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14 articles
Book Review
Fairweather and China
03/2023 | 1440 | 165
Pages: 348-349
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Reviewer:
Riddler, Eric (Riddler, Eric)
Subjects
artists:
Fairweather, Ian
places:
China / Australia / Brisbane
subjects:
Australian painting / Australian art / Translations
Reviewed Items
subjects:
7. Chi-tien stands on head, by Ian Fairweather. 1964. Synthetic polymer paint and gouache on cardboard on composition board, 64.8 by 99.1 cm. (TarraWarra Museum of Art, Melbourne). | :
Exhibition Review
Australia
12/2013 | 1329 | 155
Pages: 844-855
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Reviewer:
Vaizey, Marina (Vaizey, Marina)
Subjects
dates:
2010-2019
museums and institutions:
Royal Academy of Arts, London, Great Britain
places:
London / England
subjects:
Reviews / Exhibitions / Australian painting / Australia
subjects:
Australian Aboriginal
Illustrations
Attributed works:
41. Approach to Mundi Mundi, by Shaun Gladwell. Production still from a two-channel HD video (Art Gallery of New South Wales, Sydney; exh. Royal Academy of Arts, London)
Attributed works:
42. Ned Kelly, by Sidney Nolan (National Gallery of Australia, Canberra; exh. Royal Academy of Arts, London)
Attributed works:
43. Cyclone Tracy, by Rover Thomas (National Gallery of Australia, Canberra; exh. Royal Academy of Arts, London)
Exhibition Review
Australian Symbolism. Sydney
08/2012 | 1313 | 154
Pages: 601-602
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related names
Reviewer:
Dunstan, Angela (Dunstan, Angela)
Subjects
dates:
2010-2019 / 1880-1909
museums and institutions:
Art Gallery of New South Wales, Sydney, Australia
places:
Sydney / Australia
print:
Symbolism (artistic concept)
subjects:
Reviews / Exhibitions / Symbolism (artistic concept) / Australian painting / Australian sculpture / Australian
Reviewed Items
subjects:
Australian Symbolism: The Art of Dreams | institution: Art Gallery of New South Wales
Illustrations
Attributed works:
82. Orpheus, by Rupert Bunny. c.1898. Colour monotype, 24.4 by 34.8 cm. (Art Gallery of New South Wales, Sydney).
Attributed works:
83. Breton girl with goat, by Iso Rae. c.1889. Pastel on card, 47 by 17 cm. (National Gallery of Victoria, Melbourne; exh. Art Gallery of New South Wales, Sydney).
Attributed works:
84. Memories, by Charles Douglas Richardson. 1895. Painted plaster, 65 by 65 by 8 cm. (Bayside City Council, Melbourne; exh. Art Gallery of New South Wales, Sydney).
Article
Morris Louis in Australia and New Zealand
12/2009 | 1281 | 151
Pages: 832-835
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related names
Author:
Hanfling, Edward (Hanfling, Edward)
Subjects
artists:
Louis, Morris
dates:
1960-1979
museums and institutions:
National Gallery of Australia, Canberra, Australia / Auckland Art Gallery, Auckland, New Zealand / Honolulu Academy of Arts, Honolulu, United States / National Gallery of Victoria, Melbourne, Australia / Santa Barbara Museum of Art, Santa Barbara, United States
places:
Auckland / Canberra / Melbourne / Santa Barbara / United States / New Zealand / Australia
places:
Hawaii / Honolulu
print:
Louis, Morris
subjects:
Exhibitions / Collections, Public / Acquisitions / Critical Reception / American painting (United States of America) / Abstract art / Reviews / Australian painting
Illustrations
Attributed works:
22. Beta Nu, by Morris Louis. 1960. Synthetic polymer paint on unprimed canvas, 259.1 by 701 cm. (National Gallery of Australia, Canberra; copyright 1960 Morris Louis).
Attributed works:
25. Meditation blue, by David Aspden. 1977. Acrylic on linen, 100 by 267 cm. (Bathurst Regional Art Gallery, New South Wales).
Attributed works:
26. Painting 1972, by Milan Mrkusich. 1972. Acrylic on canvas, 172.7 by 172.7 cm. (Christchurch Art Gallery, Te Puna o Waiwhetu).
Attributed works:
27. Port of Auckland, by Ian Scott. 1974. Acrylic and enamel on canvas, 244 by 122 cm. (Collection of the artist, Auckland).
Attributed works:
28. Model series no.80 (The end of Louis), by Ian Scott. 2006. Oil and acrylic on canvas, 240 by 480 cm. (Collection of the artist, Auckland).
Western art unattributed:
21. Installation of Morris Louis exhibition, Auckland City Art Gallery, October 1971, with Gamma Upsilon (1960. Synthetic polymer paint on canvas, 260.4 by 421.6 cm.; private collection, Fort Worth, Texas) hanging in background, and Beta Nu unstretched in foreground. (Courtesy of E.H. McCormick Research Library, Auckland Art Gallery, Toi o Tamaki).
Western art unattributed:
23. Installation photograph of Morris Louis exhibition, National Gallery of Victoria, Melbourne, 1971. From the right: Turning (1958. Synthetic polymer paint on canvas, 239.4 by 452.8 cm.; Honolulu Academy of Arts), Number 82 (1961. Synthetic polymer paint on canvas, 203.2 by 254.0 cm.; Robert Elkon Gallery, New York) and Beta Nu. (Courtesy of National Gallery of Victoria, Melbourne).
Western art unattributed:
24. Andre Emmerich speaking at the opening of the Morris Louis exhibition, National Gallery of Victoria, Melbourne, 1971, with, hanging from left to right, Umbria (1959–60. Synthetic polymer paint on canvas, 188 by 264.2 cm.; estate of the artist, Washington DC) and Tense recession (1961. Synthetic polymer paint on canvas, 204.5 by 134.6 cm.; estate of the artist, Washington DC). (Courtesy of National Gallery of Victoria, Melbourne).
Exhibition Review
Australian Impressionism. Melbourne
06/2007 | 1251 | 149
Pages: 440-442
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related names
Reviewer:
Rosenthal, Michael (Rosenthal, Michael)
Subjects
dates:
2000-2009
museums and institutions:
National Gallery of Victoria, Melbourne, Australia
places:
Melbourne / Australia
print:
Australian art
print:
Impressionism
subjects:
Reviews / Exhibitions / Impressionism / Australian painting
Reviewed Items
subjects:
Australian Impressionism | institution: National Gallery of Victoria
Illustrations
Attributed works:
79. A holiday at Mentone, by Charles Conder. 1888. Canvas, 46.2 by 60.8 cm. (Art Gallery of South Australia, Adelaide; exh. National Gallery of Victoria, Melbourne).
Attributed works:
80. A break-away!, by Tom Roberts. 1891. Canvas, 137.3 by 167.8 cm. (Art Gallery of South Australia, Adelaide; exh. National Gallery of Victoria, Melbourne).
Attributed works:
81. ‘The purple noon’s transparent might’, by Arthur Streeton. 1896. Canvas, 123 by 123 cm. (National Gallery of Victoria, Melbourne).
Attributed works:
82. Spirit of the drought, by Arthur Streeton. c.1893. Oil on wood panel, 34.7 by 37.2 cm. (National Gallery of Australia, Canberra; exh. National Gallery of Victoria, Melbourne).
Exhibition Review
Aboriginal art. Darwin
11/2006 | 1244 | 148
Pages: 799-800
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related names
Reviewer:
Sturgis, Matthew (Sturgis, Matthew)
Subjects
dates:
2000-2009
museums and institutions:
Museum and Art Gallery of the Northern Territory, Darwin, Australia
places:
Australia / Darwin
print:
Australian art
subjects:
Reviews / Exhibitions / Australian Aboriginal / Australian painting / Art
Reviewed Items
subjects:
23rd Telstra National Aboriginal and Torres Strait Islander Art Award | institution: Museum and Art Gallery of the Northern Territory
Illustrations
Attributed works:
72. Swamps west of Nyirripi, by Ngoia Napaltjarri Pollard. 2006. Synthetic polymer paint on linen, 150 by 210 cm. (Exh. Museum and Art Gallery of the Northern Territory, Darwin).
Attributed works:
73. The witch doctor and the windmill, by Linda Syddick Napaltjarri. 2006. Synthetic polymer paint on linen, 183 by 121 cm. (Exh. Museum and Art Gallery of the Northern Territory, Darwin).
Attributed works:
74. Gungura (Wind dreaming with Goanna Track), by Samuel Namunjdja. 2006. Natural pigments on bark, 167 by 64 cm. (Exh. Museum and Art Gallery of the Northern Territory, Darwin).
Exhibition Review
Australian and American Landscapes. Canberra, Melbourne and Hartford
08/1998 | 1145 | 140
Pages: 584-587
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related names
Reviewer:
Brown, David Blayney (Brown, David Blayney; Brown, David)
Subjects
dates:
1990-1999
museums and institutions:
Wadsworth Atheneum, Hartford, United States
museums and institutions:
National Gallery of Victoria, Melbourne, Australia
museums and institutions:
National Gallery of Australia, Canberra, Australia
places:
Australia / Melbourne / United States / Hartford
places:
Canberra
subjects:
Australian painting / American painting (United States of America) / Exhibitions / Reviews
Illustrations
Attributed works:
86. View of Malay Road from Pobassoo's Island, February 1803, by William Westall. 1811. 61 by 86.5 cm. (National Maritime Museum, Greenwich; Exh. National Gallery of Victoria, Melbourne).
Attributed works:
87. The Bath of Diana, Van Diemen's Land, by John Glover. 1837. 76 by 114 cm. (National Gallery of Australia, Canberra; Exh. National Gallery of Victoria, Melbourne).
Attributed works:
88. North-East View from the Northern Top of Mount Kosciusko, by Eugene von Guérard. c.1863. 66.5 by 116.8 cm. (National Gallery of Australia, Canberra; Exh. National Gallery of Victoria, Melbourne).
Attributed works:
89. A Break Away! By Tom Roberts. 1891. 137 by 168 cm. (Art Gallery of South Australia, Adelaide; To Be Exhibited at Wadsworth Atheneum, Hartford).
Attributed works:
90. Fight for the Water Hole, by Frederick Remington. c. 1903. 69.2 by 102 cm. (Museum of Fine Arts, Houston; Exh. National Gallery of Victoria, Melbourne).
Publication Received
Australian Art
04/1995 | 1105 | 137
Pages: 260
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Subjects
subjects:
Australian painting
Exhibition Review
Angry Penguins. London, Hayward Gallery
08/1988 | 1025 | 130
Pages: 644-645
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related names
Reviewer:
Hyman, Timothy (Hyman, Timothy)
Subjects
dates:
1980-1989
museums and institutions:
Hayward Gallery, London, Great Britain
places:
England / London
subjects:
Exhibitions / Reviews / Australian painting / Modern Art
Illustrations
Attributed works:
68. Image of Modern Evil: Spring in Fitzroy, by Albert Tucker. 1943-44. 58.4 by 69cm. (Australian National Gallery, Canberra; Exh. Hayward Gallery, London).
Attributed works:
69. The Baths, by Arthur Boyd. 1943. Cotton Gauze on Cardboard, 62.5 by 76cm. (Australian National Gallery, Canberra; Exh. Hayward Gallery, London).
Attributed works:
70. The Trial, by Sidney Nolan. Enamel on Composition Board, 90.7 by 121.2cm. (Australian National Gallery, Canberra; Exh. Hayward Gallery, London).
Exhibition Review
Stories of Australian Art. London and Lincoln
06/1988 | 1023 | 130
Pages: 483-485
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related names
Reviewer:
Sweeney, Patrick (Sweeney, Patrick)
Subjects
dates:
1980-1989
museums and institutions:
Commonwealth Institute, London, Great Britain
places:
England / London
subjects:
Exhibitions / Reviews / Australian painting
Illustrations
Attributed works:
81. A Corroboree of Natives, by John Glover. 1840. 77 by 114.5 cm. (Musée du Louvre, Paris; Exh. Commonwealth Institute).
Attributed works:
82. Narcissus in a Cave with Orange Tree and Bird, by Arthur Boyd. c.1976. 152 by 122 cm. (Collection Edward and John Ness Barkes, Sydney; Exh. Commonwealth Institute).
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