1. Fol.42r of the Libro de’ caratteri, by Giovanna Garzoni. c.1617–21. Ink on paper, 20.5 by 29 cm. (Biblioteca Accademica di S. Luca, Rome, inv. no.1117).
Attributed works:
2. Fol.1r of the Libro de’ caratteri, by Giovanna Garzoni. c.1617–21. Tempera and ink on paper, 20.5 by 29 cm. (Biblioteca Accademica di S. Luca, Rome, inv. no.1117).
Attributed works:
3. Frontispiece of Piante varie, by Giovanna Garzoni. c.1670–88. Pastel, charcoal and pen on paper, 49.5 by 38 cm. (Dumbarton Oaks Research Library and Collection, Washington).
Attributed works:
4. Fol.17r of the Libro de’ caratteri, by Giovanna Garzoni. c.1617–21. Ink on paper, 20.5 by 29 cm. (Biblioteca Accademica di S. Luca, Rome. inv. no.1117).
Book Review
Da ‘Universitas’ ad ‘Academia’. La corporazione dei Pittori nella chiesa di San Luca a Roma. 1474–1588, I. Salvagni
81. The Prophet Nathan Rebuking David, by Angelica Kauffman. 1797. 118 by 155 cm. (Voralberger Landesmuseum, Bregenz; Exh. Accademia di San Lucca, Rome).
Attributed works:
82. Standing Male Nude, by Angelica Kauffman after G. B. Piazzetta. 1763. Pen and Ink, 29.4 by 19.7 cm., Signed and Dated lower Left: 'Designée par moi Marianna Angélique Kauffman l'an 1763' (Kupferstichkabinett, Berlin; Exh. Accademia di San Lucca, Rome).
Attributed works:
83. Young Woman as a Bacchante, by Angelica Kauffman. 1801. 129 by 102 cm. (Galleria Nazionale de l'Arte Antica, Palazzo Barberini, Rome; Exh. Accademia di San Lucca, Rome).
Attributed works:
84. Portrait of Domenica Morghen as Tragedy and Maddalena Volpato as Comedy, by Angelica Kauffman. 1791. 125 by 158 cm. (National Museum, Warsaw; Exh. Haus der Kunst, Munich).
Attributed works:
85. Pliny the Younger and His Mother at the Eruption of Vesuvius, by Angelica Kauffman. 1785. 103 by 127.5 cm. (Art Museum, Princeton University, Princeton; Exh. Haus der Kunst, Munich).
74. St Bibiana Refusing to Worship Idols, by Pietro da Cortona. c.1624. Black Chalk with Brown Ink, 20 by 20 cm. (Musée des Beaux-Arts, Rennes; Exh. Accademia Nazionale di San Luca, Rome).
Attributed works:
75. Rape of the Sabines, by Pietro da Cortona. c.1629. 280 by 426 cm. (Pinacoteca Capitolina, Rome; Exh. Palazzo Venezia, Rome).
Attributed works:
76. Cardinal Pietro Maria Borghese, by Pietro da Cortona. c.1625. 132.5 by 97.5 cm. (Minneapolis Institute of Arts; Exh. Palazzo Venezia, Rome).
Attributed works:
77. Venus Appearing to Aeneas, by Pietro da Cortona. c.1631. 127 by 176 cm. (Louvre, Paris; Exh. Palazzo Venezia, Rome).
Attributed works:
78. Sketch for a Mosaic in St Peter's Rome, by Pietro da Cortona. c.1652. 95 by 198 cm. (Private Collection; Exh. Palazzo Venezia, Rome).
Article
Charles Heathcote Tatham and the Accademia di S. Luca, Rome
12. Project for a Sculpture Gallery ('Progetto d'un edificio destinato alla scoltura'), Plan, Elevation and Section, by Charles Heathcote Tatham. 1795. 63 by 49 cm. (Accademia di Belle Arti, Bologna).
Attributed works:
13. Project for a Hunting Lodge, Plan, by Charles Heathcote Tatham. 1796. 52 by 80 cm. (Accademia Nazionale di San Luca, Rome).
Attributed works:
14. Project for a Hunting Lodge (Inscribed 'Disegno di un casino per servire di riposo da caccia'), Elevation and Section, by Charles Heathcote Tatham. 1796. 52 by 80 cm. (Accademia Nazionale di San Luca, Rome.)
Attributed works:
15. Project for an Academy of Fine Arts ('Una fabbrica per uso dell'Accademia del Disegno'), Elevation and Transverse Section, by Mario Asprucci. 1786. 63 by 100 cm. (Accademia Nazionale di San Luca, Rome).
Attributed works:
16. Design Made for the Prince Borghese at Rome for a Temple to Be Built in the Gardens of His Villa, to Receive the Collection of Antique Statues Found at Gabia by Gavin Hamilton, Transverse Section, by Mario Asprucci, Traced by Charles Heathcote Tatham. 1796. 30 by 45 cm. (Private Collection).
Attributed works:
17. Charles Heathcote Tatham's 'Certificate' of Membership of the Architects' Club of London. 1796. (Accademia Nazionale di San Luca, Rome).
Book Review
I disegni di figura nell'Archivio Storico dell'Accademia di San Luca