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121 articles
Short Notice
Looking slowly with Cezanne
04/2023 | 1441 | 165
Pages: 422
related names
Author:
Smith, Paul (Smith, Paul)
Subjects
artists:
dates:
subjects:
Illustrations
Attributed works:
1. Basket of apples, by Paul Cezanne. c.1893. Oil on canvas, 60 by 85 cm. (Art Institute of Chicago).
Attributed works:
10. Curtain, pitcher and a fruit bowl, by Paul Cezanne. 1893–94. Oil on canvas, 59.7 by 73 cm. (Private collection).
Attributed works:
11. Still life with apples, by Paul Cezanne. 1893–94. Oil on canvas, 65.8 by 81.6 cm. (J. Paul Getty Museum, Los Angeles).
Attributed works:
12. Still life with a ginger jar and eggplants, by Paul Cezanne. 1893–94. Oil on canvas, 72.4 by 91.4 cm. (Metropolitan Museum of Art, New York).
Attributed works:
14. Mont Sainte-Victoire, by Paul Cezanne. 1902–06. Oil on canvas, 64.8 by 81.3 cm. (Philadelphia Museum of Art).
Attributed works:
15. Mont Saint-Victoire seen from the Bibémus Quarry, by Paul Cezanne. c.1895–99. Oil on canvas, 65.1 by 81.3 cm. (Baltimore Museum of Art; Bridgeman Images).
Attributed works:
16. Still life with plaster cupid, by Paul Cezanne. c.1894. Oil on paper on board, 70.6 by 57.3 cm. (Courtauld Institute Gallery, London).
Attributed works:
17 and 18. Cupid, by Hébert fils mouleur, after François Duquesnoy. c.1900. Plaster, height 45.7 cm. Photographed at a distance of approx. 65 cm. (Photograph the author).
Attributed works:
19. Bathers (Les grandes baigneuses), by Paul Cezanne. c.1894–1905. Oil on canvas, 127.2 by 196.1 cm. (National Gallery, London).
Attributed works:
2. Auvers, panoramic view, by Paul Cezanne. 1873–75. Oil on canvas, 65.2 by 81.3 cm. (Art Institute of Chicago).
Attributed works:
20. Detail of Fig.19, showing the head of the figure fifth from the left. (Photograph the author).
Attributed works:
21. Ginger jar. China, c.1900. Stoneware, height 13.7 cm. Photographed from a distance of approx. 22 cm. (Photograph the author).
Attributed works:
22. Detail of Fig.25, showing the eye-socket on the right of the hindmost skull. (Photograph the author).
Attributed works:
23. The hindmost skull shown in Fig.25. (Atelier Cezanne, Aix-en- Provence; photograph the author).
Attributed works:
24. Still life with ginger jar, sugar bowl and oranges, by Paul Cezanne. 1902–06. Oil on canvas, 60.6 by 73.3 cm. (Museum of Modern Art, New York).
Attributed works:
25. Three skulls on a patterned carpet, by Paul Cezanne. 1904. Oil on canvas, 54.5 by 65 cm. (Kunstmuseum Solothurn; Bridgeman Images).
Attributed works:
3. Madame Cezanne in a red armchair, by Paul Cezanne. c.1877. Oil on canvas, 72.4 by 55.9 cm. (Museum of Fine Arts, Boston).
Attributed works:
4. Madame Cezanne in a yellow chair, by Paul Cezanne. 1888–90. Oil on canvas, 80.9 by 64.9 cm. (Art Institute of Chicago).
Attributed works:
5. The sea at L’Estaque behind trees, by Paul Cezanne. 1878–79. Oil on canvas, 73 by 92 cm. (Musée Picasso, Paris; Bridgeman Images).
Attributed works:
6. The Gulf of Marseilles seen from L’Estaque, by Paul Cezanne. 1878–79. Oil on canvas, 59 by 73 cm. (Musée d’Orsay, Paris; Bridgeman Images).
Attributed works:
7. Photograph of the motif in Fig.8 taken on 27th September 2022 at 17:24. (Photograph the author).
Attributed works:
8. Cliffs in L’Estaque, by Paul Cezanne. 1882–85. Oil on canvas, 73 by 92 cm. (Collection Museu de Arte de São Paolo; Bridgeman Images).
Attributed works:
9. Betschdorf jug. c.1900. Stoneware, height 25.8 cm. (Photograph the author).
Exhibition Review
James Tissot: Ambiguously Modern
07/2020 | 1408 | 162
Pages: 603-606
related names
Reviewer:
Corbeau-Parsons, Caroline (Corbeau-Parsons, Caroline)
Subjects
artists:
dates:
places:
Reviewed Items
subjects:
James Tissot: Ambiguously Modern Musée d’Orsay, Paris 23rd June–13th September | :
Illustrations
Attributed works:
1. October, by James Tissot. 1877. Oil on canvas, 216 by 108.7 cm. (Montreal Museum of Fine Arts; exh. Musée d’Orsay, Paris).
Attributed works:
2. Annunciation, by James Tissot. c.1886– 94. Opaque watercolour over graphite on grey wove paper, 17 by 21.7 cm. (Brooklyn Museum; exh. Legion of Honor, San Francisco; Bridgeman Images).
Attributed works:
3. Self-portrait, by James Tissot. c.1865. Oil on panel, 49.8 by 30.2 cm. (Fine Arts Museums of San Francisco; exh. Musée d’Orsay, Paris).
Attributed works:
4. The ladies of the cars, by James Tissot. c.1883–85. Oil on canvas, 146.1 by 100.7 cm. (Museum of Art, Rhode Island School of Design, Providence; exh. Musée d’Orsay, Paris).
Book Review
History of the Royal Hibernian Academy of Arts. By John Turpin
09/2019 | 1398 | 161
Pages: 789-790
related names
Reviewer:
McEvansoneya, Philip (McEvansoneya, Philip)
Subjects
museums and institutions:
places:
Exhibition Review
Impressionists in London. London and Paris
01/2018 | 1378 | 160
Pages: 46-48
related names
Reviewer:
Stocker, Mark (Stocker, Mark)
Subjects
dates:
media:
places:
styles:
Reviewed Items
subjects:
Impressionists in London: French Artists in Exile 1870-1904 at Tate Britain, London, and Petit Palais, Paris | :
Illustrations
Attributed works:
14. The execution of Communards by French government forces at the fortifications in the Bois de Boulogne, by James Tissot. 1871. (Private collection; exh. Tate Britain, London).
Attributed works:
15. By the riverside, morning effect, by Alphonse Legros. 1877–84. (British Museum, London; exh. Tate Britain, London).
Attributed works:
16. Piccadilly: wintry walk in London, by Giuseppe de Nittis. 1875. (Private collection; exh. Tate Britain, London).
Book Review
Gustave Caillebotte: Painting the Paris of Naturalism, 1872–1887. By Michael Marrinan
09/2017 | 1374 | 159
Pages: 732-733
related names
Reviewer:
Raybone, Samuel (Raybone, Samuel)
Subjects
dates:
places:
styles:
styles:
Reviewed Items
styles:
Gustave Caillebotte: Painting the Paris of Naturalism, 1872–1887. By Michael Marrinan | :
Illustrations
Attributed works:
55. Gateaux, by Gustave Caillebotte. c. 1881-82 (Private collection)
Book Review
Les Rothschild: une dynastie de mécènes en France, 1873–2016. Edited by Pauline Prévost-Marcilhacy
08/2017 | 1373 | 159
Pages: 644-646
related names
Reviewer:
Hall, Michael (Hall, Michael)
Subjects
places:
Illustrations
Western art unattributed:
50. Detail of mirror depicting Leda and the Swan, from the Boscoreale Treasure. Roman, 1st century AD (Musée du Louvre, Paris)
Publication Received
Textiles, Fashion, and Design Reform in Austria–Hungary before the First World War. Principles of Dress. By Rebecca Houze
05/2017 | 1370 | 159
Pages: 407
related names
Reviewer:
Clegg, Elizabeth (Clegg, Elizabeth)
Subjects
dates:
subjects:
Exhibition Review
Symbolism. Milan
06/2016 | 1359 | 158
Pages: 482-484
related names
Reviewer:
Michaelides, Chris (Michaelides, Chris)
Subjects
museums and institutions:
places:
Illustrations
Attributed works:
71. Notturno, La Parabola dei celibi (Nocturne, the parable of the bachelors), by Alberto Martini. 1905 (Private collection; exh. Palazzo Reale, Milan)
Attributed works:
72. Luce (Light), from the cycle Il poema della vita umana (The poem of human life), by Giulio Aristide Sartorio (Fondazione Musei Civici di Venezia, Galleria Internazionale d'Arte Moderna di Ca' Pesaro, Venice; exh. Palazzo Reale, Milan)
Attributed works:
73. Corteo delle principesse (Procession of princesses) from the cycle Le mille e una notte (Arabian Nights), by Vittorio Zecchin. 1914 (Fondazione Musei Civici di Venezia, Galleria Internazionale d'Arte Moderna di Ca' Pesaro, Venice; exh. Palazzo Reale, Milan)
Attributed works:
74. La primavera classica (Classical spring), by Galileo Chini. 1914 (Fondazione del Credito Valdinievole, Accademia d'Arte, Montecatini Terme; exh. Palazzo Reale, Milan)
Book Review
The Ghent Altarpiece by the Brothers Van Eyck. History and Appraisal, S. Kemperdick and J. Rössler, eds
02/2015 | 1343 | 157
Pages: 99-100
related names
Reviewer:
Filedt Kok, Jan Piet (Filedt Kok, Jan Piet; Kok, J. P. Filedt)
Subjects
museums and institutions:
Illustrations
Attributed works:
44. Full-scale installation of the reconstructed opened Ghent Altarpiece by Hubert and Jan van Eyck. The central panels are sixteenth-century copies by Michiel Coxcie and nineteenth-century copies by Carl Schulz. For the wings, black-and-white prints of historic photographs are used (Gemäldegalerie, Staatliche Museen zu Berlin)
Book Review
Adolf Loos. The Art of Architecture, J. Masheck
07/2014 | 1336 | 156
Pages: 470-471
related names
Reviewer:
Amery, Colin (Amery, Colin)
Subjects
artists:
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