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13 articles
Article
Margaret van Eyck, a house called ‘The Wild Sea’ and Jan van Eyck’s posthumous workshop
02/2022 | 1427 | 164
Pages: 120-129
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Author:
De Meester, Toon ( De Meester, Toon)
Author:
Dumolyn, Jan (Dumolyn, Jan)
Author:
Jones, Susan (Jones, Susan; Jones, Susan Frances)
Author:
Leloup, Ward (Leloup, Ward)
Author:
Speecke, Mathijs (Speecke, Mathijs)
Subjects
artists:
Eyck, Jan van / Eyck, Lambert van / Eyck, Margaret van / Christus, Petrus
dates:
1430-1440 / 1440-1450
places:
Bruges
subjects:
Early Netherlandish art / Netherlandish School / Flemish School / Workshops (Organisations) / and assistants / Attributions / Account books / Artists' houses
Illustrations
Attributed works:
1. The Virgin and Child with St Barbara, St Elizabeth and Jan Vos, by Jan van Eyck, possibly with workshop. c.1441–43. Oil on masonite, transferred from panel, 47.3 by 61.3 cm. (Frick Collection, New York).
Attributed works:
2. St Jerome in his study, by the workshop of Jan van Eyck. c.1442. Oil on linen paper on panel, unframed 20.6 by 13.3 cm. (Detroit Institute of Arts; © KIK-IRPA, Brussels).
Attributed works:
3. Virgin and Child with a kneeling cleric. South Netherlandish, 15th century. Silverpoint on prepared paper with areas of light yellow wash, 13.4 by 10.2 cm. (Germanisches Nationalmuseum, Nuremberg).
Attributed works:
4. Virgin and Child with a kneeling cleric. South Netherlandish, 15th century. Silverpoint on prepared paper with areas of light yellow wash, 27.8 by 18 cm. (Graphische Sammlung Albertina, Vienna).
Attributed works:
5. Detail of Panoramic map of Bruges, by Marcus Gerards, showing the city centre. ‘A’ marks the location of the Sint Gillisnieuwstraat (now called the Gouden-Handstraat) and ‘B’ the location of the Oostmeers. North is towards the lower left. 1562. Modern coloured offset of a copper engraving assembled from ten sheets, 177 by 100 cm. (www. kaartenhuisbrugge.be/Kaart).
Attributed works:
6. Detail of the map in Fig.5, showing Van Eyck’s house on the Sint Gillisnieuwstraat, now called the Gouden-Handstraat.
Attributed works:
7. Margaret van Eyck, by Jan van Eyck. 1439. Oil on oak panel, including the frame 41.3 by 34.5 cm. (Groeningemuseum, Bruges; © KIK-IRPA, Brussels).
Attributed works:
8. Detail of the map in Fig.5, showing the Oostmeers. ‘A’ marks the row of houses between the Zonnekemeers; ‘B’ marks the Cowgate; ‘C’ marks the Wijngaard.
Book Review
Un misto di grano e di pula: Scritti su Caravaggio e l’ambiente caravaggesco
08/2021 | 1421 | 163
Pages: 768-770
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Reviewer:
Gash, John (Gash, John)
Subjects
artists:
Caravaggio, Michelangelo Merisi da
artists:
Haen, David de / Brugghen, Hendrick ter / Bor, Paulus / Boulogne, Valentin de / Baburen, Dirck van
subjects:
Italian art / Netherlandish School / Caravaggesque / Attributions
Reviewed Items
subjects:
Un misto di grano e di pula: Scritti su Caravaggio e l’ambiente caravaggesco By Gianni Papi. 272 pp. incl. 228 col. + 41 b. & w. ills. (Editori Paparo, Rome and Naples, 2020), €60. ISBN 978–88–319–8339–6. | :
Illustrations
Attributed works:
5. The judgment of Midas, here attributed to David de Haen. c.1620–21. Oil on canvas, 97 by 132 cm. (National Museum, Lublin).
Article
A newly discovered life study for Anthony van Dyck’s Rotterdam ‘St Jerome’
03/2021 | 1416 | 163
Pages: 254-257
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Author:
Barnes, Susan J. (Barnes, Susan J.)
Subjects
artists:
Dyck, Anthony van / Rubens, Peter Paul
media:
Oil sketches / Studies (visual works)
museums and institutions:
Museum Boijmans Van Beuningen, Rotterdam, Netherlands / Nationalmuseum, Stockholm, Sweden
subjects:
Netherlandish School / Flemish painting / Saints / Jerome, Saint / Council of Trent (1545-1563)
Illustrations
Attributed works:
1. St Jerome, by Anthony van Dyck. c.1618–20. Oil on canvas, 165 by 130 cm. (Museum Boijmans van Beuningen, Rotterdam).
Attributed works:
2. Life study of an old man, by Anthony van Dyck. c.1618. Oil on canvas mounted on panel, 95 by 58.8 cm (maximum). (Private collection).
Attributed works:
3. Detail of Fig.2, showing the angel’s features roughed in.
Attributed works:
4. St Jerome, by Peter Paul Rubens. c.1612. Oil on canvas, 236 by 163 cm. (Gemäldegalerie Alte Meister, Dresden; bpk).
Attributed works:
5. St Jerome, by Anthony van Dyck. c.1615/16. Oil on canvas, 157.5 by 131 cm. (The Princely Collections, Liechtenstein Vaduz–Vienna).
Attributed works:
6. St Jerome in his study, by Peter Paul Rubens. c.1610. Oil on canvas, 185.5 by 135.5 cm. (Schloss Sanssouci Bildegalerie, Potsdam).
Article
The reopening of the Dresden Gemäldegalerie Alte Meister
11/2020 | 1412 | 162
Pages: 992-977
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Author:
Gajewski, Alexandra (Gajewski, Alexandra)
Subjects
art literature:
Winckelmann, Johann Joachim / Goethe, Johann Wolfgang von
artists:
Semper, Gottfried / Permoser, Balthasar / Mengs, Anton Raphael / Bellotto, Bernardo / Filarete / Giambologna / Reni, Guido / Rembrandt van Rijn / Parmigianino / Giulio Romano / Correggio / Francia, Francesco / Tintoretto, Jacopo / Giorgione / Titian / Veronese, Paolo / Rubens, Peter Paul / Dyck, Anthony van / Cranach, Lucas, the Elder, 1472-1553 / Orley, Bernaert van / Eyck, Jan van / Andrea del Sarto / Watteau, Antoine / Lancret, Nicolas
museums and institutions:
Gemäldegalerie Alte Meister, Dresden
subjects:
Hanging (installation technique) / Displays / Interiors / Architecture / Art museums / Collections / Electors of Saxony, Germany / German art / Italian art / Netherlandish School / Spanish art / French art / Greek (ancient) School / Roman art / Egyptian art
Illustrations
Attributed works:
1. Hall of antiquities, Gemäldegalerie Alte Meister und Skulpturensammlung bis 1800 (Staatliche Kunstsammlungen Dresden; photograph H.C. Krass).
Attributed works:
2. Christ flagellated, by Balthasar Permoser. 1728. Coloured marble, 81 by 27 by 25 cm. (Skulpturensammlung bis 1800, Staatliche Kunstsammlungen Dresden; photograph David Brandt).
Attributed works:
3. Plan of the first storey of the Gemäldegalerie, with the south-side at the top. c.1845. Lithograph, 23 by 41.5 cm. (Kupferstich-Kabinett, Staatliche Kunstsammlungen Dresden).
Attributed works:
4. Installation view of the Italian galleries, looking towards Raphael’s Sistine Madonna, Gemäldegalerie Alte Meister (Staatliche Kunstsammlungen, Dresden; photograph H.C. Krass).
Attributed works:
5. Frederick III of Saxony, called the Wise, by Adriano Fiorentino. 1498. Bronze, 62.8 by 51 by 30.6 cm. (Skulpturensammlung bis 1800, Staatliche Kunstsammlungen Dresden).
Attributed works:
6. Madonna of the Cuccina family, by Paolo Veronese. c.1571. Oil on canvas, 167 by 416 cm. (Gemäldegalerie Alte Meister, Staatliche Kunstsammlungen Dresden).
Attributed works:
8. Installation view of the ‘Rubens and Van Dyck’ gallery, Gemäldegalerie Alte Meister und Skulpturensammlung bis 1800 (Staatliche Kunstsammlungen, Dresden; photograph Alexandra Gajewski).
Book Review
The Neapolitan Lives and Careers of Netherlandish Immigrant Painters (1575–1655). By Marije Osnabrugge
04/2020 | 1405 | 162
Pages: 358-359
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Reviewer:
Puglisi, Catherine R. (Puglisi, Catherine R.; Puglisi, Catherine)
Subjects
artists:
Finson, Louis / Stom, Matthias / Mytens, Aert / De Somer , Hendrick / Vinck, Abraham
places:
Naples
subjects:
Netherlandish School / Caravaggism / Neapolitan art
Reviewed Items
subjects:
The Neapolitan Lives and Careers of Netherlandish Immigrant Painters (1575–1655) By Marije Osnabrugge. 400 pp. incl. 20 col. + 89 b. & w. ills. (Amsterdam University Press, Amsterdam, 2019),  130. ISBN 978–94–6298– 820–0. | :
Illustrations
Attributed works:
3. Resurrection of Christ, by Louis Finson. 1610. Oil on canvas, 218 by 168 cm. (Saint-Jeande- Malte, Aix en Provence; Bridgeman Images).
Article
A reliquary bust from the workshop of Niclaus Gerhaert von Leyden
02/2020 | 1403 | 162
Pages: 102-107
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Author:
Warren, Jeremy (Warren, Jeremy)
Subjects
artists:
Nikolaus Gerhaert von Leyden
collectors and dealers:
Metropolitan Museum of Art, New York, United States / Art Institute of Chicago, Chicago, United States
dates:
1460-1469
media:
Wood sculpture / Polychromed wood sculpture
museums and institutions:
Anglesey Abbey, Lode, Cambridgeshire, Great Britain
places:
Strasbourg
places:
Wissembourg
styles:
Netherlandish School / Gothic art
subjects:
Reliquaries / Busts / Saints / Agnes, Saint / Workshops (Organisations) / Altarpieces
Illustrations
Attributed works:
1. St Agnes, by the workshop of Niclaus Gerhaert von Leyden. c.1465. Walnut, 53.9 by 41.4 by 24.6 cm. (Anglesey Abbey, Cambridgeshire; the National Trust).
Attributed works:
10. Detail of the high altar of St Martin, Lorch am Rhein, by an unknown Middle Rhenish sculptor. Completed 1483. Limewood and oak, 128 by 722 cm. (Bildarchiv Monheim GmbH / Alamy stock photograph).
Attributed works:
2. St Barbara, by the workshop of Niclaus Gerhaert von Leyden. c.1465. Walnut, 50.5 by 44.5 by 27.6 cm. (Metropolitan Museum of Art, New York).
Attributed works:
3. St Catherine of Alexandria, by the workshop of Niclaus Gerhaert von Leyden. c.1465. Walnut, 47.3 by 44.8 by 25.7 cm. (Metropolitan Museum of Art, New York).
Attributed works:
4. St Margaret of Antioch, by the workshop of Niclaus Gerhaert von Leyden. c.1465. Walnut, 50.8 by 45.5 by 29.6 cm. (Art Institute of Chicago).
Attributed works:
5. St Agnes, after Niclaus Gerhaert von Leyden. c.1870. Plaster, 53 by 48 by 27 cm. (Musée de l’OEuvre Notre-Dame, Strasbourg).
Attributed works:
6. and 7. Fig.1, photographed from the sides.
Attributed works:
8. Head of a Sibyl, by Niclaus Gerhaert von Leyden. 1463. Sandstone, 23.5 by 30 by 22 cm. (Liebieghaus Skulpturensammlung, Frankfurt; photograph Ruehl und Bormann, Darmstadt).
Attributed works:
9. Fig.1, photographed from the back.
Exhibition Review
The Master of Elsloo: From Lonely Hand to Collection of Masters. Bonnefantenmuseum, Maastricht
06/2019 | 1395 | 161
Pages: 497-499
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Reviewer:
Gajewski, Alexandra (Gajewski, Alexandra)
Subjects
artists:
Master of Elsloo
dates:
2010-2019
media:
Sculptors / Flemish sculpture
media:
Carvings
museums and institutions:
Bonnefantenmuseum, Maastricht, Belgium
styles:
Religious art / Netherlandish School
subjects:
Attributions / Workshops (Organisations) / style of / Technical analysis / Art history
Illustrations
Attributed works:
4. Virgin and Child with St Anne. c.1500. Oak, 129 by 81.5 by 82 cm. (St Augustine, Elsloo; exh. Bonnefantenmuseum, Maastricht).
Attributed works:
5. Marianum. c.1500. Oak, height 98 cm. (St Michael, Thorn; exh. Bonnefantenmuseum, Maastricht).
Attributed works:
6. Crucified Christ. c.1500. Oak, 157.8 by 132.4 by 26.7 cm. (SS Harlindis and Relindis, Ellikom; exh. Bonnefantenmuseum, Maastricht).
Article
Meynnart Wewyck and the portrait of Lady Margaret Beaufort in the Master’s Lodge, St John’s College, Cambridge
04/2019 | 1393 | 161
Pages: 314-319
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Author:
BOLLAND, Charlotte (BOLLAND, Charlotte)
Author:
Chen, Andrew (Chen, Andrew)
Subjects
artists:
Wewyck, Meynnart / Lockey, Rowland
dates:
1500-1519
media:
Paintings / Stained glass
places:
St John's College, Cambridge, Great Britain
subjects:
Beaufort, Margaret, Countess of Richmond and Derby, 1443-1509 / Henry VII, King of England, 1457-1509 / Documentation / Scientific analysis / Technical analysis / Archives / Attributions / Provenance / Portraiture / Netherlandish School / Tudor / Frames
Illustrations
Attributed works:
1. Lady Margaret Beaufort, by Meynnart Wewyck. c.1510. Panel, 180 by 122 cm. (St John’s College, Cambridge; courtesy the Master and Fellows of St John’s College, Cambridge).
Attributed works:
2. Detail of Fig.1, showing the lower edge of the engaged frame. (Courtesy National Portrait Gallery, London).
Attributed works:
3. Detail of Fig.6, showing the lower edge of the engaged frame. (Courtesy Hamilton Kerr Institute, Cambridge).
Attributed works:
4. Right Reverse of Fig.1. (Courtesy Hamilton Kerr Institute, Cambridge).
Attributed works:
5. Lady Margaret Beaufort, by Rowland Lockey, after Meynnart Wewyck. 1596. Panel, 180.1 by 115.9 cm. (St John’s College, Cambridge; courtesy the Master and Fellows of St John’s College, Cambridge).
Attributed works:
6. Henry VII, here attributed to Meynnart Wewyck. c.1501–09. Panel, 38 by 24.5 cm. (Society of Antiquaries, London).
Attributed works:
7. Margaret Beauchamp, Duchess of Somerset [?], installed by Simon Symondes and Thomas Peghe. c.1510. Stained glass. (Christ’s College, Cambridge).
Obituary
Iain Buchanan (1948–2018)
04/2019 | 1393 | 161
Pages: 359
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Author:
Campbell, Lorne (Campbell, Lorne; C., L.)
Author:
Griffey, Erin (Griffey, Erin)
Subjects
art literature:
Buchanan, Iain, Auckland, New Zealand
artists:
Dürer, Albrecht / Bruegel, Pieter, the Elder
places:
Auckland / New Zealand
subjects:
Study and teaching / Lectures / Netherlandish School / Tapestries / Collecting
Illustrations
Attributed works:
1. Iain Buchanan in the 1970s. (Photograph Simon Buis).
Book Review
Habsburg Tapestries (Studies in Western Tapestry, 4)
04/2019 | 1393 | 161
Pages: 348-349
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Reviewer:
Cleland, Elizabeth A.H. (Cleland, Elizabeth A.H.)
Subjects
artists:
Pannemaker, Willem de
dates:
1500-1599
media:
Tapestries
subjects:
House of Habsburg / Collecting / Netherlandish School / Patronage
Reviewed Items
subjects:
Habsburg Tapestries (Studies in Western Tapestry, 4) By Iain Buchanan. | :
Illustrations
Attributed works:
4. Detail of Seven Deadly Sins: Pride, designed by Pieter Coecke van Aelst and woven in Willem de Pannemaker’s workshop. Before 1544. Wool, silk and precious-metal wrapped threads, 458 by 776 cm. (Patrimonio Nacional, Madrid).
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