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24 articles
Article
An unusual gift of Russian prints to the British Museum in 1926
06/2017 | 1371 | 159
Pages: 453-459
related names
Author:
Mardilovich, Galina (Mardilovich, Galina)
Subjects
artists:
dates:
subjects:
Illustrations
Attributed works:
10. The jetty, Sennan Cove, by John Edgar Platt. 1922 (Pushkin State Museum of Fine Arts, Moscow)
Attributed works:
11. Florence, by Konstantin Kostenko. 1913 (British Museum, London)
Attributed works:
12. St Sebastian, by Ignati Nivinskii. 1915 (British Museum, London)
Attributed works:
13. St Petersburg: ruins and renaissance, the Palace Embankment in 1921, by Pavel Shillingovskii. 1923 (British Museum, London)
Attributed works:
14. Boul'Mich, by Elizaveta Kruglikova. 1914 (British Museum, London)
Attributed works:
15. The overflowing of the Volga, by Vadim Falileev. 1916 (State Russian Museum, St Petersburg)
Attributed works:
7. Illustration to Nikolai Gogol's The Portrait, by Aleksei Kravchenko, 1924 (British Museum, London)
Attributed works:
8. Landscape with pyramids, by Konstantin Bogaevskii. 1922 (British Museum, London)
Attributed works:
9. Hanging garden, by Paul Nash. 1924 (Pushkin State Museum of Fine Arts, Moscow)
Book Review
Avant-Garde Museology. Edited by Arseny Zhilyaev
03/2017 | 1368 | 159
Pages: 228-229
related names
Reviewer:
Blood, Anne (Blood, Anne)
Subjects
subjects:
Exhibition Review
Soviet film and photography
12/2015 | 1353 | 157
Pages: 882-883
related names
Reviewer:
Blood, Anne (Blood, Anne)
Subjects
dates:
Illustrations
Attributed works:
80. Girl with a Leica (Portrait of Evgeniya Lemberg), by Alexander Rodchenko. 1933 (J. Paul Getty Museum, Los Angeles; exh. Jewish Museum, New York)
Attributed works:
81. Cover of Ogonyok, no.46, by Arkady Shaikhet. 1928 (Larry Zeman and Howard Garfinkel, Productive Arts, Bratenahl, Ohio; exh. Jewish Museum, New York)
Attributed works:
82. Komsomol member at the wheel, by Arkady Shaikhet. 1929 (Museum of Fine Arts, Houston; exh. Jewish Museum, New York)
Book Review
Koretsky: The Soviet Poster: 1930–1984, E. Wolf
02/2014 | 1331 | 156
Pages: 117-118
related names
Reviewer:
Lodder, Christina (Lodder, Christina; L., C.; Lodder, Christina A.)
Subjects
artists:
Article
The Russian section of the ‘Machine-Age Exposition’ (1927)
10/2012 | 1315 | 154
Pages: 694-700
related names
Author:
Blood, Anne (Blood, Anne)
Subjects
art literature:
dates:
museums and institutions:
subjects:
Illustrations
Attributed works:
22. Cover of The Little Review, Supplement: Machine-Age Exposition, by Fernand Léger. 1927. (Archives of the Museum of Modern Art, New York).
Attributed works:
23. Front and back cover of The Little Review, Special Theatre Number: International Theatre Exposition, by Frederick Kiesler. 1926. 20.3 by 25.4 cm. (National Art Library, Victoria and Albert Museum, London).
Attributed works:
28. Electro-Physical Laboratory, Lefortovo, Moscow, by Ivan Sergeevich Nicolaev and Anatoly Stepanovich Fisenko. 1927. Photograph from H.R. Hitchcock and P. Johnson: The International Style, New York 1932, p. 237.
Attributed works:
29. First version of a Garage for 1,000 automobiles, by Konstantin Melnikov. 1925. Drawings. (Private collection).
Attributed works:
30. Machine-Age Exposition catalogue, 1927, pp. 34-35, showing Constructed torso, by Naum Gabo (top right), and a costume design by Alexandra Exter (bottom left).
Attributed works:
32b. S.O. Khan-Magomedov: Pioneers of Soviet Architecture: The Search for New Solutions in the 1920s and 1930s, London, 1987, p. 229.
Western art unattributed:
24. Installation view of the International Theatre Exposition, Steinway Hall, New York, 1926.
Western art unattributed:
25. Installation view of the Internationale Ausstellung neuer Theatertechnik, Vienna. 1924. (Courtesy of Frederick and Lilian Kiesler Foundation, Vienna).
Western art unattributed:
26. Installation view of the Russian section at the International Theatre Exposition, Steinway Hall, New York, 1926.
Western art unattributed:
27. Installation view of the Russian section at the International Theatre Exposition, Steinway Hall, New York, 1926.
Western art unattributed:
31. Installation view of the 'Constructivist Room' from the First Exhibition of Modern Architecture, Moscow, 1927.
Western art unattributed:
32a. Machine-Age Exposition catalogue, 1927, pp. 32-33.
Exhibition Review
Russian architecture. Barcelona, Madrid and London
01/2012 | 1306 | 154
Pages: 52-54
related names
Reviewer:
Blood, Anne (Blood, Anne)
Subjects
museums and institutions:
places:
print:
Reviewed Items
subjects:
Building the Revolution: Soviet Art and Architecture 1915–1935 | institution: Fundación 'La Caixa' , institution: Fundación 'La Caixa' , institution: Royal Academy of Arts
Illustrations
Attributed works:
65. Spatial force construction, by Liubov Popova. 1921. Oil and marble dust on plywood, 71 by 63.9 cm. (State Museum of Contemporary Art, Thessaloniki; exh. Royal Academy of Arts, London).
Attributed works:
67. Gosprom building, Karkhov, detail with covered skywalk, by Richard Pare. 1999. Photograph, 121.9 by 120.1 cm. (Courtesy of the photographer; exh. Royal Academy of Arts, London).
Western art unattributed:
66. MoGES under construction, by an unknown photographer. c.1924? Photograph, 22.8 by 16.4 cm. (Shchusev State Museum of Architecture, Moscow; exh. Royal Academy of Arts, London).
Publication Received
Moscow Conceptualism in Context
12/2011 | 1305 | 153
Pages: 833
related names
Reviewer:
Blood, Anne (Blood, Anne)
Subjects
subjects:
Reviewed Items
subjects:
Moscow Conceptualism in Context | editor: Rosenfeld, Alla
Book Review
Windows on the War. Soviet TASS Posters at Home and Abroad 1941–1945
12/2011 | 1305 | 153
Pages: 831-832
related names
Reviewer:
Blood, Anne (Blood, Anne)
Subjects
dates:
print:
subjects:
Reviewed Items
subjects:
Windows on the War. Soviet TASS Posters at Home and Abroad 1941–1945 | editor: Druick, Douglas , editor: Zegers, Peter Kort
Illustrations
Attributed works:
60. Our one thousandth blow, by Nikolai Fedorovich Denisovsky and Pavel Petrovich Sokolov-Skalya. 5th June 1944. Multicoloured brush stencil on newsprint (pieced), laid down on tan Korean lining paper, 160.1 by 123.1 cm. (Art Institute of Chicago).
Exhibition Review
Glasnost. London
06/2010 | 1287 | 152
Pages: 425-426
related names
Reviewer:
Blood, Anne (Blood, Anne)
Subjects
dates:
places:
print:
subjects:
Reviewed Items
subjects:
Glasnost: Soviet Non-Conformist Art from the 1980s | institution: Haunch of Venison
Illustrations
Attributed works:
74. Sleep quietly or rest in peace, by Maria Konstantinov. 1989. Mixed media, 118.1 by 142.3 by 17.7 cm. (Courtesy of Gallerie Volker Diehl, Berlin, and Diehl + Gallery One, Moscow; exh. Haunch of Venison, London).
Attributed works:
75. Dukat, by Eduard Gorokhosky. 1987. Canvas, 81 by 100 cm. (Courtesy of Gallerie Volker Diehl, Berlin, and Diehl + Gallery One, Moscow; exh. Haunch of Venison, London).
Attributed works:
76. Bitsa, by Eduard Gorokhosky. 1987. Canvas, 81 by 100 cm. (Courtesy of Gallerie Volker Diehl, Berlin, and Diehl + Gallery One, Moscow; exh. Haunch of Venison, London).
Exhibition Review
Star City. Nottingham
04/2010 | 1285 | 152
Pages: 265-267
related names
Reviewer:
Blood, Anne (Blood, Anne)
Subjects
dates:
places:
print:
Reviewed Items
subjects:
Star City. The Future under Communism | institution: Nottingham Contemporary
Illustrations
Attributed works:
67. Creative forces of Socialism are endless!, by Valentina Petrovich Viktorov. 1959. Poster. (Courtesy of ‘Ne Boltai’ Collection; exh. Nottingham Contemporary).
Attributed works:
68. Elsewhere, by Micol Assaël. 2008. PVC, copper, water, ice, sparks and an audio system, 447 by 480 by 280 cm. (Foksal Gallery Foundation; exh. Nottingham Contemporary).
Attributed works:
69. Detail of Associations, k, by Stano Filko. 1968–69. Thirty-one offset prints on paper, dimensions variable. (Courtesy of the artist; exh. Nottingham Contemporary).
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