2. Mary, Queen of Scots, by Nicholas Hilliard. c.1592. Watercolour on vellum, 4.4 by 3.8 cm. (Royal Collection, Windsor; copyright 2009, Her Majesty Queen Elizabeth II).
Western art unattributed:
1. Mary, Queen of Scots. 1578. Panel, 193.5 by 112 cm. (National Trust, Hardwick Hall; copyright NTPL/John Hammond).
Western art unattributed:
3. Lady Arabella Stuart. Anonymous. 1589. Panel, 161 by 84 cm. (National Trust, Hardwick Hall; copyright NTPL/John Hammond).
Western art unattributed:
4. Detail of Fig.1, showing the rosary with ‘Susanna and the Elders’.
Western art unattributed:
5. Mary, Queen of Scots and James VI. c.1578. Engraving, 28 by 23 cm. From J. Lesley: De origine, moribus, ac rebus gestis Scotiase libri decem, Rome 1578, p.400, BL65384.
Western art unattributed:
6. Mary, Queen of Scots. c.1578. Oil on paper, with wood mounting, 13.4 by 10.2 cm. (Kunsthistorisches Museum, Vienna).
23. The Marriage of François II and Mary Stuart. By a Sixteenth-Century Artist, after the Painting Reproduced below. Pen and Wash Drawing, 33 by 47.3 cm. (Cabinet des Estampes, Bibliothèque Nationale, Paris.)
Attributed works:
24. The Marriage of François II and Mary Stuart. Here Attributed to Georges Boba. 1572-74. Canvas, 118 by 162 cm. One of a Series of Sixteen Pantings Formerly at Meudon Castle. (Museum, Dijon).
Fig. 1. Motif from an Italian Velvet. Sixteenth Century.
Western art unattributed:
Fig. 2. Motif from a Spanish Brocatelle. Sixteenth Century.
Western art unattributed:
Fig. 3. Motif from Spanish Embroidery. Late Seventeenth Century.
Western art unattributed:
Plate I. A-Curtain from Lochleven Castle. One of a Set. Late Sixteenth Century. Black Silk-Velvet Appliqué Outlined in Yellow Silk Cord on Cerise Woollen Cloth; 182 by 106 cm.; Valance, 129.5 by 25.4 cm. B-Detail of Plate 1, A. (Royal Scottish Museum, Edinburgh). Late Sixteenth-Century Appliqué Work in Scotland
Western art unattributed:
Plate I. C-Curtain from Linlithgow Palace. One of a Pair. Black Silk-Velvet Appliqué Outlined in Yellow Silk Cord on Yellow Woollen Cloth. Length, about 182 cm. D-Detail of Plate I, C (St. Leonard's School, St. Andrews). Late Sixteenth-Century Appliqué Work in Scotland
Western art unattributed:
Plate II. A-Hood of a Cope. Spanish. Sixteenth Century. Yellow Satin Appliqué on Red Satin; 50.8 by 45.7 cm. (Victoria and Albert Museum, 204-1896). Late Sixteenth-Century Appliqué Work in Scotland
Western art unattributed:
Plate II. B-Panel. French. Late Sixteenth Century. Velvet Appliqué on Blue Woollen Cloth; 26 by 26 cm. (Victoria and Albert Museum 626A-1898). Late Sixteenth-Century Appliqué Work in Scotland
Western art unattributed:
Plate II. C-Detail of Border of Lochleven Curtain. Late Sixteenth-Century Appliqué Work in Scotland
Western art unattributed:
Plate II. D-Crewel-Work Curtain (Detail). English. Mid-Seventeenth Century. (Victoria and Albert Museum, T.21-1926). Late Sixteenth-Century Appliqué Work in Scotland
Western art unattributed:
Plate II. E-Detail of Border of Linlithgow Curtain. Late Sixteenth-Century Appliqué Work in Scotland
Two Portraits Based on One Drawing, Perhaps by François Clouet. (A) The Newly-Acquired Portrait, Panel 24.1 × 18 cm. (The National Portrait Gallery). (B) Miniature Portraits of Henri II and Catherine de Medicis and Their Family, Including Mary, Queen of Scots as Dauphine (The Uffizi). A Portrait of Mary, Queen of Scots
(C) Portraits of Mary Queen of Scots and Darnley, Engraved by Renold Elstrack. Two Seventeenth Century Portrait Reliefs
Attributed works:
(D) Portraits of James I and Anne of Denmark, Engraved by Renold Elstrack. Two Seventeenth Century Portrait Reliefs
Western art unattributed:
Portraits in Bas-Relief (A) Of Mary Queen of Scots and Darnley, and (B) Of James I and Anne of Denmark. The West Fresian Museum, Hoorn, Holland. Two Seventeenth Century Portrait Reliefs