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Article

The last Resident: Richard Worsley and his collection of Venetian paintings

01/2012 | 1306 | 154

Pages: 37-43

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Author:

Yarker, Jonathan (Yarker, Jonathan)

Subjects

collectors and dealers:

Worsley, Richard, Seventh Baronet, 1751-1805 / Bonaparte, Lucien, First Principe di Canino and Musignano, 1775-1840

places:

Italy / Venice

print:

Worsley, Richard, Seventh Baronet, 1751-1805

subjects:

Collectors / Collections, Private / Italian painting / Venetian / Archives / Documents / Grand tours / Catalogues / Correspondence / Taste (aesthetics)

subjects:

Inventories

subjects:

Italian sculpture

Illustrations

Attributed works:

49. Sir Richard Worsley, by Joshua Reynolds. 1775–76. Canvas, 233.7 by 142.2 cm. (Private collection).

Attributed works:

50. The Virgin and Child with Sts John, Catherine and Zaccharia, by Giovanni Battista Leonetti after Vincenzo Catena. 1812. Etching, 14.5 by 19.6 cm. From Choix de gravures à l’eau-forte d’après les peintures originales et les marbres de la galerie de Lucien Bonaparte, London 1812, stanza XIV, no.123. (British Museum, London).

Attributed works:

51. Ecce Homo, by Giovanni Petrini after Titian. c.1812. Etching, 19.6 by 14.5 cm. From Choix de gravures à l’eau-forte d’après les peintures originales et les marbres de la galerie de Lucien Bonaparte, London 1812, stanza IX, no.86. (British Museum, London).

Attributed works:

52. Cupid with a bow, engraved by William Skelton after Vincenzo Dolcibene. 1794. Engraving, 22 by 15 cm. From R. Worsley: Museum Worsleyanum, London 1794, I, no.97. (Yale Center for British Art, New Haven).

Attributed works:

53. Lucien Bonaparte, Prince de Canino, by François-Xavier Fabre. 1808. Canvas, 90 by 71 cm (Museo Napoleonico, Rome)

Attributed works:

54. The return of the prodigal son, by Bonifacio Veronese and workshop. c.1550. Canvas, 188 by 457 cm. (Private collection).

Attributed works:

55. Giovanni della Volta and his family, by Lorenzo Lotto. 1547. Canvas, 104.5 by 138 cm. (National Gallery, London).

Attributed works:

56. The Madonna and Child with Sts Luke and Catherine of Alexandria, by Titian. c.1560. Canvas, 127.8 by 169.7 cm. (Coleccion Fondo Cultural Villar-Mir, Madrid).

Attributed works:

57. Dejanira abducted by the centaur Nessus, by Alessandro Varotari, called Padovanino. c.1627. Canvas, 122.3 by 84.1 cm. (Bequest of John Ringling, Ringling Art Museum, Sarasota).

Attributed works:

58. Dejanira abducted by the centaur Nessus, by Benjamin West, after Alessandro Varotari, called Padovanino. 1802. Pen and brown ink with brown wash. Detail from a letter from Benjamin West to Sir Richard Worsley, London, 22nd July 1802. (Lincolnshire Archives, Worsley MS 55, fol.20).

Short Notice

Who's Who in Ingres's Portrait of the Family of Lucien Bonaparte?

11/1972 | 836 | 114

Pages: 787-789+791

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Author:

Naef, Hans (Naef, Hans)

Subjects

artists:

Ingres, Jean-Auguste-Dominique

dates:

1800-1819

patrons:

Bonaparte, Lucien, First Principe di Canino and Musignano, 1775-1840

places:

France / Paris

subjects:

French painting / Portraits / Sitters

subjects:

Family portraits

Illustrations

Attributed works:

66. Portrait of Princess Anna Hercolani, née Jouberthon, by Clemente Alberi. 1828. (Museo Napoleonico, Rome.) 67. Apollo and Marsyas, Here Attributed to Dirck Van Baburen. Canvas. 192 by 160 cm. (Collection Fürst Schaumburg-Lippe, Bückeburg Castle.) 68. Portrait Group of the Lucien Bonaparte Family, by J. A. D. Ingres. Signed and Dated 1815. Drawing, 41 by 53.2 cm. (Fogg Art Museum, Cambridge, Mass.)

Article

Canova's Statues of Venus

10/1972 | 835 | 114

Pages: 658-671

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Author:

Honour, Hugh (Honour, Hugh)

Subjects

artists:

Canova, Antonio

dates:

1780-1829

patrons:

Bonaparte, Lucien, First Principe di Canino and Musignano, 1775-1840

places:

Italy / Florence

subjects:

Italian sculpture

subjects:

Classical mythology / Iconography / Venus

subjects:

Documents / Correspondence

subjects:

Patronage

subjects:

Roman (ancient) sculpture / Visual sources

subjects:

Beauty

Illustrations

Attributed works:

1. Left Side of the Hope Venus, by Antonio Canova. Completed 1820. Marble; Height, 177 cm. (Leeds City Art Gallery.) Photo. Ron Turner, Leeds.

Attributed works:

10. Detail from Venere Italica Illustrated in Fig. 4.

Attributed works:

14. Venus, by Antonio Canova. Completed before July 1814. Marble; Height with Base, 233 cm. (Formerly Lansdowne House, London.)

Attributed works:

15. Detail from Hope Venus Illustrated in Fig. 1.

Attributed works:

16. The Hope Venus, by Antonio Canova. Modelled before 1819. Gesso; Height, 180 cm. (Gipsoteca, Possagno.) Photo. Istituto di Storia dell'Arte, Fondazione Giorgio Cini, Venice.

Attributed works:

17. Back View of Marble Hope Venus Illustrated in Fig. 1.

Attributed works:

18. Back View of Gesso Hope Venus Illustrated in Fig. 16. Photo. Istituto di Storia dell'Arte, Fondazione Cini, Venice.

Attributed works:

2. Front View of Hope Venus Illustrated in Fig. 1. Photo. Ron Turner, Leeds.

Attributed works:

3. Right Side of Hope Venus Illustrated in Fig. 1. Photo. Ron Turner, Leeds.

Attributed works:

4. Front View of the Venere Italica, by Antonio Canova. Completed 1811. Marble; Height, 172 cm. (Palazzo Pitti, Florence.) Photo. Anderson.

Attributed works:

5. Back View of Venere Italica Illustrated in Fig. 4.

Attributed works:

6. Front View of Venus, by Antonio Canova. Completed 1810. Marble; Height, 172 cm. (Bayerische Verwaltung der Staatlichen Schlösser, Gärten und Seen, Museumsabteilung, Munich.) Photo. Verwaltung der Staatl. Schlösser, Gärten und Seen, Museumsabteilung.

Attributed works:

7. Left Side of Venus Illustrated in Fig. 6. Photo. Verwaltung der Staatl. Schlösser, Gärten und Seen, Museumsabteilung.

Attributed works:

8. Detail from Venus Illustrated in Fig. 6. Photo. Verwaltung der Staatl. Schlösser, Gärten und Seen, Museumsabteilung.

Attributed works:

9. Detail from Venus Illustrated in Fig. 6. Photo. Verwaltung der Staatl. Schlösser, Gärten und Seen, Museumsabateilung.

Western art unattributed:

11. Medici Venus. c. 200 B. C. Marble; Height 153 cm. (Galleria degli Uffizi, Florence.) Photo. Anderson.

Western art unattributed:

12. Capitoline Venus. Roman Copy of Greek Original, c. 320-280 B. C. Marble; Height, 187 cm. (Museo Capitolino, Rome.) Photo. Anderson.

Western art unattributed:

13. Callipygian Venus. Roman Copy of Fourth-Century B. C. Greek Original. Marble; Height, 152 cm. (Museo Nazionale, Naples.)

Article

Ingres' drawing of the family of Lucien Bonaparte

01/1960 | 682 | 102

Pages: 18-21

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related names

Author:

Sass, Else Kai (Sass, Else Kai)

Subjects

artists:

Ingres, Jean-Auguste-Dominique

dates:

1800-1819

museums and institutions:

Fogg Art Museum, Cambridge, United States

patrons:

Bonaparte, Lucien, First Principe di Canino and Musignano, 1775-1840

patrons:

Bonaparte family

places:

France / Italy / Paris / Rome

places:

Cambridge (United States) / United States

subjects:

French painting / Drawings / Family portraits / Portraits

subjects:

Bonaparte, Lucien, First Principe di Canino and Musignano, 1775-1840

Illustrations

Attributed works:

26. The Family of Lucien Bonaparte, by Jean Auguste Dominique Ingres. Signed and Dated 1815. Pencil, 41.2 by 52.9 cm. (Fogg Museum of Art, Cambridge, Mass.) By Courtesy of the Fogg Museum of Art.

Attributed works:

28. Portrait of Christina Egypta Bonaparte as Countess Arvid Posse, by Lars Svensson Sparrgren. Miniature. 1819. (Private Collection, Sweden.)

Western art unattributed:

27. Portrait of Christina Egypta Bonaparte as Countess Arvid Posse, by an Unknown Artist. Canvas. (Private Collection, Sweden.)

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