Hilma af Klint
Guggenheim Museum Bilbao
18th October 2024–2nd February
2025 |
:
Illustrations
Attributed works:
22. Group IV, the
ten largest, no.6,
adulthood, by
Hilma af Klint.
1907. Tempera on
paper, mounted
on canvas, 315 by
234 cm. (Hilma af
Klint Foundation,
Stockholm; exh.
Guggenheim
Museum Bilbao).
Attributed works:
23. Group IX/
SUW, the swan,
no.12, by Hilma af
Klint. 1915. Oil on
canvas, 151.5 by
151 cm. (Hilma af
Klint Foundation,
Stockholm; exh.
Guggenheim
Museum Bilbao).
Attributed works:
24. Group X, no.1,
altarpiece, by
Hilma af Klint.
1915. Oil and
metal leaf on
canvas, 237.5
by 179.5 cm.
(Hilma af Klint
Foundation,
Stockholm; exh.
Guggenheim
Museum Bilbao).
Exhibition Review
Jenny Holzer: Thing Indescribable. Guggenheim Bilbao
26. For Bilbao,
by Jenny Holzer.
2019. Projection,
site-specific
dimensions.
(Courtesy
the artist).
Attributed works:
27. Installation
for Bilbao, by
Jenny Holzer.
1997. Electronic
LED signs,
9 columns
site-specific
dimensions
(Courtesy the
artist and
Guggenheim
Bilbao).
Attributed works:
28. Ram, by
Jenny Holzer.
2016. Threesided
LED sign,
RGB diodes, 14
by 762 by 14
cm. (Courtesy
the artist and
Hauser & Wirth).
Exhibition Review
Art and China after 1989: Theater of the World. Guggenheim Bilbao
31. Precipitous parturition, by Chen Zhen. Rubber bicycle inner tubes, aluminium and plastic toy cars, metal, fragments of bicycles, silicone and paint, length c.20 m. (Pinault Collection, Venice).
Attributed works:
32. Installation view showing Theater of the world (1993; diameter 160 cm.) and The bridge (1995; length 12 m.), by Huang Yong Ping at Guggenheim Bilbao. 2018. (Courtesy the artist).
59. Soleil couchant sur la Seine, effet d'hiver, by Claude Monet (Petit Palais, Musée des Beaux-Arts de la Ville de Paris; exh. Musée Marmottan Monet, Paris)
Attributed works:
60. Peupliers, trois arbres roses, automne, by Claude Monet (Philadelphia Museum of Art; exh. Musée du Luxembourg, Paris)
Attributed works:
61. Parc à moutons, clair de lune, by Jean-François Millet (Walters Art Museum, Baltimore; exh. Musée du Luxembourg, Paris)
Attributed works:
62. Self-portrait, by Emile Bernard (Musée des Beaux-Arts, Brest; exh. Musée de l'Orangerie, Paris)
Attributed works:
63. Installation view of Niki de Saint Phalle at the Grand Palais, Paris, showing (left) Dolorès; Black Rosy, Ou My Heart belongs to Rosy; and (right) Les trois grâces, by Niki de Saint Phalle
96. Dolores James, by John Chamberlain. 1962. Painted and chromium-plated steel, 184.2 by 257.8 by 117.5 cm. (Solomon R. Guggenheim Museum, New York).
Attributed works:
97. Divine ricochet, by John Chamberlain. 1991. Painted and chromium-plated steel and stainless steel, 138.4 by 180.5 by 169 cm. (Private collection, Düsseldorf, courtesy of Galerie Karsten Greve, Cologne; exh. Solomon R. Guggenheim Museum, New York).
Western art unattributed:
95. Installation view of John Chamberlain: Choices, Solomon R. Guggenheim Museum, New York, 2012.
Exhibition Review
Claes Oldenburg. Vienna, Cologne, Bilbao, New York and Minneapolis
84. Giant soft fan, by Claes Oldenburg. 1966–67. Vinyl filled with polyurethane foam, canvas, wood, metal and plastic, 304.8 by 149.5 by 157.2 cm. (fan); 736.6 cm. (cord and plug). (Museum of Modern Art, New York; exh. Museum moderner Kunst, Vienna).
Attributed works:
85. Late submission to the Chicago Tribune architectural competition of 1922 – clothespin, version two, by Claes Oldenburg. 1967. Crayon, pencil and watercolour on paper, 55.8 by 68.5 cm. (Des Moines Art Center; exh. Museum moderner Kunst, Vienna).
Attributed works:
86. Still from Snapshots from the city, film by Stan VanDerBeek of a performance by Claes Oldenburg and Pat Muschinski. 1960. 16 mm. black-and-white film transferred to video, with sound, duration 4 min. (Exh. Museum moderner Kunst, Vienna).