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Advertisements June 2017 (front)
06/2017 | 1371 | 159
Pages: s.p.
Subjects
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subjects:
Illustrations
Attributed works:
[Agnews, London. Proserpine, by Dante Gabriel Rossetti (1828-1882), 1878. Watercolor with bodycolor on paper mounted on wood, 77,5 by 37,5 cm]
Attributed works:
[Ben Elwes Fine Art, 45 Maddox Street, W1S. St. Matthew and the Angel by Carlo Dolci (1616 - 1686). Oil on canvas, 40 by 27 cm]
Attributed works:
[Ben ElwesFine Art. 45 Maddox Street, London. William Blake (1757 - 1827). St. Matthew. Circa 1799. Tempera on canvas. 38.5 x 26.5 cm (15.2 x 10.4 inches)]
Attributed works:
[Benjamin Proust. 43-44 New Bond Street, London. Giovanni da Bissone, Annunciation, circa 1450 - 1465. Marble. Height: 63.5 cm.]
Attributed works:
[Burzio. Exhibiting at: Robilant + Voena, 38 Dover Street, W1S. One of a pair of armchairs, by Bartolomeo Manghetti (active 1775-1792). c. 1780. Carved wood, painted with gilt and tapestry. Dimensions: 60 by 54 by 100 cm]
Attributed works:
[Burzio. London. Pietro Piffetti (1701-1777) and Francesco Ladatte (1706-1787). The Pietro Piffetti Personal Bombé Commode Burr Walnut, boxwood and ebony with ormolu mounts. 125 x 57 x 83 cm. Turin, circa 1760]
Attributed works:
[Chanel. L'Instant. Boy-Friend Tweed.]
Attributed works:
[Charles Beddington Ltd, 16 Saville Row, W1S. Venice: The Piazza San Marco, looking North towards the Torre dell'Orologio, by Pietro Bellotti (1725 - c. 1800). Oil on canvas, 38 by 49 cm.]
Attributed works:
[Daniel Katz, 6 Hill Street, W1J. Le Moribund (a study for the Raft of the Medusa), by Théodore Géricault (1791-1824). c.1819. Patinated plaster, 11 cm by 34.5 cm]
Attributed works:
[Daniel Ketz Gallery. 6 Hill Street. London. Gustave Doré. Strasbourg, 1832 - Paris, 1883. The Acrobats. Bronze. 58.8 cm high. Circa 1881. Signed G.ve Doré]
Attributed works:
[De Jonckheere, Geneva and Paris. Still life with an overturned basket of flowers, by Johannes Bosschaert (c. 1607-1628). Oil on panel, 51 by 74 cm]
Attributed works:
[Dickinson, London and New York. The windmill near The Hague, by Vincent van Gogh (1853-1890). 1882. Gouache and watercolour over pencil an paper laid down on board, 37 by 55.5 cm]
Attributed works:
[Didier Aaron Ltd, 15 Clifford Street, W1S. La Toilette, by Jean-Baptiste Mallet (1759-1835). Gouache on paper, 46 by 38 cm.]
Attributed works:
[Drouot Christophe Joron-Derem. Exhibiting at: 35 St. George Street, W1S. A study for a stained-glass window: The mocking of Christ, with two coats of arms, by Christophe Murer (1558 - 1614). Black chalk, pen and black ink and grey wash, 63,8 by 64.1 cm]
Attributed works:
[Fergus Hall, 42 Albermarle Street, W1S. Portrait of Vincenzo Gonzaga, DUke of Mantua, by Frans Pourbus the Younger (1569 - 1622). Oil on canvas, 76.5 by 66.8 cm]
Attributed works:
[Fine Art Society, London. Crouching fawn, by Henry Gaudier-Brzeska (1891-1915). Bronze, 30.5 by 25.4 by 12.7 cm]
Attributed works:
[Florian Harb - Martin Grassle, 5 Dalmey Court, 8 Duke Street, SW1. A man resting in a landscape with farmhouses and a castle in the distance, by Remigio Cantagallina (c. 1581 - 1656). Pen and Brown ink over traces of black chalk, 24 by 39.1 cm]
Attributed works:
[Gallery van Vertes, Zurich, Variation: Herhstglanz, by Alexej von Jawlensky (1864-1941). 1915. Oil on linen-finished paper laid down on cardboard, 36 by 27.3 cm]
Attributed works:
[Hazlitt Holland-Hibbert. 38 Bury Street. London. Gerald Laing, 1936-2011. Pendulum, 1964. Oil on canvas. 84 x 40 inches; 213,5 x 101,5 cm]
Attributed works:
[Hazlitt Holland-Hobbert, London. Myrrh, by Bridget Riley, (b. 1931). 1985. Oil on canvas, 165.1 by 138.5 cm]
Attributed works:
[im Kinsky. Palais Kinsky, 1010 Wien. Egon Schiele, Houses in Krumau.]
Attributed works:
[Jean-Luc Baroni Ltd, 7/8 Mason's Yard, SW1. Study of the head of a bearded man and a second head in profile: verso: a fragmentary sketch of Greek style decoration, by Giovanni Francesco Barbieri, callerd Il Guercino (1591 - 1666). Pen and brown ink, 14.1 by 26.1 cm]
Attributed works:
[Jean-Luc Baroni Ltd. 7/8 Mason's Yard, St. James's, London. François Boucher (Paris 1703-1770). Study of a Seated Female Nude, her Hands reaching to her foot. Red, black and white chalk, with graphite and touches of blue chalk on buff paper. Signed, lower left, in black chalk: f. Boucher. 305 x 225 cm]
Attributed works:
[Museo del Prado. Madrid. Velasquez. Portrait of Philip III]
Attributed works:
[Repetto Gallery, London. Concetto Spaziale - Natura, by Lucio Fontana (1899-1968), 1967. Polished bronze, in two parts, height 26.5 cm]
Attributed works:
[Robilant + Voena, 38 Dover Street, W1S. Cortile di Via Fondazza, by Giorgio Morandi (1890 - 1964). 1941. Oil on canvas, 56 by 45 cm]
Attributed works:
[Robilant + Voena. London, Milan, St. Mortiz. Anne-Louis Girodet-Trioson, Portrait of Madame Bertin de Vaux. Monogrammed and dated lower left: ALGRDT / 1806, oil on canvas with original frame, 65.5 x 55 cm / 19.3 x 15.8]
Attributed works:
[Ronald Phillips Ltd, London. The Bridgewater House Porphyry Doplphin Tables, by Charles Heathcote Tatham (1772-1842). 1803-1806. Giltwood, each 83 cm by 114.5 cm by 59.5 cm]
Attributed works:
[Sam Fogg, 15d Clifford Street, W1S. The Martyrdom of Saint Vincent, (detail), by Tomas Giner (1458 - 1480). c. 1462-66. Oil and gilding on softwood panel, 106 by 73 cm]
Attributed works:
[Sarti Gallery, Paris. Ascension of Christ with God the Father, four adoring angels, the Virgin and Apostle, by Neri di Bicci (c.1475-1480). Tempera and gold on panel, 94.5 by 57.5 cm]
Attributed works:
[Sladmore Gallery. 57 Jermyn Street. London. Balzac by Rodin.]
Attributed works:
[Sotheby's. 76 Rue du Faubourg Saint-Honoré. Paris. Antoine Caron. Judgment Day.]
Attributed works:
[Sphinx Fine Art. 125 Kensington Chruch St. London. Willem van Mieris. The Penitent Mary Magdalene (detail)]
Attributed works:
[Stephen Ongpin Fine Art, 6 Mason's Yard, SW1. Giovanni Domenico Tiepolo (1727 - 1804). The Resurrection of Christ. Pen and brown ink and brown wash, over an underdrawing in black chalk. Signed Dom.o Tiepolo f. at the lower left corner. 473 x 368 mm (18 5/8 x 14 1/2 in.)]
Attributed works:
[Stephen Ongpin Fine Art, 6 Mason's Yard, SW1. St. Anthony of Padua and the miracle of the miser's heart, by Giambattista Tiepolo (1696 - 1770). Pen and black ink over traces black chalk, 41.0 by 30.2 cm]
Attributed works:
[Tomasso Brothers Fine Art, 67 Jermyn Street, SW1. Baccante Cimbalista, by Cav. Cincinnato Baruzzi (1796-1878). White marble. Height: 148 cm]
Attributed works:
[Trinity Fine Art, 15 Old Bond Street, London. Giuseppe Piamontini (Florence, 1663 - 1744). Milo of Croton. Marble. Signed and dated G. P / F. / 1740. 168 cm (65 3/4 ins)]
Attributed works:
[Trinity Fine Art, 15 Old Bond Street, W1S. The temptation of Adam, by Giorvanni Dupré (1817-1882). Marble, 94 by 70 cm]
Non-western art unattributed:
[Rupert Wace Ancient Art. 19 Crown Passage, St. James's, London. Egyptian Bronze of Osorkon II. 22nd Dynasty, c. 874-850 BC. Height: 11 cm.]
Western art unattributed:
[Benjamin Proust FIne Art Ltd, 43-44 New Bond Street, W1S. The Lernaean Hydra, Italian (first half of the 16th century). Terracotta, 65 by 45 cm]
Western art unattributed:
[Cambi, Genoa. Baroque Genoese Sculptor, next to Filippo Parodi (1630-1702), Marble bust]
Western art unattributed:
[David Aaron, London. Corinthian helmet, Spain, c. 6th century BC. Bronze, height 26 cm]
Western art unattributed:
[Galerie Chenel, Paris. Mars, Roman, 1st.2nd century AD. Marble, height 180 cm]
Western art unattributed:
[Peter Finer, 38/39 Duke Street, St. James's, London. A Fine Hunting Trousse, German. c. 1720-40.]
Article
Charles Heathcote Tatham and the Accademia di S. Luca, Rome
02/1998 | 1139 | 140
Pages: 85-92
related names
Author:
Salmon, Frank (Salmon, Frank)
Subjects
dates:
places:
Illustrations
Attributed works:
12. Project for a Sculpture Gallery ('Progetto d'un edificio destinato alla scoltura'), Plan, Elevation and Section, by Charles Heathcote Tatham. 1795. 63 by 49 cm. (Accademia di Belle Arti, Bologna).
Attributed works:
13. Project for a Hunting Lodge, Plan, by Charles Heathcote Tatham. 1796. 52 by 80 cm. (Accademia Nazionale di San Luca, Rome).
Attributed works:
14. Project for a Hunting Lodge (Inscribed 'Disegno di un casino per servire di riposo da caccia'), Elevation and Section, by Charles Heathcote Tatham. 1796. 52 by 80 cm. (Accademia Nazionale di San Luca, Rome.)
Attributed works:
15. Project for an Academy of Fine Arts ('Una fabbrica per uso dell'Accademia del Disegno'), Elevation and Transverse Section, by Mario Asprucci. 1786. 63 by 100 cm. (Accademia Nazionale di San Luca, Rome).
Attributed works:
16. Design Made for the Prince Borghese at Rome for a Temple to Be Built in the Gardens of His Villa, to Receive the Collection of Antique Statues Found at Gabia by Gavin Hamilton, Transverse Section, by Mario Asprucci, Traced by Charles Heathcote Tatham. 1796. 30 by 45 cm. (Private Collection).
Attributed works:
17. Charles Heathcote Tatham's 'Certificate' of Membership of the Architects' Club of London. 1796. (Accademia Nazionale di San Luca, Rome).
Article
Piranesi's 'Vasi', the English Silversmith and His Patrons
12/1978 | 909 | 120
Pages: 820+822-835+837
related names
Author:
Udy, David (Udy, David)
Subjects
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dates:
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Illustrations
Attributed works:
1. Silver-Gilt Wine Cooler, by Paul Storr and Ben. & Jas. Smith. One of a Set of Eight. London 1808. Height 32.5 cm. (Royal Collection). Reproduced by Gracious Permission of H. M. the Queen.
Attributed works:
33. The Bronze Table from the Temple of Isis, by G. B. Piranesi. Etching.
Attributed works:
34. Silver-Gilt Vase and Cover, by Paul Storr. One of a Pair. London 1800. Height 19.5 cm. (Trustees of the Bedford Estates, Woburn).
Attributed works:
35. The Warwick Vase, by G. B. Piranesi. Etching (Side View).
Attributed works:
36. The Warwick Vase, by G. B. Piranesi. Etching (Front View).
Attributed works:
37. Silver-Gilt Ice-Pail, by Paul Storr. One of a Set of Eight. London 1812. Height 26 cm; Diameter 28 cm. (Royal Collection). Reproduced by Gracious Permission of H. M. the Queen.
Attributed works:
38. The Body of the Borghese Krater Shown in Bas-Relief, by G. B. Piranesi. Etching.
Attributed works:
39. The Body of the Medici Krater Shown in Bas-Relief, by G. B. Piranesi. Etching.
Attributed works:
40. Two Silver-Gilt Wine-Coolers from a Set of Eight, by Paul Storr and Ben. & Jas. Smith. London, 1808. Height 32.5 cm. (Royal Collection). Reproduced by Gracious Permission of H. M. the Queen.
Attributed works:
41. The Medici Krater, by G. B. Piranesi. Etching.
Attributed works:
42. The Borghese Krater, by G. B. Piranesi. Etching.
Attributed works:
44. The Body of a Silver-Gilt Wine-Cooler, by Paul Storr. London 1809. Successive Front and Side Views. Height 10.4 cm. (Collection The Marquess of Ormonde).
Attributed works:
45. Antique Marble Tripod Fountain, by G. B. Piranesi. Etching.
Attributed works:
46. The Goodwood Cup, by Paul Storr. Silver-Gilt. London 1829. Height 44.4 cm; Diameter 43.2 cm. 470 ozs. (Royal Collection). Reproduced by Gracious Permission of H. M. the Queen.
Attributed works:
47. Antique Marble Vase, by G. B. Piranesi. Etching (Side View).
Attributed works:
49. The Doncaster Gold Cup 1828, by Rebecca Emes and Edward Barnard. Silver-Gilt. London 1828. Height 38 cm. 170 ozs. (Leeds City Art Galleries).
Attributed works:
50. Antique Marble Vase, by G. B. Piranesi. Etching (Front View).
Attributed works:
52. Antique Marble Vase, by G. B. Piranesi. Etching (Front View).
Attributed works:
53. A Silver Presentation Vase on a Pedestal, by Barnard & Co. London 1834. Overall Height 58.5 cm. 210 ozs. (Private Collection).
Attributed works:
54. Antique Marble Vase, by B. G. Piranesi. Etching (Side View).
Attributed works:
56. Silver-Gilt Vase and Cover, by Benjamin Smith. London 1813. Height 20.3 cm. 31 oz. (Private Collection).
Attributed works:
57. Silver-Gilt Presentation Vase and Cover on Pedestal, by John Duit. c.1813. Etching. (British Museum).
Attributed works:
59. Detail of an Antique Marble Vase, by G. B. Piranesi. Etching.
Western art unattributed:
43. Marble Relief. Roman, Late 2nd Century A. D. 219 by 49 cm. (Vatican Museum).
Western art unattributed:
48. Working Drawing for the Doncaster Gold Cup 1828. Pen, Ink and Sepia Wash. (Author's Collection).
Western art unattributed:
51. Working Drawing for a Vase and Cover. Pen and Ink. (Victoria and Albert Museum, London).
Western art unattributed:
55. Roman Marble Funerary Urn. Height 45.7 cm. (Ex-Lansdowne Collection, Now Private Collection).
Western art unattributed:
58. Working Drawing for a Wine-Cooler. (Victoria and Albert Museum, London).