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16 articles
Article
A rediscovered oil sketch by Peter Paul Rubens
02/2023 | 1439 | 165
Pages: 160-162
related names
Author:
den Tonkelaar, Emilie (den Tonkelaar, Emilie)
Subjects
dates:
subjects:
Illustrations
Attributed works:
1. The secular hierarchy in adoration, by Peter Paul Rubens (with later overpaint). c.1625. Oil on panel transferred to canvas, 66 by 46 cm. (Private collection; photograph courtesy Hoogsteder & Hoogsteder, The Hague).
Attributed works:
2. The Princes of the Church adoring the Eucharist, by Peter Paul Rubens. c.1625. Oil on panel, 66.7 by 46.5 cm. (Speed Art Museum, Louisville KY).
Attributed works:
3. Infra-red reflectogram of Fig.1. (KIK-IRPA).
Attributed works:
4. The adoration of the Eucharist, by Peter Paul Rubens. c.1622–25. Oil on panel, 31.8 by 31.8 cm. (Art Institute of Chicago).
Attributed works:
5. Detail of the infra-red reflectogram of Fig.1, showing the inscription. (KIK-IRPA).
Article
A modello by Louis Laguerre and the programme of the Painted Hall at Chatsworth
08/2022 | 1433 | 164
Pages: 760-767
related names
Author:
Marandet, François (Marandet, François)
Subjects
dates:
Illustrations
Attributed works:
1. Ruth and Boaz, here attributed to Louis Laguerre. c.1716. Oil on canvas, 38 by 63 cm. (Location unknown).
Attributed works:
10. The assassination of Julius Caesar, with the soul of Caesar transformed into a comet, by Antonio Tempesta. 1606. Engraving, 10.7 by 12 cm.
Attributed works:
11. The assassination of Julius Caesar, by Louis Laguerre. 1695–97. Oil on plaster. (Painted Hall, Chatsworth House, Derbyshire; (© The Devonshire Collections, Chatsworth; reproduced by permission of Chatsworth Settlement Trustees; photograph Paul Barker, 2014).
Attributed works:
12. The apotheosis of the Duke of Buckingham, by Peter Paul Rubens. Before 1625. Oil on panel, 64 by 64 cm. (National Gallery, London).
Attributed works:
13. The apotheosis of Julius Caesar, by Louis Laguerre. 1695–97. Oil on plaster. (Painted Hall, Chatsworth House, Derbyshire; © The Devonshire Collections, Chatsworth; reproduced by permission of Chatsworth Settlement Trustees; photograph Paul Barker, 2014).
Attributed works:
2. Ruth and Boaz, by Louis Duguernier, after Louis Laguerre. 1717. Engraving, 10 by 15 cm. (From the Vinegar Bible, Oxford 1717).
Attributed works:
3. The Painted Hall, Chatsworth, Derbyshire, decorated by Louis Laguerre. 1695–97. (© The Devonshire Collections, Chatsworth; reproduced by permission of Chatsworth Settlement Trustees; photograph Paul Barker, 2014).
Attributed works:
4. Augustus ordering the closing of the doors of the Temple of Janus, here attributed to Louis Laguerre. c.1695. Oil on canvas, 54 by 126 cm. (Location unknown).
Attributed works:
5. Augustus ordering the closing of the doors of the Temple of Janus, by Carlo Maratta. c.1657. Oil on canvas, 280 by 275 cm. (Musée des Beaux-Arts, Lille).
Attributed works:
6. Augustus ordering the closing of the doors of the Temple of Janus, by Louis Laguerre. 1695–97. Oil on plaster. (Painted Hall, Chatsworth House, Derbyshire; © The Devonshire Collections, Chatsworth; reproduced by permission of Chatsworth Settlement Trustees; photograph Paul Barker, 2014).
Attributed works:
7. Detail of the east wall of the Painted Hall, Chatsworth House, showing the right-hand edge of the painting in Fig.6 and part of the painted frame and pilasters. (© The Devonshire Collections, Chatsworth; reproduced by permission of Chatsworth Settlement Trustees; photograph Paul Barker, 2014).
Attributed works:
8. Augustus ordering the closing of the doors of the Temple of Janus, by Louis de Boullogne. 1681. Oil on canvas, 176 by 215 cm. (Musée de Picardie, Amiens).
Attributed works:
9. St Ambrose forbidding the emperor Theodosius to enter Milan Cathedral, by Simon Thomassin, after Bon Boullogne. 1686. Engraving, 34 by 23 cm. (Bibliothèque Nationale de France, Paris).
Book Review
Subjects from History: The Decius Mus Series (Corpus Rubenianum Ludwig Burchard, 13)
09/2021 | 1422 | 163
Pages: 862-864
related names
Reviewer:
Brown, Christopher (Brown, Christopher)
Subjects
Reviewed Items
works:
Subjects from History: The Decius Mus Series (Corpus Rubenianum Ludwig Burchard, 13) By Reinhold Baumstark and Guy Delmarcel. 2 vols, 778 pp. incl. 99 col. + 161 b. & w. ills. (Brepols, Turnhout, 2019), €275. ISBN 978–1–912554–23–2. | :
Illustrations
Attributed works:
1. Modello for The interpretation of the victim, by Peter Paul Rubens. 1617. Oil on panel, 74.6 by 104.1 cm. (Oskar Reinhart Collection ‘Am Römerholz’, Kunst Museum Winterthur).
Book Review
Die Kunst der Interpretation: Rubens und die Druckgraphik
03/2021 | 1416 | 163
Pages: 295-297
related names
Reviewer:
Bertram, Gitta (Bertram, Gitta)
Subjects
subjects:
Reviewed Items
subjects:
Die Kunst der Interpretation: Rubens und die Druckgraphik By Hans Jakob Meier. 424 pp. incl. 741 col. + b. & w. ills. (Deutscher Kunstverlag, Berlin and Munich, 2019), £98. ISBN 978–3–422–98064–8. | :
Illustrations
Attributed works:
5. Portrait of Charles de Longueval, Comte de Buquoy, by Lucas Vorsteman. After the modello in Fig.4. 1621. Engraving, 65.2 by 48 cm. (Rijksmuseum, Amsterdam).
Attributed works:
Die Kunst der Interpretation: Rubens und die Druckgraphik By Hans Jakob Meier. 424 pp. incl. 741 col. + b. & w. ills. (Deutscher Kunstverlag, Berlin and Munich, 2019), £98. ISBN 978–3–422–98064–8.
Article
A modello by James Thornhill for Addiscombe House, Surrey
12/2019 | 1401 | 161
Pages: 1028-1033
related names
Author:
Marandet, François (Marandet, François)
Subjects
artists:
dates:
patrons:
subjects:
Illustrations
Attributed works:
1. Allegory of the days, here identified as a modello for the ceiling painting of the staircase hall at Addiscombe House, Surrey, by James Thornhill. c.1705. Oil on canvas, diameter 59 cm. (Musée des Beaux-Arts de Rouen).
Attributed works:
10. Addiscombe House, Surrey, photographed in 1859, from H.M. Vibart: Addiscombe and its Heroes and Men of Note, London 1894, p.19.
Attributed works:
11. Bacchus and Ariadne, design for the ceiling painting of the Saloon at Addiscombe House, Surrey, by James Thornhill. c.1705. Graphite, ink and wash, 24 by 33 cm. (Yale Center for British Art, New Haven).
Attributed works:
2. Detail of Fig.1, showing the group below the figure of Apollo.
Attributed works:
3. Detail of Fig.1, the group of figures with Diana.
Attributed works:
4. Detail of Fig.1, the group of figures with Mercury.
Attributed works:
5. Detail of Fig.1, the group of figures with Mars.
Attributed works:
6. Detail of Fig.1, the group of figures with Jupiter, Juno and Venus.
Attributed works:
7. Detail of Fig.1, the group of figures with Saturn.
Attributed works:
8. William and Mary presenting the cap of liberty to Europe, by James Thornhill. c.1710. Oil on canvas, 96 by 66 cm. (Victoria and Albert Museum, London).
Attributed works:
9. Allegory of the days, by James Thornhill. c.1705. Ink and black crayon on paper, 35 by 23 cm. (British Museum, London).
Article
‘Opaque with a vengeance’: Burne-Jones’s later watercolours, 1880–98
02/2019 | 1391 | 161
Pages: 128-139
related names
Author:
Mann, Fiona (Mann, Fiona)
Subjects
places:
Illustrations
Attributed works:
1. Detail of Fig.7.
Attributed works:
10. Star of Bethlehem, by Edward Burne-Jones. 1887–91. Watercolour and bodycolour with scraping on ten sheets of J. Whatman Turkey Mill Kent paper dated 1882 or 1883 on stretcher, 256 by 386.8 cm. (Birmingham Museums and Art Gallery; photograph © Birmingham Museums Trust; Bridgeman Images)
Attributed works:
11. Detail of Sir Edward Burne-Jones, by Barbara Sotheby, printed by Frederick Hollyer. 27th July 1890. Platinum print, 33.3 by 25.7 cm. (National Portrait Gallery, London; Bridgeman Images).
Attributed works:
12. Fall of Lucifer, by Edward Burne-Jones. 1894. Gouache and gold paint and gold leaf on joined sheets of wove paper, laid down on canvas and stretched over wooden panel, 245 by 118 cm. (Private collection).
Attributed works:
2. Preliminary design for the Graham Piano, by Edward Burne-Jones. 1878–79. Metalpoint (probably silverpoint), 10.2 by 17.8 cm. (Victoria and Albert Museum, London).
Attributed works:
3. Study for King Cophetua and the beggar maid, by Edward Burne-Jones. 1883. Black, red and white chalk on pink wove paper, 45.9 by 30.3 cm. (Harvard Art Museums/Fogg Museum; © President and Fellows of Harvard College, Cambridge MA).
Attributed works:
6. Record of Burne-Jones’s order for long Japanese brushes, 30th November 1889, ledger of Charles Roberson. (Roberson Archive, Order Book, Long Acre Branch, Hamilton Kerr Institute, MS 422-1993, p.343, by permission of the Syndics of the Fitzwilliam Museum, University of Cambridge; © Hamilton Kerr Institute; photograph Chris Titmus).
Attributed works:
7. Full-scale cartoon of King Cophetua and the beggar maid, by Edward Burne-Jones. c.1883. Bodycolour, watercolour, coloured chalks and pastel with gold medium on paper, 290 by 132 cm. (Birmingham Museum and Art Gallery; photograph © Birmingham Museums Trust; Bridgeman Images).
Attributed works:
8. Cupid’s hunting fields, by Edward Burne-Jones. 1885. Gouache with watercolour and gold and silver paints on ivory wove paper, laid down on linen canvas, 99.5 by 76.9 cm. (Art Institute of Chicago).
Attributed works:
9. The baleful head, by Edward Burne-Jones. 1885. Watercolour and bodycolour on paper laid on linen canvas, 153.7 by 129 cm. (Southampton City Art Gallery; Bridgeman Images).
Western art unattributed:
4. Pencil leads, from A.W. Faber Price-List, London 1897. (William Jenkins Architecture and Art Library, University of Houston).
Western art unattributed:
5. Wax crayons or Faber’s Creta Laevis coloured pencil collection in box, from A.W. Faber Price-List, London 1897. (William Jenkins Architecture and Art Library, University of Houston).
Exhibition Review
Pure Rubens. Museum Boijmans Van Beuningen, Rotterdam
11/2018 | 1388 | 160
Pages: 955-958
related names
Reviewer:
Jaffé, David (Jaffé, David)
Subjects
dates:
Illustrations
Attributed works:
7. Sketch for the Rape of Europa, by Peter Paul Rubens. 1636. Panel, 18.9 by 13.7 cm. (Museo Nacional del Prado, Madrid; exh. Museum Boijmans Van Beuningen, Rotterdam).
Attributed works:
8. The recognition of Phililpoemen, by Peter Paul Rubens and Frans Snyders. c.1609. Canvas, 201 by 311 cm. (Museo Nacional del Prado, Madrid; exh. Museum Boijmans Van Beuningen, Rotterdam).
Attributed works:
9. Sketch for The recognition of Phililpoemen, by Peter Paul Rubens. c.1609. Panel, 50.5 by 66.5 cm. (Musée du Louvre, Paris; exh. Museum Boijmans Van Beuningen, Rotterdam).
Exhibition Review
Encounters in Venice: Foreigners and Venetians in Late Seventeenth-Century Art. Palais Fesch-musée des Beaux-Arts, Ajaccio
09/2018 | 1386 | 160
Pages: 778-781
related names
Reviewer:
Barcham, William L. (Barcham, William L.)
Subjects
artists:
dates:
places:
Illustrations
Attributed works:
10. Finding of Moses, by Johann Liss. 1626–27. Canvas, 155 by 106 cm. (Palais des Beaux-Arts, Lille; exh. Palais Fesch-musée des Beaux-Arts, Ajaccio).
Attributed works:
11. Death of Lucretia, by Antonio Zanchi. c.1670. Canvas, 210 by 270 cm. (Musée Antoine Lécuyer, Saint-Quentin; exh. Palais Feschmusée des Beaux-Arts, Ajaccio).
Attributed works:
12. Mythological scene, by Pietro Liberi. 1655–60. Canvas, 181 by 230 cm. (Private collection; exh. Palais Feschmusée des Beaux-Arts, Ajaccio).
Book Review
The Holy Name: Art of the Gesù. Bernini and His Age. Edited by Linda Wolk-Simon and Christopher M. S. Johns
08/2018 | 1385 | 160
Pages: 702-703
Article
A bronze after Michelangelo’s model for ‘Earth’
06/2018 | 1383 | 160
Pages: 462-469
related names
Author:
Krahn, Volker (Krahn, Volker)
Subjects
dates:
media:
patrons:
places:
Illustrations
Attributed works:
1. Earth, after a model here attributed to Michelangelo. Probably c.1600. Bronze, height 28.8 cm. (Bayerishes Nationalmuseum, Munich; photograph Walter Haberland).
Attributed works:
10. Nude female figure, by Michelangelo. c.1530. Unfired clay, height 35 cm. (Casa Buonarroti, Florence).
Attributed works:
2–4. Fig.1 from alternate angles.
Attributed works:
5. Studies of a model of a standing nude woman, by Guglielmo della Porta. 1540–50. Pen and brown ink on paper, 15.4 by 11.2 cm. (Museum of Fine Arts, Budapest).
Attributed works:
6. Earth, by Tommaso Arrighetti after a marble by Niccolò Tribolo. Before 1759. Pen and ink on paper, height 12 cm. (Galleria degli Uffizi, Florence).
Attributed works:
7. Tomb of Giuliano de'Medici, New Sacristy, S. Lorenzo, Florence, by Michelangelo. 1521–34. Marble. (Bridgeman Images).
Attributed works:
8. Studies of bases for the New Sacristy, S. Lorenzo, Florence, by Michelangelo. 1524. Red chalk and pen on paper, 28.3 by 21.4 cm. (Casa Buonarroti, Florence; Scala Images).
Attributed works:
9. Study after an antique torso, by Michelangelo. c.1523–26. Black chalk on paper, 25.6 by 18 cm. (British Museum, London).
Western art unattributed:
11. Venus with a mirror, Antique torso with later additions. Marble, height 39 cm. (Villa Corsini, Castello).
Western art unattributed:
12. Vanitas, Florence. Mid-sixteenth century. Engraving, 35.8 by 25 cm. (Kupferstichkabinett, Staatliche Museen, Berlin).
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