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60 articles
Exhibition Review
Dürer to Van Dyck: Drawings from Chatsworth House
02/2025 | 1463 | 167
Pages: 172–175
related names
Reviewer:
Horbatsch, Olenka (Horbatsch, Olenka)
Subjects
museums and institutions:
Reviewed Items
subjects:
Dürer to Van Dyck: Drawings from Chatsworth House Royal Scottish Academy, Edinburgh 9th November 2024–23rd February 2025 | :
Illustrations
Attributed works:
10. Arcadian landscape, by Hendrick Goltzius. 1593. Pen and black ink, 35.7 by 46.8 cm. (Chatsworth House, Derbyshire; exh. National Galleries of Scotland, Edinburgh).
Attributed works:
11. A dying tree, its trunk covered in brambles, beside a fence, by Peter Paul Rubens. c.1618. Pen, brown ink, red and black chalk and watercolour, 35.2 by 29.8 cm. (Chatsworth House, Derbyshire; exh. National Galleries of Scotland, Edinburgh).
Attributed works:
12. View of the Amsteldijk at Meerzhuizen, looking towards the little windmill, by Rembrandt. c.1648–50. Pen, brown ink and brown wash with watercolour on paper prepared with brown wash, 13 by 21.2 cm. (Chatsworth House, Derbyshire; exh. National Galleries of Scotland, Edinburgh).
Exhibition Review
Careers by Design: Hendrick Goltzius and Peter Paul Rubens
09/2024 | 1458 | 166
Pages: 953-56
related names
Reviewer:
Meier, Hans Jakob (Meier, Hans Jakob)
Subjects
dates:
Reviewed Items
subjects:
Careers by Design: Hendrick Goltzius and Peter Paul Rubens Staatliche Graphische Sammlung, Munich 13th June–15th September | :
Illustrations
Attributed works:
11. Wedding of Cupid and Psyche, by Hendrick Goltzius after Bartholomeus Spranger. 1587. Engraving, 43 by 84.5 cm. (Staatliche Graphische Sammlung, Munich).
Attributed works:
12. Judith beheading Holofernes, by Cornelis Galle I after Rubens. c.1616. Engraving, 54 by 38 cm. (Staatliche Graphische Sammlung, Munich).
Attributed works:
13. Fall of the damned, Pieter Soutman after Rubens. 1642. Etching, 56.9 by 41.7 cm. (Staatliche Graphische Sammlung, Munich).
Article
A rediscovered drawing by Hendrick Goltzius
05/2022 | 1430 | 164
Pages: 444-449
related names
Author:
Difuria, Arthur J. (Difuria, Arthur J.)
Author:
Silver, Larry (Silver, Larry)
Subjects
dates:
media:
museums and institutions:
places:
Illustrations
Attributed works:
11. Detail of Fig.1, showing the hatching in the horse’s chin.
Attributed works:
12. Detail of Fig.8, showing the hatching beneath Hercules’ buttocks.
Attributed works:
13. Farnese Hercules, rear view, by Hendrick Goltzius. 1617. Pen and ink on paper, 41.9 by 30.3 cm. (Rijksmuseum, Amsterdam).
Attributed works:
14. ‘Opus Praxitelis’: one of the Dioscuri of the Quirinal Hill, Rome, by Hendrick Goltzius. 1591. Red chalk on paper, 37.8 by 32.6 cm. (Teylers Museum, Haarlem).
Attributed works:
15. Detail of Fig.14, showing the vein in the horse’s right flank.
Attributed works:
16. Detail of Fig.13, showing the hatching in the buttocks.
Attributed works:
17. Marcus Aurelius equestrian monument, Rome, by Hendrick Goltzius. 1591. Black and white chalk on blue paper, 36.8 by 30.5 cm. (Teylers Museum, Haarlem).
Attributed works:
18. Detail of Fig.17, showing the reinforced outlines.
Attributed works:
19. Marcus Aurelius equestrian monument, Rome, by Hendrick Goltzius. 1591. Red chalk on paper, 40.9 by 31 cm. (Teylers Museum, Haarlem).
Attributed works:
2. Horse’s head, Marcus Aurelius equestrian monument, Rome, here attributed to Hendrick Goltzius. After 1591. Red chalk on paper, 44.5 by 28.7 cm. (excluding border). (Private collection).
Attributed works:
20 and 21. Details of Fig.19, showing passages of unblended hatching.
Attributed works:
3. Goltzius’s right hand, by Hendrick Goltzius. 1591. Red chalk on paper, 36.9 by 18.6 cm. (Teylers Museum, Haarlem).
Attributed works:
4. Detail of Fig.1, showing the horse’s vein and eyeball.
Attributed works:
5. Farnese Hercules, rear view, by Hendrick Goltzius. 1591. Black and white chalk on blue paper, 36.2 by 21 cm. (Teylers Museum, Haarlem).
Attributed works:
6 and 7. Details of Fig.5, showing Hercules’ left thigh and calf.
Attributed works:
8. Farnese Hercules, rear view, by Hendrick Goltzius. 1591. Red chalk, 38.9 by 21.3 cm. (Teylers Museum, Haarlem).
Attributed works:
9 and 10. Details of Fig.8, showing the hatching in Hercules’ shoulder blades and back.
Western art unattributed:
1. Detail of the horse’s head, Marcus Aurelius equestrian monument. Rome, AD 161. Bronze, height 424 cm. (Musei Capitolini, Rome).
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05/2022 | 1430 | 164
Pages: i-xxvii
Subjects
advertisements:
Christie, Manson & Woods, London, Great Britain / TEFAF (Maastricht) / Getty Trust Publications , Great Britain / Galerie Gerda Bassenge, Berlin, Germany / Salon du dessin, Paris, France / Stephen Ongpin Fine Art, London, Great Britain / Paul Prouté S.A. (gallery), Paris, France / Arnoldi-Livie (dealer), Munich, Germany / Master Drawings London / F.LLI Romano, Florence, Italy / Galerie de Bayser S.A., Paris, France / Onne van Seggelen, Rotterdam, Netherlands / Charles Ratton & Guy Ladrière, Paris, France / Paul Mellon Centre for Studies in British Art, London, Great Britain / David Tunick Inc., New York, United States / Galerie Chenel, Paris, France / Friedman Benda Gallery, New Yoork, United States / Cazeau & Beraudiere (art moderne), Paris, France / London Original Print Fair / Heritage Auctions, Dallas, United States / Hermann Historica (auctioneers), Munich, Germany / Osborne Samuel Gallery, London, Great Britain / Marlborough Fine Art, London, Great Britain / Frederick Mulder, London, Great Britain / Eames Fine Art, London, Great Britain / Elizabeth Harvey-Lee, Oxford, Great Britain / Wallace Collection, London, Great Britain / Daniel Crouch Rare Books, London, Great Britain / Karsten Schubert, London, Great Britain / Advanced Graphics London, London, Great Britain / Masterpiece London / Peter Finer (antique arms), London, Great Britain / Alessandro Cesati, Milan, Italy / Trinity Fine Art Ltd, London, Great Britain / Daniel Katz Ltd (dealers), London, Great Britain / French and Company Art, New York, United States / New Raritet Gallery, Vienna, Austria / The-saleroom.com / Day and Faber, London, Great Britain / Rafael Valls, London, Great Britain / Courtauld Institute of Art, London, Great Britain / Minerva Magazine / Lund Humphries Publishers Limited, London, Great Britain / Simiolus, Art Journal, The Netherlands / Dorotheum (auction house), Vienna, Austria
Illustrations
Attributed works:
Angelo de ROSSI (Genoa 1671 – Rome 1715) The Adoration of the Shepherds Executed in 1711 Original terracotta relief 54 x 50 x 11 cm Estimate : €300,000 / 500,000 [Camper Dabernat]
Attributed works:
Attributed to ROSALBA CARRIERA, 1675 – Venice – 1757 Portrait of a Woman Wearing a Zendale Bodycolor on ivory (?) pasted on board. Height: 7 cm. Length: 5 cm With a signature: J.E. Liotard f lower left [Ratton and Ladrière]
Attributed works:
Beautiful night, by Louise Bourgeois (1911–2010). 1994. Lithograph, 52.7 by 70.5 cm. [MARLBOROUGH, LONDON]
Attributed works:
Bullfighting, by Germaine Richier (1902–59). 1953. Bronze, 116 by 54 by 101 cm. [Galerie de la Béraudière, Brussels]
Attributed works:
Chuquicamata Copper Mine Overburden #2, Calama, Chile, by Edward Burtynsky. 2017. Archival Pigment Print, 121.9 by 162.6 cm. (© Edward Burtynsky; courtesy Flowers Gallery, London, and Metivier Gallery, Toronto).[Photo London]
Attributed works:
Count Ugolino in the Tower of Hunger, by Pelagio Palagi (1775– 1860). Pen, brown ink, wash and white highlights, 38 by 53.3 cm. [MAURIZIO NOBILE, BOLOGNA, PARIS, MILAN]
Attributed works:
CV 2 01, by Charlotte Verity (b. 1954). 2022. Watercolour monotype, 33 by 40.8 cm. [KARSTEN SCHUBERT, LONDON]
Attributed works:
Disappointed soul, by Ferdinand Hodler (1853–91). 1891. Ink, oil and coloured chalks, 49.5 by 35.5 cm. [ARNOLDI-LIVIE, MUNICH]
Attributed works:
Doryphoros, after Polykleitos. Greece. c.1st century AD. Marble, 70 by 55 by 27 cm. [Galerie Chenel, Paris]
Attributed works:
Eternal Queen (cobalt blue), by Bradley Theodore (b. 1990). 2022. Etching with relief printing, 83.5 by 80.2 cm. [MANIFOLD EDITIONS, LONDON]
Attributed works:
Experiment on electrical stimulation of muscle – weeping woman, plate 50 from Mécanisme de la Physionomie Humaine (1862), by Guillaume-Benjamin- Amand Duchenne de Boulogne. 1855–56. Albumen print from a glass negative, 23.8 by 17.5 cm. (Robert Hershkowitz Ltd, London).[Photo London]
Attributed works:
Flow desk, by Wendell Castle (1932–2018). 2009. Stained cherry wood, 86.4 by 165 by 67 cm. [Friedman Benda, New York and Los Angeles]
Attributed works:
Giovanna Garzoni (1600 - 1670). Still life with pears, an almond and a fly. Gouache and watercolor on vellum. 14.2 x 19.3 cm. Estimate: € 60,000. [Bassenge]
Attributed works:
Hats, Father’s Day picnic, Seattle, WA, by William Heick. 1951. Gelatin silver print, 38.1 by 45.7 cm (© 2021 William Heick; courtesy Peter Fetterman Gallery, Santa Monica).[Photo London]
Attributed works:
HENDRICK GOLTZIUS (1558–1617) Pluto, after Polidoro da Caravaggio Pen and brown ink and brown wash, heightened with white, over an underdrawing in black chalk, on blue paper 264 x 170 mm. (103⁄8 x 65⁄8 in.)[Stephen Ongpin]
Attributed works:
Kyubigitsune, by Hiromitsu Takahashi (b. 1959). 2016. Stencil, 76 by 49 cm. [HANGA TEN, LONDON]
Attributed works:
Large head of Jacqueline wearing a hat, by Pablo Picasso (1881– 1973). 1962. Linocut, signed, 64 by 53 cm. [FREDERICK MULDER LTD, LONDON]
Attributed works:
Mallow leaf, by Albertus Jonas Brandt (1788–1821). Pencil and brown ink, 35.2 by 8 cm. [ONNO VAN SEGGELEN FINE ARTS, ROTTERDAM]
Attributed works:
Marc Chagall (French/Russian, 1887-1985) Esquisse pour "Les fiancés à l'oiseau" (Le mariage), circa 1960 Pastel, oil, India ink, and pencil on paper 15-3/4 x 10-7/8 inches (sheet) Estimate: $80,000 - $120,000 [Heritage Auctions]
Attributed works:
MICHELANGELO BUONARROTI (1475-1564) A nude man (after Masaccio) and two figures behind, 1496 or slightly after pen and two shades of brown ink, brown wash 33 × 20 cm (13 × 7 7/8 in.) Estimate on request [Christie's]
Attributed works:
Montagne Sainte-Victoire, by Paul Cézanne (1839–1906). Watercolour on paper, 28 by 40 cm. [STEPHEN ONGPIN FINE ART, LONDON]
Attributed works:
Nicolas Robert, Chouette effraie, collection M & Mme Pierre Rosenberg. © Photography : Suzanne Nagy. Design : Olivier Andreotti (Toluca Studio) [Salon du Dessin]
Attributed works:
Ocean Park #23, by Richard Diebenkorn (1922–93). 1969. Oil and charcoal on canvas, 236.2 by 205.7 cm. [Berggruen Gallery, San Francisco]
Attributed works:
Painting, by Pierre Soulages (b.1919). 1974. Oil on canvas, 202 by 256 cm. [Applicat-Prazan, Paris]
Attributed works:
Paul-Elie RANSON Limoges 1861 – Paris 1909 Nude in the forest, circa 1905. Pastel on grey laid paper, 470 × 370 mm [Paul Prouté]
Attributed works:
Piglet goes shopping, by Keith Haring (1958–90). 1989. Acrylic on canvas, 182.9 by 243.8 cm. Robilant + Voena, London
Attributed works:
Princesse Maleine, by Léon Spilliaert (1881–1946). 1903. Pencil, ink and wash, 15.5 by 19 cm. [AMBROISE DUCHEMIN, PARIS]
Attributed works:
Red caryatid on a black ground, by Amedeo Modigliani (1884– 1920). c.1913–14. Pencil and gouache on card, 62.5 by 42.5 cm. [David Tunick Inc., New York]
Attributed works:
Royal mask. Kingdom of Bekom, Cameroon 19th century. Wood, copper and kaolin, height 45 cm. [Galerie Bernard Dulon, Paris]
Attributed works:
Sailors’ holiday, by Lill Tschudi (1911–2004). 1932. Linocut, 20 by 26 cm [OSBORNE SAMUEL, LONDON]
Attributed works:
Scarlet ibis, by Nicolas Robert (1614–85). Watercolour and gouache on vellum with gold edging, 30.5 by 21.2 cm. [DE BAYSER, PARIS]
Attributed works:
Southern sunrise, Collioures, by Karen Keogh. 2020. Etching, 19.5 by 16 cm. [EAMES FINE ART, LONDON]
Attributed works:
Still life, by Giorgio Morandi (1890–1964). 1948. Oil on canvas, 33 by 50 cm. [Galleria d’Arte Maggiore, Bologna]
Attributed works:
Stone gorillas, by Francois-Xavier Lalanne (1927–2008). c.1983. Burgundy stone (pierre d’Euville), 76 by 60 by 58–60 cm. [Galerie Lefebvre, New York]
Attributed works:
Street scene, near a canal, in a Dutch city, by Johannes Huibert Prins (1757–1806). Watercolour, brown and Indian ink with black pencil, 31.4 by 21 cm. [GALERIE PAUL PROUTÉ, PARIS]
Attributed works:
Study of a human body after Ingres, by Francis Bacon (1909–92). 1982. Lithograph, 88 by 60.5 cm. [MARLBOROUGH, LONDON]
Attributed works:
Study of three heads, by Mauro Gandolfi (1764–1834). Pen and ink, 23.2 by 18.7 cm. [ROMANO FINE ARTS, FLORENCE]
Attributed works:
Sur le trône act1 tms2 from the series The blue moon of Ouagadougou, by Saïdou Dicko. 2021. Paint on archival pigment print on Hahnemühle Fine Art Baryta 325g. (© Saïdou Dicko and A  karis, Paris).[Photo London]
Attributed works:
The golf player, by Rembrandt van Rijn (1606–69). 1654. Original etching, 9.6 by 14.5 cm. [ELIZABETH HARVEY-LEE, OXFORDSHIRE]
Attributed works:
The Holy Family, by Giovanni Battista Tiepolo (1696–1770). Pen, brown ink and wash, 27.7 by 20 cm. [GRÄSSLE – HÄRB – NUTI, MUNICH AND LONDON]
Attributed works:
The painter and his model, by Pablo Picasso (1881–1973). 1963. Oil on canvas, 73 by 116 cm. [Van de Weghe, New York]
Attributed works:
Théodore Géricault (Rouen 1791 - 1824 Paris) Various Male Figures in Movement, a Horse and Rider, c. 1817 Pen in brown ink, 18.4 x 25.5 cm [Arnoldi-Livie]
Attributed works:
Tiziano Vecellio, called Titian, The Penitent Magdalen, oil on canvas, 96.7 x 115 cm, Auction: 11 May 2022 [Dorotheum]
Attributed works:
Untitled, by Key Sato (1906–78). 1969. Ink, 25 by 32 cm. [LOUIS & SACK, PARIS]
Attributed works:
Up Town I, by Vanessa Jackson (b. 1953). 2022. Screenprint, 50.3 by 125.3 cm. [ADVANCED GRAPHICS, LONDON]
Attributed works:
Winter woman, by Wenceslaus Hollar (1607–77). 1643. Engraved print with etching, 36.1 by 25.8 cm. [DANIEL CROUCH RARE BOOKS, LONDON]
Non-western art unattributed:
Lot 9 An Elamite appliqué of silver with bull’s head and cloisonné work with stone inlays, late 3rd - early 2nd millennium B.C. [Hermann Historica]
Western art unattributed:
LIMOGES, SECOND HALF 13th CENTURY A GILT-COPPER PYXIS REPRESENTING THE VIRGIN AND CHILD 13 1/2 in. (34.5 cm.) high Provenance: F. Spitzer Collection; V. Martin Le Roy Collection; J.-J. Marquet de Vasselot Collection, thence by descent. Estimate: €500,000 - 700,000 [Christie's]
Western art unattributed:
Lot 52 A Roman marble statue of Hermanubis with features of Alexander the Great, 1st - 2nd century [Hermann Historica]
Western art unattributed:
Lot 59 A Roman bronze urn with profound epigram in sophisticated calligraphy, 1st - 2nd century [Hermann Historica]
Western art unattributed:
Lot 88 A North Germanic jewellery bracteate (B-bracteate) of gold, late 5th - early 6th century A.D. [Hermann Historica]
Exhibition Review
Kwab: Dutch Design in the Age of Rembrandt. Rijksmuseum, Amsterdam
09/2018 | 1386 | 160
Pages: 781-783
related names
Reviewer:
Jervis, Simon (Jervis, Simon; J., S.; J., S. S.)
Subjects
art literature:
dates:
museums and institutions:
Illustrations
Attributed works:
13. Ewer, by Adam van Vianen. Utrecht, 1614. Silver-gilt, height 25 cm. (Rijksmuseum, Amsterdam).
Attributed works:
14. Detail of the choir screen in the Nieuwe Kerk, Amsterdam, designed by Johannes Lutma the Elder. c.1654. Brass, (Nieuwe Kerk, Amsterdam; exh. Rijksmuseum, Amsterdam).
Western art unattributed:
15. Railing. Probably Amsterdam, c.1650. Walnut, height 66.5 cm. (Museum Boijmans van Beuningen, Rotterdam; exh. Rijksmuseum, Amsterdam).
Book Review
The paintings of Hendrick Goltzius 1558–1617: a monograph and catalogue raisonné, L.W. Nichols
02/2015 | 1343 | 157
Pages: 105-106
related names
Reviewer:
Hecht, Peter (Hecht, Peter)
Subjects
dates:
Illustrations
Attributed works:
48. Allegory, here identified as The presentation of Pandora to King Epimetheus, by Hendrick Goltzius (Kunstmuseum, Basel)
Article
Modern German art in British collections: reflections on some recent exhibitions
10/2014 | 1339 | 156
Pages: 670-674
related names
Author:
Calvocoressi, Richard (Calvocoressi, Richard)
Subjects
dates:
Illustrations
Attributed works:
38. Partisan III, by George Baselitz (British Museum, London)
Attributed works:
39. Hercules killing Cacus, by Hendrick Goltzius (Collection of George Baselitz; exh. Royal Academy of Arts, London)
Attributed works:
40. Parsifal III, by Anselm Kiefer (Tate, London)
Attributed works:
41. Carnival (Fastnacht), by Max Beckmann (Tate, London)
Attributed works:
42. The end of the twentieth century, by Joseph Beuys (Tate, London)
Attributed works:
43. Moonlit landscape, by Caspar David Friedrich (Morgan Library & Museum, New York; exh. Courtauld Gallery, London)
Book Review
Hendrick Goltzius, The New Hollstein Dutch & Flemish Etchings, Engravings and Woodcuts 1450–1700, M. Leesberg
10/2014 | 1339 | 156
Pages: 676-677
related names
Reviewer:
Filedt Kok, Jan Piet (Filedt Kok, Jan Piet; Kok, J. P. Filedt)
Subjects
art literature:
dates:
Illustrations
Attributed works:
45. Medallion with a portrait of a man, by Hendrick Goltzius (Rijksmuseum, Amsterdam; acquired in 2014)
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Advertisements October 2013 (front)
10/2013 | 1327 | 155
Pages: s.p.
Subjects
advertisements:
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artists:
subjects:
Illustrations
Attributed works:
[Ben Elwes Fine Art, London. A bouquet of flowers in a porcelain vase, by Balthasar van der Ast (1593/94 - 1657). Signed lower left: .B.. vander. ast. Oil on panel, 39.1 by 29.9 cm]
Attributed works:
[C.G. Boerner, New York and Dusseldorf. Nativity, by Albrecht Durer. 1504. Engraving, 18.7 by 12.2 cm]
Attributed works:
[Carl Solway Gallery, Cincinnati. Burning bones Texas, by Albert Paley. 2012. Monoprint no 18. Ink on paper, 79.4 by 110.5 cm]
Attributed works:
[De Jonckheere, Paris. L'auberge St. Michael, by Peter Brueghel the Younger, 1619. Oil on panel, 54 by 74 cm]
Attributed works:
[Dolan/Maxwell, Philadelphia. Woman in a net, by Stanley William Hayter. 1934. Engraving, soft ground etching, and gauffrage, 21.9 by 29.8 cm]
Attributed works:
[Dorotheum. Dorotheergasse 17. Vienna. Guido Reni (1575-1642), La Fortuna (detail), oil on canvas, 130 x 152 cm]
Attributed works:
[Emanuel on Bayer, London. Rainfall over Prague, by Alfons Mucha. 1860-1939. 1933. Signed and dated. Pen and black ink, with black and grey wash, heightened in white and watercolour, 26.5 by 18.2 cm]
Attributed works:
[Galerie Canesso. 26 rue Laffitte, Paris. Domenico Piola. Genoa, 1617 - 1703. The Triumph of Devine Wisdom over Satan, Avarice and Heresy. Oil on canvas, 150 x 200 cm (59 x 78 3/4 in)]
Attributed works:
[Galerie Canesso. 26 rue Laffitte, Paris. Giovanni Battista Foggini 1652-1725 (attribute to). A pair of monumental marbles on pedestals of a Lion attacking a Horse and a Lion attacking a Bull]
Attributed works:
[Galerie Kodl. Vitezna 11, Praha5. Mala Strana. Praha. Emil Filla (1882-1953). Lying nude. 1932. Oil on canvas. 98.5 x 139 cm]
Attributed works:
[Galerie Kodl. Vitezna 11, Praha5. Mala Strana. Praha. Jindřich Štýrský(1899-11942). Roots. 1934. Oil on canvas, 63 x 57 cm]
Attributed works:
[Galerie Kodl. Vitezna 11, Praha5. Mala Strana. Praha. Václav Brožík (1851-1901). Black Strawberries. c.1899. Oil on wood, 100 x 80 cm]
Attributed works:
[Goya Contemporary, Baltimore. Etilon, by Imi Knoebel. 2001-09. Edition no.5 of 5. Acrylic Painted on synthetic paper, 51 by 51 cm.]
Attributed works:
[Hazlitt Holland-Hibbert. 38 Bury Street. St. James’s, London SW1Y 6BB. Bridget Riley. Born 1931. Persian Palace, 1984. Oil on canvas. 70 3/4 x 61 3/4 inches; 180 x 156.5 cm]
Attributed works:
[Hazlitt, Holland-Hibbert, London. Persian Palace, by Bridget Riley (b-1931). 1984. Oil on linen, 180 by 156.5 cm]
Attributed works:
[Hill-Stone, New York. Portrait of Grinling Gibbons, by John Smith, after Sir Godfrey Knellwer (c.1654-c.1720). The first of two states. Mezzotint, 34.3 by 26 cm]
Attributed works:
[Jean-Luc Baroni. 7/8 Mason’s Yard, Duke Street, St. James’s, London. Jacques-Edme Dumont 1761 - Paris - 1844. A unique assembly of 101 terracotta modelli, measuring between 2 and 7 cm, displayed in a printers typecase]
Attributed works:
[John Szoke, New York. Portrait of Jacqueline, by Pablo Picasso. 1959. Edition of 50. Linocut, 63.5 by 53.3 cm]
Attributed works:
[Johnny Van Haeften Ltd, London. A still life of a laid with a basket of fruit and vegetable, by Jacob Van Hulsdonck (1582-1674). 1625. Oil on panel, 71 by 104 cm]
Attributed works:
[Lempertz, 3 Neumarkt. Cologne. Fra Filippo Lippi (1406-1469). Madonna with Child. Tempera on wood, partial gilded, 81 x 62 cm.]
Attributed works:
[Michael Altman Fine Art & Advisory Service, LLC. John Singer Sargent (1856-1925). A Gust of Wind (detail). c.1883. Oil on canvas, 24 1/4 x 15 inches (61.6 x 38.1 cm)]
Attributed works:
[Osborne Samuel. 23a Bruton Street. London. Cyril Power. The Tube Station, c.1932. Linocut, from the edition of 60, 25.8 x 29.5 cm]
Attributed works:
[Otto Naumann Ltd, New York. Zenobie discovered by the shepherds, by Felix-Henri Giacomotti. Signed lower right. Oil on canvas, 146.5 by 113 cm]
Attributed works:
[Pratt Contemporary Art – Pratt Editions. Ightham, Sevenoaks, Kent TNI5 9HH. England. Ana Maria Pacheco. Homage to Neruda I, 2013. Monotype, 54.6 x 69 cm]
Attributed works:
[Pratt Contemporary, Sevenoaks, Kent. Homage to Neruda XI, by Ana Maria Pacheco. 2013. One of eleven original monotype reproduced in Canto General, Artist's Book. Monotype, 54.6 by 69 cm]
Attributed works:
[R.S. Johnson Fine Art, Chicago. A Man of War between two armed gallerys (1st state), by Pieter Bruegel. 1565. Engravings, 22.6 by 29.4 cm]
Attributed works:
[Redfern Gallery. 20 Cork Street. London. Cyril Edward Power. The Tube Station, c.1923. Linocut 25.8 x 29.5 cm]
Attributed works:
[Redfern Gallery. London. Village fair, by Lill Tschudi. 1934. Edition of 50. Linocut, 25.5 by 30.6 cm]
Attributed works:
[Robilant + Voena, London and Milan. Lamentation over the dead Christ, by Anthony Van Dyck (1599-1641). Oil on canvas.]
Attributed works:
[Robilant + Voena, London. Bianco, by Agostino Bonalumi (b.1935). Fiberglass. Height: 180 cm. Width: 200 cm. Depth: 180 cm. Gallery exhibition: Bonalumi: all the shapes of space 1958-1976. 4th October - 15th Novemberr]
Attributed works:
[Ruiz-Healy Art. San Antonio, Texas and New York City. Pedro Friedeberg, Perros Rojo, 1991.]
Attributed works:
[Salamon & co, Milan. Florence, view of Piazza della Signoria, by Thomas Patch (1725-82). Pen, brush and coloured inks over traces of pencil, 20.3 by 38.4 cm]
Attributed works:
[Salamon Fine Old Master Paintings and Drawings. Palazzo Cicogna. Via San Damiano 2. Milano. Giovanni Fattori (Livorno 1825 - 1908 Florence). Napoleon III Receives a Dispatch by Princess Eugenia near Lonat. Pen and brush, colored inks over traces of black chalk on paper; 46.5 x 369 mm. (18 1/4 x 14 1/2 in)]
Attributed works:
[Simon Theobald. 16 Savile Row, 1st Floor, Beddington Suite. London. Edvard Munch, Melancholie III, 1902]
Attributed works:
[Sotheby’s & Co. 76, rue de Faubourg Saint-Honoré. Paris. An important Italian pietre dure marquetery panel depicting the Allegory of Architecture. Florence, Galleria dei Lavori, circa 1754. Drawing by Giuseppe Zocchi (Fiesole 1711-Firenze 1767), in giltbronze frame, made by Bombicci in 1754]
Attributed works:
[Sperone Westwater, New York. Marble word list 2013, by Robert Barry. Marble, Variable dimensions.]
Attributed works:
[Sperone Westwater, New York. Nixes mate, by Carl Andre. 1922. Western red cedar, 8 timbers. Height: 90 cm. Width: 120 cm. Depth: 120 cm]
Attributed works:
[Sperone Westwater. 257 Bowery. New York. Carl Andre. June Field, 1975]
Attributed works:
[Tomasso Brothers Fine Art, London and Leeds. The rape of Proserpina, attributed to François Girardon. (1690-1700). Bronze, brown patina with traces of red lacquer. Height: 105 cm]
Attributed works:
[Trinity Fine Art, London. The Farnese Hercules, by Gaspero Bruschi (1710-1780). White hard-paste porcelain on base of painted and gilded wood. Height: 82 cm]
Attributed works:
[Walter Padovani, Milano. Portrait of Count Nicola Demidov and Portrait of Countess Elisabetta Demidova, née Stroganova, by Adamo Tadolini (1788-1868). Signed: A. TADOLINI F. A pair of sculptures in statuary marble from Carrara. Height: 31 cm. Width: 19 cm. Depth: 15 cm]
Attributed works:
[Walter Padovani. Via Santo Spirito, 26/A. Milano. Marco Antonio Prestinari (Claino 1570 ca, - Milan 1621). Hercules and the Nemean lion. Terracotta, height cm 52]
Non-western art unattributed:
[Galerie Meyer Oceanic Art, Paris. Spirit mask. Turubu Village Village, Papua New-Guinea. c.1930. Height: 44 cm. Width: 17 cm. Depth: 10 cm]
Western art unattributed:
[Mullany, London. Angel with tambourine, Lombardy, mid-15th century. Walnut with original polychrome and gilding]
Western art unattributed:
[Paul Prouté. 74 Rue de Seine, 75006. Paris. After Hieronymus BOSCH. The Ship of Depravity, 1559]
Western art unattributed:
[Peter Finer. 38&39 Duke Street. St. James’s. London. A french model of a 12-pouder bronze cannon on its original field carriage, circa 1694]
Western art unattributed:
[Sphinx Fine Art. 125 Kensington Church Street. London. Flemish school, seventeenth century. A mimetic Landscape (detail)]
Western art unattributed:
[TATE Britain, London. Anon. Christ before Pilate (detail) c.1400-25]
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Subjects
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subjects:
Illustrations
Attributed works:
[Alan Wheatley Art, London. Untitled (29.7.75), by John Hoyland (1934-2011). 1975. Signed and dated on the canvas overlap. Acrylic on canvas. 122 by 91.5 cm]
Attributed works:
[Austin/Desmond Fine Art, London. The garden, by Edward Burra (1905-76). 1927. Pencil, watercolour and bodycolour, 55.8 by 38.1 cm]
Attributed works:
[Beetles & Huxley, London. Julie Christie, by Terence Donovan (1936-96). 1962. From an edition of 50. Silver gelatin print. 50 by 60 cm]
Attributed works:
[Bonhams. 101 New Bond Street. London. William Scott RA (1913-1989). Cornish Harbour. Signed 'W.SCOTT' (lower right). Oil on board. 27 x 35 cm (10 5/8 x 13 3/4 in.)]
Attributed works:
[Boundary Gallery, London. Second portrait of Sunita, by Sir Jacob Epstein (1880-1959). 1925. Bronze. Height: 57 cm]
Attributed works:
[Dorotheum. Dorotheergasse 17. Vienna. Annibale Carracci (1560-1609), The Virgin in Prayer (detail), oil on canvas, 62.3 x 41.5 cm]
Attributed works:
[Galerie Canesso. 26 rue Laffitte, Paris. Giovan Battista Gaulli, called Il Baciccio. Genoa, 1639 - Rome, 1709. The Holy Family with the Young Saint John the Baptist and Saint Elizabeth. Oil on canvas, 47 x 30 cm (18 1/2 x 11 13/16 in)]
Attributed works:
[Gwen Hughes Modern British Art, London. Thus she would come, escaped, half-dead to my door, by Patrick Caulfield (1936-2005). 1973. Signed and numbered from an edition of 100. Screenprint, 40.5 by 35.5 cm
Attributed works:
[Jonathan Clark Fine Art, London. Still life gourds, by Graham Sutherland (1903-80). 1949. Oil on canvas, 48 by 54 cm]
Attributed works:
[Museum of The Order of St. John. London. Caravaggio. The Cardsharps]
Attributed works:
[Osborne Samuel, London. Mingulay, by William Scott (1913-89). This work is recorded in the William Scott archive as No. 2321. Original gouache for the lithograph, 49 by 61 cm]
Attributed works:
[Piano Nobile, London. Blue Harbour, Sir Terry Frost (1915-2003). 1989. Oil on canvas, 66 by 67 cm]
Attributed works:
[Salamon Fine Old Master Paintings and Drawings. Palazzo Cicogna. Via San Damiano 2. Milano. Domenico Fetti (Rome 1589 - 1623 Venice). Portrait of Francesco Andreini. Red chalk, over traces of black chalk heightened with white on paper, watermark, "Letters LD", 417 x 264 mm. (16 7/16 x 10 3/8)]
Attributed works:
[Sphinx Fine Art. 125 Kensington Church Street. London. Peter Gallis. A Swag of flowers in a iche (detail)]
Attributed works:
[Whittford Fine Art, London. Janus IV, by Jeff Lowe (b.1952). 1982. Mild Steel, zinc coated and painted. Height: 146 cm. Width: 64 cm. Depth: 40 cm]
Attributed works:
[Whittford Fine Art, London. Thrill me, by Allen Jones (b. 1937). Signed and dated centre right. Countersigned by James Wedge centre left. Lithograph, 70.8 by 103.7 cm]
Attributed works:
[William Weston Gallery, London. Figure writing, reflected in a mirror. The writer, by Francis Bacon (1909-92). 1976. Signed in pencil. Lithograph in colours, 85 by 64 cm]
Western art unattributed:
[Mullany Haute Epoque Fine Art. 16 Carlisle Mansions, Carlisle Place. London. A pair of Angels Holding Candlesticks. Poplar, with the original polychrome and gilding. Italy, Naples, circa 1630-1640. H. 49 cm]
Western art unattributed:
[Venator & Hanstein. Cacilienstrasse 48. 50667 Cologne. Germany. Breviary, in Latin, Illumanted manuscript on vellum Italy, fifteenth century]
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