Une antiquité moderne
Edited by Jean-Luc Martinez and
Elisabeth Le Breton. 272 pp. incl. 62 col. +
57 b. & w. ills. (Oficina Libraria, Milan,
2019), €39. ISBN 978–88–336–7077–5. |
:
Illustrations
Attributed works:
16. The older
son from the
Niobe Group,
moulded by
Giovanni Arnaldi.
1686–87. Plaster
cast, 120 by 125
by 60 cm. (Villa
Medici, Rome;
photograph
Daniele Molajoli,
Académie de
France à Rome–
Villa Médicis,
2019).
Western art unattributed:
17. Commodus as
Hercules. c.1673–
84. Plaster cast,
237 by 62 by 82 cm.
(Villa Medici, Rome;
photograph Daniele
Molajoli, Académie
de France à Rome –
Villa Médicis, 2019).
65. Hippocrates refusing the gifts of Artaxerxes, by Ann Louis Girodet. 1782 (Musée d'Histoire de la Médécine, Paris; exh. Académie de France, Rome)
Attributed works:
66. Polytes, Priam's son, observing the Greeks advancing towards Troy, by Hippolyte Flandrin. 1834 (Musée d'Art Moderne, Saint-Etienne; exh. Académie de France, Rome)
Attributed works:
67. My studio in Rome, by Alfred-Jules Giess. 1932 (La Piscine, Musée d'Art et d'Industrie, Robaix, deposit from Musée National d'Art Moderne, Paris; exh. Académie de France, Rome)
Attributed works:
68. Ecorché, by Jean Antoine Houdon. c.1767 (Académie de France, Rome)
96. The disquieting muses, by Giorgio de Chirico. 1918 (Private collection; exh. Palazzo dei Diamanti, Ferrara)
Attributed works:
97. Furniture designed by Giacomo Balla from the dining room of the Casa Balla, Rome (private collection), framed by Balla's painting Boccioni's Fist-Lines of Force (c.1915; private collection) and Severini's painting Plastic rhythm of the 14th of July (1915; private collection). (exh. Palazzo delle Esposizioni, Rome; photograph by Alberto Novelli)
Attributed works:
98. Chair, by Carlo Bugatti. 1902 (Musée d'Orsay, Paris; exh. Palazzo delle Esposizioni, Rome)
Attributed works:
99. The street, by Balthus. 1933 (Museum of Modern Art, New York; exh. Scuderie del Quirinale, Rome)
68. The finding of Moses, by the workshop of Jean Jans II after a painting by Nicolas Poussin. c.1683. Tapestry, 350 by 495 cm. (Mobilier national, Paris).
Attributed works:
69. Moses transforms Aaron’s rod into a serpent, by the workshop of Jean Lefébvre after a painting by Nicolas Poussin. c.1683. Tapestry, 360 by 468 cm. (Mobilier national, Paris).
Attributed works:
70. Moses trampling on Pharaoh’s crown, by the workshop of Jean Jans II after a painting by Nicolas Poussin. c.1683. Tapestry, 365 by 592 cm. (Mobilier national, Paris).
64. Armida Discovering Rinaldo Asleep, by Charles-Alphonse Dufresnoy. 113 by 157 cm. (Private Collection; Exh. Villa Medici, Rome).
Attributed works:
65. Armida Discovering Rinaldo Asleep, by Charles-Alphonse Dufresnoy. Pen, Brown Ink and Wash, Heightened with White and Squared for Transfer, 23.8 by 32.1 cm. (Ecole des Beaux-Arts, Paris; Exh. Villa Medici, Rome).
Attributed works:
66. Rinaldo Abandoning Armida, by Charles-Alphonse Dufresnoy. 117 by 159 cm. (Lichfield Estate Office, Shugborough; Exh. Villa Medici, Rome).
Attributed works:
67. Rinaldo Abandoning Armida, by Nicolas Poussin. Pen and Brown Ink over Traces of Black Chalk, 9.3 by 13.3 cm. (Cabinet des Dessins, Louvre, Paris; Exh. Villa Medici, Rome).
Attributed works:
68. Erminia Tending the Wounded Tancred, by Charles Errard. 240 by 240 cm. (Queen's Hotel, Cheltenham; Exh. Villa Medici, Rome).
Attributed works:
69. Portrait of a Young Traveller, Attributed to Charles-Alphonse Dufresnoy or Sébastien Bourdon. 160 by 127 cm. (Hessisches Landesmuseum, Darmstadt; Exh. Villa Medici, Rome).
68. The Mass of St Gregory, by Jacopo Zucchi. Panel, 460 by 210 cm. (Rome, SS. Trinità dei Pellegrini, Rome; Exh. Villa Medici, Rome).
Attributed works:
69. Cupid and Psyche, by Jacopo Zucchi. Signed and Dated 1589. 173 by 130 cm. (Galleria Borghese, Rome; Exh. Villa Medici, Rome).
Attributed works:
70. The House of Sleep, by Jacopo Zucchi. Pen and Brown Ink and Wash, Black Chalk on White Paper, 49.5 by 32.3 cm. (Museum der Bildenden Künste, Leipzig; Exh. Villa Medici, Rome).