5. Young Bacchus, after Godfried Maes. After
1762. Oil on canvas, 63 by 54.7 cm. (Bonnefanten,
Maastricht; photograph Peter Cox).
Attributed works:
6. Fig.5, photographed in 2012 before cleaning
and removal of overpaint in 2020. (Bonnefanten,
Maastricht; photograph Peter Cox).
Attributed works:
7. The finding of the infant Bacchus on Chios,
by Godfried Maes. Last quarter of the 17th
century. Black chalk, pen and black ink and grey
and brown wash on paper, approx. 18 by 24 cm.
(Courtesy F. Baulme Fine Arts).
Attributed works:
8. The infant Bacchus entrusted to the nymphs
of Nysa; the death of Echo and Narcissus, by
Nicolas Poussin. 1657. Oil on canvas, 122.6 by
180.5 cm. (Harvard Art Museums).
Attributed works:
9. Bacchus turns Acoetes’ crew into dolphins,
by Godfried Maes. Last quarter 17th century,
Black chalk, pen and black ink and grey and
brown wash on paper, approx. 18 by 24 cm.
(Leiden University Library, Print Room).
Article
A modello by James Thornhill for Addiscombe House, Surrey
1. Allegory of the days, here identified as a modello for the
ceiling painting of the staircase hall at Addiscombe House, Surrey,
by James Thornhill. c.1705. Oil on canvas, diameter 59 cm. (Musée
des Beaux-Arts de Rouen).
Attributed works:
10. Addiscombe House, Surrey, photographed in 1859, from H.M.
Vibart: Addiscombe and its Heroes and Men of Note, London
1894, p.19.
Attributed works:
11. Bacchus and Ariadne, design for the ceiling painting of the Saloon
at Addiscombe House, Surrey, by James Thornhill. c.1705. Graphite,
ink and wash, 24 by 33 cm. (Yale Center for British Art, New Haven).
Attributed works:
2. Detail of Fig.1, showing the group below the figure of Apollo.
Attributed works:
3. Detail of Fig.1, the group of figures with Diana.
Attributed works:
4. Detail of Fig.1, the group of figures with Mercury.
Attributed works:
5. Detail of Fig.1, the group of figures with Mars.
Attributed works:
6. Detail of Fig.1, the group of figures with Jupiter, Juno and Venus.
Attributed works:
7. Detail of Fig.1, the group of figures with Saturn.
Attributed works:
8. William and Mary presenting the cap of liberty to Europe,
by James Thornhill. c.1710. Oil on canvas, 96 by 66 cm. (Victoria
and Albert Museum, London).
Attributed works:
9. Allegory of the days, by James Thornhill. c.1705. Ink and black
crayon on paper, 35 by 23 cm. (British Museum, London).
Article
Two bronze statuettes by Giovanni Francesco Susini, not Pierino de Vinci
10. Bacchus, by Luca Cambiaso (Museo Nazionale del Bargello, Florence)
Attributed works:
11. Detail of Fig.10
Attributed works:
12. Funerary monument of Franco Lercari, fresco, between statues of Fortitude and Faith, by Gio Battista Castello, called il Bergamesco, Luca Cambiaso and Battista Perolli (Cathedral of S. Lorenzo, Genoa)
Attributed works:
13. Fortitude, by Luca Cambiaso. Detail of Fig.12
Attributed works:
14. Bacchus, by Luca Cambiaso (Ashmolean Museum, Oxford)
Attributed works:
15. Detail of Bacchus from Ulysses shooting the suitors of Penelope, by Luca Cambiaso (Palazzo Grimaldi della Meridiana, Genoa)
Attributed works:
16. Venus and Adonis, by Luca Cambiaso (Gallerie Canesso, Paris)
Attributed works:
9. Virgin and Child, by Luca Cambiaso (Chiesa di S. Pietro Apostolo, Comuneglia, La Spezia)
Western art unattributed:
8. Bacchus. Anonymous. Late nineteenth century (Archivio comunale, Serravalle Scrivia, Alessandria)
Article
A bronze Bacchus wearing a Silenus mask, made for Antonio Londonio
14. Bacchus/Silenus, possibly by Adriaen de Vries(?). c.1579–80. Bronze, 89.5 cm. high. (Mr and Mrs J. Tomilson Hill, New York). Photograph: Maggie Nimkin, New York.
Attributed works:
18. The nymphaeum of Villa Litta (Weil-Weiss), Lainate, by Carlo Bossoli. 1852–53. Photograph of a now lost watercolour. (Civico Archivio Fotographfico, Milan).
Attributed works:
19. Detail of the south pulpit frontal, cast by Andrea Pellizzone. 1586. Thin repoussé copper sheets mounted onto a wood backing. (Milan Cathedral).
Attributed works:
20. Self-portrait, by Giovanni Paolo Lomazzo. c.1568–70. Canvas, 55 by 43 cm. (Pinacoteca di Brera, Milan).
Attributed works:
21. Detail of Fig.20 showing the hat badge worn by Giovanni Paolo Lomazzo.
Attributed works:
22. Detail of Fig.14 showing the beard of Bacchus beneath the Silenus mask.
Attributed works:
23. Compà Digliagor, by Aurelio Luini. c.1568. Ink on paper, 12 by 8.5 cm. (Musée du Louvre, Paris).
Western art unattributed:
15. Photograph of c.1910 showing the bronze Bacchus/Silenus on a marble column in the nymphaeum, known as the cortino delle piogge, at Villa Visconti Borromeo Litta di Lainate, near Milan. (Photograph: Civico Archivo Fotografico, Collection Lissoni 4972D, Castello Sforzesco, Milan).
Western art unattributed:
16. Detail of Fig.15 showing the inverted ‘umbrella’ apparatus emerging from the head of the bronze Bacchus/Silenus
Western art unattributed:
17. Cast in lead from the Bacchus/Silenus in Fig.14. c.1920s. (Uffici Comunali di Lainate). Photograph: Patricia Wengraf.
Short Notice
A drawing by Maarten van Heemskerck after Baccio Bandinelli
30. View of the Belvedere sculpture court, by Maarten van Heemskerck. 1532-33. Pen and brown ink with grey-brown wash, 23.1 by 36.7 cm. (British Museum, London).
Attributed works:
31. Study of a male nude, by Maarten van Heemskerck. Verso of Fig.30.
Attributed works:
32. Bacchus, school of Baccio Bandinelli. c.1530-31. Pen and brown ink with brown-grey wash, 42.5 by 26 cm. (Victoria and Albert Museum, London).
Attributed works:
33. Hercules, by Baccio Bandinelli (?) c.1530-31. Bronze, 36.1 cm. high. (Museo Nazionale del Bargello, Florence).
Attributed works:
34. Andrea Doria as Neptune, by Baccio Bandinelli. Pen and brown ink, 42.5 by 27.5 cm. (British Museum, London).
Attributed works:
35. Baccio Bandinelli's academy in the Vatican Belvedere, by Agostino Veneziano after Baccio Bandinelli. 1531. Engraving, 27.4 by 30.1 cm. (British Museum, London).
Attributed works:
36. The mocking of Noah, by Cornelis Cort after Maarten van Heemskerck. 1559. Engraving, 20.2 by 25 cm. (Rijksmuseum, Amsterdam).
Attributed works:
37. Summer, by Philips Galle after Maarten van Heemskerck. 1563. Engraving, 21.9 by 25 cm. (Rijksmuseum, Amsterdam).