An Opening of the Field: Jess, Robert Duncan, and Their Circle. By Michael Duncan and Christopher Wagstaff, with additional essays by William Breazeale and James Maynard.
73. Installation view at the Pasadena Museum of California Art of Sam Francis: Five Decades of Abstract Expressionism from California Collections showing, in the foreground, Grey (Museum of Contemporary Art, Los Angeles) and 3 blue (Berkeley Art Museum)
Attributed works:
74. Sketch for Chase Manhattan Bank mural, by Sam Francis (Museum of Contemporary Art, Los Angeles: exh. Pasadena Museum of California Art)
Attributed works:
75. Untitled, by Sam Francis (Jonathan Novak Contemporary Art, Los Angeles; exh. Pasadena Museum of California Art)
Article
A Preparatory Study for Salvator Rosa's L'Umana Fragilità
63. L'Umana Fragilità, by Salvator Rosa. (Fitzwilliam Museum, Cambridge). Reproduced by Courtesy of the Syndics of the Fitz-William Museum.
Attributed works:
64. Preparatory Study for L'Umana Fragilità, by Salvator Rosa. Pen, Ink and Wash, 20 by 17.2 cm. (Museum der Bildenden Kunst, Leipzig).
Attributed works:
65. L'Umana Fragilità, by Salvator Rosa. (Collection F. H. M. Newgate, Arburn Hall, Warwickshire; On Loan to Fitzwilliam Museum).
Attributed works:
66. Preparatory Study for L'Umana Fragilità, by Salvator Rosa. Pen, Ink and Wash, 21.6 by 15.2 cm. (Collection Nathalie and Hugo Weisgall; on Loan to E. B. Crocker Art Gallery, Sacramento, California). Reproduced by Permission of the Crocker Art Gallery.
23. Man's Head, by William Hogarth. Pencil and Ink, 15.2 by 11.4 cm. (Reproduction Enlarged.) (E. B. Crocker Art Gallery, Sacramento, California.)
Attributed works:
24. Illustration for Molière's Miser, by William Hogarth. Bistre and Chinese Ink Wash, 12.7 by 8.3 cm. (E. B. Crocker Art Gallery. Sacramento, California.)