The Altzenbachs of Cologne.
Early Modern German Print
Publishers: Popular Prints of
the Seventeenth Century
By John Roger Paas. 2 vols, 1,047 pp.
incl. 1,044 col. + b. & w. ills. (Harrassowitz
Verlag, Wiesbaden, 2021), €748.
ISBN 978–3–447–11487–5. |
:
Illustrations
Attributed works:
6. Relics of one of the Innocents massacred
at Bethlehem, showing the silver shrine in the
Minorite Church, Cologne, published by Gerhard
Altzenbach. 1656. Engraving, 57.9 by 26.4 cm
(trimmed). (Private collection).
84. Giant soft fan, by Claes Oldenburg. 1966–67. Vinyl filled with polyurethane foam, canvas, wood, metal and plastic, 304.8 by 149.5 by 157.2 cm. (fan); 736.6 cm. (cord and plug). (Museum of Modern Art, New York; exh. Museum moderner Kunst, Vienna).
Attributed works:
85. Late submission to the Chicago Tribune architectural competition of 1922 – clothespin, version two, by Claes Oldenburg. 1967. Crayon, pencil and watercolour on paper, 55.8 by 68.5 cm. (Des Moines Art Center; exh. Museum moderner Kunst, Vienna).
Attributed works:
86. Still from Snapshots from the city, film by Stan VanDerBeek of a performance by Claes Oldenburg and Pat Muschinski. 1960. 16 mm. black-and-white film transferred to video, with sound, duration 4 min. (Exh. Museum moderner Kunst, Vienna).
53. The arrival of spring in Woldgate, East Yorkshire in 2011 (twenty-eleven), 25th March, by David Hockney. 2011. iPad drawing printed on paper, 144.1 by 108 cm. (Collection of the artist; exh. Royal Academy of Arts, London).
Attributed works:
54. Hawthorn blossom near Rudstone, by David Hockney. 2008. Two canvases, each 152.4 by 121.9 cm. (Private collection; exh. Royal Academy of Arts, London).
Glanz und Größe des Mittelalters: Kölner Meisterwerke aus den großen Sammlungen der Welt |
institution: Schnütgen-Museum
Illustrations
Attributed works:
54. St Anthony Abbot blessing the animals, the poor and the sick, attributed to the Master of St Veronica. c.1400–10. Tempera colours, gold leaf and gold paint on parchment, 50.5 by 37.5 cm. (J. Paul Getty Museum, Los Angeles; exh. Museum Schnütgen, Cologne).
Attributed works:
55. Marien-Altar, by the Master of the Lyversberg Passion. 1463. Wood: middle panel, 154 by 183 cm.; side panels, 154 by 83 cm. (Church of St Mary, Linz; exh. Museum Schnütgen, Cologne).
Western art unattributed:
53. Crucifix. West Germany (Cologne?), c.1000–50. Various precious metals and stones applied to an oak core, 67 cm. high. (Domschatzkammer und Diözesanmuseum, Osnabrück; exh. Museum Schnütgen, Cologne).
Western art unattributed:
56. Taking of Christ. Cologne (Everhard Rensig/Gerhard Remisch?), 1522–26. Stained glass, 73.7 by 71.8 cm. (Cleveland Museum of Art; exh. Museum Schnütgen, Cologne).
Article
From Master Wilhelm to Master Wilhelm: the identity of the Cologne Master of St Veronica
1. Madonna of the sweet pea, here attributed to Master Wilhelm. After 1426. Panel, central panel, 59 by 39.5 cm.; wings each 59 by 19.9 cm. (Wallraf-Richartz-Museum, Cologne).
Attributed works:
2. Crucifixion with the Virgin, Sts John the Evangelist and Longinus and a Carthusian monk, here attributed to Master Wilhelm. Panel, 46 by 31.5 cm. (National Gallery of Art, Washington).
80. Photograph of the installation of the Paris Salon of 1861, by Pierre-Ambroise Richebourg. 1861. (Cabinet des estampes, Bibliothèque Nationale, Paris).
Attributed works:
82. Portrait of Madame Edouard Hervé, by Alexandre Cabanel. 1884. Canvas, 102 by 75.5 cm. (Petit Palais, Paris; exh. Musée Fabre, Montpellier).
Attributed works:
81. Glorification of St Louis, by Alexandre Cabanel. 1855. Canvas, 428.5 by 446.5 cm. (Musée national des châteaux de Versailles et de Trianon; on long-term loan to Musée Fabre, Montpellier).
61. Madonna of the rose bush, by Stefan Lochner. c.1442. Panel, 51 by 40 cm. (Wallraf-Richartz-Museum, Cologne).
Attributed works:
62. Stormy night, by Anton Melbye. 1846. Canvas, 93 by 127 cm. (Letter Stiftung, Cologne;
exh. Wallraf-Richartz-Museum, Cologne).
Attributed works:
63. Diorama of the moon, by Wilhelm Kranz. 1919. Canvas, 151 by 326 cm. (Deutsches Historisches Museum, Munich; exh. Wallraf-Richartz-Museum, Cologne).
Exhibition Review
Impressionists and their technique. Cologne and Florence
59. Saint-Tropez, calm, by Paul Signac. 1895. Oil on poplar wood, 18.5 by 27.2 cm. (Wallraf-Richartz-Museum and Fondation Corboud, Cologne; exh. Palazzo Strozzi, Florence).
Attributed works:
60. Tahitians, by Paul Gauguin. c.1891. Oil over chalk and charcoal on paper, 85.4 by 101.9 cm. (Tate, London; exh. Palazzo Strozzi, Florence).
Attributed works:
61. Bridge at Clichy, by Vincent van Gogh. 1887. Canvas, 55 by 46.3 cm. (Wallraf-Richartz-Museum and Fondation Corboud, Cologne; exh. Palazzo Strozzi, Florence).