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18 articles
Exhibition Review
Hilma af Klint
02/2025 | 1463 | 167
Pages: 183–185
related names
Reviewer:
Müller-Westermann, Iris (Müller-Westermann, Iris)
Subjects
artists:
dates:
museums and institutions:
Reviewed Items
subjects:
Hilma af Klint Guggenheim Museum Bilbao 18th October 2024–2nd February 2025 | :
Illustrations
Attributed works:
22. Group IV, the ten largest, no.6, adulthood, by Hilma af Klint. 1907. Tempera on paper, mounted on canvas, 315 by 234 cm. (Hilma af Klint Foundation, Stockholm; exh. Guggenheim Museum Bilbao).
Attributed works:
23. Group IX/ SUW, the swan, no.12, by Hilma af Klint. 1915. Oil on canvas, 151.5 by 151 cm. (Hilma af Klint Foundation, Stockholm; exh. Guggenheim Museum Bilbao).
Attributed works:
24. Group X, no.1, altarpiece, by Hilma af Klint. 1915. Oil and metal leaf on canvas, 237.5 by 179.5 cm. (Hilma af Klint Foundation, Stockholm; exh. Guggenheim Museum Bilbao).
Exhibition Review
Jenny Holzer: Thing Indescribable. Guggenheim Bilbao
06/2019 | 1395 | 161
Pages: 515-517
related names
Reviewer:
Trigg, David M. (Trigg, David M.)
Subjects
artists:
dates:
museums and institutions:
styles:
Illustrations
Attributed works:
26. For Bilbao, by Jenny Holzer. 2019. Projection, site-specific dimensions. (Courtesy the artist).
Attributed works:
27. Installation for Bilbao, by Jenny Holzer. 1997. Electronic LED signs, 9 columns site-specific dimensions (Courtesy the artist and Guggenheim Bilbao).
Attributed works:
28. Ram, by Jenny Holzer. 2016. Threesided LED sign, RGB diodes, 14 by 762 by 14 cm. (Courtesy the artist and Hauser & Wirth).
Exhibition Review
Art and China after 1989: Theater of the World. Guggenheim Bilbao
09/2018 | 1386 | 160
Pages: 793-795
related names
Reviewer:
Teo, Wenny (Teo, Wenny)
Subjects
art literature:
dates:
Illustrations
Attributed works:
31. Precipitous parturition, by Chen Zhen. Rubber bicycle inner tubes, aluminium and plastic toy cars, metal, fragments of bicycles, silicone and paint, length c.20 m. (Pinault Collection, Venice).
Attributed works:
32. Installation view showing Theater of the world (1993; diameter 160 cm.) and The bridge (1995; length 12 m.), by Huang Yong Ping at Guggenheim Bilbao. 2018. (Courtesy the artist).
Exhibition Review
Bill Viola. Bilbao
10/2017 | 1375 | 159
Pages: 846-847
related names
Reviewer:
Anfam, David (Anfam, David)
Subjects
artists:
media:
museums and institutions:
subjects:
Reviewed Items
subjects:
Bill Viola: A Retrospective at the Guggenheim Museum, Bilbao | :
Illustrations
Attributed works:
87. Fire woman, by Bill Viola, 2005 (Courtesy Bill Viola Studio; exh. Guggenheim Museum, Bilbao).
Attributed works:
88. The veiling, by Bill Viola. 1995 (Courtesy Bill Viola Studio; exh. Guggenheim Museum, Bilbao).
Attributed works:
89. The space between the teeth, by Bill Viola. 1976 (Courtesy Bill Viola Studio; exh. Guggenheim Museum, Bilbao).
Exhibition Review
Abstract Expressionism. London and Bilbao
04/2017 | 1369 | 159
Pages: 343-344
related names
Reviewer:
Moszynska, Anna (Moszynska, Anna)
Subjects
dates:
places:
Illustrations
Attributed works:
85. PH-950, by Clyfford Still. 1944 (Clyfford Still Museum, Denver; exh. Guggenheim Bilbao)
Attributed works:
86. Star Cage, by David Smith. 1950 (Frederick R. Weisman Art Museum at the University of Minnesota, Minneapolis; exh. Guggenheim Bilbao)
Attributed works:
87. Yellow band, by Mark Rothko. 1956 (Sheldon Museum of Art, University of Nebraska, Lincoln; exh. Guggenheim Bilbao)
Exhibition Review
Francis Bacon. Monaco and Bilbao; Liverpool and Stuttgart
10/2016 | 1363 | 158
Pages: 845-847
related names
Reviewer:
Cappock, Margarita (Cappock, Margarita)
Subjects
dates:
places:
subjects:
Illustrations
Attributed works:
82. Fragment of a Crucifixion, by Francis Bacon. 1950 (Van Abbemuseum, Eindhoven; exh. Grimaldi Forum, Monaco. © The Estate of Francis Bacon. All rights reserved. DACS 2016)
Attributed works:
83. Triptych, by Francis Bacon. 1967 (Hirshhorn Museum and Sculpture Garden, Washington DC; exh. Staatsgalerie Stuttgart. © The Estate of Francis Bacon. All rights reserved. DACS 2016)
Exhibition Review
Autumn exhibitions
01/2015 | 1342 | 157
Pages: 51-53
related names
Reviewer:
Vernon, Jonathan (Vernon, Jonathan ; V., J.)
Subjects
collectors and dealers:
dates:
subjects:
Illustrations
Attributed works:
59. Soleil couchant sur la Seine, effet d'hiver, by Claude Monet (Petit Palais, Musée des Beaux-Arts de la Ville de Paris; exh. Musée Marmottan Monet, Paris)
Attributed works:
60. Peupliers, trois arbres roses, automne, by Claude Monet (Philadelphia Museum of Art; exh. Musée du Luxembourg, Paris)
Attributed works:
61. Parc à moutons, clair de lune, by Jean-François Millet (Walters Art Museum, Baltimore; exh. Musée du Luxembourg, Paris)
Attributed works:
62. Self-portrait, by Emile Bernard (Musée des Beaux-Arts, Brest; exh. Musée de l'Orangerie, Paris)
Attributed works:
63. Installation view of Niki de Saint Phalle at the Grand Palais, Paris, showing (left) Dolorès; Black Rosy, Ou My Heart belongs to Rosy; and (right) Les trois grâces, by Niki de Saint Phalle
Exhibition Review
L’art en guerre. Paris and Bilbao
06/2013 | 1323 | 155
Pages: 432-433
related names
Reviewer:
Blood, Anne (Blood, Anne)
Subjects
dates:
places:
Illustrations
Attributed works:
88. Max Ernst in the camp at Mille, by Hans Bellmer (Private collection; exh. Guggenheim Museum, Bilbao)
Attributed works:
89. Untitled, by Charlotte Salomon (Charlotte Salomon Foundation, Joods Historisch Museum, Amsterdam; exh. Guggenheim Museum, Bilbao)
Exhibition Review
John Chamberlain. New York and Bilbao
06/2012 | 1311 | 154
Pages: 448-449
related names
Reviewer:
Anfam, David (Anfam, David)
Subjects
dates:
subjects:
Reviewed Items
subjects:
John Chamberlain: Choices | institution: Guggenheim Museum Bilbao , institution: Solomon R. Guggenheim Museum
Illustrations
Attributed works:
96. Dolores James, by John Chamberlain. 1962. Painted and chromium-plated steel, 184.2 by 257.8 by 117.5 cm. (Solomon R. Guggenheim Museum, New York).
Attributed works:
97. Divine ricochet, by John Chamberlain. 1991. Painted and chromium-plated steel and stainless steel, 138.4 by 180.5 by 169 cm. (Private collection, Düsseldorf, courtesy of Galerie Karsten Greve, Cologne; exh. Solomon R. Guggenheim Museum, New York).
Western art unattributed:
95. Installation view of John Chamberlain: Choices, Solomon R. Guggenheim Museum, New York, 2012.
Exhibition Review
Claes Oldenburg. Vienna, Cologne, Bilbao, New York and Minneapolis
05/2012 | 1310 | 154
Pages: 369-370
related names
Reviewer:
Blood, Anne (Blood, Anne)
Subjects
artists:
dates:
subjects:
Reviewed Items
subjects:
Claes Oldenburg. The 1960s | institution: Guggenheim Museum Bilbao , institution: Museum Ludwig , institution: Museum Moderner Kunst Stiftung Ludwig Wien , institution: Museum of Modern Art , institution: Walker Art Center
Illustrations
Attributed works:
84. Giant soft fan, by Claes Oldenburg. 1966–67. Vinyl filled with polyurethane foam, canvas, wood, metal and plastic, 304.8 by 149.5 by 157.2 cm. (fan); 736.6 cm. (cord and plug). (Museum of Modern Art, New York; exh. Museum moderner Kunst, Vienna).
Attributed works:
85. Late submission to the Chicago Tribune architectural competition of 1922 – clothespin, version two, by Claes Oldenburg. 1967. Crayon, pencil and watercolour on paper, 55.8 by 68.5 cm. (Des Moines Art Center; exh. Mus­eum moderner Kunst, Vienna).
Attributed works:
86. Still from Snapshots from the city, film by Stan VanDerBeek of a performance by Claes Oldenburg and Pat Muschinski. 1960. 16 mm. black-and-white film transferred to video, with sound, duration 4 min. (Exh. Museum moderner Kunst, Vienna).
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