Ludwig Wittgenstein: Fotografie
als analytische Praxis /
Photography as Analytical
Practice
Edited by Verena Gamper and Hans-Peter
Wipplinger. 304 pp. incl. approx. 580 col.
+ b. & w. ills. (Verlag der Buchhandlung
Walther König, Cologne, 2021), £29.
ISBN 978–3–7533–0049–8. |
:
Illustrations
Attributed works:
15. Photo
booth portrait
of Ludwig
Wittgenstein.
c.1930. Gelatin
silver print,
5.4 by 3.8 cm.
(Collection Mila
Palm, Vienna).
Attributed works:
16. Margarete
Stonborough-
Wittgenstein
and Ludwig
Wittgenstein,
from the photo
album of Ludwig
Wittgenstein.
c.1931. Gelatin
silver prints,
album page
16 by 9.8 cm.
(Wittgenstein
Archive,
Cambridge).
Attributed works:
17. Composite
portrait of the
Wittgenstein
siblings,
attributed to
Moritz Nähr
and Ludwig
Wittgenstein.
Early 1920s.
Gelatin silver
print, 11.1
by 8.2 cm.
(Wittgenstein
Archive,
Cambridge).
14. Portrait of a patient, by Erwin
Dominik Osen. 1915. Graphite and
watercolour on paper, 56.7 by 39.8 cm.
(Leopold Museum, Vienna).
Attributed works:
15. Portrait of a patient, by Erwin Dominik
Osen. 1915. Graphite and watercolour on paper,
48.3 by 32 cm. (Leopold Museum, Vienna).
Attributed works:
16. Erwin Dominik Osen, nude with crossed
arms, by Egon Schiele. 1910. Black chalk,
watercolour and gouache on paper, 44.7 by
31.5 cm. (Leopold Museum, Vienna; photograph
Manfred Thumberger).
Publication Received
Egon Schiele – Jenny Saville. With essays by Oskar Bätschmann, Martin Harrison, Diethard Leopold, Helena Pereña Sáez, Franz Smola and Oliver Wick.
Tracey Emin | Egon Schiele: Where I want to go. With essays by Diethard Leopold and Thomas Trummer.
Alberto Giacometti. Modernist Pioneer. Edited by Franz Smola and Philippe Büttner, with contributions by Casimiro Di Crescenzo, Wolfgang Georg Fischer and Chiara Galbusera.
30. Portrait of Karl Anselm, by Anton Kolig. 1917/18. Oil on cardboard, 44 by 22 cm. (Heeresgeschichtliches Museum, Vienna).
Attributed works:
31. After the battle, by Roland Strasser. 1915/16. Canvas, 209 by 260 cm. (Heeresgeschichtliches Museum, Vienna).
Attributed works:
32. Postcard, published for the Deutscher Schulverein, incorporating a drawing by Gustav Feith. 1914. Printed cardboard, 14 by 9 cm. (Österreichische Nationalbibliothek, Vienna).
Attributed works:
33. Poster advertising 'Paper Textiles', designed by Mihály Biró. 1918. Lithograph on paper, 125.5 by 95 cm. (Wienbibliothek im Rathaus, Vienna).
Attributed works:
34. Packing room, by Egon Schiele. 1917. Black crayon on paper, 43.8 by 30.1 cm. (Leopold Museum, Vienna).
Attributed works:
35. War, by Albin Egger-Lienz. 1915/16. Tempera on canvas, 172 by 232 cm. (Museum Schloss Bruck, Lienz).
Attributed works:
36. Women of the War, by Albin Egger-Lienz. 1918-22. Oil over tempera on canvas, 124 by 247 cm. (Museum Schloss Bruck, Lienz).
Attributed works:
37. Self-portrait with hand touching face, by Oskar Kokoschka. 1918/19. Canvas, 83.6 by 62.7 cm. (Leopold Museum, Vienna).
Publication Received
Kokoschka. Das Ich im Brennpunkt. Edited by Tobias G. Natter
Franz Smola and Oskar Kokoschka. Portraits of People and Animals. Edited by Beatrice von Bormann.
Klimt persönlich: Bilder – Briefe – Einblicke |
institution: Leopold Museum
subjects:
Klimt. Die Sammlung des Wien Museums |
institution: Wien Museum
Illustrations
Attributed works:
41. The auditorium at the Altes Burgtheater, by Gustav Klimt. 1888/89. Watercolour and gouache with gold highlighting on paper, 91.2 by 103 cm. (Wien Museum, Vienna).
Attributed works:
42. Portrait of a lady in cape and hat, by Gustav Klimt. 1897/98. Black and red chalk on paper, 44.6 by 31.8 cm. (Albertina, Vienna).
Attributed works:
43. Standing dancer in profile with head turned to the left, by Gustav Klimt. 1916/17. Graphite on paper, 49.6 by 32.4 cm. (Albertina, Vienna).
Attributed works:
45. The park at Schönbrunn, by Gustav Klimt. 1916. Canvas, 110 by 110 cm. (Private collection, Graz; exh. Leopold Museum, Vienna).
Attributed works:
46. Hermann Bahr in his study with Klimt’s ‘Nuda Veritas’, by Aura Hertwig. 1906. Silver gelatin print on cardboard, 16.5 by 10.5 cm. (Österreichisches Theatermuseum, Vienna).
Attributed works:
47. Rosebush and butterflies, by Gustav Klimt. One of seven segments of the cartoon for the mosaic frieze for the western wall of the dining room of the Palais Stoclet, Brussels. 1910–11. Black chalk, graphite, red crayon, gouache, platinum, gold, silver and bronze leaf, gold, silver and bronze powder and zinc white on tracing paper, 195 by 120 cm. (MAK – Museum für angewandte Kunst/Gegenwartskunst, Vienna).
Western art unattributed:
44. Postcard showing interior of the basilica of S. Vitale, Ravenna, with message in pencil, sent by Gustav Klimt to Emilie Flöge, 2nd December 1903. 14 by 9 cm. (Private collection; exh. Leopold Museum, Vienna).
Albin Egger-Lienz 1868–1926 |
institution: Leopold Museum
Illustrations
Attributed works:
62. Finale, by Albin Egger-Lienz. 1918. Canvas, 140 by 227 cm. (Private collection; exh. Leopold Museum, Vienna).
Attributed works:
63. Preliminary version of the central couple in Life, by Albin Egger-Lienz. 1910. Canvas, 186.5 by 143.5 cm. (Landesmuseum Kärnten, Klagenfurt; exh. Leopold Museum, Vienna).
Publication Received
Leopold. Masters from the Leopold Museum in Vienna.