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27 articles
Article
Medieval and Renaissance enamels and other works of art in the Wyvern Collection
04/2022 | 1429 | 164
Pages: 374-379
related names
Author:
Westermann-Angerhausen, Hiltrud (Westermann-Angerhausen, Hiltrud; Angerhausen, Hiltrud Westermann-)
Subjects
museums and institutions:
places:
Illustrations
Attributed works:
4. Badge of St Margaret. Probably eastern France, second half of the fifteenth century. Alloy of gold and copper, 5.9 by 4 cm. (The Wyvern Collection).
Attributed works:
6. Horn, by Léonard Limosin. Limoges, 1538. Enamel painted on copper with silver fittings, mounted on a cow’s horn, length 30.5 cm. (The Wyvern Collection).
Attributed works:
7. Head of the Virgin. Northern Spain, c.1270–1300. Wood, paint, gilding and gesso, height 59 cm. (The Wyvern Collection).
Attributed works:
8. Head of the mourning Virgin. France (Paris or Normandy), c.1530–40. Clear glass painted with stipple shading, leaded in a later setting, 13.5 by 11.5 cm. (The Wyvern Collection).
Western art unattributed:
1. Phylactery. Mosan, c.1160–70. Champlevé enamel on copper with gilding, vernis brun, rock crystal and gems on a wooden core, 22.5 by 22 cm. (The Wyvern Collection).
Western art unattributed:
2. Chrismatory. Anglo-Saxon, c.800, and Carolingian, late 9th century. Repoussé copper-alloy sheets with gilding and silver on an oak core, height 15.6 cm. (The Wyvern Collection).
Western art unattributed:
3. Plaque. England, c.1180–1200. Champlevé enamel on copper with gilding, height 5.7 cm. (The Wyvern Collection).
Western art unattributed:
5. Travelling chalice. Lower Rhine (probably Cologne), c.1240–50. Silver, parcel-gilt, with filigree, pearls and semi-precious stones, height 8.2 cm. (The Wyvern Collection).
Book Review
Trésors des Cathédrales. Edited by Judith Kagan and Marie-Anne Sire
01/2020 | 1402 | 162
Pages: 75-76
related names
Reviewer:
Milner, Lesley (Milner, Lesley)
Subjects
places:
Reviewed Items
subjects:
Trésors des Cathédrales Edited by Judith Kagan and Marie-Anne Sire. 320 pp. incl. 350 ills. (Éditions du Patrimoine, Centre des Monuments Nationaux, 2019), £72. ISBN 978–2–7577–0618–3. | :
Book Review
Al servei de l’altar: Tresors d’orfebreria de les esglésies Catalanes (segles IX–XIII)
04/2019 | 1393 | 161
Pages: 346-348
related names
Reviewer:
O'Donnell, Maeve (O'Donnell, Maeve)
Subjects
Reviewed Items
subjects:
Al servei de l’altar: Tresors d’orfebreria de les esglésies Catalanes (segles IX–XIII) By Lourdes de Sanjosé i Llongueras. | :
Illustrations
Attributed works:
3. The second Horseman of the Apocalypse riding a red horse and holding a chalice, from the Girona Beatus. c.975. Parchment, 40 by 26 cm. (Cathedral of Girona, inv. no.7(11), f.63r).
Article
The ‘Martinoff Drawings’: a quest for Russian art at the South Kensington Museum
12/2018 | 1389 | 160
Pages: 1006-1015
related names
Author:
Hardiman, Louise (Hardiman, Louise)
Subjects
Illustrations
Attributed works:
1. Copy of decoration in a sixteenth-century manuscript of the Gospels in the Patriarchal Library, Moscow, by Nikolai Martynov. c.1880–81. Watercolour and pencil on paper, 39.3 by 26.7 cm. (Victoria and Albert Museum, London, no.M.10.b: 8881).
Attributed works:
10. Detail of The mitre of the Patriarch Job (1586–1605) in the treasury of the Patriarch, Moscow, by Nikolai Martynov. c.1880–81. Watercolour and pencil on paper, 30.5 by 21.6 cm. (Victoria and Albert Museum, London; no.M.10.b: 8854).
Attributed works:
11. Detail of Two pairs of eyeglasses, and cases for same, of the Patriarch Nikon (1652–1658) in the treasury of the Patriarch, Moscow, by Nikolai Martynov. c.1880–81. Watercolour and pencil on paper, 35.5 by 25.4 cm. (Victoria and Albert Museum, London; no.M.10.a: 8858).
Attributed works:
12. A saccos (dalmatic) of the Metropolitan Dionysy, made by order of Tsar Ivan Vasilievich (1530–1584) in the treasury of the Patriarch, Moscow, 16th century (second half), by Nikolai Martynov. c.1880–81. Watercolour and pencil on paper, 38 by 26.8 cm. (Victoria and Albert Museum, London; no.M.10.b: 8873).
Attributed works:
2. Detail of Church of the Holy Trinity, Ostankino, near Moscow, by Nikolai Martynov. c.1880–81. Watercolour and pencil on paper, 36.9 by 24.2 cm. (Victoria and Albert Museum, London; no.M.10.a: 8845).
Attributed works:
4. Detail of The Panagia of the Patriarch Job (1586–1605) in the treasury of the Patriarch, Moscow, by Nikolai Martynov. c.1880–81. Watercolour and pencil on paper, 25.4 by 36.3 cm. (Victoria and Albert Museum, London; no.M.10.a: 8842).
Attributed works:
5. Detail of A halo from the image of the Virgin in the sacristy of the Convent of the Transfiguration of Our Lord, Staraya Russa, Novgorod, by Nikolai Martynov. c.1880–81. Watercolour and pencil on paper, 35.5 by 28.5 cm. (Victoria and Albert Museum; London; no.M.10.a: 8861).
Attributed works:
6. Detail of The Pastoral Staff of the Patriarch Nikon (1652–1658), in the treasury of the Patriarch, Moscow, by Nikolai Martynov. c.1880–81. Watercolour and pencil on paper, 28.5 by 35.5 cm. (Victoria and Albert Museum, London; no.M.10.a: 8855).
Attributed works:
7. A censer at the Convent of the Blessed Virgin, Serpukhov, Province of Moscow, by Nikolai Martynov. c.1880–81. Watercolour and pencil on paper, 37 by 28.5 cm. (Victoria and Albert Museum, London, no.M.10.a: 8849).
Attributed works:
8. Detail of The klobouk (headdress of the Greek friars), of the Patriarch Nikon (1652–1658), in the treasury of the Patriarch, Moscow, by Nikolai Martynov. c.1880–81. Watercolour and pencil on paper, 33 by 22.9 cm. (Victoria and Albert Museum, London; no.M.10.b: 8853).
Attributed works:
9. A sash of the Patriarchs, in the treasury of the Patriarch, Moscow, by Nikolai Martynov. c.1880–81. Watercolour and pencil on paper, 36.8 by 22.9 cm. (Victoria and Albert Museum, London; no.M.10.b: 8877).
Non-western art unattributed:
3. Reliquary or triple cross, after a seventeenth-century original at the Cathedral of the Dormition, Moscow, at the time of reproduction. c.1881. Electrotype, 32.4 by 16.5 by 3.2 cm. (Metropolitan Museum of Art, New York).
Book Review
Die Zisterzienser: das Europa der Klöster. Edited by by Gabriele Uelsberg, Lothar Altringer, Georg Mölich, Norbert Nussbaum and Harald Wolter-von dem Knesebeck
12/2018 | 1389 | 160
Pages: 1067-1068
Article
A ‘splendid and probably Unique Pebble’: the ‘Benetier de Charlemagne’
06/2012 | 1311 | 154
Pages: 388-393
related names
Reviewer:
Hall, Michael (Hall, Michael)
Subjects
dates:
print:
subjects:
subjects:
Illustrations
Attributed works:
6. Detail of the base of St Lawrence trampling the heretic king, by Francesco Alfieri. Trapani, Sicily, mid-sixteenth century. Coral, gilt-bronze and enamel, diameter approx. 14 cm. (San Lorenzo, El Escorial).
Western art unattributed:
1. The Benetier of Charlemagne. Sardonyx bowl. Byzantine mid-tenth century, mounted on a gold and enamel monstrance foot, Spanish or Italian, before 1571, 23.2 by 26.1 cm. (Private collection; on loan to the National Museums of Scotland).
Western art unattributed:
2. Detail of the sardonyx bowl in Fig.1.
Western art unattributed:
3. The Chalice of the Emperor Charles IV. Sardonyx bowl. Byzantine, mid-tenth century, mounted in Germany in 1350. Gold, enamel and pearls, 21.2 by 14.8 cm. (Treasury of St Vitus Cathedral, Prague).
Western art unattributed:
4. The Chalice of the Emperor Romanos I. Byzantine, before 944. Sardonyx, gold, enamel and pearls, 23.7 by 18.1 cm. (Treasury, St Mark’s, Venice).
Western art unattributed:
5. Detail of the gold and enamel mount in Fig.1.
Western art unattributed:
7. Photograph of the Red Room, Halton, Buckinghamshire. 1884. (Private collection).
Article
Eighteenth-century Roman silver for the chapel of St John the Baptist in the church of S. Roque, Lisbon
08/2010 | 1289 | 152
Pages: 528-535
related names
Author:
Vale, Teresa Leonor M. (Vale, Teresa Leonor M.)
Subjects
dates:
places:
places:
places:
print:
subjects:
Illustrations
Attributed works:
20. Baldachin, by Felice Sciffone, Agostino Ancidoni and Lucino Celladini; altar frontal, by Antonio Arrighi; and altar set (six candlesticks and cross), by Angelo Spinazzi, Giovanni Felice Sanini, Tommaso Politi and Francesco Antonio Salci. (Museu de S. Roque, Lisbon).
Attributed works:
21. Detail of altar frontal in Fig.20. c.1744–50. Silver and lapis lazuli, 112 by 230 cm. (Museu de S. Roque, Lisbon).
Attributed works:
22. Candlestick, by Giuseppe and Leandro Gagliardi. c.1744–49. Gilt silver, 285 by 105 by 105 cm. (Museu de S. Roque, Lisbon).
Attributed works:
23. Chalice, by Antonio Gigli. c.1744–50. Gilt silver, 29 cm. high. (Museu de S. Roque, Lisbon).
Attributed works:
24. Set of three altar canons, by Antonio Vendetti. c.1744–50. White and gilt silver, 49 by 53 by 9.5 cm.; 42 by 33 by 6 cm.; 42 by 33 by 6 cm. (Museu de S. Roque, Lisbon).
Attributed works:
25. Pair of cruets and salver, by Antonio Gigli. c.1744–50. Gilt silver, 17.8 by 12 by 6.3 cm. (cruets); 21.2 by 27.5 cm. (salver). (Museu de S. Roque, Lisbon).
Attributed works:
26. Basin and ewer, by Vincenzo Belli. c.1744–50. Gilt silver, 28.5 by 14 by 13.5 cm. (ewer); 42.5 by 54 by 4 cm. (basin). (Museu de S. Roque, Lisbon).
Attributed works:
27. Host box, by Francesco Smitti. c.1744–50. Gilt silver, 8 by 9 cm. (Museu de S. Roque, Lisbon).
Attributed works:
28. St Prosper reliquary, by Carlo Guarnieri. c.1744–50. Gilt silver, 89 by 43 by 35 cm. (Museu de S. Roque, Lisbon).
Attributed works:
29. St Felix reliquary, by Carlo Guarnieri. c.1744–50. Gilt silver, 81 by 30 by 34 cm. (Museu de S. Roque, Lisbon).
Article
New light on the Luck of Edenhall
01/2010 | 1282 | 152
Pages: 4-7
related names
Author:
Davies, Glyn (Davies, Glyn)
Subjects
dates:
print:
Illustrations
Non-western art unattributed:
1. The Luck of Edenhall. Syria or Egypt, c.1200–90. Gilded and enamelled glass, 15.8 cm. high. (Victoria and Albert Museum, London).
Non-western art unattributed:
3. The Palmer cup. Syria or Egypt, c.1200–50 (the glass); probably France, c.1250–1350 (the mount). Gilded and enamelled glass with silver gilt mounts and rock crystal, 26.8 cm. high. (British Museum, London).
Western art unattributed:
2. Case for the Luck of Edenhall. Probably England, c.1450–1500. Tooled leather, 18.1 cm. high (with lid). (Victoria and Albert Museum, London).
Western art unattributed:
4. The Threave locket. England or Scotland, c.1450–1500. Engraved silver, 2.7 cm. high. (National Museum of Scotland, Edinburgh).
Western art unattributed:
5. The Luck of Muncaster. Venice, late fifteenth or early sixteenth century. Moulded and gilded glass, diameter 14 cm.; 6.4 cm. high. (Private collection).
Short Notice
The First Gothic Revival in English Church Plate
04/1978 | 901 | 120
Pages: 226+228-229
related names
Author:
Oman, Charles (Oman, Charles; Oman, Charles Chichele; O., C. C.; Oman, C. C.; Oman, Charles C.)
Subjects
dates:
places:
subjects:
subjects:
subjects:
subjects:
Illustrations
Western art unattributed:
37. Chalice. Silver Parcel-Gilt; Height, 12 cm. (Ampleforth College).
Western art unattributed:
38. Chalice. Silver Parcel-Gilt; Height, 17.5 cm. (West-minster Cathedral).
Western art unattributed:
39. Chalice. Silver-Gilt; Height, 16.5 cm. (York Minster Treasury; On Loan from Leeds Diocese).
Western art unattributed:
40. Chalice. Silver-Gilt; Height, 13 cm. (West Grinstead Catholic Church).
Book Review
English Church Plate
04/1958 | 661 | 100
Pages: 132-133
related names
Reviewer:
Brocklehurst, Charles (Brocklehurst, Charles)
Subjects
dates:
places:
subjects:
subjects:
subjects:
Reviewed Items
subjects:
English Church Plate 597-1830 | author: Oman, Charles
Illustrations
Attributed works:
27. Chalice with Paten Cover, Gilt. Mark of Chas. Shelley, c. 1664. (Buckingham Palace.) Reproduced by Gracious Permission of H.M. The Queen. Two Wings of a Small Altar-Piece, by Albrecht Dürer.
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