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97 articles
Article
The lure of the south
08/2023 | 1445 | 165
Pages: 874–881
related names
Author:
Franits, Wayne E. (Franits, Wayne E.; Franits, Wayne)
Subjects
Reviewed Items
subjects:
De Bentvueghels (11th February to 4th June 2023). Centraal Museum, Utrecht | :
subjects:
Theodoor Rombouts: Virtuoso of Flemish Caravaggism (21st January–23rd April). The Museum of Fine Arts in Ghent (MSK). | :
Illustrations
Attributed works:
1. Installation view of Theodoor Rombouts: Virtuoso of Flemish Caravaggism at the Museum of Fine Arts, Ghent, 2023. (Courtesy Museum of Fine Arts, Ghent; photograph © Martin Corlazzoli).
Attributed works:
2. Christ driving the money changers from the Temple, by Bartolomeo Manfredi. c.1616–17. Oil on canvas, 162 by 244 cm. (Musée du Louvre, Paris, on deposit at the Musée des Beaux-Arts, Libourne; exh. Museum of Fine Arts, Ghent).
Attributed works:
3. Christ driving the money changers from the Temple, by Theodoor Rombouts. c.1625–32. Oil on canvas, 168 by 237 cm. (Royal Museum of Fine Arts, Antwerp; exh. Museum of Fine Arts, Ghent).
Attributed works:
4. Installation view of De Bentvueghels at Centraal Museum, Utrecht, 2023. (Courtesy Centraal Museum, Utrecht).
Attributed works:
6. Initiation of a Bentvueghel in Rome, by Matthijs Pool after Domenicus van Wijnen. c.1690–1708. Etching and engraving, 62.9 by 50 cm. (Rijksmuseum, Amsterdam; exh. Centraal Museum, Utrecht).
Western art unattributed:
5. Portraits of Bentvueghels. c.1620. Black and red chalk on paper, 26.5 by 39.5 cm. (Kupferstichkabinett, Kunsthalle Hamburg; courtesy bpk; exh. Centraal Museum, Utrecht).
Article
‘Opaque with a vengeance’: Burne-Jones’s later watercolours, 1880–98
02/2019 | 1391 | 161
Pages: 128-139
related names
Author:
Mann, Fiona (Mann, Fiona)
Subjects
places:
Illustrations
Attributed works:
1. Detail of Fig.7.
Attributed works:
10. Star of Bethlehem, by Edward Burne-Jones. 1887–91. Watercolour and bodycolour with scraping on ten sheets of J. Whatman Turkey Mill Kent paper dated 1882 or 1883 on stretcher, 256 by 386.8 cm. (Birmingham Museums and Art Gallery; photograph © Birmingham Museums Trust; Bridgeman Images)
Attributed works:
11. Detail of Sir Edward Burne-Jones, by Barbara Sotheby, printed by Frederick Hollyer. 27th July 1890. Platinum print, 33.3 by 25.7 cm. (National Portrait Gallery, London; Bridgeman Images).
Attributed works:
12. Fall of Lucifer, by Edward Burne-Jones. 1894. Gouache and gold paint and gold leaf on joined sheets of wove paper, laid down on canvas and stretched over wooden panel, 245 by 118 cm. (Private collection).
Attributed works:
2. Preliminary design for the Graham Piano, by Edward Burne-Jones. 1878–79. Metalpoint (probably silverpoint), 10.2 by 17.8 cm. (Victoria and Albert Museum, London).
Attributed works:
3. Study for King Cophetua and the beggar maid, by Edward Burne-Jones. 1883. Black, red and white chalk on pink wove paper, 45.9 by 30.3 cm. (Harvard Art Museums/Fogg Museum; © President and Fellows of Harvard College, Cambridge MA).
Attributed works:
6. Record of Burne-Jones’s order for long Japanese brushes, 30th November 1889, ledger of Charles Roberson. (Roberson Archive, Order Book, Long Acre Branch, Hamilton Kerr Institute, MS 422-1993, p.343, by permission of the Syndics of the Fitzwilliam Museum, University of Cambridge; © Hamilton Kerr Institute; photograph Chris Titmus).
Attributed works:
7. Full-scale cartoon of King Cophetua and the beggar maid, by Edward Burne-Jones. c.1883. Bodycolour, watercolour, coloured chalks and pastel with gold medium on paper, 290 by 132 cm. (Birmingham Museum and Art Gallery; photograph © Birmingham Museums Trust; Bridgeman Images).
Attributed works:
8. Cupid’s hunting fields, by Edward Burne-Jones. 1885. Gouache with watercolour and gold and silver paints on ivory wove paper, laid down on linen canvas, 99.5 by 76.9 cm. (Art Institute of Chicago).
Attributed works:
9. The baleful head, by Edward Burne-Jones. 1885. Watercolour and bodycolour on paper laid on linen canvas, 153.7 by 129 cm. (Southampton City Art Gallery; Bridgeman Images).
Western art unattributed:
4. Pencil leads, from A.W. Faber Price-List, London 1897. (William Jenkins Architecture and Art Library, University of Houston).
Western art unattributed:
5. Wax crayons or Faber’s Creta Laevis coloured pencil collection in box, from A.W. Faber Price-List, London 1897. (William Jenkins Architecture and Art Library, University of Houston).
Article
Benavides’s ‘Scipio’ ensemble and collaborative entrepreneurial action in Brussels tapestry around 1660
02/2019 | 1391 | 161
Pages: 112-119
related names
Author:
Brosens, Koenraad (Brosens, Koenraad)
Author:
Slegten, Astrid (Slegten, Astrid)
Subjects
dates:
places:
Illustrations
Attributed works:
1. Detail of Fig.3.
Attributed works:
2. A table showing all the known extant tapestries of the Benavides Deeds and triumph of Scipio series.
Attributed works:
3. Conference between Scipio and Hannibal before the Battle of Zama, from the Deeds and triumph of Scipio series, by the Van Leefdael, Van der Strecken, Reydams and Leyniers consortium. 1660–61. Wool, silk, and gold- and silver-wrapped thread, 471 by 842 cm. (Fondation Toms Pauli, Lausanne).
Attributed works:
4. Sol from the Deeds and triumph of Scipio series, by the Van Leefdael, Van der Strecken, Reydams and Leyniers consortium. 1662. Wool and silk, 180 by 147 cm. (Fondation Toms Pauli, Lausanne).
Attributed works:
5. The continence of Scipio from the Deeds and triumph of Scipio series, by the Van Leefdael, Van der Strecken, Reydams and Leyniers consortium. 1660–61. Wool, silk, and gold- and silver-wrapped thread, 471 by 557 cm. (Fondation Toms Pauli, Lausanne).
Attributed works:
6. Capture of the camp and mercy for the vanquished from the Deeds and triumph of Scipio series, by the Van Leefdael, Van der Strecken, Reydams and Leyniers consortium. 1660–61. Wool, silk, and gold- and silver-wrapped thread, 481 by 794 cm. (Fondation Toms Pauli, Lausanne).
Exhibition Review
The Progressive Revolution: Modern Art for a New India. Asia Society, New York
01/2019 | 1390 | 161
Pages: 77-80
related names
Reviewer:
Brown, Rebecca M. (Brown, Rebecca M.)
Subjects
dates:
media:
Illustrations
Attributed works:
25. Standing nude, by F.N. Souza. 1957. Board. 121.1 by 61 cm. (Private collection; exh. Asia Society, New York).
Attributed works:
26. Mahisasura, by Tyeb Mehta. 1997. Acrylic on canvas, 149.9 by 121.9 cm. (Rajiv and Payal Chaudhri Collection; exh. Asia Society, New York).
Attributed works:
27. News of Gandhiji’s death, by Krishen Khanna. 1948. Canvas, 85.1 by 85.1 cm. (Courtesy of Radhika Chopra and Rajan Anandan; exh. Asia Society, New York).
Article
The predella of the Oddi Altarpiece from S. Agostino, Perugia
12/2018 | 1389 | 160
Pages: 1030-1037
related names
Author:
Menganna, Clara (Menganna, Clara)
Author:
Pesante, Luca (Pesante, Luca)
Subjects
art literature:
dates:
media:
places:
Illustrations
Attributed works:
1. Reconstruction of the Oddi Altarpiece, by Eusebio da San Giorgio. 1505. The Adoration of the Magi, tempera on panel, 215 by 175 cm. (Galleria Nazionale dell’Umbria, Perugia). The predella panels are illustrated as Figs.3–5.
Attributed works:
2. Reverse of Fig.3. (Photograph © Artothek).
Attributed works:
3. St Augustine baptised by St Ambrose, by Eusebio da San Giorgio. 1505. Tempera on panel, 29.5 by 46.7 cm. (Städel Museum, Frankfurt am Main; photograph © Artothek).
Attributed works:
4. St Augustine vested by St Ambrose, by Eusebio da San Giorgio. 1505. Tempera on panel, 27.3 by 47.6 cm. (Städel Museum, Frankfurt am Main; photograph © Artothek).
Attributed works:
5. St Augustine disputes with the heretic Fortunatus, by Eusebio da San Giorgio. 1505. Tempera on panel, 29.5 by 47.1 cm. (Städel Museum, Frankfurt am Main; photograph © Artothek).
Attributed works:
6. The Oddi Chapel, S. Agostino, Perugia. (Photograph: the authors).
Exhibition Review
Judson Dance Theater: The Work Is Never Done. Museum of Modern Art, New York
12/2018 | 1389 | 160
Pages: 1058-1060
related names
Reviewer:
Bradnock, Lucy (Bradnock, Lucy)
Subjects
dates:
Illustrations
Attributed works:
24. See-saw, by Simone Forti. 1960. Performed by Yvonne Rainer and Robert Morris at Reuben Gallery, New York, 16th–18th December 1960. (Photograph Robert R. McElroy Photographs of Happenings and Early Performance Art; Getty Research Institute, Los Angeles).
Attributed works:
25. The branch, by Anna Halprin. 1957. Performed by A.A. Leath, Anna Halprin ad Simone Forti on the Halprin’s family Dance Deck, Kentfield CA, 1957. Photograph Warner Jepson (Courtesy the Estate of Warner Jepson).
Attributed works:
26. We shall run, by Yvonne Rainer. 1963. Performed by Robert Rauschenberg, Joseph Schlichter (hidden), Sally Gross, Tony Holder, Deborah Hay, Yvonne Rainer, Alex Hay, Robert Morris (behind) and Lucinda Childs at Two Evenings of Dances by Yvonne Rainer at Wadsworth Atheneum, Hartford CT, 7th March 1965. Photograph by Peter Moore (© Barbara Moore; courtesy Paula Cooper Gallery, New York).
Exhibition Review
Lee Miller and Surrealism in Britain. The Hepworth Wakefield
10/2018 | 1387 | 160
Pages: 863-865
related names
Reviewer:
Matheson, Neil (Matheson, Neil)
Subjects
dates:
museums and institutions:
Illustrations
Attributed works:
21. Portrait of space, near Siwa, Egypt, by Lee Miller. 1937. Gelatin silver print, 29.2 by 23.3 cm. (© Lee Miller Archives, East Sussex; exh. The Hepworth Wakefield).
Attributed works:
22. A l’heure de l’observatoire – Les amoureux, by Man Ray. 1932–34/1970. Coloured lithograph after oil painting. 68 by 104 cm. (Collection Clo and Marcel Fleiss, Paris; exh. The Hepworth Wakefield).
Book Review
The Société des Trois in the Nineteenth Century: The Translocal Artistic Union of Whistler, Fantin-Latour, and Legros. By Melissa Berry
09/2018 | 1386 | 160
Pages: 803
Book Review
The Apparently Marginal Activities of Marcel Duchamp. By Elena Filipovic
07/2018 | 1384 | 160
Pages: 612-613
related names
Reviewer:
Walsh, Taylor (Walsh, Taylor)
Subjects
art literature:
artists:
dates:
places:
Illustrations
Attributed works:
7. Boîte-en-valise, by Marcel Duchamp or Rrose Sélavy. Brown leather valise with handle containing sixty-nine miniature replicas and printed reproductions and one original, Virgin (No. 2), 1938, hand-coloured collotype. 1935–41 (box); 1938 (collotype). The Louise and Walter Arensberg Collection, 1950 (Philadelphia Museum of Art, Philadelphia; photograph Art Resource, NY).
Book Review
Bloomsbury South: The Arts in Christchurch, 1933–1953. By Peter Simpson
08/2017 | 1373 | 159
Pages: 648-649
related names
Reviewer:
Stocker, Mark (Stocker, Mark)
Subjects
dates:
Illustrations
Attributed works:
52. Portrait of Rita Angus, by Leo Bensemann. 1937-38 (Museum of New Zealand Te Papa Tongarewa, Wellington)
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