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128 articles
Book Review
Être sculpteur à Florence au temps des derniers Médicis
03/2025 | 1464 | 167
Pages: 292–4
related names
Reviewer:
Ciarlo, Nicola (Ciarlo, Nicola)
Subjects
subjects:
Reviewed Items
subjects:
Être sculpteur à Florence au temps des derniers Médicis By Kira d’Alburquerque. 320 pp. incl. 27 col. + b. & w. ills. (CTHS and INHA, Paris, 2023), €35. ISBN 978–2–7355–0964–5. | :
Illustrations
Attributed works:
4. Adoration of the shepherds, by Giovanni Battista Foggini. 1674–76. Marble, 135 by 86 cm. (State Hermitage Museum, St Petersburg).
Book Review
Eleonora di Toledo e l’invenzione della corte dei Medici a Firenze
05/2024 | 1454 | 166
Pages: 510–512
related names
Reviewer:
Sterpetti, Lunarita (Sterpetti, Lunarita)
Subjects
art literature:
dates:
museums and institutions:
places:
subjects:
subjects:
Reviewed Items
subjects:
Eleonora di Toledo e l’invenzione della corte dei Medici a Firenze Edited by Bruce Edelstein and Valentina Conticelli. 432 pp. incl. 390 col. + b. & w. ills. (Sillabe, Livorno, 2023), €35. ISBN 978–88–3340–347–2. | :
Illustrations
Attributed works:
4. Deposition, by Gérard David. 1515–20. Oil on panel, 20 by 14 cm. (Gallerie degli Uffizi, Florence).
Attributed works:
5. Deity mask. Mexico, late 15th–early 16th century. Wood, resin, turquoise and motherof- pearl, 24 by 14.5 by 1.35 cm. (Museo delle Civiltà, Rome).
Article
A portrait of the Lady Isabella by the hand of Bronzino
01/2023 | 1438 | 165
Pages: 26-37
related names
Author:
Edelstein, Bruce L. (Edelstein, Bruce L.)
Subjects
dates:
Illustrations
Attributed works:
1. Eleonora di Toledo with her son Giovanni, by Agnolo Bronzino. c.1545. Oil on panel, 115 by 96 cm. (Gallerie degli Uffizi, Florence).
Attributed works:
10. Portrait of a lady with a cameo, by Alessandro Allori. Oil on panel, 123 by 97 cm. (Galleria degli Uffizi, Florence; Bridgeman Images).
Attributed works:
11. Portrait medal of Isabella de’ Medici Orsini, by Domenico Poggini. 1560. Bronze, diameter 4.9 cm. (Museo Nazionale del Bargello, Florence).
Attributed works:
12. Isabella de’ Medici as a young girl, by Agnolo Bronzino. c.1553. Oil on panel, 44 by 36 cm. (Nationalmuseum, Stockholm).
Attributed works:
13. Portrait of Isabella de’ Medici Orsini, by Alessandro Allori. After 1560. Oil on panel, 99 by 70 cm. (Gallerie degli Uffizi, Florence).
Attributed works:
14. X-radiograph of Fig.2. (Courtesy Thierry Radelet Laboratory).
Attributed works:
2. Portrait of a woman, here identified as Isabella de’ Medici Orsini, here attributed to Agnolo Bronzino. c.1560. Oil on panel, 103.8 by 83.7 cm. (Private collection; courtesy Claudio Giusti).
Attributed works:
3. Portrait of a young lady, probably Camilla Martelli de’ Medici, by Alessandro Allori. 1570s. Oil on canvas mounted on board, 68.6 by 59.1 cm. (Saint Louis Art Museum).
Attributed works:
4. Infra-red reflectogram of Fig.2. (Courtesy Thierry Radelet Laboratory).
Attributed works:
5. Portrait of a young man, by Agnolo Bronzino. Mid-1530s or early 1540s? Oil on panel, 96 by 75 cm. (Metropolitan Museum of Art, New York; Bridgeman Images).
Attributed works:
6. Infra-red reflectogram of Fig.5.
Attributed works:
7. Portrait of a lady (Cassandra Bandini?), by Agnolo Bronzino. c.1550– 55. Oil on panel, 109 by 84 cm. (Galleria Sabauda, Turin).
Attributed works:
8. Bia de’ Medici, by Agnolo Bronzino. c.1542–45. Oil on panel, 64 by 48 cm. (Gallerie degli Uffizi, Florence).
Attributed works:
9. Laura Battiferri, by Agnolo Bronzino. c.1560. 83 by 60 cm. (Museo di Palazzo Vecchio, Florence; Bridgeman Images).
Article
Cross-cultural diplomacy: a Safavid shield in the Medici armoury
10/2022 | 1435 | 164
Pages: 968-975
related names
Author:
Rokhgar, Negar Sarah (Rokhgar, Negar Sarah)
Subjects
dates:
places:
styles:
Illustrations
Attributed works:
4. Detail of the painted ceiling in the Sala dell’Armeria (Room 21), Gallerie degli Uffizi, Florence, depicting a Persian soldier by Ludovico Buti. 1588–89. (Photograph the author).
Attributed works:
6. Medusa, by Caravaggio. 1595–98. Oil on canvas applied on a wooden shield, 60 by 55 cm. (Gallerie degli Uffizi, Florence).
Non-western art unattributed:
1. Shield. Persia, late 16th century. Gold damascened steel, Indian cane, silk, mother-of-pearl, leather and velvet, diameter 64.5 cm. (Museo Nazionale del Bargello, Florence).
Non-western art unattributed:
2. Detail of Fig.1, showing figures serving food to an authority on a higher seat.
Non-western art unattributed:
3. Detail of Fig.1, showing men on horseback and on foot using spears and arrows to hunt lions.
Non-western art unattributed:
5. Silk fragment with a figured motif. Yazd, Persia, late 16th or early 17th century. Silk lampas, 70.5 by 36 cm. (Museo Nazionale del Bargello, Florence).
Non-western art unattributed:
7. Shield. Persia, 17th century. Indian cane covered with silk, metal umbo painted in black with golden arabesque engravings and originally embellished with turquoises and other precious stones, 20 by 62 cm. (Palazzo Ducale, Venice).
Non-western art unattributed:
8. Tray with a scene of lovers in a pavilion. Gujarat, late 16th or early 17th century. Mother-of-pearl and lacquer on wood, diameter 43.5 cm. (Aga Khan Museum, Toronto).
Book Review
Tappeti orientali da Palazzo Pitti al Quirinale
12/2021 | 1425 | 163
Pages: 1209-1210
related names
Reviewer:
Contadini, Anna (Contadini, Anna)
Subjects
museums and institutions:
Reviewed Items
subjects:
Tappeti orientali da Palazzo Pitti al Quirinale By Marco Spallanzani with Maria Taboga. 144 pp. incl. numerous col. + b. & w. ills. (Sagep Editori, Genoa, 2020), €50. ISBN 978–88–9363–714–1. | :
Illustrations
Attributed works:
4. Detail of Tappeto da caccia, by Ghiyath al-Din Jami. Persia 1542. Wool and gold and silver gilt thread, 682 by 335 cm. (Poldi Pezzoli Museum, Milan).
Exhibition Review
The Medici: Portraits and Politics, 1512–1570
09/2021 | 1422 | 163
Pages: 843-845
related names
Reviewer:
Simon, Robert B. (Simon, Robert B.)
Subjects
dates:
Reviewed Items
subjects:
The Medici: Portraits and Politics, 1512–1570 Metropolitan Museum of Art, New York 26th June–11th October | :
Illustrations
Attributed works:
10. Detail of Cosimo I de’ Medici, by Benvenuto Cellini. 1546–47. Bronze, height 110 cm. (Museo Nazionale del Bargello, Florence; exh. Metropolitan Museum of Art, New York).
Attributed works:
8. Installation view of The Medici: Portraits and Politics, 1512–1570 at the Metropolitan Museum of Art, New York, 2021, showing, left, Portrait of a man and, right, Ludovico Capponi, both by Bronzino (photograph Hyla Skopitz).
Attributed works:
9. Laura Battiferri, by Bronzino. c.1560. Oil on panel, 87.5 by 70 cm. (Museo di Palazzo Vecchio, Florence; exh. Metropolitan Museum of Art, New York).
Book Review
Practice and Theory in the Italian Renaissance Workshop: Verrocchio and the Epistemology of Making Art
06/2020 | 1407 | 162
Pages: 543-546
related names
Reviewer:
Wright, Alison (Wright, Alison)
Subjects
places:
Reviewed Items
subjects:
Practice and Theory in the Italian Renaissance Workshop: Verrocchio and the Epistemology of Making Art By Christina Neilson. 362 pp. incl. 146 b. + w. ills. (Cambridge University Press, Cambridge, 2019),  90. ISBN 978–1–107–17285–2. | :
Illustrations
Attributed works:
2. Christ and St Thomas. 1467–83. Bronze, 240 by 140 by 105 cm. (The original bronze is now in the Museo di Orsanmichele, Florence; photograph Nicol  Orsi Battaglini; Bridgeman Images).
Article
A tale of two fragments: a Sostratos cameo reconstructed
03/2020 | 1404 | 162
Pages: 181-187
related names
Author:
Gennaioli, Riccardo (Gennaioli, Riccardo)
Author:
Gradel, Ittai (Gradel, Ittai)
Subjects
media:
museums and institutions:
styles:
Illustrations
Attributed works:
1. Fragment of a cameo, by Sostratos. Hellenistic, mid- to late 1st century BC. Sardonyx, 3.1 by 2.1 cm. excluding the later setting. (Private collection, London).
Attributed works:
10. Dionysus (or Ariadne?) in a chariot pulled by two centaurs. Roman cameo in later, eighteenth-century setting. Sardonyx, 3.1 by 2.3 cm. (State Hermitage Museum, St Petersburg).
Attributed works:
2. Fragment of a cameo, by Sostratos. Hellenistic, mid- to late 1st century BC. Sardonyx, width 5.5 cm maximum, excluding the later restoration. (Museo Archeologico Nazionale, Florence).
Attributed works:
3. The cameo shown in Fig.2, photographed with transmitted light.
Attributed works:
4. Reverse of the cameo shown in Fig.2.
Attributed works:
5. Reverse of the cameo shown in Fig.1.
Attributed works:
6. Scans of the fragments shown in Figs.1 and 2 combined, showing the outline of the original cameo, presuming an oval shape. The resulting original size would have been approx. 6.4 by 4.6 cm.
Western art unattributed:
11. Dionysus and Ariadne in a chariot pulled by two centaurs. Roman cameo in later setting. Sardonyx, 3 by 2.5 cm. (Museo Archeologico Nazionale, Florence).
Western art unattributed:
7. Fragment of a cameo, with the roughly original outline of the complete cameo restored, presuming a regular oval shape. Hellenistic, mid- to late 1st century BC. Sardonyx, 2.6 by 2 cm. (Museo Archeologico Nazionale, Naples).
Western art unattributed:
8. Triumph of Dionysus and Ariadne. Roman cameo in later setting. Sardonyx, 6 by 5.5 cm. (Bibliotheque Nationale de France, Paris).
Western art unattributed:
9. Dionysus (or Ariadne?) in a chariot pulled by two centaurs. Roman cameo in later, eighteenth-century setting. Sardonyx, 4.2 by 2.7 cm. (State Hermitage Museum, St Petersburg).
Exhibition Review
Pietro Aretino and the Art of the Renaissance. Gallerie degli Uffizi, Florence
02/2020 | 1403 | 162
Pages: 139-141
related names
Reviewer:
Salomon, Xavier F. (Salomon, Xavier F.)
Subjects
art literature:
dates:
media:
museums and institutions:
Reviewed Items
subjects:
Pietro Aretino and the Art of the Renaissance Gallerie degli Uffizi, Florence 27th November 2019–1st March | :
Illustrations
Attributed works:
4. Pietro Aretino, by Titian. 1545. Oil on canvas, 96.7 by 77.6 cm. (Palazzo Pitti, Florence; exh. Gallerie degli Uffizi, Florence).
Attributed works:
5. Thetis, Nereus, Adria and Glaucus (from La Talanta), by Giorgio Vasari. Black chalk, pen and ink and wash on blue paper, 25 by 33.8 cm. (Musée du Louvre, Paris; exh. Gallerie degli Uffizi, Florence).
Attributed works:
6. Sonetti lussuriosi (Opuscolo Toscanini), by Pietro Aretino. c.1550. Woodcuts on paper, 15.6 by 9.8 cm. (Private collection; exh. Gallerie degli Uffizi, Florence).
Publication Received
The Architecture of Banking in Renaissance Italy: Constructing the Spaces of Money. By Lauren Jacobi
12/2019 | 1401 | 161
Pages: 1073-1074
related names
Reviewer:
Tuohy, Thomas (Tuohy, Thomas)
Subjects
Reviewed Items
subjects:
The Architecture of Banking in Renaissance Italy: Constructing the Spaces of Money By Lauren Jacobi. 252 pp. incl. 87 b. & w. ills. (Cambridge University Press, Cambridge, 2019), £75. ISBN 978–1–108–48322–3. | :
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