By using this website you agree to our Cookie policy

Search

16 articles
Article
The design of Cape Coast Castle and Dixcove Fort, Ghana
04/2023 | 1441 | 165
Pages: 378-393
related names
Author:
Bailey, Gauvin Alexander (Bailey, Gauvin Alexander)
Subjects
dates:
places:
Illustrations
Attributed works:
1. Detail of Fig.4, showing the double staircase, St George Castle, Elmina, Ghana. (Photograph the author).
Attributed works:
10. Gate, Fort St Anthony, Axim, Ghana. 1515, present structure before 1637. (Photograph the author).
Attributed works:
11. Bell gable in Western Spur, Cape Coast Castle, Ghana. 1771 or 1778. (Photograph the author).
Attributed works:
12. Northern Wing, Cape Coast Castle, Ghana, here attributed to Nicholas Lomax and Robert Spooner. 1773–78 and 1822–24. (Photograph the author).
Attributed works:
13. Part of the Northern Wing intended for a chapel, Cape Coast Castle, Ghana, here attributed to Nicholas Lomax and Robert Spooner. 1773–78 and 1822–24. (Photograph the author).
Attributed works:
14. West terrace, Bedford Square, London, by Thomas Leverton and others. 1775–83. (Photograph the author).
Attributed works:
15. Plan and elevation of a Country House in the Modern Taste. Engraving. (From J. Crunden: Convenient and Ornamental Architecture, London 1767; Getty Research Institute, Los Angeles).
Attributed works:
16. The Five Orders of Architecture. (From R. Dodsley: The Preceptor: Containing a General Course of Education, London 1769, I, between pp.176 and 177; Boston Public Library).
Attributed works:
17. Detail of Ground plan of Dix Cove Fort, by Justly Watson. 1756. Ink and coloured wash on paper, 29 by 47 cm. (National Archives, London).
Attributed works:
18. Plan of the Fort at Dix-Cove, by Thomas Pye. 1749. Ink and coloured wash on paper. (National Archives, London).
Attributed works:
19. Spur court, Dixcove Fort, Ghana. 1747–50. (Photograph the author).
Attributed works:
2. West tower, St George Castle, Elmina, Ghana. 1482. (Photograph the author).
Attributed works:
20. Detail of a bay on the northern range, Spur Court, Dixcove Fort, Ghana. (Photograph the author).
Attributed works:
21. Tuscan Order, by John Sturt. Engraving. (From S. Le Clerc: A Treatise of Architecture with Remarks and Observations, London 1732; Getty Research Institute, Los Angeles).
Attributed works:
22. Courtyard, Maison Pépin, Gorée, Senegal. 1780–84. (Photograph the author).
Attributed works:
3. The main gate, Christiansborg Castle, Osu (Accra), Ghana. 1790. (Photograph the author).
Attributed works:
4. The main courtyard and double staircase, St George Castle, Elmina, Ghana. Before 1665. (Photograph the author).
Attributed works:
5. View of Fort Royale du Senegal from the Coast of [. . .] Guinea. 1694. Ink and coloured wash on paper. (Archives Nationales d’Outre-Mer, Aix-en-Provence).
Attributed works:
6. View of Fort Christiansborg [Christiansborg Castle, Osu] from the Shore. March 1764. Ink and coloured wash on paper. (Danish National Archives).
Attributed works:
7. Ground plan of Cape Coast Castle, by Justly Watson. 1756. Ink and coloured wash on paper, 47 by 69 cm. (National Archives, London).
Attributed works:
8. Western block, Cape Coast Castle, Ghana. 1768. (Photograph the author).
Attributed works:
9. Interior of main entrance, Fort St Sebastian, Shama, Ghana. 1520–26, present structure 1640–42. (Photograph the author).
Editorial
Tate Modern at twenty, ‘Burlington Contemporary’ at one
06/2020 | 1407 | 162
Pages: 471
Book Review
Stick to the Skin: African American and Black British Art, 1965–2015. By Celeste-Marie Bernier
04/2020 | 1405 | 162
Pages: 362-363
related names
Reviewer:
Hylton, Richard (Hylton, Richard)
Subjects
Reviewed Items
subjects:
Stick to the Skin: African American and Black British Art, 1965–2015 By Celeste-Marie Bernier. 344 pp. incl. 99 col. ills. (University of California Press, Berkeley, 2019),  70. ISBN 978–0–520–28653–5. | :
Illustrations
Attributed works:
5. Mr. Dial’s America, by Thornton Dial. 2011. Mixed-media assemblage, 188 by 246 by 23.5 cm. (Souls Grown Deep Foundation, Atlanta).
Article
Henri de Toulouse-Lautrec’s ‘Black countess’ identified
10/2019 | 1399 | 161
Pages: 840-845
related names
Author:
Wunsch, Oliver (Wunsch, Oliver)
Subjects
dates:
museums and institutions:
places:
subjects:
Illustrations
Attributed works:
1. Black countess, by Henri de Toulouse-Lautrec. 1881. Oil on board, 32.4 by 40.7 cm. (Harvard Art Museums, Cambridge MA).
Attributed works:
2. Study for the ‘Black countess’, by Henri de Toulouse-Lautrec. 1880. Pencil on paper, 15.9 by 25.7 cm. (Art Institute of Chicago).
Attributed works:
3. Study for the ‘Black countess’, by Henri de Toulouse-Lautrec. 1880. Black grease crayon on paper, 15.9 by 25.7 cm. (Art Institute of Chicago).
Attributed works:
4. D. Delva, by C.G. Crehen, from Album Impérial d’Haïti, by A. Hartmann. 1852. Lithograph after a daguerrotype, 40.5 by 28.5 cm. (Schomburg Center for Research in Black Culture, Photographs and Prints Division, New York Public Library).
Attributed works:
5. Alphonse de Toulouse-Lautrec-Monfa driving his mail-coach in Nice, by Henri de Toulouse-Lautrec. 1880. Oil on canvas, 38.5 by 51 cm. (Musée des Beaux-Arts de la ville de Paris).
Attributed works:
6. Footit et Chocolat, from Nib, supplement to La Revue Blanche, by Henri de Toulouse-Lautrec. 1895. Lithograph, sheet 35 by 49.6 cm. (Boston Public Library).
Attributed works:
7. Woman and child driving, by Mary Cassatt. 1881. Oil on canvas, 89.7 by 130.5 cm. (Philadelphia Museum of Art).
Exhibition Review
Posing Modernity: The Black Model from Manet and Matisse to Today. Wallach Art Gallery, New York; and The Black Model from Géricault to Matisse. Musée d’Orsay, Paris
07/2019 | 1396 | 161
Pages: 591-594
related names
Reviewer:
Pullins, David (Pullins, David)
Subjects
dates:
Illustrations
Attributed works:
16. Jeanne Duval, also known as Woman with a fan and Baudelaire’s mistress reclining, by Édouard Manet. 1862. Canvas, 89.5 by 113 cm. (Museum of Fine Arts Budapest; exh. Musée d’Orsay, Paris).
Attributed works:
17. Portrait of Madeleine, also known as Portrait of a Black woman and Portrait of a negress, by Marie-Guillemine Benoist. Canvas, 81 by 65 cm. (Musée du Louvre, Paris; exh. Musée d’Orsay, Paris).
Attributed works:
18. Study of the model Joseph, by Théodore Chassériau. 1839. Canvas, 54.8 by 73.5 cm. (Musée Ingres, Montauban; exh. Musée d’Orsay, Paris).
Exhibition Review
Sally Mann: A Thousand Crossings. J. Paul Getty Museum, Los Angeles
02/2019 | 1391 | 161
Pages: 161-163
related names
Reviewer:
Silberman, Robert (Silberman, Robert; Silberman, Robert B.)
Subjects
artists:
dates:
media:
Illustrations
Attributed works:
28. Easter Dress, by Sally Mann. 1986. Gelatin silver print, 47 by 57.8 cm. (Patricia and David Schulte; exh. J. Paul Getty Museum, Los Angeles).
Attributed works:
29. Virginia #6, by Sally Mann. 2004. Gelatin silver print, 123.2 by 98.4 cm. (Courtesy of Edwynn Houk Gallery, New York; exh. J. Paul Getty Museum, Los Angeles).
Attributed works:
30. Battlefields, Antietam (Black Sun), by Sally Mann. 2001. Gelatin silver print, 96.5 by 123.2 cm. (Courtesy of Edwynn Houk Gallery, New York; exh. J. Paul Getty Museum, Los Angeles).
Book Review
Windows for the World: Nineteenth-Century Stained Glass and the International Exhibitions, 1851–1900. By Jasmine Allen
12/2018 | 1389 | 160
Pages: 1073-1074
related names
Reviewer:
Harrison, Martin (Harrison, Martin)
Subjects
art literature:
dates:
media:
Illustrations
Attributed works:
4. Madonna and Child, by Kehinde Wiley. 2016. Stained glass in an aluminium frame, 249 by 117 cm. (© Kehinde Wiley Studio; courtesy the artist and Galerie Templon, Paris and Brussels).
Exhibition Review
Dorothea Lange: Politics of Seeing. Jeu de Paume, Paris
11/2018 | 1388 | 160
Pages: 965-968
related names
Reviewer:
Constantine, Simon (Constantine, Simon)
Subjects
dates:
media:
Illustrations
Attributed works:
19. Migrant mother, Nipomo, California, by Dorothea Lange. 1936. Gelatin silver print, 33.3 by 25.5 cm. (Dorothea Lange Collection, Oakland Museum of California; exh. Jeu de Paume, Paris).
Attributed works:
20. Sacramento, California. College students of Japanese ancestry who have been evacuated from Sacramento to the Assembly Center, by Dorothea Lange. 1942. Digital print, 27.9 by 22.9 cm. (Courtesy U.S. National Archives; exh. Jeu de Paume, Paris).
Attributed works:
21. White angel breadline, San Francisco, by Dorothea Lange. 1933. Gelatin silver print, 53.3 by 43.8 cm. (Dorothea Lange Collection, Oakland Museum of California; exh. Jeu de Paume, Paris).
Book Review
Ashcan Art, Whiteness, and the Unspectacular Man. By Alexis L. Boylan
10/2018 | 1387 | 160
Pages: 884-885
related names
Reviewer:
Griffin, Randall C. (Griffin, Randall C.)
Subjects
media:
Illustrations
Attributed works:
6. Men of the docks, by George Bellows. 1912. Canvas, 114.3 by 161.3 cm. (National Gallery, London).
load more