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18 articles
Article
Sickert’s coster girls: some American connections
06/2022 | 1431 | 164
Pages: 582-585
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Author:
Farey, Luke (Farey, Luke)
Subjects
artists:
Sickert, Walter
dates:
1900-1919
subjects:
Street vendors / Hats / Americans / and / Popular culture / British art
subjects:
Camden Town Group
Illustrations
Attributed works:
12. Louie (or Flower girl), by Walter Sickert. 1911. Oil on canvas, 38.1 by 30.5 cm. (Private collection; courtesy Christie’s; Bridgeman Images).
Attributed works:
13. Le Corsage Violet, by Walter Sickert. 1907–08. Oil on canvas, 50.8 by 40.2 cm. (Private collection).
Attributed works:
14. Lou! Lou! I Love You, by Walter Sickert. 1911. Lithograph, 33.2 by 22 cm. (Tate Archive).
Attributed works:
15. The hat-pin, by Walter Sickert. 1907–08. Black and white chalk with transfer grid in red ink on paper, 33.5 by 26 cm. (Courtesy Duncan Miller Fine Arts).
Attributed works:
16. Mother and Daughter, by Walter Sickert. 1911. Oil on canvas, 46.2 by 35.5 cm. (Private collection; courtesy Bonhams).
Book Review
Between Worlds: The Art of Bill Traylor. By Leslie Umberger
05/2020 | 1406 | 162
Pages: 463-464
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Reviewer:
Monahan, Anne (Monahan, Anne)
Subjects
artists:
Traylor, Bill
subjects:
American art / Outsider art / Black people / Folk art / Folklore / Popular culture
Reviewed Items
subjects:
the burlington magazine | 162 | may 2020 463 Between Worlds: The Art of Bill Traylor By Leslie Umberger. 448 pp. incl. 244 col. + 61 b. & w. ills. (Smithsonian American Art Museum, Washington, and Princeton University Press, Princeton NJ, 2018),  54. ISBN 978–0–691–18267–4. | :
Illustrations
Attributed works:
5. Yellow chicken, by Bill Traylor. c.1939–40. Gouache and pencil on board, 29.2 by 25.4 cm. (Museum of Modern Art, New York).
Exhibition Review
Rachel Harrison: Life Hack. Whitney Museum of American Art, New York
01/2020 | 1402 | 162
Pages: 69-71
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Reviewer:
Kachur, Lewis (Kachur, Lewis)
Subjects
artists:
Harrison, Rachel
dates:
2010-2019
museums and institutions:
Whitney Museum of American Art, New York, United States
subjects:
American art / Sculpture / Installations (visual works) / Photographs / Drawings / Popular culture
Reviewed Items
subjects:
Rachel Harrison: Life Hack Whitney Museum of American Art, New York 25th October 2019–12th January | :
Illustrations
Attributed works:
21. Untitled, by Rachel Harrison. 2012. Coloured pencil on paper, 48.3 by 61 cm. (Collection of the artist; courtesy Greene Naftali, New York; photograph Tim Nighswander; exh. Whitney Museum of American Art, New York).
Attributed works:
22. Alexander the Great, by Rachel Harrison. 2007. Wood, chicken wire, polystyrene, cement, acrylic, mannequin, Jeff Gordon waste basket, plastic Abraham Lincoln mask, sunglasses, fabric, necklace and two unidentified items, 221 by 231.1 by 101.6 cm. (Museum of Modern Art, New York; courtesy the artist and Greene Naftali, New York; photograph Jean Vong; exh. Whitney Museum of American Art, New York).
Attributed works:
23. Installation view of Rachel Harrison: Life Hack at the Whitney Museum of American Art, New York, 2019–20.
Exhibition Review
Keith Haring. Tate Liverpool
10/2019 | 1399 | 161
Pages: 852-855
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Reviewer:
Boaden, James (Boaden, James)
Subjects
artists:
Haring, Keith
dates:
2010-2019
museums and institutions:
Tate Liverpool, Liverpool, Great Britain
places:
New York
subjects:
American art / Politics / Popular culture / LGBT / Subcultures / Street art
Illustrations
Attributed works:
1. Keith Haring in subway car, (New York), by Tseng Kwong Chi. c.1983. (Courtesy Muna Tseng Dance Projects, Inc.; © Keith Haring Foundation; exh. Tate Liverpool).
Attributed works:
2. Untitled, by Keith Haring. 1983. Acrylic on vinyl tarpaulin, 173 by 170 cm. (Courtesy Laurent Strouk; exh. Tate Liverpool).
Attributed works:
3. Untitled, by Keith Haring. 1985. Chalk on paper, 205 by 102 cm. (BvB Collection, Geneva; exh. Tate Liverpool).
Attributed works:
4. Ignorance = fear, by Keith Haring. 1989. Poster, 66 by 114.1 cm. (Noirmontartproduction, Paris; exh. Tate Liverpool).
Exhibition Review
Armenia! Metropolitan Museum of Art, New York
01/2019 | 1390 | 161
Pages: 60-63
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Reviewer:
Jones, Lynn (Jones, Lynn)
Subjects
dates:
2010-2019
media:
Sculpture / Stone / Textiles / Manuscripts / Books / Architecture / Reliquaries / Reliefs / Maps / Costume
museums and institutions:
Metropolitan Museum of Art, New York, United States
places:
United States / New York
subjects:
Armenian / Culture / Cultural history / Material culture (genre) / Visual culture / Popular culture / Religious art / Religious architecture / Iconography / Christian iconography / Jesus Christ / Churches / Cathedrals / Patronage / Commissions / Travel / Dress / Portraits / Saints
Illustrations
Non-western art unattributed:
4. Altar frontal. 1741. Gold, silver and silk threads on silk, 67.5 by 97.5 cm. (Mother See of Holy Etchmiadzin, Armenia; exh. Metropolitan Museum of Art, New York).
Non-western art unattributed:
5. Alexander Romance. Rome, 1538–44 and unknown location, sixteenth century. Tempera and ink on parchment, 24 by 17.8 cm. (‘Matenadaran’ Mesrop Mashtots’ Institute-Museum of Ancient Manuscripts, Yerevan, MS 5472; exh. Metropolitan Museum of Art, New York).
Non-western art unattributed:
6. Khachkar. Lori Berd, twelfth to thirteenth century. Basalt, 182.9 by 98.4 by 22.9 cm. (History Museum of Armenia, Yerevan; exh. Metropolitan Museum of Art, New York).
Exhibition Review
Cult of the Machine: Precisionism and American Art. Dallas Museum of Art
11/2018 | 1388 | 160
Pages: 963-965
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Reviewer:
Silberman, Robert (Silberman, Robert; Silberman, Robert B.)
Subjects
art literature:
Friedman, Martin
artists:
Sheeler, Charles / O'Keeffe, Georgia / Demuth, Charles / Murphy, Gerald / Duchamp, Marcel / Schamberg, Morton Livingston / Picabia, Francis / Ault, George / Frankl, Paul / Carter, Clarence Holbrook / Gursky, Andreas / Struth, Thomas / Bourke-White, Margaret
artists:
Driggs, Elsie / Storrs, John Bradley
dates:
2010-2019
media:
Paintings / Drawings / Prints / Photographs / Videos / Industrial design / Furniture / Art objects
museums and institutions:
Dallas Museum of Art, Dallas, United States / Walker Art Center, Minneapolis, United States
places:
United States / Dallas / Minneapolis
subjects:
American painting (United States of America) / Precisionism / Machine aesthetic / Digital technology / Cities / Popular culture / Abstract art / Modernism / Surrealism / Landscapes (visual works) / Geometry / Automobiles / Design / Workers
Illustrations
Attributed works:
16. Watch, by Gerald Murphy. 1925. Canvas, 199.4 by 200.4 cm. (Dallas Museum of Art).
Attributed works:
17. American landscape, by Charles Sheeler. 1930. Canvas, 61 by 78.8 cm. (Museum of Modern Art, New York; exh. Dallas Museum of Art).
Attributed works:
18. ‘Skyscraper’ bookcase, by Paul T. Frankl. c.1926. Lacquered wood and brass, 242.6 by 109.2 by 33 cm. (Minneapolis Institute of Art; exh. Dallas Museum of Art).
Book Review
Ashcan Art, Whiteness, and the Unspectacular Man. By Alexis L. Boylan
10/2018 | 1387 | 160
Pages: 884-885
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Reviewer:
Griffin, Randall C. (Griffin, Randall C.)
Subjects
artists:
Bellows, George Wesley / Sloan, John
dates:
1900-1949 / 1900-1909 / 1910-1919
media:
Paintings
places:
United States / New York
subjects:
American painting (United States of America) / Ashcan School (movement) / Iconography / Iconology / Race / Gender / Workers / Working Class / Feminism / Cities / Popular culture / Realist / Eroticism / Immigration / Studios (work spaces) / Landscapes (visual works) / Portraits / Figure paintings
Illustrations
Attributed works:
6. Men of the docks, by George Bellows. 1912. Canvas, 114.3 by 161.3 cm. (National Gallery, London).
Book Review
Korean Art from the 19th Century to the Present. By Charlotte Horlyck
10/2018 | 1387 | 160
Pages: 873-874
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Reviewer:
Bolwell, Sarah (Bolwell, Sarah)
Subjects
artists:
Chong-hyun, Ha / Seo-Bo, Park / Nam-soon, Paik / Yang, Haegue, b. 1971 / Bul, Lee / Jeong-hwa, Choi / Young-whan, Bae
artists:
Suh, Do Ho
dates:
1800-1899 / 1850-1899 / 1900-1999 / 2000-2009 / 2010-2019
media:
Paintings
places:
Korea
subjects:
Korean School / Korean / Tansaekhwa / Abstract art / Social realism / Art market / World's fairs / Popular culture / Capitalism / Feminism / Politics / Surveys
Illustrations
Attributed works:
6. Écriture No.41–78, by Park Seo-bo. 1978. Oil and pencil on hemp cloth, 195 by 300 cm. (Leeum, Samsung Museum of Art, Seoul; photograph Gallery Perrotin).
Exhibition Review
Frida Kahlo: Making Her Self Up. Victoria and Albert Museum, London
10/2018 | 1387 | 160
Pages: 862-863
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Reviewer:
Oliver, Sophie (Oliver, Sophie)
Subjects
art literature:
Breton, André
artists:
Kahlo, Frida / Rivera, Diego / Freund, Gisèle / Weston, Edward / Álvarez Bravo, Lola / Murray, Nickolas
dates:
2010-2019
media:
Paintings / Photographs / Art objects / Costume / Jewellery
museums and institutions:
Victoria and Albert Museum, London, Great Britain
places:
Great Britain / London
subjects:
Mexican painting / Self-portraits / Surrealism / Politics / Popular culture / Capitalism / Communism / Nationalism / Dress
Illustrations
Attributed works:
18. Self-portrait, by Frida Kahlo. 1948. Panel, 50 by 40 cm. (Private collection; exh. Victoria and Albert Museum, London).
Attributed works:
20. Self-portrait on the border between Mexico and the United States of America, by Frida Kahlo. 1932. Oil on metal, 31 by 35 cm. (Modern Art International Foundation; courtesy María and Manuel Reyero; exh. Victoria and Albert Museum, London).
Western art unattributed:
19. Cotton huipil with machine-embroidered chain stitch; printed cotton skirt with embroidery and holán (ruffle). (Museo Frida Kahlo, Mexico City; exh. Victoria and Albert Museum, London).
Exhibition Review
Jason Moran. Walker Art Center, Minneapolis
08/2018 | 1385 | 160
Pages: 694-695
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Reviewer:
Mullin, Diane (Mullin, Diane)
Subjects
artists:
Moran, Jason / Jonas, Joan / Gates, Theaster / Simpson, Lorna / Walker, Kara / Weems, Carrie Mae / Mehretu, Julie / Pendleton, Adam / Douglas, Stan / Ligon, Glenn
dates:
2010-2019
media:
Installations (visual works) / Videos / Documents / Drawings / Sculpture / Performance art
museums and institutions:
Walker Art Center, Minneapolis, United States
places:
United States / Minneapolis
subjects:
Music / Musicians / Jazz / Popular culture / Reconstructions
Illustrations
Attributed works:
39. STAGED: Savoy Ballroom 1, by Jason Moran. 2015. Mixed media, sound, 304.8 by 548.6 by 304.8 cm. (Courtesy of the artist and Luhring Augustine, New York; photograph Farzad Owrang; exh. Walker Art Center, Minneapolis).
Attributed works:
40. STAGED: Three Deuces, by Jason Moran. 2015. Mixed media, sound, 243.8 by 304.8 by 396.2 cm. (Courtesy of the artist and Luhring Augustine, New York; photograph Farzad Owrang; exh. Walker Art Center, Minneapolis).
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