• MENU
logo logo white logo sticky

Burlington Contemporary is the Burlington Magazine’s free online platform for reviews and research on international contemporary art.

Want to continue reading? Get 1 month digital access for only .

Subscribe now
By using this website you agree to our Cookie policy
  • MENU
logo logo white logo sticky

Search

content
A TO Z
clear all
13 articles
Exhibition Review
Modern sculpture. Yorkshire
08/2017 | 1373 | 159
Pages: 658-659
Subscribe to read
related names
Reviewer:
Vernon, Jonathan (Vernon, Jonathan ; V., J.)
Subjects
artists:
Cragg, Tony / Armitage, Kenneth
dates:
2010-2019
museums and institutions:
Stanley and Audrey Burton Gallery, University of Leeds, Leeds, Great Britain / Yorkshire Sculpture Park, West Bretton, Wakefield, Great Britain / Djanogly Art Gallery, Nottingham, Great Britain
places:
West Bretton / Wakefield / Nottingham / Leeds / England
subjects:
Reviews / Exhibitions / British sculpture
subjects:
Sculpture / Modern Art
subjects:
Open air exhibitions
Illustrations
Attributed works:
66. People in the wind, by Kenneth Armitage. 1950 (Victoria Art Gallery, Bath; exh. Stanley & Audrey Burton Gallery, University of Leeds)
Attributed works:
67. Points of view, by Tony Cragg. 2013 (Courtesy the artist; exh. Yorkshire Sculpture Park)
Attributed works:
68. Installation view of Kaleidoscope: Colour and Sequence in 1960s British Art at the Longside Gallery, Yorkshire Sculpture Park, showing Thebes (1966; Arts Council Collection), by William Tucker (foreground) and Quinquereme (1966; Arts Council Collection), by Tim Scott (upper right)
Exhibition Review
Victor Pasmore. Nottingham and Chichester
06/2017 | 1371 | 159
Pages: 497-498
Subscribe to read
related names
Reviewer:
Smith, Rachel (Smith, Rachel)
Subjects
artists:
Pasmore, Victor
dates:
2010-2019
museums and institutions:
Pallant House Gallery, Chichester, Great Britain / Djanogly Art Gallery, Nottingham, Great Britain
places:
Nottingham / England / Cambridge
subjects:
Reviews / Exhibitions
Illustrations
Attributed works:
56. Triangular motif in pink and yellow, by Victor Pasmore. 1949 (Ferens Art Gallery, Hull; exh. Pallant House Gallery, Chichester)
Attributed works:
57. Spiral motif in green, violet, blue and gold: the coast of the inland sea, by Victor Pasmore. 1950 (Tate, London; exh. Pallant House Gallery, Chichester)
Exhibition Review
Winifred Nicholson. Middlesbrough, Nottingham and Falmouth
05/2017 | 1370 | 159
Pages: 417-418
Subscribe to read
related names
Reviewer:
Collins, Judith (Collins, Judith)
Subjects
artists:
Nicholson, Winifred
dates:
2010-2019
museums and institutions:
Djanogly Art Gallery, Nottingham, Great Britain / Middlesbrough Institute of Modern Art, Middlesbrough, Great Britain
museums and institutions:
Falmouth Art Gallery, Falmouth, Great Britain
places:
Nottingham / Middlesbrough / Falmouth / England
subjects:
Reviews / Exhibitions
Illustrations
Attributed works:
65. Polyanthus and cineraria, by Winifred Nicholson. 1923 (Private collection; exh. Djanogly Gallery, Nottingham)
Attributed works:
66. Outward and Inward, by Winifred Nicholson. 1936 (Private collection; exh. Djanogly Gallery, Nottingham)
Exhibition Review
Elisabeth Frink
03/2016 | 1356 | 158
Pages: 219-220
Subscribe to read
related names
Reviewer:
Collins, Judith (Collins, Judith)
Subjects
artists:
Frink, Elisabeth
dates:
2010-2019
museums and institutions:
Djanogly Art Gallery, Nottingham, Great Britain
places:
Nottingham / England
subjects:
Reviews / Exhibitions
Illustrations
Attributed works:
70. Installation view of Elisabeth Frink: the Presence of Sculpture, Djanogly Gallery, Nottingham, 2015-16
Attributed works:
71. Installation view showing the mock-up of Elisabeth Frink's Woolland studio, recreated in Elisabeth Frink: the Presence of Sculpture, Djanogly Gallery, Nottingham, 2015-16
Attributed works:
72. Walking Madonna, in situ at Salisbury Cathedral, by Elisabeth Frink. 1981 (Elisabeth Frink Estate)
Exhibition Review
David Jones
02/2016 | 1355 | 158
Pages: 146-148
Subscribe to read
related names
Reviewer:
Vaizey, Marina (Vaizey, Marina)
Subjects
artists:
Jones, David, 1895-1974
dates:
2010-2019
museums and institutions:
Pallant House Gallery, Chichester, Great Britain / Djanogly Art Gallery, Nottingham, Great Britain / Ditchling Museum of Art + Craft, Ditchling, E. Sussex, Great Britain
places:
Chichester / Ditchling / Nottingham / England
subjects:
Reviews / Exhibitions
Illustrations
Attributed works:
79. Elephant, by David Jones. 1928 (National Museum of Wales, Cardiff; exh. Ditchling Museum of Art + Craft)
Attributed works:
80. The artist's worktable, by David Jones. 1929 (Private collection; exh. Pallant House Gallery, Chichester)
Attributed works:
81. Flora in calix light, by David Jones. 1950 (Kettle's Yard, University of Cambridge; exh. Pallant House Gallery, Chichester)
Exhibition Review
Edward Burra. Chichester and Nottingham
07/2012 | 1312 | 154
Pages: 510-511
Subscribe to read
related names
Reviewer:
Shone, Richard (Shone, Richard; S., R.; Shone, Richard)
Subjects
artists:
Burra, Edward
dates:
2010-2019
museums and institutions:
Djanogly Art Gallery, Nottingham, Great Britain / Pallant House Gallery, Chichester, Great Britain
places:
Nottingham / Chichester / England
print:
Burra, Edward
subjects:
Reviews / Exhibitions
Reviewed Items
subjects:
Edward Burra | institution: Djanogly Art Gallery , institution: Pallant House Gallery
Illustrations
Attributed works:
46. Soldiers’ backs, by Edward Burra. 1942–43. Watercolour on paper, 110.5 by 114.3 cm. (Towner, Eastbourne; exh. Djanogly Art Gallery, Nottingham).
Attributed works:
47. Harlem theatre, by Edward Burra. 1933. Watercolour on paper, 56.5 by 56 cm. (Private collection, courtesy of Mayor Gallery, London; exh. Djanogly Art Gallery, Nottingham).
Attributed works:
48. Marriage à la mode, by Edward Burra. 1928–29. Watercolour on paper, 62.2 by 50.8 cm. (Lefevre Fine Art, London; exh. Djanogly Art Gallery, Nottingham).
Exhibition Review
American prints 1910–60
09/2008 | 1266 | 150
Pages: 626-627
Subscribe to read
related names
Reviewer:
Hopkinson, Martin (Hopkinson, Martin; Hopkinson, Martin)
Subjects
dates:
1910-1919 / 1920-1929 / 1930-1939 / 1940-1949 / 1940-1959 / 2000-2009
museums and institutions:
British Museum, Dept. of Prints and Drawings, London, Great Britain
museums and institutions:
Djanogly Art Gallery, Nottingham, Great Britain / Brighton Museum and Art Gallery, Brighton, Great Britain / Whitworth Art Gallery, Manchester, Great Britain
places:
England / London
places:
Nottingham / Manchester / Brighton
print:
Printmaking
print:
American art
print:
Twentieth-century art
subjects:
Reviews / Exhibitions / Printmaking / American (United States of America) / Prints
Reviewed Items
subjects:
The American Scene. Prints from Hopper to Pollock | institution: Brighton Museum and Art Gallery , institution: British Museum , institution: Djanogly Art Gallery , institution: Whitworth Art Gallery
Illustrations
Attributed works:
57. Hell Gate Bridge, by Werner Drewes. 1931. Woodcut, 40.5 by 29.3 cm. (British Museum, London).
Attributed works:
58. Share croppers, by Robert Gwathmey. 1944. Colour screenprint, 36.9 by 30.2 cm. (British Museum, London).
Attributed works:
59. Panic, by John Ward McClellan. 1937. Lithograph, 37.6 by 49.6 cm. (British Museum, London).
Exhibition Review
Twentieth-century British art. Norwich, Sheffield, Chichester and Bath
05/2007 | 1250 | 149
Pages: 345-347
Subscribe to read
related names
Reviewer:
Beechey, James (Beechey, James)
Subjects
artists:
Knight, Laura / Gaudier-Brzeska, Henri / Roberts, William, 1895-1980 / Vaughan, Keith
dates:
2000-2009
museums and institutions:
Djanogly Art Gallery, Nottingham, Great Britain / Laing Art Gallery, Newcastle upon Tyne, Great Britain / Norwich Castle Museum and Art Gallery, Norwich, Great Britain / Kettle's Yard Gallery, Cambridge, Great Britain / Graves Art Gallery, Sheffield, Great Britain / Pallant House Gallery, Chichester, Great Britain / Victoria Art Gallery, Bath, Great Britain
places:
Bath / Cambridge / Chichester / England / Newcastle-upon-Tyne / Nottingham / Norwich / Sheffield
print:
British art
print:
Twentieth-century art
subjects:
Reviews / Exhibitions
Reviewed Items
subjects:
From Victorian to Modern. Innovation and Tradition in the Work of Vanessa Bell, Gwen John and Laura Knight | institution: Norwich Castle Museum and Art Gallery
subjects:
Keith Vaughan: Figure and Landscape | institution: Victoria Art Gallery
subjects:
WE the moderns: Gaudier-Brzeska and the birth of modern sculpture | institution: Graves Art Gallery
subjects:
William Roberts: England at Play | institution: Pallant House Gallery
Illustrations
Attributed works:
44. The beach, by Laura Knight. 1909. Canvas, 127.6 by 153.2 cm. (Laing Art Gallery, Newcastle-upon-Tyne; exh. Castle Museum, Norwich).
Attributed works:
45. Studland beach (The bathers), by Vanessa Bell. 1911–12. Oil on board, 63.5 by 76.2 cm. (Private collection; exh. Castle Museum, Norwich).
Attributed works:
46. Seated woman, by Henri Gaudier-Brzeska. 1914. Marble, 47 by 34.5 by 28 cm. (Musée national d’art moderne, Centre Georges Pompidou, Paris; exh. Graves Art Gallery, Sheffield).
Attributed works:
47. Woman combing her hair, by Pablo Picasso. 1906. Crayon and charcoal on paper, 55.5 by 40 cm. (Robert and Lisa Sainsbury Collection, University of East Anglia, Norwich; exh. Graves Art Gallery, Sheffield).
Attributed works:
48. The cinema, by William Roberts. 1920. Canvas 91.4 by 72.6 cm. (Tate, London; exh. Pallant House Gallery, Chichester).
Attributed works:
49. Finistère, group of fishermen, by Keith Vaughan. 1951. Oil on board, 91.4 by 71.1 cm. (Private collection; exh. Victoria Art Gallery, Bath).
Exhibition Review
Graham Sutherland. London and Nottingham
09/2005 | 1230 | 147
Pages: 630-631
Subscribe to read
related names
Reviewer:
Farr, Dennis (Farr, Dennis; Farr, Dennis Larry Ashwell; F., D. L. A.)
Subjects
artists:
Sutherland, Graham
dates:
2000-2009
museums and institutions:
Dulwich Picture Gallery, London, Great Britain / Djanogly Art Gallery, Nottingham, Great Britain
places:
England / London / Nottingham
print:
Sutherland, Graham
subjects:
Reviews / Exhibitions
Reviewed Items
subjects:
Graham Sutherland. Landscapes, War Scenes, Paintings 1924-1950 | institution: Djanogly Art Gallery , institution: Dulwich Picture Gallery
Illustrations
Attributed works:
58. Red landscape, by Graham Sutherland. 1942. 68 by 99.8 cm. (Southampton City Art Gallery; exh. Dulwich Picture Gallery, London).
Attributed works:
59. Devastation 1941: An East End street, by Graham Sutherland. 1941. Crayon, gouache, pen and ink, pencil and watercolour, 64.8 by 113.7 cm. (Tate London; exh. Dulwich Picture Gallery, London).
Attributed works:
60. Thorn tree, by Graham Sutherland. 1945-46. 127 by 101.5 cm. (British Council; exh. Dulwich Picture Gallery, London).
Exhibition Review
Drawing in Florence, c.1600. Oxford, London and Nottingham
05/2004 | 1214 | 146
Pages: 345-347
Subscribe to read
related names
Reviewer:
Ekserdjian, David (Ekserdjian, David; E., D.)
Subjects
dates:
1600-1649 / 2000-2009
museums and institutions:
Djanogly Art Gallery, Nottingham, Great Britain
places:
England / Nottingham
print:
Italian drawing
subjects:
Exhibitions / Italian painting / Drawings
Reviewed Items
subjects:
Graceful and True: Drawing in Florence c.1600 | institution: Ashmolean Museum , institution: Colnaghi and Obach Gallery , institution: Djanogly Art Gallery
Illustrations
Attributed works:
68. The punishment of the lustful, by Federico Zuccari. 1576-79. Pen and brown ink over black chalk with brown and pink washes, 50.7 by 75.3 cm. (British Museum, London; exh. Djanogly Art Gallery, Nottingham).
Attributed works:
69. Dante watching the sunrise in the dark forest, by Jacopo Ligozzi. 1587. Pen and brown ink with brown wash and white heightening on brown-tinted paper, 20.1 by 27.5 cm. (Christ Church, Oxford; exh. Djanogly Art Gallery, Nottingham).
Attributed works:
70. An artist painting, by Jacopo da Empoli. 1620s or 1630s. Red chalk, 39 by 21.4 cm. (Ashmolean Museum, Oxford; exh. Djanogly Art Gallery, Nottingham).
Attributed works:
71. Studies for the flight into Egypt, here attributed to Joseph Heintz. 1590s or 1600s. Black and red chalks with white heightening. 27 by 21.2 cm. (Courtauld Institute Galleries, London; exh. Djanogly Art Gallery, Nottingham).
next
load more