Sydney Modern at the Art Gallery
of New South Wales, Sydney
From 3rd December 2022 |
:
Illustrations
Attributed works:
21. Aerial view
of the new
building of the
Art Gallery
of New South
Wales (AGNSW),
Sydney, by
Kazuyo Sejima
and Ryue
Nishizawa of
SANAA, 2022.
(Photograph
Iwan Baan).
Attributed works:
22. Ground
plan of the Art
Gallery of New
South Wales,
Sydney, 2022,
showing the
South Building
(1); the Welcome
Plaza (2); the
Entrance
Pavilion (3); the
gallery shop (4);
the Yiribana
Gallery (5); the
loggia (6); the
terrace above
the gallery for
contemporary
art (7); the
terrace above
the restaurant
(8); the terrace
above a gallery
(9); and a multiuse
entertaining
space (10).
(Courtesy GGN,
Seattle).
Attributed works:
23. Installation
view of
GROUNDLOOP,
by Lisa Reihana.
2022. Single
channel digital
video with
multi-layered
audio, duration
21 minutes.
(Lisa Reihana;
courtesy Art
Gallery of
New South
Wales, Sydney;
photograph
Jenni Carter).
82. Joe, NYC, by Robert Mapplethorpe. 1978 (J. Paul Getty Trust, Los Angeles, and Los Angeles County Museum of Art; exh. Los Angeles County Museum of Art)
Attributed works:
83. Poppy, by Robert Mapplethorpe. 1988 (J. Paul Getty Trust, Los Angeles, and Los Angeles County Museum of Art; exh. Los Angeles County Museum of Art)
Attributed works:
84. Ken Moody and Robert Sherman, by Robert Mapplethorpe. 1984 (J. Paul Getty Trust, Los Angeles, and Los Angeles County Museum of Art; exh. J. Paul Getty Museum, Los Angeles)
Attributed works:
85. Self-portrait, by Robert Mapplethorpe. 1988 (J. Paul Getty Trust, Los Angeles, and Los Angeles County Museum of Art; exh. J. Paul Getty Museum, Los Angeles)
82. Orpheus, by Rupert Bunny. c.1898. Colour monotype, 24.4 by 34.8 cm. (Art Gallery of New South Wales, Sydney).
Attributed works:
83. Breton girl with goat, by Iso Rae. c.1889. Pastel on card, 47 by 17 cm. (National Gallery of Victoria,
Melbourne; exh. Art Gallery of New South Wales, Sydney).
Attributed works:
84. Memories, by Charles Douglas Richardson. 1895. Painted plaster, 65 by 65 by 8 cm. (Bayside City Council, Melbourne; exh. Art Gallery of New South Wales, Sydney).
62. Dante Gabriel Rossetti, by William Holman Hunt. 1853. Coloured chalks on cream paper, 28.6 by 25.9 cm. (Manchester City Galleries; exh. Birmingham Museum and Art Gallery).
Attributed works:
63. Cascade de la folie, Chamonix, by John Ruskin. 1849. Pen, ink, watercolour and bodycolour on paper, 46.1 by 37.3 cm. (Birmingham Museum and Art Gallery).
Attributed works:
64. ‘Oh, wha’s that in the hollow, so pale, I quake to follow?’, by Edward Robert Hughes. 1893. Watercolour with gum and scratching out on paper, 63.2 by 93.3 cm. (Royal Watercolour Society, London; exh. Birmingham Museum and Art Gallery).
69. Endormies, by Rupert Bunny. c.1904. Canvas, 130.6 by 200.5 cm. (National Gallery of Victoria, Melbourne; exh. Art Gallery of New South Wales, Sydney).
Attributed works:
70. The rape of Persephone, by Rupert Bunny. c.1913. Canvas, 54.4 by 81.1 cm. (National Gallery of Australia, Canberra; exh. Art Gallery of New South Wales, Sydney).
Publication Received
The Arts of Islam. Treasures from the Nasser D. Khalili Collection