Peintures germaniques des
collections françaises (1370–1550)
Edited by Isabelle Dubois-Brinkmann
and Aude Briau. 416 pp. incl. 200 ills.
(Éditions Faton, Paris, and Institut
national d’histoire de l’art, Dijon, 2024),
€39. ISBN 978–2–87844–348–6. |
:
Illustrations
Attributed works:
2. Emperor
Augustus and
the Tiburtine
Sibyl, Konrad
Witz. c.1435.
Mixed media on
panel, 108 by
83 cm. (Musée
des Beaux-Arts,
Dijon; Bridgeman
Images).
Western art unattributed:
1. Tree of Jesse.
Upper Rhenish,
Basel(?), c.1490–
1500. Mixed
media on panel,
213.4 by 229.5 cm.
(Saint-George,
Marckolsheim)
Western art unattributed:
3. St Catherine.
Switzerland,
c.1460. Oil on
panel, 60 by
66 cm. (Museo
Nazionale
del Bargello,
Florence).
71. Crucifixion with a Carthusian monk, by Jean de Beaumetz. c.1389-95. Penl, 56.5 by 45.5 cm. (Cleveland Museum of Art; exh. Musée des Beaux-Arts, Dijon)
Attributed works:
73. Tomb on Philip the Bold, Duke of Burgundy, begun by Jean de Marville. 1384-1410, with nineteenth-century restorations. (Musée des Beaux-Arts, Dijon).
Attributed works:
74. Bust of St Anthony of Egypt, here attributed to Claus de Werve. Early fifteenth century. Limestone, 48 cm. high. (Musée archéologique, Dijon; Musée des Beaux-Arts, Dijon).
Western art unattributed:
72. Bust of Christ, from the Moses Fountain. Completed in 1399. Stone, 61 cm. high. (Musée archéologique, Dijon; Musée des Beaux-Arts, Dijon).
des Beaux-Arts, Dijon)
52. La Japonaise au bain, by James-Jacques-Joseph Tissot. 1864. 208 by 124 cm. (Musée des Beaux-Arts, Dijon).
Attributed works:
53. Life Study of a Male Nude Holding a Baton, by François Devosge. Red Chalk, 51.5 by 35 cm. (Musée des Beaux-Arts, Dijon).
Attributed works:
54. Life Study of a Male Nude with Outstretched Arm, by Pierre-Paul Prud hon. Black Chalk Heightened with White on Blue Paper, 60 by 46.5 cm. (Musée des Beaux-Arts, Dijon).
Les primitifs flamands, I. Corpus de la peinture des anciens Pays-Bas meridionaux au quinzieme siecle, 14, Le Musee des Beaux-Arts de Dijon |
author: Comblen-Sonkes, Micheline
Exhibition Review
Swiss drawings and Garneray. Geneva, Dijon and Marseille
59. Torrent à Rosenlaui, by Alexandre Calame. Signed. Pencil, Charcoal, Black and Brown Crayons and Brown and Grey Washes, Heightened with White Gouache, on Cream Paper, 82.8 by 64.4 cm. (Cabinet des dessins, Musée d'art et d'histoire, Geneva).
Attributed works:
60. La douleur du Lévite, by Jean-Pierre Saint-Ours. c.1806. Black Chalk, Pen and Sepia, with Sepia Wash, on Light Green Paper. (Cabinet des dessins, Musée d'art et d'histoire, Geneva).
Attributed works:
61. Saint-Malo, by Louis Garneray. Signed. Aquatint, 32.4 by 45.2 cm. (Bibliothèque municipale de Marseille; Exh. Musée de la Marine de Marseille).
74. Phaëton Frightened by the Sign of the Lion, by Bénigne Gagneraux. Oil on Gilded Paper Laid down on Panel, 40.5 by 59.7 cm. (Musée Municipal des Ursulines, Mâcon; Exh. Musée des Beaux-Arts, Dijon).
Attributed works:
75. Crossing the Rhine, by Bénigne Gagneraux. 1790. 286 by 359 cm. (Musée des Beaux-Arts, Dijon).
85. Draperie Studies, by the Master of the Coburg Roundels. Brown Pen, 20.7 by 14 cm. (Musée de Dijon; Exh. Cabinet des Dessins, Musée du Louvre).
Attributed works:
86. Allegorical Figures: Time and Justice?, by Camillo Boccaccino. Black and White Chalks on Blue Paper, 17.2 by 13.1 cm. (Musée de Dijon; Exh. Cabinet des Dessins, Musée du Louvre).
Attributed works:
87. Fall of the Giants, by Salvator Rosa (For Bartsch XX, p.276, No.21). Black and Red Chalks, Brown Pen, Brown and Red Washes, Some White Heightening, 71.1 by 46.5 cm. (Musée de Dijon; Exh. Cabinet des Dessins, Musée du Louvre).
Attributed works:
88. Study for a Bearded Man, by Pierre Brébiette. Black and Red Chalks, 51.4 by 32.8 cm. (Musée de Dijon; Exh. Cabinet des Dessins, Musée du Louvre).