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148 articles
Exhibition Review
Hogarth and Europe
02/2022 | 1427 | 164
Pages: 198-201
related names
Reviewer:
Stemp, Richard (Stemp, Richard)
Subjects
artists:
dates:
museums and institutions:
Reviewed Items
subjects:
Hogarth and Europe Tate Britain, London 3rd November 2021– 20th March 2022 | :
Illustrations
Attributed works:
17. Captain Lord George Graham, 1715–47, in his cabin, by William Hogarth. 1742–44. Oil on canvas, 68.5 by 88.9 cm. (National Maritime Museum, London; exh. Tate Britain, London).
Attributed works:
18. The times of day: morning, by William Hogarth. 1738. Etching and engraving on paper, 48.7 by 39.2 cm. (Private collection; exh. Tate Britain, London).
Attributed works:
19. A game of quadrille, by Hubert François Gravelot. c.1740. Oil on canvas, 63.5 by 76.2 cm. (Yale Center for British Art, New Haven; exh. Tate Britain, London).
Article
Avatars of Antiquity III: Reading the Passions
01/2021 | 1414 | 163
Pages: 40-51
related names
Author:
Penny, Nicholas (Penny, Nicholas)
Subjects
Illustrations
Attributed works:
1. Dead Christ mourned (‘The three Maries’), by Annibale Carracci. c.1603 or c.1606. Oil on canvas, 92.8 by 103.2 cm. (National Gallery, London).
Attributed works:
10. An experiment with an air pump, by Joseph Wright of Derby. 1768. Oil on canvas, 183 by 244 cm. (National Gallery, London).
Attributed works:
11. Virgin Mary with the infant Christ, attributed to Leonardo da Vinci. c.1472. Terracotta, height 49 cm. (Victoria and Albert Museum, London).
Attributed works:
12. Self-portrait, attributed to Nicolas Poussin. c.1630. Red chalk on paper, 25.6 by 19.7 cm. (British Museum, London).
Attributed works:
13. Detail of The Lamentation, by Giotto, showing a grieving angel. c.1304. Fresco. (Arena Chapel, Padua).
Attributed works:
14. Detail of The School of Athens, by Raphael, showing Euclid with pupils. c.1510. Fresco. (Vatican Museums).
Attributed works:
15. Preparatory study for head of St John the Evangelist, by Domenichino. c.1622–25. (Royal Library, Windsor; Royal Collection Trust / © Her Majesty Queen Elizabeth II 2020).
Attributed works:
16. The dying Alexander, Roman copy of c.AD 100 of a Hellenistic sculpture of c.200 BC. Marble, height 72 cm, including modern bust. (Gallerie degli Uffizi, Florence).
Attributed works:
17. Niobe and her daughter, Roman, c.AD 100, after a Hellenistic sculpture of c.300 BC. Pentelic marble, height 228 cm. (Gallerie degli Uffizi, Florence).
Attributed works:
18. Marsyas by Balthasar Permoser. c.1680–85. Marble, height 68.6 cm. (Metropolitan Museum of Art, New York).
Attributed works:
19. Massacre of the Innocents, by Guido Reni. 1611–12. Oil on canvas, 268 by 170 cm. (Pinacoteca Nazionale, Bologna).
Attributed works:
20. Bust of Caracalla. c.AD 212. Marble, height 65 cm. (Museo Archeologico Nazionale, Naples).
Attributed works:
22. Death of Cleopatra, by Henri-Joseph-François Baron de Triqueti. 1859. Ivory with bronze, height including base 38 cm. (Private collection, London).
Attributed works:
3. Drawing illustrating Horror, by Charles Le Brun. c.1667. Black chalk on paper, 20.5 by 18.4 cm. (Musée du Louvre, Paris).
Attributed works:
4. Detail of Moses defending the daughters of Jethro, by Charles Le Brun. 1686. Oil on canvas, 113 by 122 cm. (Galleria Estense, Modena).
Attributed works:
5. Detail of The penitent Magdalen, by Charles Le Brun. c.1656–57. (Musée du Louvre, Paris).
Attributed works:
6. Chelsea Pensioners receiving the London Gazette Extraordinary of Thursday, 22nd June 1815, announcing the Battle of Waterloo, by David Wilkie. 1816–22. Oil on panel, 97.2 by 158.1 cm. (Wellington Museum, Apsley House, London).
Attributed works:
7. Detail of Fig.6, showing the face of the woman reading the list of the dead.
Attributed works:
8. Woman with a mania for gambling, by Théodore Géricault. c.1822. Oil on canvas, 77 by 65 cm. (Musée du Louvre, Paris).
Attributed works:
9. Marriage à-la-Mode: 2, The tête à tête, by William Hogarth. c.1743. Oil on canvas, 69.9 by 90.8 cm. (National Gallery, London).
Western art unattributed:
2. Detail of the Laocoön group, showing the face of Laocoön. (Museo Pio-Clementino, Vatican; Scala Archive).
Western art unattributed:
21. Fragmentary metope relief from the Temple of Zeus, Olympia, showing Athena receiving slain monster birds. c.460–50 BC. Marble, height 157 cm. (Musée du Louvre, Paris).
Exhibition Review
Hogarth: Place and Progress. Sir John Soane’s Museum, London
12/2019 | 1401 | 161
Pages: 1048-1051
related names
Reviewer:
Allen, Brian (Allen, Brian)
Subjects
artists:
Illustrations
Attributed works:
18. The Four Times of the Day: Morning, by William Hogarth. 1736–37. Oil on canvas, 73.7 by 61 cm. (National Trust Collections, Upton House, Warwickshire, Bearsted Collection; exh. Sir John Soane’s Museum, London).
Attributed works:
19. Marriage A-la- Mode, 2: The tête à tête, by William Hogarth. 1743–45. Oil on canvas, 69.9 by 90.8 cm. (National Gallery, London; exh. Sir John Soane’s Museum, London).
Attributed works:
20. The Happy Marriage, 2: The courtship, by Thomas Ryder after William Hogarth (?). 1799. Engraving, 15.3 by 23.4 cm. (Private collection; exh. Sir John Soane’s Museum, London).
Exhibition Review
Hogarth: Cruelty and Humor. Morgan Library and Museum, New York
12/2019 | 1401 | 161
Pages: 1047-1048
related names
Reviewer:
Bindman, David (Bindman, David)
Subjects
artists:
dates:
subjects:
Illustrations
Attributed works:
17. Beer Street, by William Hogarth. 1750–51. Red chalk with graphite and pen on paper incised with stylus, 37.1 by 30.5 cm. (Morgan Library and Museum, New York).
Advertisements
Advertisements (front)
04/2018 | 1381 | 160
Pages: n.p.
Subjects
advertisements:
Moeller Fine Art Ltd, New York, United States / London Original Print Fair / Andrew Edmunds (dealer), London, Great Britain / Redfern Gallery, London, Great Britain / Print Quarterly, London / Sarah Sauvin. Old Masters and Modern Prints. Paris / Osborne Samuel Gallery, London, Great Britain / Karsten Schubert, London, Great Britain / Paragon Press, London, Great Britain / Elizabeth Harvey-Lee, Oxford, Great Britain / Pratt Contemporary Art, Sevenoaks, Great Britain / Peter Finer (antique arms), London, Great Britain / Sphinx Fine Art, London, Great Britain / Master Drawings (art periodical) / Yale University Press, London, Great Britain / Museo Nacional del Prado, Madrid, Spain / Im Kinsky (auction house), Vienna, Austria / Getty Trust Publications , Great Britain / Dorotheum (auction house), Vienna, Austria / Simon Dickinson, London, Great Britain / Alessandro Cesati, Milan, Italy / Day and Faber, London, Great Britain / Rafael Valls, London, Great Britain / Didier Aaron, Inc, New York, United States / Otto Naumann, New York, United States / Trinity Fine Art Ltd, London, Great Britain / Daniel Katz Ltd (dealers), London, Great Britain / Emanuel Von Baeyer, London, Great Britain / Timothy Newbery (frames), London, Great Britain / The-saleroom.com / Museum of the Order of St John, London, Great Britain / Irish Art Review / Caring for your Collection / The Art Newspaper, London, Great Britain / Hazlitt Holland-Hibbert, London, Great Britain / Chanel, firm / Burlington Magazine
advertisements:
subjects:
Illustrations
Attributed works:
[Andrew Edmunds Prints & Drawings. James Gilray (1756–1815). The Plumb-pudding in danger. 1805. Etching & engraving 258 x 263 mm, with publisher’s watercolour]
Attributed works:
[Dorotheum. Pieter Brueghel II (1564/65-1637/38), The King Drinks (detail), signed, oil on panel, 75 x 105 cm, €700,000 – 900,000, Auction 24 April 2018]
Attributed works:
[Elizabeth Harvey-Lee. Martin de Vos (designer): The Four Seasons. The set of four engravings, c1590 (“Summer” illustrated) First state of two. With Phillips Galle’s address (“Winter” with a Gothic P watermark)]
Attributed works:
[Flowers Gallery. Ken Currie , Head in Profile, 2017]
Attributed works:
[Galerie Sismann. Circle of Leonhard Kern (1588-1622). Andromeda. Germany. First half of the 17th century. H. 45 cm; W. 33 cm; D. 25 cm]
Attributed works:
[Im Kinsky Auction House. Georg Raphael Donner. Venus, Vienna, c. 1738/39 lead-pewter-alloy, h. 40 cm € 50,000–100,000]
Attributed works:
[London Original Print Fair. After Dürer #26, by Ann-Marie James. 2017. Ink on paper, 35 by 27 cm. Karsten Schubert, London]
Attributed works:
[London Original Print Fair. Church and farm at Eragny, by Camille Pissarro (1830–1903). c.1890. Etching, 15.3 by 24.2 cm. Elizabeth Harvey-Lee, Oxfordshire]
Attributed works:
[London Original Print Fair. Cottage in Dorset: Wood End, by Graham Sutherland (1903–1980). 1929. Etching, 13 by 17 cm. Redfern Gallery, London]
Attributed works:
[London Original Print Fair. Eros (3), by Ana Maria Pacheco. 2018. Monotype heightened in mixed media, 28.5 by 35 cm. Pratt Contemporary, Sevenoaks]
Attributed works:
[London Original Print Fair. Free Fall #31, by Carol Robertson. 2018. Monoprint. Flowers Gallery, London and New York]
Attributed works:
[London Original Print Fair. Gin Lane, by William Hogarth (1697–1764). 1751. Etching and engraving, 38.3 by 32.4 cm. Andrew Edmunds, London]
Attributed works:
[London Original Print Fair. I’m Blue, James Nares, 2017 (detail). Screenprint printed and published by Durham Press.]
Attributed works:
[London Original Print Fair. Oxfordshire (on the Oxford canal), by Muirhead Bone (1876–1953). Drypoint, 15.1 by 22.9 cm. Gordon Cook, London]
Attributed works:
[London Original Print Fair. Pisa, by Ben Nicholson (1894–1992). 1951. Etching, 19.5 by 14.75 cm. Osborne Samuel, London]
Attributed works:
[London Original Print Fair. Reclining artist, by Grayson Perry. Etching, 70.3 by 102.7 cm. Paragon Press, London]
Attributed works:
[London Original Print Fair. Seated woman drying her feet, by Théophile Alexandre Steinlen (1859–1923). 1902. Etching and aquatint, 29.8 by 29.7 cm. Sarah Sauvin, Paris]
Attributed works:
[London Original Print Fair. South South-West 2, by Rachel Gracey. 2018. Lithograph, 26 by 26 cm. Zuleika Gallery, London]
Attributed works:
[Moeller Fine Art. Jean-Étienne Liotard 1702–1789. Portrait de Philibert Cramer, c. 1758. Pastel on blue paper mounted on canvas, 25 × 21 3 ⁄16 in. (63.5 × 53.8 cm). Original frame with period glass]
Attributed works:
[Osborne Samuel. Cyril Edward Power (1872– 1951) The Sunshine Roof c1934 Linocut 26 x 33 cm]
Attributed works:
[Paragon Press. Joana Vasconcelos. Ria Formosa. Colour etching with blockprinting 2017]
Attributed works:
[Pratt Contemporary. Ana Maria Pacheco, Study for Sculpture, 2018. Triptych Monotype (detail). Each sheet: 59 x 56 cm.]
Attributed works:
[Redfern Gallery. Rue de Seine, by David Hockney. 1972. Etching and aquatint, 53 by 45 cm.]
Attributed works:
[Sarah Sauvin. Jean-Étienne Liotard, Self-Portrait as a Young Man Etching, ca.1731 (Tilanus 1; Roethlisberger and Loche 18) Counterproof of an unknown 1st state (of 3). Only one other counterproof known (Fondation Custodia) Provenance: Soliman Lieutaud (Lugt 1682)] (p.v) [Osborne Samuel. Cyril Edward Power (1872– 1951) The Sunshine Roof c1934 Linocut 26 x 33 cm]
Attributed works:
[Sphinx Fine Art. Karel Dujardin, A Horseman Holding a Roemer of Wine with an Ostler Tending the Horses (Detail)]
Attributed works:
[Zuleika Gallery. Man posing, by Lucien Freud (1922–2011). 1982. Etching, 70 by 54 cm. Edition of 50 + 15 AP]
Non-western art unattributed:
[Peter Finer. A Saddle. 15th–17th century. Eastern Tibet or Chinese. Iron, gold, silver, wood, leather and textile. 57 cm / 22.75 inches. Provenance: Private Collection UK]
Exhibition Review
Casanova. Fort Worth, San Francisco, Boston
03/2018 | 1380 | 160
Pages: 241-243
related names
Reviewer:
Robinson, Duncan (Robinson, Duncan)
Subjects
dates:
subjects:
Illustrations
Attributed works:
12. Juno asking Aeolus to release the winds, by François Boucher. 1769. Canvas, 278.2 by 203.2 cm. (Kimbell Art Museum, Fort Worth).
Attributed works:
13. Seesaw, by Jean-Honoré Fragonard. c.1750–52. Canvas, 120 by 94.5 cm. (Museo Thyssen-Bornemisza, Madrid).
Attributed works:
14. St Mark’s basin, by Canaletto. c.1738. Canvas, 124.5 by 204.5 cm. (Museum of Fine Arts, Boston).
Book Review
William Hogarth: A Complete Catalogue of the Paintings. By Elizabeth Einberg
10/2017 | 1375 | 159
Pages: 827-829
Subjects
art literature:
artists:
Illustrations
Attributed works:
63. A scene from The Beggars Opera, by William Hogarth. 1728-29 (National Gallery of Art, Washington).
Advertisements
Advertisements April 2009 (front)
04/2009 | 1273 | 151
Pages: s.p.
Subjects
advertisements:
subjects:
Illustrations
Attributed works:
[Agnew’s. 8 Grafton Street. London. Ben Nicholson (1894-1982). 1940-1942 (Painting) Gouache, 9x9 in (23 x 23 cm)]
Attributed works:
[Andrew Edmunds. London. Gin Lane and Beer Street (detail), by William Hogarth. 1751. Etching and engraving on paper, 39 by 32.6 cm]
Attributed works:
[Bernard Steinitz. 9, Rue du Cirque – 77, Rue du Faubourg Saint-Honoré. Paris. Rare cabinet à hauteur d'appui with Ceres and Bacchus inspired marquetry panels in pewter, ebony and amaranth. Supporting an exceptional pair of paragon marble busts featuring young Moors. Marquetry panels by André-Charles Boulle (1642-1732), late 17th century. Cabinet, France, second half of 18th century. Busts, Venice, 17th century.]
Attributed works:
[Bonhams. 101 New Bond Street. London. Illustrated: Victor Pasmore R.A. (1908-1998). Linear projection. Oil, collage and wood relief on panel. 62.5 x 62.5 cm (24 1/2 x 24 1/2 in)]
Attributed works:
[Christopher Mendez. London. Peasant with hands behind his back, by Rembrandt van Rijn. 1631. Bartsch 135, fourth state. Etching and engraving, 5.6 by 4.5 cm]
Attributed works:
[David Case Fine Art. Norfolk. Tampere mirror, by Sean Scully. 2003. Etching and aquatint, 32 by 28 cm]
Attributed works:
[Galerie Canesso. 26 rue Laffitte, Paris. Giuseppe Bonito. Castellammare di Stabia, 1707 - Naples, 1789. Huntsmen at Rest. Oil on canvas, 167 x 234 cm (65 3/4 x 92 1/8 cm)]
Attributed works:
[Galerie Fetzer. Sontheim an der Brenz. Amière-saison en Nouvelle Angleterre, by Roy Lichtenstein. 1992. Etching and aquatint in colours, 27.9 by 37.5 cm]
Attributed works:
[Ingleby Gallery. Edinburgh. Untitled, by Rachel Whiteread. 2008. From the 'Billboard for Edinburgh' series. Edition of 50, signed numbered and dated by the artist. Archival digital inkjet print, 25.4 by 33.9 cm (image size): 38.2 by 45.8 cm. (paper image)]
Attributed works:
[Kunstaus Lempertz, 3 Neumarkt. Cologne. Master of Attel (active in Munich 1470/1480). Crowning with Thorns. Deposition. Ascension of Christ. Pentecost. Oil on panel, 125 x 116 cm (each)]
Attributed works:
[London Original Print Fair. Royal Academy of Arts. Burlington Gardens. London. Marc Quinn, detail from Untitled 4, from Portraits of Landscapes.]
Attributed works:
[Marlborough Graphic, London. Spider, by Paula Rego. 2008-09. Edition of 35. Etching and aquatint, 63 by 49 cm.]
Attributed works:
[Pratt Contemporary Art. Kent. A modern bestiary: Dachsund, by Ana Maria Pacheco. Screenprint, 24 by 19.5 cm]
Attributed works:
[Redfern Gallery. London. Ploughing pasture, by Sybil Andrews. 1955. Linocut, 29.1 by 37.5 cm]
Attributed works:
[Sims Reed Gallery, London. Flumequine, by Damien Hirst. 2007. Each signed in pencil and numbered from an edition of 75. Etching printed in colours, 139.7 by 107.5 cm]
Attributed works:
[The Fine Art Society. London. Noctes Ambrosianae, by Walter Sickert. c. 1908. Etching and aquatint, printed in black ink on wove paper, 22.8 by 25.8 cm]
Attributed works:
[Wolseley Fine Arts. Horefordshire. Self portrait no. 9 the turban, by Edgar Holloway. 1937. Etching, 12.6 by 10.2 cm]
Attributed works:
[Yale Centre for British Art. 1080 Chapel Street. New Haven, CT. William Powell Frith, The Railway Station (detail), 1862, oil on canvas. Courtesy of Royal Holloway, University of London.]
Book Review
Hogarth, France and British Art
04/2008 | 1261 | 150
Pages: 262-263
related names
Reviewer:
Bindman, David (Bindman, David)
Subjects
artists:
places:
print:
print:
subjects:
Reviewed Items
subjects:
Hogarth, France and British Art | author: Simon, Robin
Exhibition Review
Hogarth. Paris, London and Madrid
05/2007 | 1250 | 149
Pages: 340-341
related names
Reviewer:
Bindman, David (Bindman, David)
Subjects
artists:
dates:
places:
subjects:
Reviewed Items
subjects:
Hogarth | institution: Fundación 'La Caixa' , institution: Musée du Louvre , institution: Tate Britain
Illustrations
Attributed works:
37. A rake’s progress. Scene 3: the rake at the Rose Tavern, by William Hogarth. 1734. Canvas, 62.2 by 75 cm. (Sir John Soane’s Museum, London; exh. Tate Britain, London).
Attributed works:
38. A midnight modern conversation, here attributed to an imitator of William Hogarth. c.1732. Canvas, 76.2 by 163.8 cm. (Yale Center for British Art, Paul Mellon Collection, New Haven; exh. Tate Britain, London).
Attributed works:
39. David Garrick as Richard III, by William Hogarth. 1745. Canvas, 190.5 by 250.8 cm. (National Museums Liverpool, Walker Art Gallery; exh. Tate Britain, London).
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