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22 articles
Exhibition Review
Degas. Melbourne and Houston
03/2017 | 1368 | 159
Pages: 245-247
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related names
Reviewer:
Brettell, Richard R. (Brettell, Richard R.; Brettell, Richard)
Subjects
artists:
Degas, Edgar
dates:
2010-2019
museums and institutions:
Museum of Fine Arts, Houston, Houston, United States / National Gallery of Victoria, Melbourne, Australia
places:
United States / Melbourne / Houston / Australia
subjects:
Reviews / Exhibitions
Illustrations
Attributed works:
76. Degas's father listening to Lorenzo Pagans playing the guitar, by Edgar Degas. c.1869-72 (Museum of Fine Arts, Boston; exh. Museum of Fine Arts, Houston)
Attributed works:
77. Dancer with bouquets, by Edgar Degas. 1890-95 (Chrysler Museum of Art, Norfolk VA; exh. Museum of Fine Arts, Houston)
Article
Visible and invisible: Jacques Stella in Melbourne
04/2016 | 1357 | 158
Pages: 245-250
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related names
Author:
Anderson, Jaynie (Anderson, Jaynie)
Subjects
artists:
Stella, Jacques
buildings:
Saint Patrick's Cathedral , Melbourne, Australia
dates:
1640-1649
places:
Melbourne / Australia
subjects:
Collectors / Commissions / French painting / Jesus Christ: Life / Altarpieces / Cathedrals / Provenance
Illustrations
Attributed works:
1. Portrait bust of Archbishop James Alpius Goold, by Achille Simonetti. 1859 (Melbourne Archdiocese Collection)
Attributed works:
2. Jesus in the Temple found by his parents, by Jacques Stella. 1642 (Baptistery of St Patrick's Cathedral, Melbourne, Melbourne Archdiocese Collection)
Attributed works:
3. Back of Fig.2, showing an inscription on the canvas
Attributed works:
4. Back of Fig.2, showing the stamp of the Dogana di Roma on the middle section of the mount
Attributed works:
5. Back of Fig.2, showing an inscription on the mount of the frame
Attributed works:
6. Jesus in the Temple found by his parents, by Jacques Stella. c.1641 (Church of Notre-Dame-du Grand Andelys, Andelys, Inventaire Région Haute-Normandie)
Attributed works:
7. Miracle of St Francis Xavier resurrecting a young woman from Cangoxima in Japan, by Nicolas Poussin. 1641 (Musée du Louvre, Paris)
Attributed works:
8. The Virgin offering her protection to the Jesuits, by Michel Dorigny after Simon Vouet. 1642 (British Museum, London)
Book Review
Making Melbourne’s Monuments: The Sculpture of Paul Montford, Catherine Moriarty
11/2013 | 1328 | 155
Pages: 783-784
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related names
Reviewer:
Stocker, Mark (Stocker, Mark)
Subjects
artists:
Montford, Paul Raphael
places:
Melbourne
subjects:
British sculpture / Australian sculpture / Biographies / Memorials / War memorials / Public sculpture
Illustrations
Attributed works:
33. Buttress representing 'Sacrifice', by Paul Montford. Shrine of Remembrance, Melbourne
Article
An unpublished letter from Salvator Rosa
01/2011 | 1294 | 153
Pages: 30-31
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related names
Author:
Hudson, Hugh (Hudson, Hugh)
Subjects
artists:
Rosa, Salvator
collectors and dealers:
Ricciardi, Giovan Battista
dates:
1600-1699
museums and institutions:
State Library of Victoria, Melbourne, Australia
places:
Melbourne / Australia
print:
Rosa, Salvator
subjects:
Correspondence / Artists' writings / Manuscripts / Collections, Public
Illustrations
Attributed works:
37. The frailty of human life, by Salvator Rosa. c.1657. Canvas, 197.4 by 131.5 cm. (Fitzwilliam Museum, Cambridge).
Exhibition Review
Rupert Bunny. Sydney, Melbourne and Adelaide
03/2010 | 1284 | 152
Pages: 203-204
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related names
Reviewer:
Stocker, Mark (Stocker, Mark)
Subjects
artists:
Bunny, Rupert
dates:
2010-2019
museums and institutions:
National Gallery of Victoria, Melbourne, Australia / Art Gallery of South Australia, Adelaide, Australia / Art Gallery of New South Wales, Sydney, Australia
places:
Sydney / Melbourne / Australia / Adelaide
print:
Bunny, Rupert
subjects:
Reviews / Exhibitions
Reviewed Items
subjects:
Rupert Bunny: Artist in Paris | institution: Art Gallery of New South Wales , institution: Art Gallery of South Australia , institution: National Gallery of Victoria
Illustrations
Attributed works:
69. Endormies, by Rupert Bunny. c.1904. Canvas, 130.6 by 200.5 cm. (National Gallery of Victoria, Melbourne; exh. Art Gallery of New South Wales, Sydney).
Attributed works:
70. The rape of Persephone, by Rupert Bunny. c.1913. Canvas, 54.4 by 81.1 cm. (National Gallery of Australia, Canberra; exh. Art Gallery of New South Wales, Sydney).
Article
Morris Louis in Australia and New Zealand
12/2009 | 1281 | 151
Pages: 832-835
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related names
Author:
Hanfling, Edward (Hanfling, Edward)
Subjects
artists:
Louis, Morris
dates:
1960-1979
museums and institutions:
National Gallery of Australia, Canberra, Australia / Auckland Art Gallery, Auckland, New Zealand / Honolulu Academy of Arts, Honolulu, United States / National Gallery of Victoria, Melbourne, Australia / Santa Barbara Museum of Art, Santa Barbara, United States
places:
Auckland / Canberra / Melbourne / Santa Barbara / United States / New Zealand / Australia
places:
Hawaii / Honolulu
print:
Louis, Morris
subjects:
Exhibitions / Collections, Public / Acquisitions / Critical Reception / American painting (United States of America) / Abstract art / Reviews / Australian painting
Illustrations
Attributed works:
22. Beta Nu, by Morris Louis. 1960. Synthetic polymer paint on unprimed canvas, 259.1 by 701 cm. (National Gallery of Australia, Canberra; copyright 1960 Morris Louis).
Attributed works:
25. Meditation blue, by David Aspden. 1977. Acrylic on linen, 100 by 267 cm. (Bathurst Regional Art Gallery, New South Wales).
Attributed works:
26. Painting 1972, by Milan Mrkusich. 1972. Acrylic on canvas, 172.7 by 172.7 cm. (Christchurch Art Gallery, Te Puna o Waiwhetu).
Attributed works:
27. Port of Auckland, by Ian Scott. 1974. Acrylic and enamel on canvas, 244 by 122 cm. (Collection of the artist, Auckland).
Attributed works:
28. Model series no.80 (The end of Louis), by Ian Scott. 2006. Oil and acrylic on canvas, 240 by 480 cm. (Collection of the artist, Auckland).
Western art unattributed:
21. Installation of Morris Louis exhibition, Auckland City Art Gallery, October 1971, with Gamma Upsilon (1960. Synthetic polymer paint on canvas, 260.4 by 421.6 cm.; private collection, Fort Worth, Texas) hanging in background, and Beta Nu unstretched in foreground. (Courtesy of E.H. McCormick Research Library, Auckland Art Gallery, Toi o Tamaki).
Western art unattributed:
23. Installation photograph of Morris Louis exhibition, National Gallery of Victoria, Melbourne, 1971. From the right: Turning (1958. Synthetic polymer paint on canvas, 239.4 by 452.8 cm.; Honolulu Academy of Arts), Number 82 (1961. Synthetic polymer paint on canvas, 203.2 by 254.0 cm.; Robert Elkon Gallery, New York) and Beta Nu. (Courtesy of National Gallery of Victoria, Melbourne).
Western art unattributed:
24. Andre Emmerich speaking at the opening of the Morris Louis exhibition, National Gallery of Victoria, Melbourne, 1971, with, hanging from left to right, Umbria (1959–60. Synthetic polymer paint on canvas, 188 by 264.2 cm.; estate of the artist, Washington DC) and Tense recession (1961. Synthetic polymer paint on canvas, 204.5 by 134.6 cm.; estate of the artist, Washington DC). (Courtesy of National Gallery of Victoria, Melbourne).
Exhibition Review
Modern Britain 1900-1960. Melbourne
02/2008 | 1259 | 150
Pages: 141-142
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related names
Reviewer:
Stocker, Mark (Stocker, Mark)
Subjects
dates:
2000-2009 / 1900-1969
museums and institutions:
National Gallery of Victoria, Melbourne, Australia
places:
Melbourne / Australia
print:
British art
print:
Twentieth-century art
subjects:
Reviews / Exhibitions / British painting / Modern Art / Bloomsbury Group / Furniture / British sculpture
Reviewed Items
subjects:
Modern Britain 1900–1960: Masterworks from Australian and New Zealand Collections | institution: National Gallery of Victoria
Illustrations
Attributed works:
82. The raising of Lazarus, by Walter Sickert. 1929. Oil on wallpaper on canvas, 243.5 by 91.5 cm. (Art Gallery of South Australia, Adelaide; exh. National Gallery of Victoria, Melbourne)
Attributed works:
83. Windows, by John Bratby. 1957. Oil on hardboard, 121.9 by 365.8 cm. (Auckland Art Gallery Toi o Tamaki; exh. National Gallery of Victoria, Melbourne)
Attributed works:
84. The marriage at Cana, by Winifred Knights. 1923. Canvas, 184 by 200 cm. (Museum of New Zealand Te Papa Tongarewa, Wellington; exh. National Gallery of Victoria, Melbourne)
Exhibition Review
Bertram Mackennal. Sydney and Melbourne
12/2007 | 1257 | 149
Pages: 889-890
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related names
Reviewer:
Stocker, Mark (Stocker, Mark)
Subjects
artists:
Mackennal, Bertram
dates:
2000-2009
museums and institutions:
National Gallery of Victoria, Melbourne, Australia / Art Gallery of New South Wales, Sydney, Australia
places:
Sydney / Melbourne / Australia
print:
Mackennal, Bertram
subjects:
Reviews / Exhibitions
Reviewed Items
subjects:
Bertram Mackennal | institution: Art Gallery of New South Wales , institution: National Gallery of Victoria
Illustrations
Attributed works:
102. Circe, by Bertram Mackennal. 1893. Bronze, 240 by 79.4 by 93.4 cm. (National Gallery of Victoria, Melbourne).
Attributed works:
103. War memorial for Eton College, by Bertram Mackennal. 1921–23. Bronze, 187.6 by 80.8 by 123.3 cm. (National Gallery of Victoria, Melbourne).
Exhibition Review
Australian Impressionism. Melbourne
06/2007 | 1251 | 149
Pages: 440-442
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related names
Reviewer:
Rosenthal, Michael (Rosenthal, Michael)
Subjects
dates:
2000-2009
museums and institutions:
National Gallery of Victoria, Melbourne, Australia
places:
Melbourne / Australia
print:
Australian art
print:
Impressionism
subjects:
Reviews / Exhibitions / Impressionism / Australian painting
Reviewed Items
subjects:
Australian Impressionism | institution: National Gallery of Victoria
Illustrations
Attributed works:
79. A holiday at Mentone, by Charles Conder. 1888. Canvas, 46.2 by 60.8 cm. (Art Gallery of South Australia, Adelaide; exh. National Gallery of Victoria, Melbourne).
Attributed works:
80. A break-away!, by Tom Roberts. 1891. Canvas, 137.3 by 167.8 cm. (Art Gallery of South Australia, Adelaide; exh. National Gallery of Victoria, Melbourne).
Attributed works:
81. ‘The purple noon’s transparent might’, by Arthur Streeton. 1896. Canvas, 123 by 123 cm. (National Gallery of Victoria, Melbourne).
Attributed works:
82. Spirit of the drought, by Arthur Streeton. c.1893. Oil on wood panel, 34.7 by 37.2 cm. (National Gallery of Australia, Canberra; exh. National Gallery of Victoria, Melbourne).
Book Review
Degenerates and Perverts: The 1939 Herald Exhibition of French and British Contemporary Art
10/2006 | 1243 | 148
Pages: 700-701
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related names
Reviewer:
Trumble, Angus (Trumble, Angus)
Subjects
dates:
1930-1939 / 1940-1949
places:
Australia / Adelaide / Melbourne / Sydney
print:
Twentieth-century art
subjects:
Exhibitions / British painting / British sculpture / French painting / French sculpture / Critical Reception / World War (1939-1945) / Loan of works of art
Reviewed Items
subjects:
Degenerates and Perverts: The 1939 Herald Exhibition of French and British Contemporary Art | author: Chanin, Eileen , author: Miller, Steven
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