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59 articles
Book Review
Canova e gli inglesi
02/2024 | 1451 | 166
Pages: 217
related names
Reviewer:
Ward-Jackson, Philip (Ward-Jackson, Philip; Ward-Jackson, Phillip; Jackson, Philip Ward; Ward-Jackon, Philip)
Subjects
artists:
Reviewed Items
subjects:
Canova e gli inglesi By Alessio Costarelli. 551 pp. incl. 6 col. + 99 b. & w. ill. (Silvana Editoriale, Milan, 2022), €34. ISBN 978–88–366–5116–0. | :
Supplement
Recent acquisitions (2016–22) of European works of art at the Detroit Institute of Arts
06/2023 | 1443 | 165
Pages: 677-692
Subjects
subjects:
Illustrations
Attributed works:
10. Large circular dish with Diana and Callisto, Nevers Manufactories. c.1660. Faience (tin-glazed earthenware), diameter: 50.8 cm. Bequest of Sidney R. Knafel, T2022.237.2.
Attributed works:
11. Infant St John the Baptist in the wilderness, by Bartolomé Esteban Murillo. Between 1665 and 1670. Oil on canvas, 85 by 72 cm. Museum purchase, Robert H. Tannahill Foundation Fund, 2021.270.
Attributed works:
12. Madonna and Child with Sts Ignatius of Loyola, Francis Xavier, Cosmas and Damian, by Andrea Sacchi. 1629. Oil on canvas, 60.5 by 40.3 cm. Gift of the European Paintings Council, 2017.10.
Attributed works:
13. St Peter weeping with keys, by Guercino (Giovanni Francesco Barbieri). c.1630–40. Pen and brown (iron gall) ink on laid paper, 24.6 by 19.3 cm. Gift of an anonymous donor, in memory of Edward B. Caulkins Jr, 2016.126.
Attributed works:
14. Study for the Chair of St Peter (Cathedra Petri), workshop of Gian Lorenzo Bernini. c.1657–58. Pen and brown ink and wash with white highlights on laid paper, 50.8 by 33.7 cm. Museum purchase, Ralph H. Booth Bequest Fund, 2018.21.
Attributed works:
15. Garniture of three vases, manufactured by the De Paauw (‘The Peacock’) Manufactory, Delft, under the direction of Petronella van Dijssel. c.1690. Tin-glazed (enamelled) earthenware, 40 by 37.5 cm. Gift of Richard and Joanne Brodie, 2019.160.1–.3.
Attributed works:
16. The archangel Michael defeating Satan, by Acisclo Antonio Palomino de Castro y Velasco. Between 1692 and 1705. Oil on canvas, 208.8 by 146.5 cm. Gift of Colnaghi in honour of Salvador Salort-Pons, 2016.58.
Attributed works:
17. Reading the fate of the Christ Child, by Josefa De Ayala. 1667. Oil on copper, 23 by 29 cm. Museum purchase, Robert H. Tannahill Foundation Fund, 2020.15.
Attributed works:
18. Large platter with Bacchanal scene in the centre with putti and a satyr pushing a wheelbarrow on an ocre niellé ground, manufactured by the Rouen Factories. c.1725. Faience (tin-glazed earthenware), diameter 40 cm. Bequest of Sidney R. Knafel, T2022.237.13.
Attributed works:
19. Madonna and Child, by Giuseppe Maria Mazza. 1685. Hand-modelled terracotta relief in a gilt wood frame, 41.9 by 37.1 cm. Gift of Richard A. and Joanne Brodie in honour of Alan Darr, 2021.28.
Attributed works:
2. St Michael vanquishing the Devil, attributed to the workshop of the Harburg Master. c.1480. Limewood with original gilding and polychromy, 165 by 66 by 40 cm. Museum purchase, Robert H. Tannahill Foundation Fund, with funds from the Visiting Committee for European Sculpture and Decorative Arts, 2020.1.
Attributed works:
20. The sanctuary-basilica of Nuestra Señora del Lledó in Castellón de la Plana, by Juan Conchillos Falco. 1699. Pen and ink and brush and sepia wash, 21.6 by 29.2 cm. Museum purchase, Hill Memorial Fund, 2020.17.
Attributed works:
21. Virgin of solitude, by Luisa Roldán (called La Roldana). 1705. Terracotta, paint, glass and wood, 38.1 by 26 cm. Museum purchase, Funds from the Joseph M. DeGrimme Memorial Fund and Robert H. Tannahill Foundation Fund, 2018.33.
Attributed works:
22. Venus ordering armour for Aeneas at Vulcan’s forge, by Gaetano Gandolfi. c.1775. Oil on canvas, 64.5 by 47.5 by 4.4 cm. Gift of the Elizabeth, Allan & Warren Shelden Fund, 2017.46.
Attributed works:
23. Penitent Magdalene, by Caterina de Julianis. 1717. Polychrome wax, painted paper, glass, tempera on paper and other materials, 26.9 by 27 cm. Museum purchase, Robert H. Tannahill Foundation Fund, 2019.44.
Attributed works:
24. The Doria commode, designed and painted by Lorenzo de Ferrari. c.1737. Carved and gilded walnut with tempera and oil painted decoration and original carved Spanish red broccatello marble top, 91 by 136 by 53 cm. Museum purchase, Jill Ford Murray Fund, Robert H. Tannahill Foundation Fund, and funds from The Visiting Committee for European Sculpture and Decorative Arts in honour of Joanne Brodie, VCESDA Chair 2012–18, 2018.32.
Attributed works:
25. St Benedict of Palermo, attributed to Juan Pascual de Mena. Between 1770 and 1780. Coniferous wood, oil, gold, glass and fibre cord, 175 by 100 by 50 cm. Museum purchase, Jill Ford Murray Fund, 2017.21.
Attributed works:
26. Virgin and Child, by Luis Salvador Carmona. c.1750. Polychrome coniferous wood and glass, 130.8 by 63.5 by 48.3 cm. Museum purchase, Robert H. Tannahill Foundation Fund and Ernest and Rosemarie Kanzler Foundation Fund, 2016.31.
Attributed works:
27. Small sword with koft-gari hilt. Possibly France, c.1770. Hilt: steel with gold inlay; blade: etched and blued steel, 100.3 by 10.8 by 8.9 cm. Museum purchase, Joseph M. de Grimme Memorial Fund, 2022.274.
Attributed works:
28. Soup plate from the Catherine the Great Service (assiette à potage), manufactured by the Sèvres Porcelain Manufactory and gilded by Henry-François Vincent. 1778. Soft-paste porcelain, bleu celeste ground with enamel decoration and gilding, 3.8 by 26.7 cm. Museum purchase, with funds from the Bernard J. Reilly Fund and the Joseph M. de Grimme Memorial Fund, 2017.58.
Attributed works:
29. Carved relief of Marchesa Vittoria Santini Torrigiani, attributed to Giuseppe Maria Bonzanigo. c.1796. Boxwood, fruitwood and ebony, 18.6 by 13.7 by .5 cm. Gift of Richard A. and Joanne Brodie, 2021.251.
Attributed works:
3. Dish with the allegory of Love depicting Giulia and Ottinello, by Francesco Xanto Avelli da Rovigo, possibly in the workshop of Nicola da Urbino. c.1525–27. Tin glazed (enamelled) earthenware, diameter 26.5 cm. Gift of Richard A. and Joanne Brodie, 2021.415.
Attributed works:
30. and 31. Mrs Mary May and her daughters Maria Emilia, Louisa and Sophia Margaret and Mr Joseph May and his sons Thomas Charles, Joseph and John, by Angelica Kauffmann. 1780. Oil on canvas, each 144.4 by 176.5 cm. Museum purchase, Robert H. Tannahill Foundation Fund, 2022.266.1-2.
Attributed works:
32. Los Caprichos, by Francisco Goya. 1796–98, first edition published 1799. Bound set of eighty etchings with aquatint and engraving on laid paper, in original Spanish mottled calfskin-covered pasteboard binding, 31.2 by 21.0 by 2.8 cm. Museum purchase, Ernest and Rosemarie Kanzler Foundation Fund, 2021.268.
Attributed works:
33. Satan, the fallen angel, by Jean-Jacques Feuchère. Modelled 1833, cast 1835. Bronze with a dark brown patina, height 34.9 cm. Museum purchase, Joseph M. de Grimme Memorial Fund and the Visiting Committee for European Sculpture and Decorative Arts, 2018.17.
Attributed works:
34. Bust of Giuseppe Bossi, by Antonio Canova. 1816. Plaster, 94 by 45.7 by 38.1 cm. Museum purchase, Robert H. Tannahill Foundation Fund, 2017.19.
Attributed works:
35. Portrait bust of the duchesse de Berry, by Félicie de Fauveau. 1840. Marble with partial gilding and polychromy, height 60 cm. Museum purchase, Joseph M. de Grimme Memorial Fund, 2022.273.
Attributed works:
36. Coffret à bijoux with the triumph of Amphitrite, by Frédéric-Jules Rudolphi. c.1850. Oxidised and parcel-gilt silver, enamel, coloured glass and pearls, 21.3 by 19.7 by 15.2 cm. Gift of Richard and Joanne Brodie, 2021.296.
Attributed works:
4. Descent from the Cross, by the Master of the Embroidered Foliage. c.1500. Oil on oak panel (cradled), 97.6 by 80.3 cm. Gift of Mr and Mrs Raymond Cracchiolo, 2019.18.
Attributed works:
6. Dish featuring Cupid holding a globe, made by Lyon Manufactories and decorated by Gironimo Tomasi. c.1582–1600. Faience (tin-glazed earthenware), diameter 32.7 cm. Bequest of Sidney R. Knafel, T2022.237.9.
Attributed works:
7. Parade shield for the guard of Archbishop Wolf-Dietrich von Raitenau. Venice, c.1595. Wood, tooled leather, metal leaf, polychromy and varnish, diameter 62.2 cm. Museum purchase, Jill Ford Murray Fund, 2022.5.
Attributed works:
8. Ecce Homo, by Luis de Morales. c.1560–70. Oil on wood panel, 54.6 by 46.4 cm. Museum purchase, Jill Ford Murray Fund and the Robert H. Tannahill Foundation Fund, 2019.41.
Western art unattributed:
1. Crucifixion with the three Marys and others. England, 1440–80. Alabaster with original polychromy and gilding, 53.3 by 25.4 by 5.1 cm. Gift of Richard A. and Joanne Brodie in honour of Alan P. Darr, 2021.112.
Western art unattributed:
5. Reliquary bust of a virgin-martyr, likely a companion of St Ursula. Possibly Castile, c.1530. Softwood with gilding and polychromy, 47 by 43.5 by 19 cm. Gift of Richard A. and Joanne Brodie, 2022.115.
Western art unattributed:
9. David and Goliath. German, c.1600. Polychrome wax, 30 by 21.5 cm. Museum purchase, European Sculpture and Decorative Arts Deaccession Fund, 2020.5.
Exhibition Review
Io, Canova: Genio europeo
02/2023 | 1439 | 165
Pages: 191-193
related names
Reviewer:
Leone, Francesco (Leone, Francesco)
Subjects
artists:
dates:
museums and institutions:
Reviewed Items
subjects:
Io, Canova: Genio europeo Museo Civico, Bassano del Grappa 15th October 2022– 26th February 2023 | :
Illustrations
Attributed works:
24. Funerary stele for Giovanni Falier, by Antonio Canova. 1806–08. Marble, height 174 cm. (S. Stefano, Venice; exh. Museo Civico, Bassano del Grappa).
Attributed works:
25. Male nude holding a sword and shield, by Antonio Canova. 1794. Pencil, pen and brown ink on paper, 45.7 by 32 cm. (Museo Civico, Bassano del Grappa).
Attributed works:
26. Leopoldine Esterházy Liechtenstein, by Antonio Canova. 1805–18. Marble, height 146 cm. (Esterhazy Privatstiftung, Eisenstadt; exh. Museo Civico, Bassano del Grappa).
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Advertisements (front)
06/2022 | 1431 | 164
Pages: i- xxix
Subjects
artists:
artists:
Illustrations
Attributed works:
A centaur abducting a nymph, by Giandomenico Tiepolo (1727– 1804). Pen and ink and watercolour on paper, 18.6 by 27 cm. [Maurizio Nobile, Bologna, Paris and Milan/Tefaf]
Attributed works:
A predella panel showing The Marriage of the Virgin, by Lippo Vanni (active c.1340–75). c.1345. Tempera on wood, 24.6 by 28.5 cm. [Brimo de Laroussilhe, Paris/Tefaf]
Attributed works:
Aimé-Jules Dalou (Paris 1838–1902) Bacchanale Plaster Diameter: 44  in. (114 cm.) [Agnews/Tefaf]
Attributed works:
Allegory of abundance, by Guiseppe Maria Mazza (1653–1741). c.1730. Terracotta, height 30 cm. Walter Padovani, Milan/Tefaf]
Attributed works:
Angelica Kauffman, Portrait of Marquise Orsola Priuli Maccarani. [Walter Padovani/Tefaf]
Attributed works:
Angelo de ROSSI (Genoa 1671 – Rome 1715) The Adoration of the Shepherds Executed in 1711 Original terracotta relief 54 x 50 x 11 cm Estimate : €300,000 / 500,000. [Camper Dabernat]
Attributed works:
Aphrodite. Roman. c.1st century AD. Marble, height 125 cm. [Galerie Chenel, Paris/Tefaf]
Attributed works:
Bacchanale or La Statue, by Paul Delvaux (1897–1994). 1967. Watercolour and ink on paper, 71 by 106 cm. [David Lévy, Brussels/Tefaf]
Attributed works:
Bartolomé Esteban MURILLO (Seville, 1617 - 1682) The Good Shepherd Oil on canvas. 165 x 112 cm In the same French private collection since 1764 [Aguttes]
Attributed works:
Bust of Lucrezia d’Este, by Antonio Canova (1757– 1822). 1821–22. Marble, height 42 cm. [Daniel Katz, London/Tefaf]
Attributed works:
Clockface from a longcase clock, by Thomas Mudge (1715–94). c.1758. Brass and silver in a mahogany case, height 195 cm. [TOBIAS BIRCH, EVESHAM/Masterpiece]
Attributed works:
Diamond cut egg, by David Nash (b.1945). 2020. Maple, 71 by 30 by 30 cm. ANNELY JUDA FINE ART, LONDON/Masterpiece]
Attributed works:
Effigy of Riccardo Rota, by Giovanni Da Nola (1478– 1559). c.1540–50. Marble, 129 by 60 by 43 cm. [Sam Fogg, London/Tefaf]
Attributed works:
Form, Forbabstufung, by Marina Apollonio (b. 1940). 1972. Acrylic on canvas, 70 by 70 cm. [The Mayor Gallery, London/Tefaf]
Attributed works:
Francesco SOLIMENA (Canale di Serino, 1657 - Naples, 1747) The triumph of Faith over Heresy through the intercession of Dominicans Canvas, 90 9/16 x 36 5/8 in. [Tajan]
Attributed works:
FRANCISCO DE GOYA Y LUCIENTES (Fuendetodos, 1746 – 1828, Bordeaux) Portrait of Don Juan López de Robredo, Embroiderer to King Carlos IV of Spain 1798-1799 Oil on canvas, 108.3 x 82.3 cm [Caylus/Tefaf]
Attributed works:
Fruit and leaves, by Matthew Smith (1879–1959). 1947. Oil on canvas, 38.1 by 61 cm. RICHARD GREEN, LONDON/Masterpiece]
Attributed works:
Funerary head of a woman. Southern Arabia, c.100 BC–100 AD. Calcite alabaster, height 28.3 cm. [Art Ancient, London/Tefaf]
Attributed works:
Georges de Porto- Riche, by JacquesÉmile Blanche (1861–1942). 1889. Oil on canvas, 100 by 65 cm. ROBILANT + VOENA, LONDON/Masterpiece]
Attributed works:
GIACOMO GINOTTI (1845–1897) Rome, c. 1877–1886 L’Emancipazione della schiavitù (The Emancipation of Slavery) White statuary marble, on a revolving Portasanta marble pedestal with octagonal foot 52 in. (132 cm.) high, the figure 83 in. (211 cm.) high, overall; 24 in. (61 cm.) diameter at foot Signed: ‘GINOTTI’ [Tomasso/Tefaf]
Attributed works:
GIOVANNI ANTONIO PELLEGRINI (Venice 1675 –1741) An unidentified allegory. Oil on canvas, 26 x 41 cm PROVENANCE: Private collection, England [Santa Tecla]
Attributed works:
Giovanni Battista Piamontini Faun with a Kid (detail) marble, height 152 cm, 60 in [Trinity Fine Art/Tefaf]
Attributed works:
GIOVANNI BATTISTA TIEPOLO (1696–1770) Allegorical Figures of Valour and Fame: The Apotheosis of a Warrior Pen and brown ink and brown wash, over an underdrawing in black chalk. 216 x 289 mm. (81⁄2 x 113⁄8 in.) [Stephen Ongpin Fine Art]
Attributed works:
Island of the Lights from Pinocchio, by Paula Rego (b.1935). 1996. Pencil, ink and watercolour on paper, 150 by 180 cm. PIANO NOBILE, LONDON/Masterpiece]
Attributed works:
Jean-Baptiste Greuze (1725–1805) The Head of a Young Girl Red and black chalk over stumped black chalk outline, heightened with white on prepared paper, 272 x 224mm [Christopher Bishop Fine Art/Tefaf]
Attributed works:
La Danse des Bacchantes – La Grande Vitrine Faune et Faunesse, by Maison Roux et Brunet and Léon Messagé (1842– 1901). 1890. Gilt-bronze and various woods, height 246 cm. Adrian Alan, London/Tefaf]
Attributed works:
LUCAS CRANACH I (1472–1553) The Nymph of the Spring oil on panel 32 ¼ x 47 ⅜ in. (82.1 x 120.5 cm.) £6,000,000–8,000,000. Christie's/Masterpiece]
Attributed works:
Monumental mixed metal exhibition vase, by Suzuki Chokichi Company. c.1882. Bronze, 91 by 43 cm. [STEVE SLY JAPANESE ART, BOURNEMOUTH/Masterpiece]
Attributed works:
Pierres number 2, by Alberto Magnelli (1888–1971). 1932. Oil on canvas, 168 by 100 cm. Applicat-Prazan, Paris/Tefaf]
Attributed works:
Suburbs of Amsterdam, by Jan Sluijters (1881–1957). 1907. Oil on canvas, 42 by 33.5 cm. [Daatselaar, Utrecht/Tefaf]
Attributed works:
The Mattias De Medici Blue Boys. Attributed to Jacopo Maria Foggini. Pair of polychrome lacca wood sculptures with glass eyes. Florence 1650s (Burzio/Tefaf]
Attributed works:
The sisters, by Augustus Edwin John (1878–1961). 1937. Oil on canvas, 76.2 by 63.5 cm. PHILIP MOULD, LONDON/Masterpiece]
Non-western art unattributed:
Egyptian canopic jar for Hena. Late Dynastic Period, c.664–525 BC. Alabaster, height 32.5 cm. GALERIE MALAQUAIS, PARIS/Masterpiece]
Non-western art unattributed:
Guro-Bete mask. Ivory Coast, 19th century. Wood, height 20.5 cm. [Serge Schoffel, Brussels/Tefaf]
Non-western art unattributed:
Skull of a Triceratops prorsus. Late Cretaceous period. Fossil, 170 by 115 by 150 cm. DAVID AARON, LONDON/Masterpiece]
Western art unattributed:
Altarolo with Madonna and Child and the Infant St John The Baptist Ebony, pietre dure, gilded bronze. 88 x 60 x 28 cm [Brun/Tefaf]
Western art unattributed:
Barocchetto period commode. Venice, 1720–70. Lacquered wood with gilding, height 90 cm. [Brun Fine Art, London/Tefaf]
Western art unattributed:
Detail of a cabinet incorporating 11 pietra dura, pietra tenere and pietra paesina tablets representing Tuscan landscapes. Cabinet and stand c.1720; plaques c.1690. Walnut and limestone, 170 by 111 by 56 cm. ANTHONY OUTRED, LONDON/Masterpiece]
Western art unattributed:
FRENCH, LATE 17TH / EARLY 18TH CENTURY Silenus After the Antique Bronze 38 cm (15 in.) high PROVENANCE Private collection, USA [Tomasso/Tefaf]
Article
Avatars of Antiquity II: Drapery as metaphor
12/2020 | 1413 | 162
Pages: 1056-1071
related names
Author:
Penny, Nicholas (Penny, Nicholas)
Subjects
places:
styles:
subjects:
subjects:
Illustrations
Attributed works:
1. Drapery study for the high priest in the Trial and martyrdom of St Stephen, by Edward Poynter. 1872. Black chalk on buff paper, 41 by 27.5 cm. (Royal Academy of Arts, London).
Attributed works:
10. Draped female torso, from the Acropolis, Xanthos. 470–460 BC. Marble, height 123.8 cm. (British Museum, London).
Attributed works:
11. Rebecca at the well, by Nicolas Poussin. 1648. Oil on canvas, 118 by 199 cm. (Musée du Louvre, Paris).
Attributed works:
12. Detail from Paul preaching at Athens, by Raphael. c.1516. Body colour on paper mounted on canvas, whole canvas 320 by 390 cm. (Royal Collection, on loan to the Victoria and Albert Museum, London).
Attributed works:
13. Drapery study for the high priest in the Trial and martyrdom of St Stephen, by Edward Poynter. 1872. Black chalk on buff paper, 27.6 by 27.1 cm. (Royal Academy of Arts, London).
Attributed works:
14. Drapery study for the kneeling handmaiden in Semiramis founding Babylon, by Edgar Degas. 1860–62. Graphite with lead-white body colour and blue wash on paper, 24.4 by 31.1 cm. (Musée d’Orsay, Paris).
Attributed works:
15. Cymon and Iphigenia by Frederic Leighton. c.1884. Oil on canvas, 162.6 by 327.7 cm. (Art Gallery of New South Wales, Sydney).
Attributed works:
16. Drapery study by Leonardo. c.1475–82. Brown-grey wash and lead white on linen prepared with a pale grey ground, 220 by 139 cm. (Cabinet des Dessins, Musée du Louvre, Paris).
Attributed works:
17. Detail of Virgin and Child, by Masaccio. 1426. Egg tempera on wood, whole panel 134.8 by 73.5 cm. (National Gallery, London).
Attributed works:
18. The penitence of Mary Magdalene, by Charles Le Brun. 1655. Oil on canvas, 252 by 171 cm. (Musée du Louvre, Paris).
Attributed works:
19. Heliodorus driven from the Temple, by Eugène Delacroix. 1855–61. Mural, 751 by 485 cm. (Chapelle des Anges, Saint-Sulpice, Paris)
Attributed works:
2. Detail of an Antique mural painting of a dancer, by Filippo Morghen after Camillo Paderni. Engraving, 38 by 48 cm. (page). (From Le pitture antiche d’Ercolano e contorni, I, Naples 1757).
Attributed works:
20. Ariadne on Naxos, by G.F. Watts. 1867–75. Oil on canvas, 75 by 94 cm. (Guildhall Museum, London).
Attributed works:
21. Divine figures from the east pediment of the Parthenon, Athens, believed to represent Venus reclining on the lap of her mother, Dione, by Phidias or associate. 438–432 BC. Marble, length 233 cm. (British Museum, London).
Attributed works:
22. Captive Andromache, by Frederic Leighton. c.1888. Oil on canvas, 195.6 by 406.4 cm. (City Art Gallery, Manchester).
Attributed works:
23. Detail of the figure of Amor in the chimneypiece made for the residence of Cornelius Vanderbilt II on Fifth Avenue at 57th Street, Manhattan, by Augustus Saint-Gaudens. c.1881–83. Limestone, height of chimneypiece 468.3 cm. (Metropolitan Museum of Art, New York).
Attributed works:
24. Dido receiving Aeneas and Cupid disguised as Ascanius, by Francesco Solimena. 1710. Oil on canvas, 207.2 by 310.2 cm. (National Gallery, London).
Attributed works:
3. One of the ‘attitudes’ of Lady Hamilton, by Tommaso Piroli after Friedrich Rehberg. Engraving, 26.9 by 20.8 cm. (From F. Rehberg: Drawings Faithfully Copied from Nature at Naples, n.p. 1794, fig.7).
Attributed works:
4. Veiled and masked dancer. Alexandria(?), c.100 BC. Bronze, height 20.5 cm. (Metropolitan Museum of Art, New York).
Attributed works:
5. Detail of Two dancers, after Antonio Canova. 1799. Tempera on paper. (Casa Canova, Possagno).
Attributed works:
6. Hebe, by Antonio Canova. 1816–17. Marble with gilt metal, height 158 cm. (Pinacoteca Civica, Forlì).
Attributed works:
7. Veiled woman (Allegory of Purity), by Antonio Corradini. 1717–25. Carrara marble. (Museo del Settecento Veneziano, Ca Rezzonico, Venice).
Attributed works:
8. Hebe, by Bertel Thorvaldsen. 1819–23. Marble, height 152.2 cm. (Thorvaldsen Museum, Copenhagen).
Western art unattributed:
9. Kore, from the Temple of Hera, Samos. 570–60 BC. Marble, height 192 cm. (Musée du Louvre, Paris).
Exhibition Review
Mad About Angelica Kauffman
09/2020 | 1410 | 162
Pages: 804-807
related names
Reviewer:
Savelsberg, Wolfgang (Savelsberg, Wolfgang )
Subjects
dates:
museums and institutions:
Reviewed Items
subjects:
Mad About Angelica Kauffman Kunstpalast, Düsseldorf 30th January–20th September | :
Illustrations
Attributed works:
16. Self-portrait with stylus, by Angelica Kauffman. c.1768. Oil on canvas, 60.8 by 43.4 cm. (Private collection; exh. Kunstpalast, Düsseldorf; © AKRP; photograph Justin Piperger).
Attributed works:
17. The sisters Frances, Sophia and Susan Coutts, by Angelica Kauffman. 1790– 91. Oil on canvas, 237.4 by 183.3 cm. (Private collection; exh. Kunstpalast, Düsseldorf; © AKRP; photograph Justin Piperger).
Attributed works:
18. Euphrosyne, wounded by Cupid complaining to Venus, by Angelica Kauffman. 1782–83. Oil over graphite on canvas, 40.5 by 34.5 cm. (The Barrett Collection, Dallas; exh. Kunstpalast, Düsseldorf).
Exhibition Review
Canova Thorvaldsen: The Birth of Modern Sculpture. Gallerie d’Italia, Milan
03/2020 | 1404 | 162
Pages: 234-237
related names
Reviewer:
Bindman, David (Bindman, David)
Subjects
dates:
museums and institutions:
Reviewed Items
subjects:
Canova Thorvaldsen: The Birth of Modern Sculpture Gallerie d’Italia, Milan 23rd October 2019–15th March | :
Illustrations
Attributed works:
1. Anton Frederik Tscherning introducing two countrymen to the statue of Vulcan in the Thorvaldsen Museum, by Carl Michael Dahl. c.1860–65. Oil on canvas, 38 by 38 cm. (Thorvaldsen Museum, Copenhagen; exh. Gallerie d’Italia, Milan).
Attributed works:
2. Hebe, by Bertel Thorvaldsen. 1815, after a model of 1806–07. Marble, height 156.5 cm. (Thorvaldsen Museum, Copenhagen; exh. Gallerie d’Italia, Milan).
Attributed works:
3. Hebe, by Antonio Canova. 1800–05. Marble, height 161 cm. (State Hermitage Museum, St Petersburg; exh. Gallerie d’Italia, Milan).
Attributed works:
4. Dance of the sons of Alcynous, by Antonio Canova. 1790–92. Plaster, 141 by 281 cm. (Fondazione Cariplo, Gallerie d’Italia, Milan; Bridgeman Images).
Article
Canova’s copper head of Medusa
11/2019 | 1400 | 161
Pages: 916-923
related names
Author:
Gustin, Melissa L. (Gustin, Melissa L.)
Subjects
artists:
dates:
media:
Illustrations
Attributed works:
1. Triumphant Perseus, by Antonio Canova. Second version, 1804–06. Marble, 242.6 by 191.8 by 102.9 cm. (Metropolitan Museum of Art, New York).
Attributed works:
2. Head of Medusa, by Antonio Canova. c.1797–1800. Embossed copper with bronze additions, 31 by 40.5 by 29.8 cm. (Museo Biblioteca Archivio, Bassano del Grappa).
Attributed works:
3. Detail of Fig.1, showing the head of Medusa.
Attributed works:
4. Head of Medusa, cast after Antonio Canova. 1806–07. Plaster, height 31.1 cm. (Metropolitan Museum of Art, New York).
Attributed works:
6. Detail of Perseus and Medusa, by Antonio Canova. c.1798–99. Oil on canvas, 24 by 73 cm. (Museo Correr, Venice).
Attributed works:
7. Fig.2 during restoration. (Courtesy Museo Archivio Biblioteca Bassano del Grappa).
Attributed works:
8. Five dancers with garlands of flowers, by Antonio Canova. 1799. Mixed media on canvas, 72 by 178 cm. (© Museo e Gipsoteca Antonio Canova, Possagno).
Attributed works:
9. Fig.2 prior to restoration. (Courtesy Museo Archivio Biblioteca Bassano del Grappa).
Western art unattributed:
10. Archaising bust of a youth (bust of Apollo). Roman. Bronze, height 25 cm. (Museo Archeologico Nazionale di Napoli, Naples).
Western art unattributed:
10. Ptolemy Apion. Roman. Bronze, height 29 cm. (Museo Archeologico Nazionale di Napoli, Naples; photograph the author).
Western art unattributed:
5. The Rondanini Medusa. Roman copy after a bronze original of c.170 BC. Marble, height 29 cm. (Glypthotek, Munich; photograph © José Luiz Bernardes Ribeiro).
Western art unattributed:
9. Ptolemy Apion, from De’ bronzi di Ercolano e contorni incisi con qualche spiegazione: Tomo Primi: Busti, Naples 1767. Table LIX, p.203.
Article
The Manfrin Gallery
07/2019 | 1396 | 161
Pages: 572-577
related names
Author:
Penny, Nicholas (Penny, Nicholas)
Subjects
sources:
Illustrations
Attributed works:
1. Detail of Fig.7.
Attributed works:
2. Virgin and Child with donor, by Nicolo di Pietro. c.1394. Panel, 107 by 65 cm. (Gallerie dell’ Accademia, Venice; Bridgeman Images).
Attributed works:
3. Marco Barbarigo, by a follower of Jan van Eyck. c.1449–50. Panel, 24.2 by 16 cm. (National Gallery, London).
Attributed works:
4. Adoration of the shepherds, by Vincenzo Catena. After 1520. Canvas, 125.7 by 207.6 cm. (Metropolitan Museum of Art, New York).
Attributed works:
5. Self-portrait by Giorgione, by Antonio Canova. 1792. Panel, 72.5 by 64 cm. (Private collection).
Attributed works:
6. A lady at her toilette, by Natale Schiavoni. c.1840. Canvas. (Museo Bottacin, Palazzo Zuckermann, Musei Civici, Padua; Bridgeman Images).
Western art unattributed:
7. Triple portrait, by an imitator of Titian. Venetian, perhaps late sixteenth century. (Alnwick Castle, Northumberland; courtesy the Duke of Northumberland).
Book Review
Museo Statale Ermitage. La scultura italiana dal XVII al XVIII secolo: Da Bernini a Canova. Catalogo della Collezione. Edited by Sergej Androsov
12/2018 | 1389 | 160
Pages: 1076-1077
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