museums and institutions:
Attributed works:
1. Detail of Fig.3, showing Venus.
Attributed works:
10. Venus and Mercury present Eros and Anteros to Jupiter, by
the studio of Paolo Veronese. 1565. Brown ink with highlights in
white, and grey-brown wash with brush on paper, 31.2 by 42.7 cm.
(Musée du Louvre, Paris)
Attributed works:
11. Megara, the third wife of Hercules, begging to save the life of their
last son in the face of her husband’s madness, by Paolo Veronese. 1570s.
Oil on canvas, 105 by 153 cm. (Museo Nacional del Prado, Madrid).
Attributed works:
12. Detail of Fig.3, showing the Palladian building in the background.
Attributed works:
13. Palazzi Mocenigi a S. Samuele, by Luca Carlevarijs. 1703. Etching,
20.9 by 20.2 cm. (From L. Carlevaris: Le fabriche e vedute di Venetia;
British Museum, London).
Attributed works:
14. The Villa Mocenigo on the Brenta. Woodcut. 1570. (From A. Palladio:
I Quattro Libri, Venice 1570, II, p.66).
Attributed works:
2. Detail of Fig.3, showing Minerva, Juno and Mocenigo.
Attributed works:
3. Mocenigo deciding between the active and contemplative life, here
attributed to Paolo Veronese and dated c.1572. Oil on canvas, 134 by
204.5 cm. (National Gallery of Victoria, Melbourne).
Attributed works:
5. Charity, by Maarten Peters after Francesco Primaticcio. c.1560.
Engraving, 23.9 by 16.6 cm. (Bibliothèque Nationale de France, Paris).
Attributed works:
6. Ars naturam adiuvans (‘Art is safe against the power of fortune’),
emblem of Mercury and Fortuna. (From A. Alciati: Emblemata, Lyon
1550, no.XCVIII).
Attributed works:
7. A young patrician from the Sanudo family choosing Virtue rather
than Vice, by Paolo Veronese. c.1560. Oil on canvas, 102 by 153 cm.
(Museo Nacional del Prado, Madrid).
Attributed works:
8. The choice between Virtue and Vice, by Paolo Veronese. c.1565.
Oil on canvas, 219 by 169.5 cm. (Frick Collection, New York).
Attributed works:
9. Venus and Mercury present Eros and Anteros to Jupiter,
by Paolo Veronese. 1565. Oil on canvas, 150 by 243 cm. (Gallerie
degli Uffizi, Florence).
Western art unattributed:
4. Charity, by an artist from the School of Fontainebleau (formerly
attributed to Francesco Primaticcio). c.1560. Panel transferred to
canvas, 147 by 96.5 cm. (Musée du Louvre, Paris)
