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29 articles
Short Notice
Becuccio Bicchieraio and his wife, Lucrezia, restored
03/2023 | 1440 | 165
Pages: 302-305
related names
Author:
Wigfield, Elizabeth (Wigfield, Elizabeth)
Author:
Zappella, Christine (Zappella, Christine)
Subjects
artists:
dates:
Illustrations
Attributed works:
1. The Gambassi Altarpiece, by Andrea del Sarto. 1527–28. Oil on canvas, 209 by 176 cm. (Galleria Palatina, Florence; photograph Scala, Florence; courtesy of the Ministero Beni e Att. Culturali e del Turismo) .
Attributed works:
2. and 3. Domenico da Gambassi and Lucrezia di Lippo di Iacopo Guidi by Andrea del Sarto, photographed before treatment. 1525/28. Oil on panel, each panel 22.5 by 15.9 cm. (Art Institute of Chicago).
Attributed works:
4. Figs.2 and 3, photographed in January 1964.
Attributed works:
5 and 6. Figs.2 and 3, annotated to show the location of incisions.
Attributed works:
7 and 8. Figs.2 and 3, photographed in July 2019, during treatment.
Attributed works:
9 and 10. Figs.2 and 3, after treatment and in new frames.
Exhibition Review
Taddeo di Bartolo
09/2020 | 1410 | 162
Pages: 795-797
related names
Reviewer:
Strehlke, Carl Brandon (Strehlke, Carl Brandon; S., C. B.; Strehlke, C. B.; Strehlke, Carl Brandos)
Subjects
dates:
Reviewed Items
subjects:
Taddeo di Bartolo Galleria Nazionale dell’Umbria, Perugia 7th March–30th August | :
Illustrations
Attributed works:
4. Installation view of Taddeo di Bartolo at Galleria Nazionale dell’Umbria, Perugia, 2020, showing the front side of the altarpiece from S. Francesco al Prato, Perugia.
Attributed works:
5. Resurrection, by Taddeo di Bartolo. c.1405– 10. Oil on panel, 17.7 by 31.8 cm. (Thorvaldsens Museum, Copenhagen; exh. Galleria Nazionale dell’Umbria, Perugia).
Attributed works:
6. St John the Baptist, by Taddeo di Bartolo. c.1403–05. Oil on panel, 163 by 52.8 cm. (Museo Diocesano d’Arte Sacra, Siena; exh. Galleria Nazionale dell’Umbria, Perugia).
Article
The Nobili altarpiece from S. Maria degli Angeli, Florence
01/2020 | 1402 | 162
Pages: 14-25
related names
Author:
Gordon, Dillian (Gordon, Dillian)
Subjects
dates:
places:
Illustrations
Attributed works:
1. Hypothetical reconstruction of the Nobili altarpiece, S. Maria degli Angeli, Florence, by Agnolo Gaddi and Lorenzo Monaco. 1387–88. Tempera on wood. Reconstruction by the author with Rachel Billinge. Main tier: Virgin and Child enthroned with Sts John the Evangelist, John the Baptist, James and Bartholomew, each panel: 186 by 70 cm. (Gemäldegalerie, Berlin). Predella: left to right Bernardo di Cino Bartolini de’ Nobili and his sons (see Fig.6); Feast of Herod, Crucifixion and St James and the sorcerer Hermogenes, each panel 43 by 67 cm. (Musée du Louvre, Paris); Piera degli Albizzi and her daughters (see Fig.7). Pinnacles: Angel Gabriel; Blessing Redeemer; Annunciate Virgin, each panel 67.3 by 30.5 cm. (Collezione Fondazione Francesco Federico Cerruti, on permanent loan to Castello di Rivoli Museo d’Arte Contemporanea, Rivoli-Torino). Pilasters: Outer left side, top to bottom Deacon saint (see Fig.9); Mary Magdalene (see Fig.8); and Baptism of Christ (see Fig.3). Inner left side, top to bottom St Peter (see Fig.9); and St Benedict (see Fig.8). Inner right side St Paul (see Fig.9); and St Bernard (see Fig.8). Outer right side Bishop saint (see Fig.9); St Catherine (see Fig.8); and Hermogenes throwing books on sorcery into a river (see Fig.4).
Attributed works:
10. Virgin and Child with Sts Andrew, Benedict, Bernard, and Catherine of Alexandria with Angels, by Agnolo Gaddi. c.1387. Tempera on poplar panel, left panel 197 by 80 cm.; middle panel 204 by 80 cm.; right panel 194.6 by 80 cm. (National Gallery of Art, Washington).
Attributed works:
2. Nobili arms as granted to Bernardo di Cino by Charles V of France in 1379 (repr. R. Ciabani: Le famiglie di Firenze, Florence 1992, III, p.806).
Attributed works:
3. Baptism of Christ, by Lorenzo Monaco. 1387–88. Tempera on panel, 38.4 by 28.7cm. (National Gallery, London).
Attributed works:
4. Hermogenes throwing books on sorcery into a river, by Lorenzo Monaco. 1387–88. Tempera on panel, 30.00 by 21.6 cm. (Alana Collection, Newark DE).
Attributed works:
5. Detail of Fig.6.
Attributed works:
6. Bernardo di Cino Bartolini de’ Nobili and his sons, by Lorenzo Monaco. 1387–88. Tempera on wood, 38.1 by 28.9 cm. (Richard L. Feigen Collection, New York).
Attributed works:
7. Piera degli Albizzi and her daughters, by Lorenzo Monaco. 1387–88. Tempera on wood, 27.4 by 21.7 cm. (Alana Collection, Newark DE).
Attributed works:
8. St Mary Magdalene (73.5 by 19cm.); St Benedict (73.7 by 19.4 cm.); St Bernard of Clairvaux (73.7 by 20 cm.), by Agnolo Gaddi. St Catherine of Alexandria (73.6 by 19.4 cm.), by Agnolo Gaddi and Lorenzo Monaco. 1387. Tempera on wood; all now framed together as a single unit. (Clowes Collection, Indianapolis/Newfields Museum of Art).
Attributed works:
9. Bishop saint, St Peter, St Paul and Deacon saint, by Lorenzo Monaco. 1387–88. Now framed together as a single unit, 55.8 by 75 cm. (Gemäldegalerie, Berlin; formerly in Göttingen Universitätsmuseum).
Western art unattributed:
11. Charles V of France and his sons, the future Charles VI, and Louis d’Orléans, with Sts John the Baptist, Charlemagne and Louis of Toulouse; Eighteenth-century watercolour copy of parts of an embroidery once belonging to the duc de Berry. (Bibliothèque nationale de France, Département des Estampes et de la Photographie, Paris, Réserve, OA 13, fol.16, Gaignières 444).
Western art unattributed:
12. Queen Jeanne de Bourbon with two of her daughters and Sts Catherine and Louis of France. c.1374. Eighteenth-century watercolour copy of parts of an embroidery once belonging to the duc de Berry. (Bibliothèque nationale de France, Département des Estampes et de la Photographie, Paris, Réserve, OA 13, fol.17, Gaignières 445).
Exhibition Review
Fra Angelico and the Rise of the Florentine Renaissance. Museo Nacional del Prado, Madrid
09/2019 | 1398 | 161
Pages: 753-756
related names
Reviewer:
Silver, Nathaniel (Silver, Nathaniel)
Subjects
dates:
museums and institutions:
Illustrations
Attributed works:
5. Annunciation, by Fra Angelico. c.1425–26. Tempera, silver, and tooled gold on poplar panel, 163.5 by 189.5 cm. (Museo Nacional del Prado, Madrid).
Attributed works:
6. Installation view of Fra Angelico and the Rise of the Florentine Renaissance, Museo Nacional del Prado, Madrid, 2019, showing Virgin of the Pomegranate, by Fra Angelico and silk textiles by Florentine weavers.
Attributed works:
7. Funeral of St Anthony Abbot, by Fra Angelico. c.1430–35. Tempera and tooled gold on poplar panel, 19.7 by 29.3 cm. (Museo Nacional del Prado, Madrid).
Article
The predella of the Oddi Altarpiece from S. Agostino, Perugia
12/2018 | 1389 | 160
Pages: 1030-1037
related names
Author:
Menganna, Clara (Menganna, Clara)
Author:
Pesante, Luca (Pesante, Luca)
Subjects
art literature:
dates:
media:
places:
Illustrations
Attributed works:
1. Reconstruction of the Oddi Altarpiece, by Eusebio da San Giorgio. 1505. The Adoration of the Magi, tempera on panel, 215 by 175 cm. (Galleria Nazionale dell’Umbria, Perugia). The predella panels are illustrated as Figs.3–5.
Attributed works:
2. Reverse of Fig.3. (Photograph © Artothek).
Attributed works:
3. St Augustine baptised by St Ambrose, by Eusebio da San Giorgio. 1505. Tempera on panel, 29.5 by 46.7 cm. (Städel Museum, Frankfurt am Main; photograph © Artothek).
Attributed works:
4. St Augustine vested by St Ambrose, by Eusebio da San Giorgio. 1505. Tempera on panel, 27.3 by 47.6 cm. (Städel Museum, Frankfurt am Main; photograph © Artothek).
Attributed works:
5. St Augustine disputes with the heretic Fortunatus, by Eusebio da San Giorgio. 1505. Tempera on panel, 29.5 by 47.1 cm. (Städel Museum, Frankfurt am Main; photograph © Artothek).
Attributed works:
6. The Oddi Chapel, S. Agostino, Perugia. (Photograph: the authors).
Publication Received
Mantegna: La prédelle de San Zeno de Vérone, 1457–1459
06/2011 | 1299 | 153
Pages: 416
related names
Reviewer:
Martineau, Jane (Martineau, Jane; Martineau, Jane; M., J.T.)
Subjects
artists:
dates:
Reviewed Items
subjects:
Mantegna: La prédelle de San Zeno de Vérone, 1457–1459 | author: De Marchi, Andrea , author: Eveno, Myriam , author: Giler, Annie , author: Lambert, Elsa , author: Puppo, Alessandro Del , author: Ravaud, Elisabeth , author: Thiébaut, Dominique
Publication Received
Reconstructing the Renaissance: ‘Saint James Freeing Hermogenes’ by Fra Angelico
06/2009 | 1275 | 151
Pages: 408
related names
Reviewer:
Martineau, Jane (Martineau, Jane; Martineau, Jane; M., J.T.)
Subjects
artists:
dates:
print:
Reviewed Items
subjects:
Reconstructing the Renaissance: ‘Saint James Freeing Hermogenes’ by Fra Angelico | author: Kanter, Laurence B.
Article
Duccio’s adjustment to ‘The temptation of Christ on the mountain’ from his ‘Maestà’
01/2009 | 1270 | 151
Pages: 19-21
related names
Author:
Gordon, Dillian (Gordon, Dillian)
Subjects
dates:
museums and institutions:
subjects:
Illustrations
Attributed works:
16. The temptation of Christ on the mountain, by Duccio di Buoninsegna. 1311. Egg tempera on panel, 43.2 by 46 cm. (Frick Collection, New York; courtesy of Michael Bodycomb).
Attributed works:
17. Detail of the Devil’s head in Fig.16.
Attributed works:
18. Detail of the angels’ faces in Fig.16.
Attributed works:
19. Detail of the angels in Fig.16.
Attributed works:
20. Fig.16 with the angels digitally removed. (Courtesy of Charlotte Hale).
Short Notice
Raphael’s ‘Annunciation’ predella panel and a perspective drawing
08/2006 | 1241 | 148
Pages: 545-548
related names
Author:
Kang, Eun-Sung (Kang, Eun-Sung)
Subjects
artists:
dates:
print:
Illustrations
Attributed works:
31. The Annunciation, by Raphael. c.1503. Panel, 27 by 42 cm. (Pinacoteca Vaticana, Rome).
Attributed works:
32. Cartoon for The Annunciation, by Raphael. c.1503. Brush and brown wash, pen and ink, black chalk, stylus and compass, pricked for transfer, 28.3 by 42,2 cm. (Musée du Louvre, Paris).
Attributed works:
33. Reconstruction of the stylus lines and compass marks in Fig.32.
Attributed works:
34. Diagram on the verso of Fig.35, by Raphael. c.1503. Stylus with compass marks, 19.1 by 27.1 cm. (British Museum, London).
Attributed works:
35. Studies for the head and hand of an angel in the ‘Coronation of the Virgin’, by Raphael. c.1503. Silverpoint on white ground, 19.1 by 27.1 cm. (British Museum, London).
Attributed works:
37. Fig.34 with measurements.
Attributed works:
38. Author’s reconstruction of Raphael’s method.
Attributed works:
39. The construction of a vaulted space from Piero della Francesca: De prospectiva pingendi, 1474. MS D 200 inf., 35 by 35 cm. (Biblioteca Ambrosiana, Milan).
Attributed works:
41. Perspective drawing, by Baldassare Peruzzi. Pen and ink, 62.2 by 83.8 cm. (Galleria degli Uffizi, Florence, 269 A (v)).
Western art unattributed:
36. Diagram of perspective construction according to Alberti’s method (from M. Kemp: The science of art, New Haven and London 1990).
Western art unattributed:
40. Method for the ‘tiers points’. Woodcut from Jean Pélerin: De artificiali perspective, 1505.
Exhibition Review
Stories in gold. Berlin
03/2006 | 1236 | 148
Pages: 217–20
related names
Reviewer:
Teuffel, Christa Gardner von (Teuffel, Christa Gardner von; Gardner von Teuffel, Christa)
Subjects
artists:
dates:
museums and institutions:
places:
Reviewed Items
subjects:
Geschichten auf Gold: Bilderzählungen in der frühen italienischen Malerei | institution: Gemäldegalerie
Illustrations
Attributed works:
82. St Peter, with Sts James the Great and Philip, by Ugolino di Nerio. 1325/26. Panel, c.190 by 57 cm. (Gemäldegalerie, Staatliche Museen zu Berlin).
Attributed works:
83. Virtual reconstruction of the high altarpiece by Ugolino di Nerio in S. Croce, Florence. (Photomontage: Gemäldegalerie, Staatliche Museen zu Berlin).
Attributed works:
84. St Jerome appearing to St Augustine, by Giovanni di Paolo. c.1465. Panel, 37 by 48 cm. (Gemäldegalerie, Staatliche Museen zu Berlin).
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