night, by David Inshaw (b.1943). 1988. Canvas, 40 by 51 cm. FROM THE CURATED EXHIBITION DAVID INSHAW: LOOKING BACK, LOOKING FORWARD]
Attributed works:
[Simon Lewty, Passage Towards Stone, 1984. Pencil, acrylic and crayon on paper, 156 x 156 cm. Art First]
Attributed works:
[St. John, by Spinello Aretino (1345/52–1410). Tempera on panel, 115 by 32 cm. ROBILANT + VOENA, LONDON & MILAN]
Attributed works:
[Study for La Petite Afrique, by Graham Sutherland (1903–80). 1953. Mixed media on paper, 35.5 by 28 cm. CHRISTOPHER KINGZETT FINE ART, LONDON]
Attributed works:
[The Redentore, Venice, by Giovanni Antonio Canal, Il Canaletto (1697–1768). c.1746. Oil on canvas, 47.4 by 77.3 cm. SIMON DICKINSON, LONDON]
Attributed works:
[Vase, by Lucie Rie (1902–95). c.1970s. Porcelain, ht. 22.5 cm. ASKEW ART, LONDON]
Western art unattributed:
[A monumental Regency stoneware urn in the manner of the Antique, with coiled serpent handles and a frieze depicting a Bacchic procession. English, c.1820. Stock No.14868. WESTLAND LONDON]
Western art unattributed:
[Missale Coloniense. Manuscript on vellum Probably Cologne, ca. 1420. Venator & Hanstein]
Western art unattributed:
[Roman, c. 1570. Bust of Pope Pius V (detail). Bronze, 110 x 32 cm. Inscribed Pius V.P.O.M. Walter Padovani]
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08/2019 | 1397 | 161
Pages: i-xvi
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Subjects
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Biennale Internazionale d'Antiquariato (Italy: Florence) / Robilant and Voena, London, Great Britain / Westland & Company, London, Great Britain / Museo Nacional del Prado, Madrid, Spain / Yale Center for British Art, New Haven, United States / Print Quarterly, London / Sam Fogg (dealer), London, Great Britain / British Art Fair (London) / Carlo Orsi (dealer), Milan, Italy / Fine Arts Paris / Charles Ratton & Guy Ladrière, Paris, France / Peter Finer (antique arms), London, Great Britain / Blackwall Green, Art Insurance Brokers, London. / British Museum, London, Great Britain / Jacques Leegenhoek (dealer), Paris, France / The Burlington Magazine / Walter Padovani (dealer), Milan, Italy / Simon Dickinson, London, Great Britain / Rafael Valls, London, Great Britain / Daniel Katz Ltd (dealers), London, Great Britain / Trinity Fine Art Ltd, London, Great Britain / Day and Faber, London, Great Britain / The-saleroom.com / Alessandro Cesati, Milan, Italy / Didier Aaron, Inc, New York, United States / Master Drawings London / Koos and Koos Limburg Scotland, Kirriemuir, Great Britain / Hazlitt Gallery, London, Great Britain
Illustrations
Attributed works:
JAN BOECKHORST (Munster 1604 – 1668 Antwerp) Portrait of a young man Oil on canvas, 55.5 x 45 cm Preparatory study for the figure of Saint Hubert in Boeckhorst's large painting in the church of Saint Michel, Gent, dated 1656, depicting The Conversion of Saint Hubert Photo © H. Lewandowski. JACQUES LEEGENHOEK]
Attributed works:
Maria Magdalena by Tilman Riemenschneider, c. 1460-1531 The discovery of a completely unknown sculpture by this master. For the provenance, information and more images see our website. Height:41cm. Koos and Koos Limburg, Scotland]
Attributed works:
[FRANCESCO SODERINI (1671 – Florence – 1739 ?) Catherine of Sienna choosing the Crown of Thorns oil on canvas, 79.5 x 111 cm. CHARLES RATTON & GUY LADRIÈRE]
Attributed works:
[Gian Lorenzo Bernini Bust of Pope Urban VIII Barberini. Carlo Orsi]
Attributed works:
[Giovanni Bonazza, Reclining Female Figure or Venus, c. 1700. Marble, h. 23.5 x 47 x 20 cm. Walter Padovani]
Attributed works:
[Lewis Morley, Vanessa Redgrave and Tariq Ali at Protest March (detail), gelatin silver print, Yale Center for British Art, Gift of Dr. J. Patrick and Patricia Kennedy. Yale Center for British Art]
Attributed works:
[Rembrandt van Rijn, Self-Portrait as the Apostle Paul (detail), 1661. Amsterdam, Rijksmuseum. De Bruijn-van der Leeuw Bequest, Muri, Switzerland Museo del Prado, Madrid]
Attributed works:
[Robilant and Voena. Francis Bacon, Untitled (Study of Dog), c. 1967, oil on canvas, 30.5 x 35.5 cm]
Western art unattributed:
[A Crossbow, c. 1480 Germany Horn, sinew, bark, wood, paint, iron 86 cm / 33.85 in × 92 cm / 36.2 in PROVENANCE: Private collection, Europe Private collection, United Kingdom. Peter Finer]
Western art unattributed:
[A monumental Regency stoneware urn in the manner of the Antique, with coiled serpent handles and a frieze depicting a Bacchic procession. English, c.1820. Stock No.14868. Westland, London]
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