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17 articles
Book Review
David Jones and the Craft of Theology: Becoming Beauty
07/2022 | 1432 | 164
Pages: 728-729
related names
Reviewer:
Lepine, Ayla (Lepine, Ayla)
Subjects
Reviewed Items
subjects:
David Jones and the Craft of Theology: Becoming Beauty By Elizabeth R. Powell. 168 pp. incl. 2 b. & w. ills. (Bloomsbury, London, 2020), £28.99. ISBN 978–0–567–69165–1. | :
Illustrations
Attributed works:
6. Quia per Incarnati, by David Jones. c.1953. Watercolour and graphite on paper, 50 by 38 cm. (Kettle’s Yard, Cambridge).
Book Review
David Jones: Engraver, Soldier, Painter, Poet. By Thomas Dilworth
01/2019 | 1390 | 161
Pages: 95-96
related names
Reviewer:
James, Merlin (James, Merlin; James, Merlin Ingli; Ingli James, Merlin; J., M.)
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dates:
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Article
David Jones's 'Self-Portrait' (1928)
01/2017 | 1366 | 159
Pages: 36-37
related names
Author:
Dilworth, Thomas (Dilworth, Thomas)
Subjects
dates:
Illustrations
Attributed works:
36. Self-portrait, by David Jones. 1928 (Art Gallery of New South Wales, Sydney)
Western art unattributed:
35. David Jones's passport photograph. 1928 (National Library of Wales, Aberystwyth)
Exhibition Review
David Jones
02/2016 | 1355 | 158
Pages: 146-148
related names
Reviewer:
Vaizey, Marina (Vaizey, Marina)
Subjects
dates:
subjects:
Illustrations
Attributed works:
79. Elephant, by David Jones. 1928 (National Museum of Wales, Cardiff; exh. Ditchling Museum of Art + Craft)
Attributed works:
80. The artist's worktable, by David Jones. 1929 (Private collection; exh. Pallant House Gallery, Chichester)
Attributed works:
81. Flora in calix light, by David Jones. 1950 (Kettle's Yard, University of Cambridge; exh. Pallant House Gallery, Chichester)
Article
David Jones and the making of ‘Trystan ac Essyllt’ (1963)
03/2009 | 1272 | 151
Pages: 163-168
related names
Author:
Dilworth, Thomas (Dilworth, Thomas)
Subjects
dates:
Illustrations
Attributed works:
34. The Lea Shore, by David Jones. 1959. Pencil, watercolour and gouache, 62.2 by 49.5 cm. (Private collection).
Attributed works:
35. Trystan ac Essyllt, by David Jones. 1963. Pencil, watercolour and gouache, 77.5 by 57.1 cm. (National Museum and Galleries of Wales, Cardiff).
Attributed works:
36. The Satin Slipper, by David Jones. 1931. Pen and ink, watercolour and gouache, 26 by 19.5 cm. (Metropolitan Museum of Art, New York).
Attributed works:
37. Trystan ac Essyllt (first version), by David Jones. 1960. Pencil, watercolour and gouache, 75.6 by 55.9 cm. (National Museum and Galleries of Wales, Cardiff).
Attributed works:
38. The whale (from the Book of Jonah), by David Jones. 1926. Wood engraving, 10.5 by 12.2 cm.
Attributed works:
39. Frontispiece to In Parenthesis, by David Jones. 1936. Pencil, ink, watercolour and gouache, 15 by 11 cm. (National Museum and Galleries of Wales, Cardiff).
Attributed works:
40. ‘Cuer’ and ‘Désir’ embark for the land of the ‘ospital d’amours’, attributed to Barthélemy d’Eyck. France, c.1460. From Le livre du Cœur d’Amour. Illuminated manuscript. (National Library, Vienna; cod.2597).
Attributed works:
41. The bear, by David Jones. 1903. Pencil, 50 by 26.5 cm. (Private collection).
Article
Letters from David Jones to Kenneth Clark
04/2000 | 1165 | 142
Pages: 215-225
related names
Author:
Dilworth, Thomas (Dilworth, Thomas)
Subjects
art literature:
dates:
places:
Illustrations
Attributed works:
16. Petra im Rosenhag, by David Jones. 1931. Water-Colour, Pencil and Gouache, 76.2 by 56 cm. (National Museum and Galleries of Wales, Cardiff).
Attributed works:
17. Tristan ac Essyllt, by David Jones. 1963. Pencil, Water-Colour and Gouache, 77.5 by 57.1 cm. (National Museum and Galleries of Wales, Cardiff).
Attributed works:
18. Tristan ac Essyllt, by David Jones. 1963. Pencil, Water-Colour and Gouache, 75.6 by 55.9 cm. (National Museum and Galleries of Wales, Cardiff).
Attributed works:
19. The Pheasant, by Walter Sickert. c. 1919. 103.5 by 57.1 cm. (William Bowmore Collection, Art Gallery of South Australia, Adelaide).
Attributed works:
20. The Conspiracy of the Batavians under Claudius Civilis, by Rembrandt. 196 by 309 cm. (Nationalmuseum, Stockholm).
Attributed works:
21. 'Cuer' and 'Désir' Embark for the Land of the 'Ospital d'amours', Attributed to Barthélemy d'Eyck, from Le Livre du coeur d'amour espris. Illuminated Manuscript (National Library, Vienna, cod. 2597).
Book Review
[David Jones]
04/1996 | 1117 | 138
Pages: 261-262
related names
Reviewer:
Garlake, Margaret (Garlake, Margaret)
Subjects
Reviewed Items
artists:
David Jones 1895-1974. A Map of the Artist\'s Mind | author: James, Merlin
artists:
David Jones. A Fusilier at the Front | editor: Hyne, Anthony
artists:
David Jones. The Maker Unmade | author: Hyne, Anthony , author: James, Merlin , author: Miles, Jonathan , author: Shiel, Derek
Book Review
The Paintings of David Jones
11/1989 | 1040 | 131
Pages: 790-791
related names
Reviewer:
James, Merlin (James, Merlin; James, Merlin Ingli; Ingli James, Merlin; J., M.)
Subjects
dates:
places:
subjects:
Reviewed Items
subjects:
The Paintings of David Jones | author: Gray, Nicolete , author: Jones, David
Exhibition Review
David Jones (1895-1974). London and Cambridge
06/1989 | 1035 | 131
Pages: 438-439
related names
Reviewer:
James, Merlin (James, Merlin; James, Merlin Ingli; Ingli James, Merlin; J., M.)
Subjects
dates:
places:
subjects:
Illustrations
Attributed works:
62. Sussex Haven, by David Jones. 1927. Water-Colour and Pencil on Paper, 38.5 by 56.7 cm. (Exh. Austin/Desmond Fine Art, London).
Attributed works:
63. Epiphany, by David Jones. 1941. Pencil, Ink and Water-Colour on Paper, 30.5 by 24.5 cm. (Imperial War Museum, London; Exh. Kettle's Yard, Cambridge).
Attributed works:
64. The Dog on the Sofa, by David Jones. 1926. Pencil and Water-Colour on Paper, 53.3 by 38.1 cm. (National Museum of Wales, Cardiff; Exh. Kettle's Yard, Cambridge).
Exhibition Review
London. David Jones and Ceri Richards at the Tate Gallery
09/1981 | 942 | 123
Pages: 565+567-568
related names
Reviewer:
Griffiths, John (Griffiths, John)
Subjects
artists:
dates:
museums and institutions:
places:
subjects:
Illustrations
Attributed works:
79. The Garden Enclosed, by David Jones. 1924. 35.6 by 29.8 cm (Tate Gallery).
Attributed works:
80. Illustration to the Arthurian Legend: The Four Queens find Lancelot Sleeping, by David Jones. 1941. 62.9 by 49.5 cm. (Tate Gallery).
Attributed works:
81. Two Females, by Ceri Richards. 1937-38. 160 by 116.8 cm. (Tate Gallery).
Attributed works:
82. La Cathédrale Engloutie (Blue Swirl), by Ceri Richards. 1960. 30 by 30.4 cm. (Rhiannon Gooding; Exh. Tate Gallery).
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