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13 articles
Article
A modello by Louis Laguerre and the programme of the Painted Hall at Chatsworth
08/2022 | 1433 | 164
Pages: 760-767
related names
Author:
Marandet, François (Marandet, François)
Subjects
dates:
Illustrations
Attributed works:
1. Ruth and Boaz, here attributed to Louis Laguerre. c.1716. Oil on canvas, 38 by 63 cm. (Location unknown).
Attributed works:
10. The assassination of Julius Caesar, with the soul of Caesar transformed into a comet, by Antonio Tempesta. 1606. Engraving, 10.7 by 12 cm.
Attributed works:
11. The assassination of Julius Caesar, by Louis Laguerre. 1695–97. Oil on plaster. (Painted Hall, Chatsworth House, Derbyshire; (© The Devonshire Collections, Chatsworth; reproduced by permission of Chatsworth Settlement Trustees; photograph Paul Barker, 2014).
Attributed works:
12. The apotheosis of the Duke of Buckingham, by Peter Paul Rubens. Before 1625. Oil on panel, 64 by 64 cm. (National Gallery, London).
Attributed works:
13. The apotheosis of Julius Caesar, by Louis Laguerre. 1695–97. Oil on plaster. (Painted Hall, Chatsworth House, Derbyshire; © The Devonshire Collections, Chatsworth; reproduced by permission of Chatsworth Settlement Trustees; photograph Paul Barker, 2014).
Attributed works:
2. Ruth and Boaz, by Louis Duguernier, after Louis Laguerre. 1717. Engraving, 10 by 15 cm. (From the Vinegar Bible, Oxford 1717).
Attributed works:
3. The Painted Hall, Chatsworth, Derbyshire, decorated by Louis Laguerre. 1695–97. (© The Devonshire Collections, Chatsworth; reproduced by permission of Chatsworth Settlement Trustees; photograph Paul Barker, 2014).
Attributed works:
4. Augustus ordering the closing of the doors of the Temple of Janus, here attributed to Louis Laguerre. c.1695. Oil on canvas, 54 by 126 cm. (Location unknown).
Attributed works:
5. Augustus ordering the closing of the doors of the Temple of Janus, by Carlo Maratta. c.1657. Oil on canvas, 280 by 275 cm. (Musée des Beaux-Arts, Lille).
Attributed works:
6. Augustus ordering the closing of the doors of the Temple of Janus, by Louis Laguerre. 1695–97. Oil on plaster. (Painted Hall, Chatsworth House, Derbyshire; © The Devonshire Collections, Chatsworth; reproduced by permission of Chatsworth Settlement Trustees; photograph Paul Barker, 2014).
Attributed works:
7. Detail of the east wall of the Painted Hall, Chatsworth House, showing the right-hand edge of the painting in Fig.6 and part of the painted frame and pilasters. (© The Devonshire Collections, Chatsworth; reproduced by permission of Chatsworth Settlement Trustees; photograph Paul Barker, 2014).
Attributed works:
8. Augustus ordering the closing of the doors of the Temple of Janus, by Louis de Boullogne. 1681. Oil on canvas, 176 by 215 cm. (Musée de Picardie, Amiens).
Attributed works:
9. St Ambrose forbidding the emperor Theodosius to enter Milan Cathedral, by Simon Thomassin, after Bon Boullogne. 1686. Engraving, 34 by 23 cm. (Bibliothèque Nationale de France, Paris).
Article
Pierre Le Tessier de Montarsis and a network of picture dealers in early eighteenth-century Paris
05/2021 | 1418 | 163
Pages: 428-436
related names
Author:
Marandet, François (Marandet, François)
Subjects
art literature:
places:
Illustrations
Attributed works:
1. Pierre Le Tessier de Montarsis, by Gérard Edelinck, after Antoine Coypel. 1692. Engraving, 36 by 28 cm. (British Museum, London).
Attributed works:
10. The penitent Magdalene, by Guido Reni. c.1634–35. Oil on canvas, 79 by 68 cm. (National Gallery, London).
Attributed works:
11. Virgin and Child with an angel, by Antoine-Louis Romanet, after Parmigianino. c.1785–1806. Engraving, 22 by 20 cm. (British Museum, London).
Attributed works:
2. Adoration of the Magi, by Paolo Veronese. c.1584. Oil on copper, 45 by 34 cm. (State Hermitage Museum, St Petersburg).
Attributed works:
3. Judith, by Giorgione. c.1504. Oil on canvas transferred from panel, 144 by 68 cm. (State Hermitage Museum, St Petersburg).
Attributed works:
4. The Triumph of Pan, by Nicolas Poussin. 1636. Oil on canvas, 135.9 by 146 cm. (National Gallery, London).
Attributed works:
5. The Triumph of Galatea, by Carlo Maratta. Oil on canvas. (Location unknown; photograph Fototeca Federico Zeri).
Attributed works:
6. St John the Baptist preaching, by Francesco Albani. c.1648. Oil on copper, 29 by 39 cm. (Location unknown; photograph Christie’s).
Attributed works:
7. Aurora and Cephalus, by Nicolas Poussin. c.1630. Oil on canvas, 97 by 131 cm. (National Gallery, London).
Attributed works:
8. The Entombment, by Tintoretto. c.1557. Oil on canvas, 164 by 127 cm. (Scottish National Gallery, Edinburgh).
Attributed works:
9. Virgin and Child (The Bridgewater Madonna), by Raphael. 1508. Oil on canvas transferred from panel, 82 by 57 cm. (The Duke of Sutherland, on loan to the Scottish National Gallery, Edinburgh).
Article
A modello by James Thornhill for Addiscombe House, Surrey
12/2019 | 1401 | 161
Pages: 1028-1033
related names
Author:
Marandet, François (Marandet, François)
Subjects
artists:
dates:
patrons:
subjects:
Illustrations
Attributed works:
1. Allegory of the days, here identified as a modello for the ceiling painting of the staircase hall at Addiscombe House, Surrey, by James Thornhill. c.1705. Oil on canvas, diameter 59 cm. (Musée des Beaux-Arts de Rouen).
Attributed works:
10. Addiscombe House, Surrey, photographed in 1859, from H.M. Vibart: Addiscombe and its Heroes and Men of Note, London 1894, p.19.
Attributed works:
11. Bacchus and Ariadne, design for the ceiling painting of the Saloon at Addiscombe House, Surrey, by James Thornhill. c.1705. Graphite, ink and wash, 24 by 33 cm. (Yale Center for British Art, New Haven).
Attributed works:
2. Detail of Fig.1, showing the group below the figure of Apollo.
Attributed works:
3. Detail of Fig.1, the group of figures with Diana.
Attributed works:
4. Detail of Fig.1, the group of figures with Mercury.
Attributed works:
5. Detail of Fig.1, the group of figures with Mars.
Attributed works:
6. Detail of Fig.1, the group of figures with Jupiter, Juno and Venus.
Attributed works:
7. Detail of Fig.1, the group of figures with Saturn.
Attributed works:
8. William and Mary presenting the cap of liberty to Europe, by James Thornhill. c.1710. Oil on canvas, 96 by 66 cm. (Victoria and Albert Museum, London).
Attributed works:
9. Allegory of the days, by James Thornhill. c.1705. Ink and black crayon on paper, 35 by 23 cm. (British Museum, London).
Letter
Académie Royale: A History in Portraits
04/2018 | 1381 | 160
Pages: 275
Article
A rediscovered painting by Nicolas Fouché in Bournemouth
03/2017 | 1368 | 159
Pages: 200-202
related names
Author:
Marandet, François (Marandet, François)
Subjects
artists:
dates:
Illustrations
Attributed works:
23. Paris and Oenone, by Nicolas Fouché. c.1720 (Russell-Cotes Art Galler and Museum, Bournemouth)
Attributed works:
24. Paris and Oenone, by Louis Desplaces after Nicolas Fouché. c.1725 (Bibliothèque nationale de France, Paris, Cabinet des Estampes)
Article
‘The anointing of Solomon’ by Gerard de Lairesse discovered in the Cartwright Hall Art Gallery, Bradford
02/2016 | 1355 | 158
Pages: 101-102
related names
Author:
Marandet, François (Marandet, François)
Subjects
dates:
museums and institutions:
Illustrations
Attributed works:
19. The anointing of Solomon, by Gerard de Lairesse. ?1668 (Cartwright Hall Art Gallery, Bradford)
Attributed works:
20. The anointing of Solomon, by Gerard de Lairesse after his own painting. 1668 (British Museum, London)
Article
‘The pool of Bethesda’ by Louis Chéron: a modello discovered at the Wellcome Library, London
03/2014 | 1332 | 156
Pages: 162-163
related names
Author:
Marandet, François (Marandet, François)
Subjects
artists:
dates:
museums and institutions:
Illustrations
Attributed works:
14. The pool of Bethesda, by Louis Chéron (S. Pantaleone, Venice)
Attributed works:
15. The pool of Bethesda, by Louis Chéron (Wellcome Library, London)
Article
The provenance of Nicolas Poussin’s ‘Landscape with Polyphemus’ and ‘Landscape with Hercules and Cacus’
09/2012 | 1314 | 154
Pages: 626-628
related names
Author:
Marandet, François (Marandet, François)
Subjects
artists:
dates:
subjects:
Illustrations
Attributed works:
15. Landscape with Polyphemus, by Nicolas Poussin. c.1655(?). Canvas, 150 by 198 cm. (State Hermitage Museum, St Petersburg).
Attributed works:
16. Landscape with Hercules and Cacus, by Nicolas Poussin. c.1660. Canvas, 156 by 202 cm. (Pushkin Museum, Moscow).
Article
Jean-Antoine Watteau: the first documents
05/2011 | 1298 | 153
Pages: 312-313
related names
Author:
Marandet, François (Marandet, François)
Subjects
artists:
dates:
Illustrations
Attributed works:
16. Portrait of Jean-Antoine Watteau, by François Boucher? Black, red and white chalk, 24 by 20.4 cm. (Musée Condé, Chantilly).
Attributed works:
17. The perfect accord, by Jean-Antoine Watteau. c.1719. Panel, 33 by 27.9 cm. (Los Angeles County Museum of Art).
Attributed works:
18. The surprise, by Jean-Antoine Watteau. c.1719. Panel, 36.3 by 28.2 cm. (Private collection).
Article
The banker Charles Godefroy and his dealings in paintings, or the secrets of an account book revealed (1738–48)
08/2008 | 1265 | 150
Pages: 521-528
related names
Author:
Marandet, François (Marandet, François)
Subjects
collectors and dealers:
dates:
places:
subjects:
Illustrations
Attributed works:
10. Portrait of Charles-Théodose Godefroy (‘Boy with a violin’), by Jean-Baptiste-Siméon Chardin. c.1734–35. Canvas, 67 by 74.5 cm. (Musée du Louvre, Paris).
Attributed works:
11. Portrait of Auguste-Gabriel Godefroy (‘Boy with a top’), by Jean-Baptiste-Siméon Chardin. 1738. Canvas, 67 by 76 cm. (Musée du Louvre, Paris).
Attributed works:
12. Bacchanal before a temple, after Nicolas Poussin. Canvas, 74.9 by 101.3 cm. (Fine Arts Museums of San Francisco).
Attributed works:
13. Adoration of the Magi, by Peter Paul Rubens. c.1620? Canvas, 216 by 263 cm. (Sanssouci Palace, Potsdam).
Attributed works:
14. Danaë, by Titian. c.1554. Canvas, 120 by 187 cm. (State Hermitage Museum, St Petersburg).
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